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ACCORDEON
ALTO
AUTOHARPE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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COR ANGLAIS
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PIANO & CLAVIERS
Piano seul
4310
Piano, Voix
595
Orgue
501
1 Piano, 4 mains
295
Piano, Voix et Guitare
159
Piano Facile
93
Piano Trio: piano, violon, violoncelle
61
Accordéon
55
2 Pianos, 4 mains
47
Clavecin
26
Clavier
7
1 Piano, 6 mains
7
Orgue, Voix
5
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Piano (duo)
3
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Accordéons
2
Ensemble d'Accordéons
2
Instruments en Do
1
2 Orgues (duo)
1
Accordéon et Orchestre
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Guitare
964
2 Guitares (duo)
127
Guitare notes et tablatures
62
3 Guitares (trio)
21
Ukulele
6
Piano, Guitare (duo)
3
Guitare, Flûte, Clarinette
3
Guitare, Orchestre
2
Mandoline
2
Banjo
2
Mandoline, Piano (duo)
2
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1666
Chorale 3 parties
841
Chorale TTBB
670
Chorale SSAA
170
Voix Soprano, Piano
154
Voix basse, Piano
131
Voix Tenor, Piano
103
Voix haute
100
Voix Baryton, Piano
97
Voix moyenne, Piano
93
Chorale SSAATTBB
93
Chorale 2 parties
78
Chorale SSATB
68
Voix Mezzo-Soprano, Piano
65
Chorale SSATTB
62
Voix haute, Piano
55
Chorale
27
Soli, choeur mixte et accompagnement
22
Voix duo, Piano
10
Voix Alto, Piano
9
Voix, Guitare
9
Chorale SSAB a cappella
7
Chorale Unison
7
Voix seule
7
Chorale SSAATB
6
Chorale SATBB
6
Voix duo, Orgue
4
Voix Soprano, Orchestre
3
Voix Soprano
2
Chorale SAATB A Cappella
2
Chorale SSAB, Piano
1
Chorale SATTBB A Cappella
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
437
Clarinette
183
Clarinette et Piano
157
2 Flûte à bec (duo)
154
Flûte à bec Soprano, Piano
116
Flûte à bec Alto, Piano
114
Quatuor de Flûtes à bec
98
3 Flûtes à bec (trio)
81
2 Flûtes traversières (duo)
78
Flûte à bec Soprano
78
Flûte traversière
75
Flûte à bec Alto
69
Saxophone Alto et Piano
57
Flûte à bec Alto, Basse continue
54
Hautbois, Piano (duo)
47
2 Clarinettes (duo)
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
3 Clarinettes (trio)
39
Saxophone Tenor et Piano
39
Flûte traversière, Basse continue
36
Flute (partie séparée)
31
Flûte et Guitare
25
Hautbois (partie séparée)
23
Quatuor de Saxophones: 4 saxophones
21
Flûte à bec Tenor
16
Flûte à Bec, Piano
15
Clarinette (partie séparée)
13
Hautbois
12
2 Flûtes à bec, Piano
12
Ensemble De Flûte à bec
11
Flûte à Bec
9
Flûte traversière, Orchestre
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
5 Flûtes à bec
8
Flûte à bec Soprano, Basse continue
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Ensemble à vent
7
Clarinette, Orchestre
7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto
6
Flûte traversière, Orgue (duo)
6
2 Flûtes traversières, Piano
5
Saxophone
5
Trio de Flûtes: 3 flûtes
5
2 Flûtes, Basse continue
4
Cor anglais, Piano
4
Hautbois, Basson (duo)
4
Flûte, Hautbois, Clarinette, Basson
3
2 Saxophones (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Orgue
3
Clarinette, Alto et Piano (trio)
3
Clarinette, Violon (duo)
3
Hautbois et Orchestre
3
Flûte, Clarinette et Basson
3
Flûte, Clarinette, Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette Basse, Piano
3
Clarinette, Violoncelle (duo)
2
Clarinette, Contrebasse (duo)
2
Flûte, Alto et Violoncelle
2
Ensemble de Flûtes
2
Flûte à bec, Guitare (duo)
2
Flûte, Clarinette (duo)
2
Hautbois, Basson et Piano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte et Quatuor à Cordes
1
3 Saxophones (trio)
1
2 Hautbois (duo)
1
Harmonica
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violoncelle
1
Clarinette Basse
1
3 Flûtes à bec, Piano
1
Saxophone Soprano
1
Saxophone et Piano
1
Hautbois, Guitare (duo)
1
2 Hautbois et Cor anglais
1
Saxophone Tenor
1
Saxophone Soprano et Piano
1
2 Clarinettes, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle, Guitare
1
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CUIVRES
Trompette, Piano
88
Trompette
86
Cor et Piano
74
Cor (partie séparée)
38
Trompette (partie séparée)
26
2 Trompettes (duo)
12
Trombone et Piano
12
2 Trompettes, Clavier (piano ou orgue)
11
Trombone (partie séparée)
9
Quatuor de cuivres: 4 cors
6
Cor
5
Cor anglais, Piano
4
2 Cors (duo)
4
Trompette, Orchestre
4
Trombone
3
Quatuor de cuivres: 4 trombones
2
Tuba (partie séparée)
2
Tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba et Piano
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Orchestre
1
Ensemble de Cors
1
Trombone, Orgue
1
3 Trompettes (trio)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
1101
Violoncelle, Piano
675
Violon (partie séparée)
644
Quatuor à cordes: 2 violons, alto, violoncelle
321
Alto (partie séparée)
222
Alto, Piano
199
Violon
170
Violoncelle
147
Violoncelle (partie séparée)
107
2 Violoncelles (duo)
86
2 Violons (duo)
68
Alto seul
62
Trio à Cordes: 2 violons, violoncelle
59
Violon, Basse continue
55
Harpe
47
Trio à cordes: 3 violins
45
Violoncelle, Basse continue
40
2 Violons et Basse continue
39
Violoncelle, Orchestre
22
Trio à Cordes: violon, alto, violoncelle
21
Contrebasse, Piano (duo)
20
2 Altos (duo)
16
4 Violoncelles
14
Violon, Alto (duo)
14
Contre Basse
13
Violon, Orgue
12
Alto et orchestre
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Quatuor à cordes : 4 altos
10
2 Violons, Piano
9
Violoncelle, Orgue
9
Violon, Violoncelle (duo)
9
Ensemble de Violoncelles
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Quatuor à cordes: 4 violons
6
Violon, Guitare (duo)
5
Contrebasse (partie séparée)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle , Guitare (duo)
5
Alto, Violoncelle (duo)
5
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 2 violons, alto
3
Harpe, Flûte (duo)
3
Trio à cordes: 3 altos
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Contrebasse (duo)
2
Alto, Orgue
1
Harpe (partie séparée)
1
Trio à cordes
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
209
Orchestre à Cordes
131
Orchestre
123
Orchestre de chambre
59
Orchestre, Violon
18
Piano et Orchestre
11
Marimba
4
Xylophone
3
Vibraphone
3
Ensemble de cuivres
3
Batterie
3
Marimba et Orgue
2
Voix Mezzo-Soprano, Orchestre
2
Cajon
1
Xylophone ou Marimba ou Vibraphone
1
Fanfare
1
Ensemble de Percussions
1
Percussion
1
Instrumentations suivantes
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AUTRES
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Das Rheingold
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
(+)
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Oper, Theater. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q17853. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)
$47.99
43.7 €
#
Piano, Voix
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Richard Wagner (1813-1883)
#
Das Rheingold
#
Schott Music - Digital
#
SheetMusicPlus
Die Walkure
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
(+)
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.16 €
#
Piano, Voix
#
Richard Wagner (1813-1883)
#
Die Walkure
#
Schott Music - Digital
#
SheetMusicPlus
Der Tod, das muss ein Wiener sein
Piano, Voix
Voice and piano - intermediate - Digital Download SKU: S9.Q41914 Tod und VergÃ…
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Voice and piano - intermediate - Digital Download SKU: S9.Q41914 Tod und Vergänglichkeit Ich weiß nicht, ob ich tot bin. Composed by Georg Kreisler. This edition: Sheet music. Downloadable. Op. 4. Schott Music - Digital #Q41914. Published by Schott Music - Digital (S9.Q41914). German.
$4.99
4.54 €
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Piano, Voix
#
Georg Kreisler
#
Der Tod, das muss ein Wiener sein
#
Schott Music - Digital
#
SheetMusicPlus
Der Mensch muss weg (Der Mensch sieht fern)
Piano, Voix
Voice and piano - intermediate - Digital Download SKU: S9.Q53246 Composed by Georg …
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Voice and piano - intermediate - Digital Download SKU: S9.Q53246 Composed by Georg Kreisler. This edition: Sheet music. Downloadable. Op. 8. Schott Music - Digital #Q53246. Published by Schott Music - Digital (S9.Q53246). German.
$4.99
4.54 €
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Piano, Voix
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Georg Kreisler
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Der Mensch muss weg
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Schott Music - Digital
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SheetMusicPlus
Best of Gilbert and Sullivan
Piano, Voix
20 Sad, Happy and Humorous Songs from the World of the Victorian Operetta. Composed by …
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20 Sad, Happy and Humorous Songs from the World of the Victorian Operetta. Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Barrie Carson Turner. This edition: performance score. Schott Best Of. Downloadable. Schott Music - Digital #Q45898. Published by Schott Music - Digital
English. The composer Arthur Sullivan and the dramatist W. S. Gilbert joined forces in 1871, and over the next .25 years produced a series of 14 comic operas. Sullivan's tuneful and memorable melodies and Gilbert's amusing words and dialogue .- which frequently made fun of British national characteristics and institutions such as the Royal Navy .- are as fresh and amusing today as they were over a hundred years ago. Songs vary immensely in style, and apart from the clearly comical include others, such as 'The flowers that bloom in the spring', that though at first suggesting seriousness, on close examination reveal deliberately ludicrous words and ridiculous sentiments .- all to the delight of the audience!English.
The composer Arthur Sullivan and the dramatist W. S. Gilbert joined forces in 1871, and over the next .25 years produced a series of 14 comic operas. Sullivan's tuneful and memorable melodies and Gilbert's amusing words and dialogue .- which frequently made fun of British national characteristics and institutions such as the Royal Navy .- are as fresh and amusing today as they were over a hundred years ago. Songs vary immensely in style, and apart from the clearly comical include others, such as 'The flowers that bloom in the spring', that though at first suggesting seriousness, on close examination reveal deliberately ludicrous words and ridiculous sentiments .- all to the delight of the audience!
$18.99
17.29 €
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Piano, Voix
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Barrie Carson Turner
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Best of Gilbert and Sullivan
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Schott Music - Digital
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SheetMusicPlus
Wie wunderbar ist doch Musik
Piano, Voix
Voice and piano - intermediate - Digital Download SKU: S9.Q46778 Composed by Georg …
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Voice and piano - intermediate - Digital Download SKU: S9.Q46778 Composed by Georg Kreisler. This edition: Sheet music. Downloadable. Op. 6. Schott Music - Digital #Q46778. Published by Schott Music - Digital (S9.Q46778). German.
$4.99
4.54 €
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Piano, Voix
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Georg Kreisler
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Wie wunderbar ist doch Musik
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Schott Music - Digital
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SheetMusicPlus
Hoch-Zeit-Musik
Piano, Voix
Voice and piano - Digital Download SKU: S9.Q581778 For voice and piano. Comp…
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Voice and piano - Digital Download SKU: S9.Q581778 For voice and piano. Composed by Dieter Schnebel. Downloadable, Separate edition. Duration 8 minutes. Schott Music - Digital #Q581778. Published by Schott Music - Digital (S9.Q581778). German.Aus privatem Anlass im Jahr vor seinem Tod entstanden, zeigt das Werk die für den bekannten deutschen Avantgardisten charakteristische frei-gestische Ausformung von Sprache, Gesang und Klaviersatz. In den Ablauf eingeflochten ist eine Yoga-Meditation.
$12.99
11.83 €
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Piano, Voix
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Dieter Schnebel
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Hoch-Zeit-Musik
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Schott Music - Digital
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SheetMusicPlus
Der Musensohn
Piano, Voix
Voice and piano - Digital Download SKU: S9.Q53730 Composed by Carl Friedrich Zelter…
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Voice and piano - Digital Download SKU: S9.Q53730 Composed by Carl Friedrich Zelter. This edition: Sheet music. Downloadable. Schott Music - Digital #Q53730. Published by Schott Music - Digital (S9.Q53730). German.
$2.99
2.72 €
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Piano, Voix
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Carl Friedrich Zelter
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Der Musensohn
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Schott Music - Digital
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SheetMusicPlus
Der Musikant
Piano, Voix
Voice and piano - Digital Download SKU: S9.Q53755 Composed by Hugo Philipp Jakob Wo…
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Voice and piano - Digital Download SKU: S9.Q53755 Composed by Hugo Philipp Jakob Wolf. This edition: Sheet music. Downloadable. Schott Music - Digital #Q53755. Published by Schott Music - Digital (S9.Q53755). German.
$2.99
2.72 €
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Piano, Voix
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Hugo Philipp Jakob Wolf
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Der Musikant
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Schott Music - Digital
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SheetMusicPlus
Der Musensohn
Piano, Voix
Voice and piano - Digital Download SKU: S9.Q53740 Composed by Franz Schubert. This …
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Voice and piano - Digital Download SKU: S9.Q53740 Composed by Franz Schubert. This edition: Sheet music. Downloadable. Schott Music - Digital #Q53740. Published by Schott Music - Digital (S9.Q53740). German.
$2.99
2.72 €
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Piano, Voix
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Franz Schubert
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Der Musensohn
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Schott Music - Digital
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SheetMusicPlus
Der Musikkritiker
Piano, Voix
Voice and piano - intermediate - Digital Download SKU: S9.Q22083 Composed by Georg …
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Voice and piano - intermediate - Digital Download SKU: S9.Q22083 Composed by Georg Kreisler. This edition: Sheet music. Downloadable. Op. 2. Schott Music - Digital #Q22083. Published by Schott Music - Digital (S9.Q22083). German.
$4.99
4.54 €
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Piano, Voix
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Georg Kreisler
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Der Musikkritiker
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Schott Music - Digital
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SheetMusicPlus
Eine kleine Gutenachtmusik
Piano, Voix
Voice and piano - intermediate - Digital Download SKU: S9.Q22085 Composed by Georg …
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Voice and piano - intermediate - Digital Download SKU: S9.Q22085 Composed by Georg Kreisler. This edition: Sheet music. Downloadable. Op. 2. Schott Music - Digital #Q22085. Published by Schott Music - Digital (S9.Q22085). German.
$4.99
4.54 €
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Piano, Voix
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Georg Kreisler
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Eine kleine Gutenachtmusik
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Schott Music - Digital
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SheetMusicPlus
Goetterdaemmerung
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital
German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.
$47.99
43.7 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Goetterdaemmerung
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Schott Music - Digital
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SheetMusicPlus
The Joy of Music
Piano, Voix
Voice and piano - easy - Digital Download SKU: S9.Q53925 For children’s c…
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Voice and piano - easy - Digital Download SKU: S9.Q53925 For children’s choir and piano. Composed by Enjott Schneider. Arranged by Paul Leonard Schaeffer. This edition: single sheet. Download PDF. Downloadable, Separate edition. Duration 4 minutes. Schott Music - Digital #Q53925. Published by Schott Music - Digital (S9.Q53925). German • English.In 2020 Schott Music Mainz celebrates its 250th anniversary under the motto ‘Joy of Music’. In doing so, the publishing house pays tribute to one of its most famous composers: Ludwig van Beethoven had his Ninth Symphony with the famous final chorus ‘Ode to Joy’ published exclusively by Schott in 1826. The Joy of Music is a small ode to the joy of singing. The children's choir can be divided into groups that sing alternating between loud and soft, high and low or beautiful and untuneful voice.
$6.99
6.36 €
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Piano, Voix
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Enjott Schneider
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Paul Leonard Schaeffer
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The Joy of Music
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Schott Music - Digital
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
54.63 €
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
The book of motifs
Piano, Voix
From Richard Wagner's operas and music dramas. Composed by Richard Wagner (1813-1…
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From Richard Wagner's operas and music dramas. Composed by Richard Wagner (1813-1883). This edition: Sheet music. Downloadable. Op. 2. Schott Music - Digital #Q1328. Published by Schott Music - Digital
German.German.
$19.99
18.2 €
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Piano, Voix
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Richard Wagner
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The book of motifs
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Schott Music - Digital
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SheetMusicPlus
Echowand
Piano, Voix
13 Lieder von Mikis Theodorakis. Composed by Mikis Theodorakis (1925-). Arranged by …
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13 Lieder von Mikis Theodorakis. Composed by Mikis Theodorakis (1925-). Arranged by Sebastian Schwab. This edition: Sheet music. Downloadable. Duration 53 minutes. Schott Music - Digital #Q41372. Published by Schott Music - Digital
$41.99
38.24 €
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Piano, Voix
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Mikis Theodorakis
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Sebastian Schwab
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Echowand
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Schott Music - Digital
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SheetMusicPlus
Odysseia
Piano, Voix
Song Cycle for medium female voice and piano. Composed by Mikis Theodorakis (1925-). …
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Song Cycle for medium female voice and piano. Composed by Mikis Theodorakis (1925-). This edition: Sheet music. Downloadable. Schott Music - Digital #Q7289. Published by Schott Music - Digital
$23.99
21.84 €
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Piano, Voix
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Mikis Theodorakis
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Odysseia
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Schott Music - Digital
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SheetMusicPlus
Zorba's Dance
Piano, Voix
For Voice and Piano (or Orchestra). Composed by Mikis Theodorakis (1925-). This edit…
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For Voice and Piano (or Orchestra). Composed by Mikis Theodorakis (1925-). This edition: Sheet music. Downloadable. Op. I. Duration 30 minutes. Schott Music - Digital #Q18890. Published by Schott Music - Digital
$22.99
20.93 €
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Piano, Voix
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Mikis Theodorakis
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Zorba's Dance
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Schott Music - Digital
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SheetMusicPlus
Selected Songs
Piano, Voix
For Voice and Piano (or Orchestra). Composed by Mikis Theodorakis (1925-). This edit…
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For Voice and Piano (or Orchestra). Composed by Mikis Theodorakis (1925-). This edition: Sheet music. Downloadable. Op. II. Duration 34 minutes. Schott Music - Digital #Q18891. Published by Schott Music - Digital
$22.99
20.93 €
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Piano, Voix
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Mikis Theodorakis
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Selected Songs
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Schott Music - Digital
#
SheetMusicPlus
Ot Arany-dal
Piano, Voix
Voice and piano - Digital Download Five Songs on Poems by Janos Arany. Composed by Gy…
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Voice and piano - Digital Download Five Songs on Poems by Janos Arany. Composed by Gyorgy Ligeti (1923-2006). This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q3090. Published by Schott Music - Digital
Hungarian.Hungarian.
$17.99
16.38 €
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Piano, Voix
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Gyorgy Ligeti
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Ot Arany-dal
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Schott Music - Digital
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SheetMusicPlus
Harom Weores-dal
Piano, Voix
Voice and piano - difficult - Digital Download Three Songs on Poems by Sandor Weores.…
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Voice and piano - difficult - Digital Download Three Songs on Poems by Sandor Weores. Composed by Gyorgy Ligeti (1923-2006). This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q49577. Published by Schott Music - Digital
Hungarian.Hungarian.
$15.99
14.56 €
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Piano, Voix
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Gyorgy Ligeti
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Harom Weores-dal
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Schott Music - Digital
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SheetMusicPlus
Schubert-Eine altschottische Ballade,in f sharp minor,Op.165,No.5,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.661398 Composed by Franz Sch…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.661398 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 7 pages. Open Cloud #4109329. Published by Open Cloud (A0.661398). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$2.99
2.72 €
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Piano, Voix
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Franz Schubert
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MSM
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Schubert-Eine altschottische Ballade,in f sharp minor,Op.165,No.5,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Schubert-Eine altschottische Ballade,in a minor,Op.165,No.5,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.661395 Composed by Franz Sch…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.661395 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 7 pages. Open Cloud #4109323. Published by Open Cloud (A0.661395). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$2.99
2.72 €
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Piano, Voix
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Franz Schubert
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MSM
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Schubert-Eine altschottische Ballade,in a minor,Op.165,No.5,for Voice and Piano
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Open Cloud
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SheetMusicPlus
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