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Reach for the Sky
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Vous avez sélectionné:
Reach for the Sky
Piano, Voix
Partitions à imprimer
6 partitions trouvées
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The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
55.21 €
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
Skyfall
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1074132 By Adele. By Adele A…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1074132 By Adele. By Adele Adkins and Paul Epworth. Arranged by Marek Czekala. Film/TV,Pop. Score. 6 pages. Marek Czekala #678412. Published by Marek Czekala (A0.1074132). From Wikipedia - Skyfall is a song recorded by English Singer Adele for the James Bond film of the same name. It was written by Adele and producer Paul Epworth. Skyfall received universal acclaim, with praise for its lyrics, production and Adele's vocal performance, with numerous music critics and publications ranking it amongst the best Bond themes. The song was a global success, topping the charts in eleven countries and reaching the top five in various other regions. It peaked at number two on the UK Singles Chart and number eight on the US Billboard Hot 100. With sales of 7.2 million copies worldwide, Skyfall is one of the best selling digital singles of all time.
$6.00
5.52 €
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Piano, Voix
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Adele
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Marek Czekala
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Skyfall
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Marek Czekala
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SheetMusicPlus
Home At Last, vocal solo for funeral or other occasion
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1317368 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1317368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #906029. Published by Kevin G. Pace (A0.1317368). A beautiful alto vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Â This music was written to be used in funerals and other occasions.Text:1. Beyond the deep horizon and ever wand'ring hills, There is a holy heaven when mortal life has stilled. Beyond the clouds and rainbow, beyond each azure sky, There is a place of total rest where peace forever lies. 2. Beyond the ocean currents and endless sandy shores, There is a holy haven where strife will be no more. Beyond each ev'ning's moonlight and ev'ry numbered star, There is a place near heaven's view, a place which now seems far. 3. Beyond the reach of sunshine and warmth of summer days, There is a God in heaven, and He will ever stay. Beyond each earthly asking, where prayers are heaven sent, There is a place where He resides and perfect Love is met. Chorus: Home at last, to live in God's presence where all will be at peace. Home at last, where God's pure love will shine and never, ever cease.
$3.99
3.67 €
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Piano, Voix
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Kevin G
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Home At Last, vocal solo for funeral or other occasion
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Kevin G. Pace
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SheetMusicPlus
The Best is Yet to Come!
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.726371 Composed by Kenneth B…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.726371 Composed by Kenneth Baird. Christian,Gospel,Pop. Score. 2 pages. Kenneth Baird Music #12397. Published by Kenneth Baird Music (A0.726371). A joyous song acknowledging that God's plans for each of us are for good...that no matter what challenges you may be facing now, you best days are right in front of you. This is a two-page lead sheet. Lyrics: Though it may seem like a jour-ney of a thou-sand years, Though it may seem like a trail that has no end, There’s a light that’s just a-head, There’s a joy to which we’re led, It can light up a-ny dark-ness, can bright-en a-ny sky, Can make this life a ce-le-bra-tion, a dance to glo-ri-fy... At times, this life can seem so dis-ap-point-ing. So ma-ny trials reach out to shake us from the joy. We may choose to fight a-lone, But, our King, who rules from His hea-ven-ly throne, Can light up a-ny dark-ness, can brigh-ten a-ny sky, Can make this life a ce-le-bra-tion, a dance to glo-ri-fy... The best is yet to come! The best is yet to come! Take His hand, the mu-sic’s play-ing. The dance of life’s be-gun. The best is yet to come! The best is yet to come! Don’t wait a-no-ther day or min-ute. Em-brace this life that you’ve be gi-ven. De-light in Him for He is ri-sen! The best is yet to come!. You’ve been blessed with a gift that’s on-ly yours to share. You can shine a smile that no one else can wear. In His heart you have a home That’s yours and yours a-lone. He will light up e-very dark-ness, will brigh-ten e-very sky, He will make this life a ce-le-bra-tion, a dance to glo-ri-fy...
$4.00
3.68 €
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Piano, Voix
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Kenneth Baird
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The Best is Yet to Come!
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Kenneth Baird Music
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SheetMusicPlus
I Let a Song Go Out of My Heart
Piano, Voix
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015646 Composed by Duke Elling…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015646 Composed by Duke Ellington, Henry Nemo, Irving Mills, and John Redmond. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015646. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015646). ISBN 9780739094860. UPC: 038081456881.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
3.67 €
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Piano, Voix
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Duke Ellington, Henry Nemo, Irving Mills, and John Redmond
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I Let a Song Go Out of My Heart
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
My Shining Hour
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1502702 Composed by Harold A…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1502702 Composed by Harold Arlen and Johnny Mercer. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #1078374. Published by DAVID LEE GINGRAS (A0.1502702). My Shining Hour is a song composed by Harold Arlen with lyrics by Johnny Mercer for the film The Sky's the Limit (1943). In the film, the song is sung by Fred Astaire and Sally Sweetland, who dubbed it for actress Joan Leslie. The orchestra was led by Freddie Slack. My Shining Hour was nominated for an Academy Award for Best Song but lost to You'll Never Know. The film was released on July 13, 1943. The song became a hit the following year by Glen Gray's Casa Loma Orchestra with Eugenie Baird as vocalist, reaching No. 4 on the Billboard Best Selling Retail Records chart. The song's title may have been a reference to Winston Churchill's speech to British citizens during World War II: if the British Empire and its Commonwealth last for a thousand years, men will still say, this was their finest hour. This version was developed from a lead sheet and was created so that someone with average ability can play it and sound good doing so. We added root-based chord blocking and a some left-hand fills for rhythm - we hope you like what we've done with this grand old tune!
$5.99
5.51 €
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Piano, Voix
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Harold Arlen and Johnny Mercer
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Dave Gingras and John E
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My Shining Hour
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DAVID LEE GINGRAS
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SheetMusicPlus
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