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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
CORNEMUSE
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FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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SAXOPHONE
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PIANO & CLAVIERS
Piano seul
313
Orgue
53
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15
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17
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6
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1
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VOIX
Chorale SATB
5
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2
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2
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1
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VENTS
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60
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34
Clarinette
33
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29
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24
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24
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22
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21
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21
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20
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18
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16
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14
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13
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13
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13
2 Saxophones, Piano
10
Hautbois (partie séparée)
10
Saxophone (partie séparée)
9
Clarinette, Violoncelle, Piano (trio)
9
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7
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6
Quatuor de Flûtes : 4 flûtes
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Clarinette, trompette et piano
5
Quintette de Clarinettes: 5 clarinettes
5
Quatuor de Saxophones: 4 saxophones
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5
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3
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2
Piccolo
2
2 Flûtes traversières, Piano
2
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Flûte à Bec
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1
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1
Piccolo, Piano
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CUIVRES
Trompette, Piano
46
Trombone et Piano
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
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24
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21
Trompette
17
Trombone
13
2 Trompettes (duo)
11
Tuba
10
Cor
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor et Piano
7
Cornet A Pistons
6
Trompette (partie séparée)
6
Euphonium, Piano (duo)
6
Trombone (partie séparée)
5
Cor anglais, Piano
5
Trompette, Trombone, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor (partie séparée)
3
Euphonium
3
Quatuor de Cuivres
2
Ensemble de Trompettes
2
Tuba et Piano
2
2 Cors (duo)
2
Cor Anglais
2
2 Euphoniums (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Tuba (partie séparée)
2
Trompette, Harpe
1
Trompette, violon (duo)
1
Trio de Cuivres
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
Trompette, Violoncelle (duo)
1
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CORDES
Violoncelle, Piano
45
Violon et Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
29
Alto, Piano
23
2 Altos (duo)
19
Violon
19
Violoncelle (partie séparée)
18
2 Violons (duo)
14
2 Violoncelles (duo)
12
Violon, Alto (duo)
12
Violon, Violoncelle (duo)
11
Alto seul
11
Piano Trio: Violon, Alto, Piano
9
Alto (partie séparée)
6
Harpe, Violoncelle (duo)
5
Alto et Harpe
4
Harpe
4
Contre Basse
3
Trio à Cordes: violon, alto, violoncelle
3
Harpe, Violon (duo)
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
2 Violoncelles, Piano
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
2 Violons, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
61
Orchestre à Cordes
14
Orchestre
13
Ensemble de cuivres
10
Orchestre de chambre
4
Quintette à Vent
1
Vibraphone
1
Ensemble Jazz
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Timbales (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Prelude in B
Piano, Voix
Partitions à imprimer
6 partitions trouvées
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Ave Maria by Bach/Gounod - Voice and Piano - B Major (Full Score and Parts)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1191284 Composed by Charles …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1191284 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by César Madeira. Classical,Film/TV,Multicultural,Religious,Renaissance,World. Score. 10 pages. Sheet Music To Play Editions #790806. Published by Sheet Music To Play Editions (A0.1191284). Gounod's Ave Maria in Bach's first prelude in C. Arrangement for Voice and Piano. B Major Key. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.37 €
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Piano, Voix
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Charles Francois Gounod and Johann Sebastian Bach
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César Madeira
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Ave Maria by Bach/Gounod - Voice and Piano - B Major
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Sheet Music To Play Editions
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SheetMusicPlus
Prelude In B Minor, Op. 28, No. 6 Frederic Chopin Piano
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.985552 Composed by Frederic …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.985552 Composed by Frederic Chopin. Arranged by Fernanda Moura. Contemporary. Score. 2 pages. Fernanda Moura #6352141. Published by Fernanda Moura (A0.985552).
$4.99
4.61 €
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Piano, Voix
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Frederic Chopin
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Fernanda Moura
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Prelude In B Minor, Op. 28, No. 6 Frederic Chopin Piano
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Fernanda Moura
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SheetMusicPlus
Lead, Kindly Light
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776968 Composed by John B. D…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776968 Composed by John B. Dykes, John H. Newman. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 2 pages. Leonora Hardy #6607321. Published by Leonora Hardy (A0.776968). This lovely, haunting song is a treasure from the past, the music written in 1865 and the words in 1833. The arrangement is easily accessible for the intermediate pianist and has a flowing, lilting quality, yet is easy enough to play with little or no practice. It is suitable for many service elements--preludes, offertories or communion--and also makes a beautiful solo for a soprano or tenor. The right hand carries the melody and guitar chords are noted. All Saint's Day is an occasion for which this song is ideal.
$3.99
3.68 €
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Piano, Voix
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John B
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Leonora Hardy
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Lead, Kindly Light
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Leonora Hardy
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SheetMusicPlus
Beech Spring
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776913 Composed by B.F.White…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776913 Composed by B.F.White. Arranged by Leonora Hardy. Christian,Easter,Sacred. Score. 2 pages. Leonora Hardy #6373439. Published by Leonora Hardy (A0.776913). This is the tune used in several hymns including Lord, Whose Love Through Humble Service, Come, All Christians be Committed, and Wash, O God, Our Sons and Daughters. It is an easily learned arrangement for the church pianist who wants to have a more flowing style of music to accompany congregational singing. To that end, the melody is retained, as well as traditional timing to help singers even if a song leader is not present. It is also suitable for preludes, offertories or communion. Lyrics are not included because they are under copyright. Early intermediate or Intermediate level. Right hand melody. Hymn. Guitar chords
$3.99
3.68 €
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Piano, Voix
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B
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Leonora Hardy
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Beech Spring
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Leonora Hardy
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SheetMusicPlus
Beautiful Isle of Somewhere
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776849 Composed by John S. F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776849 Composed by John S. Ferris, Jessie B. Pounds. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 2 pages. Leonora Hardy #5214527. Published by Leonora Hardy (A0.776849). This lovely old hymn is an easily learned arrangement for the pianist who wants to have a more flowing style of music to play in church. This song is particularly nice for funerals or All Saints Day. It is also suitable for church preludes or offertories. Lyrics are included as well as chords for guitar. Intermediate level. Right hand melody. Computer-generated listening track.
$3.99
3.68 €
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Piano, Voix
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John S
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Leonora Hardy
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Beautiful Isle of Somewhere
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Leonora Hardy
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
55.37 €
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
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