Here's how to play "Wish You Were Gay" by Billie Eilish on piano!

With this piano sheet music, you can play "Wish You Were Gay" from Billie Eilish's debut album "When We All Fall Asleep, Where Do We Go?" (released in March 2019).

It's an accurate piano transcription of the whole piece, it's not too hard to play, and it sounds fantastic!
The whole melody is included in the piano part of this arrangement, so it makes for a great instrumental solo piece. But of course, you can also use this sheet music to accompany a singer, or sing along yourself!

These piano sheets come with a seperate system for the singer, including the song's full lyrics.

"wish you were gay" was released in March 2019 as the fourth single from Billie Eilish's debut album "When We All Fall Asleep, Where Do We Go?".

Her inspiration for the song came from being unhappily in love at the age of 14, and wishing there would be a good reason for the boy not to love her...

"Wish You Were Gay" is a great song for piano - with these piano sheets, you can play it, too!

Here are the full lyrics to "Wish You Were Gay" by Billie Eilish:

"Baby, I don't feel so good
Six words you never understood
I'll never let you go
Five words you'll never say (aw)
I laugh alone like nothing's wrong
Four days has never felt so long
If three's a crowd and two was us
One slipped away
I just wanna make you feel okay
But all you do is look the other way, mm
I can't tell you how much I wish I didn't wanna stay
I just kinda wish you were gay
Is there a reason we're not through?
Is there a 12 step just for you?
Our conversation's all in blue
11 'Heys' (Hey, hey, hey, hey)
Ten fingers tearing out my hair
Nine times you never made it there
I ate alone at 7, you were six minutes away (yay)
How am I supposed to make you feel okay
When all you do is walk the other way?
I can't tell you how much I wish I didn't wanna stay
I just kinda wish you were gay
To spare my pride
To give your lack of interest an explanation
Don't say I'm not your type
Just say that I'm not your preferred sexual orientation
I'm so selfish
But you make me feel helpless, yeah
And I can't stand another day
Stand another day
I just wanna make you feel okay
But all you do is look the other way
I can't tell you how much I wish I didn't wanna stay
I just kinda wish you were gay
I just kinda wish you were gay
I just kinda wish you were gay"

Here's how to play "i love you" by Billie Eilish on piano!

It's an accurate piano arrangement of the whole song which is quite easy to play, and sounds fantastic!

The whole melody is included in the piano part, so it sounds great if it's played as an instrumental (piano solo) version. However, you can also use this sheet music to accompany a singer, or sing along yourself! These piano sheets include the song's full lyrics.

"i love you" is a calm, melancholic track about falling in love, with a quite typical Billie-Eilish-sound. With its soft guitar rhythms, it makes for a beautiful piano cover!

Here are the full lyrics to "I Love You" by Billie Eilish:

[Verse 1]
It's not true
Tell me I?ve been lied to
Crying isn't like you, ooh
What the hell did I do?
Never been the type to
Let someone see right through, ooh

[Chorus]
Maybe won't you take it back?
Say you were tryna make me laugh
And nothing has to change today
You didn?t mean to say "I love you"
I love you and I don't want to, ooh

[Verse 2]
Up all night on another red-eye
I wish we never learned to fly
Maybe we should just try
To tell ourselves a good lie
Didn't mean to make you cry

[Chorus]
Maybe won't you take it back?
Say you were tryna make me laugh
And nothing has to change today
You didn't mean to say "I love you"
I love you and I don't want to, ooh

[Bridge]
The smile that you gave me
Even when you felt like dying

[Outro]
We fall apart as it gets dark
I'm in your arms in Central Park
There's nothing you could do or say
I can?t escape the way I love you
I don?t want to, but I love you, ooh
Ooh, ooh
Ooh, ooh

Here?s how to play the Captain Underpants Theme Song on piano!

With this piano sheet music, you can play the fantastic theme song from the 2017 animated superhero film ?Captain Underpants: The First Epic Movie?.

You can use these piano sheets to play an instrumental version of the piece, accompany singers, or sing along yourself.

It?s a piano arrangement in the song?s original key of E major, and comes with the theme song?s full lyrics.

It?s not too hard to play and sounds fantastic!

The Captain Underpants Theme Song was performed (and co-written) by "Weird Al" Yankovic, and appears as the first track on the film?s official soundtrack.


Listen to the full arrangement here: https://www.youtube.com/watch?v=cAPh1Hc-Qk0

Here are the full lyrics to the Captain Underpants Theme Song:

?Tra la la!

Are you worried about impending doom?

Those evil villains got ya filled with gloom?

Don't ya fear, there's a hero in the sky, the sky, the sky

It's not a bird and it's not a plane

And it's not an egg salad sandwich

It's the waistband warrior

Hear his mighty battle cry

Tra la la!

Underpants

Hey watch out, Crime

Its Captain Underpants

Its wedgie power time

Na na na na na

Captain Underpants

Yeah, yeah, yeah

Faster than a speeding waistband

Underpants

He's busting down doors

Captain Underpants

While wearing just his drawers

Na na na na na

Captain Underpants

Yeah, yeah, yeah

More powerful than boxer shorts

His name is Under, Under, Underpants

I'm saying Under, Under, Underpants

Oh yeah by some unlikely chance

Captain Underpants is his name

Tra la la!

Snap your fingers and he'll be right there

That freaky bald dude in his underwear

He'll drop his trousers

And he'll fight to save the day, the day, the day

There he goes in his dashing cape

Here he comes in his tighty whiteys

All the bad guys soil themselves every time they hear him say

Tra la la!

Underpants

Hey, who's that hunk?

Captain Underpants

Is that cotton pre-shrunk?

Na na na na na

Captain Underpants

Yeah, yeah, yeah

Now it's time to fly again

Underpants!

Suspend your disbelief

Captain Underpants

He'll save the world in his briefs

Na na na na na

Captain Underpants

Yeah, yeah, yeah

To the skies! Wow

Under, Under, Underpants

I'm saying Under, Under, Underpants

Check out that superhero stance

Captain Underpants is his name

Stand down, Poopypants

Oh, Under, Under, Underpants

He's Captain Under, Under, Underpants

Yeah, By some crazy circumstance

Captain Underpants is his name

Tra la la!?

Here?s how to play ?The Star-Spangled Banner? (US national anthem) on piano!

With this piano sheet music, you can play the famous national anthem of the United States of America.

It?s a beautiful piano arrangement of ?The Star-Spangled Banner? in G major, it?s not too hard to play and sounds fantastic!

The lyrics of the US national anthem were written by Francis Scott Key, the music was composed by John Stafford Smith.

The whole melody of ?The Star-Spangled Banner? is included in this piano arrangement, so it sounds great if it?s just performed instrumentally.

But of course, you can also use these piano sheets to accompany singers, or sing along yourself!

These sheets come with the song?s full lyrics.


Here are the full lyrics to ?The Star-Spangled Banner?:


?Oh, say can you see by the dawn's early light

What so proudly we hailed at the twilight's last gleaming?

Whose broad stripes and bright stars through the perilous fight,

O'er the ramparts we watched were so gallantly streaming?

And the rocket's red glare, the bombs bursting in air,

Gave proof through the night that our flag was still there.

Oh, say does that star-spangled banner yet wave

O'er the land of the free and the home of the brave??

Here's how to play "Someone You Loved" by Lewis Capaldi on piano!

With this piano sheet music, you can play the piano part of "Someone You Loved" just like it is played in the song.
It's an accurate transcription of the piano accompaniment in the song's original key of Db major.

These piano sheets come with a seperate system for the singer, the song's full melody and lyrics.
They are perfect if you want to accompany a singer, or sing along yourself!

"Someone You Loved" was released in November 2018 as a single from Lewis Capaldi's EP "Breach".

The song will also be included on his debut album "Divinely Uninspired to a Hellish Extent".

"Someone You Loved" is an emotional piano ballad and his biggest hit so far, reaching #1 on the UK Singles chart!

Here are the full lyrics to "Someone You Loved" by Lewis Capaldi:

[Verse 1]
I'm going under and this time I fear there's no one to save me
This all or nothing really got a way of driving me crazy
I need somebody to heal
Somebody to know
Somebody to have
Somebody to hold
It's easy to say
But it's never the same
I guess I kinda liked the way you numbed all the pain

[Chorus]
Now the day bleeds
Into nightfall
And you're not here
To get me through it all
I let my guard down
And then you pulled the rug
I was getting kinda used to being someone you loved

[Verse 2]
I'm going under and this time I fear there's no one to turn to
This all or nothing way of loving got me sleeping without you
Now, I need somebody to know
Somebody to heal
Somebody to have
Just to know how it feels
It's easy to say but it's never the same
I guess I kinda liked the way you helped me escape

[Chorus]
Now the day bleeds
Into nightfall
And you're not here
To get me through it all
I let my guard down
And then you pulled the rug
I was getting kinda used to being someone you loved

[Bridge]
And I tend to close my eyes when it hurts sometimes
I fall into your arms
I'll be safe in your sound 'til I come back around

[Chorus]
For now the day bleeds
Into nightfall
And you're not here
To get me through it all
I let my guard down
And then you pulled the rug
I was getting kinda used to being someone you loved

But now the day bleeds
Into nightfall
And you're not here
To get me through it all
I let my guard down
And then you pulled the rug
I was getting kinda used to being someone you loved

I let my guard down
And then you pulled the rug
I was getting kinda used to being someone you loved

German.

An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.

The score corresponds to the performance materials from the Complete Edition.
For practical use in rehearsal cues and bar numbers throughout.
The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.
The forewords are given in three languages(German, English, French).
Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.

DIE WALKURE

In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.

The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.

(Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)

With this sheet music, you can play "Yesterday" by The Beatles on piano!

It's a beautiful piano ballad arrangement with an intermediate difficulty level.

The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.

Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics and chords.

Written by Paul McCartney (and officially credited to Lennon?McCartney), "Yesterday" was included on the Beatles' 1965 album "Help!" in the UK, and on their 1966 album "Yesterday and Today" in the US.

The melancholic ballad became one of their biggest hits, topped the charts in the US, and was later inducted into the Grammy Hall of Fame.

In 1999, it was voted the best song of the 20th century in a BBC poll, and the No. 1 pop song of all time by both MTV and the Rolling Stone magazine in 2000.

It's also one of the most covered songs ever written, with over 2,000 recorded cover versions.

Time for you to play it, too!

Here are the full lyrics to "Yesterday" by the Beatles:

Yesterday
All my troubles seemed so far away
Now it looks as though they're here to stay
Oh, I believe in yesterday

Suddenly
I'm not half the man I used to be
There's a shadow hanging over me
Oh, yesterday came suddenly

Why she had to go
I don't know, she wouldn't say
I said something wrong
Now I long for yesterday

Yesterday
Love was such an easy game to play
Now I need a place to hide away
Oh, I believe in yesterday

Why she had to go
I don't know, she wouldn't say
I said something wrong
Now I long for yesterday

Yesterday
Love was such an easy game to play
Now I need a place to hide away
Oh, I believe in yesterday

Here?s how to play ?Take Me Home, Country Roads? by John Denver on piano!

With this piano sheet music, you can play ?Country Roads? on piano.

It?s a piano arrangement in the song?s original key of A major. It comes with a seperate system for the singer, the full lyrics and chords.

However, the whole melody is included in the piano part as well, so it sounds great when played without any singing, too!

Of course, you can use these piano sheets to accompany someone as well, or sing along yourself!

In any case, it?s a ?Take Me Home, Country Roads? piano version which is not too hard to play, and sounds fantastic.



"Take Me Home, Country Roads" (also known as simply "Country Roads") first appeared on John Denver?s 1971 album "Poems, Prayers and Promises" and became one of his signature songs, as well as one of the most famous country songs of all time!



Time to play some country music on piano!



Here are the full lyrics to "Country Roads":


?Almost heaven, West Virginia

Blue Ridge Mountains, Shenandoah River

Life is old there, older than the trees

Younger than the mountains, blowing like a breeze

Country roads, take me home

To the place I belong

West Virginia, mountain mama

Take me home, country roads

All my memories gather round her

Miner's lady, stranger to blue water

Dark and dusty, painted on the sky

Misty taste of moonshine, teardrop in my eye

Country roads, take me home

To the place I belong

West Virginia, mountain mama

Take me home, country roads

I hear her voice, in the morning hour she calls me

The radio reminds me of my home far away

And driving down the road I get a feeling

That I should have been home yesterday, yesterday

Country roads, take me home

To the place I belong

West Virginia, mountain mama

Take me home, country roads

Country roads, take me home

To the place I belong

West Virginia, mountain mama

Take me home, country roads

Take me home, down country roads

Take me home, down country roads?

German.

An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner?s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON N�RNBERG ?Die Meistersinger von N�rnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera?s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche?s publication \"Jenseits von Gut und B�se\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ?magnificent, ornate and ponderous art? and Wagner?s music in general as being ?rough and coarse?. This music according to Nietzsche possesses ?no trace of the fine southern clarity of the sky and nothing of grace?, but instead ?a cumbersome garb, with a touch of licentious barbarism and solemnity? and ?even a certain degree of ungainliness?. Nietzsche?s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, S�mtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott?s S�hne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. [?] When the saying ?the music sets the tone? is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.? (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).