English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
She's Not There: Score
Sheetmusicplus
Non classifié
1 340
Piano & claviers
Piano grosses notes
886
Piano seul
522
Piano, Voix
168
Piano Facile
117
Piano, Voix et Guitare
64
Orgue
43
Piano Trio: piano, violon, violoncelle
15
Instruments en Do
12
1 Piano, 4 mains
10
2 Pianos, 4 mains
8
Accompagnement Piano
6
Clavier
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
Orgue, Trompette (duo)
1
Clavecin
1
Fake Book
1
+ 16 instrumentations
Retracter
Guitares
Basse electrique
31
Guitare
20
Guitare notes et tablatures
19
2 Guitares (duo)
17
4 Guitares (Quatuor)
9
Ukulele
8
3 Guitares (trio)
6
Ensemble de guitares
6
Mandoline
3
Guitare (partie séparée)
2
Banjo
2
2 Mandolines (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
65
Chorale 3 parties
18
Chorale TTBB
13
Chorale SSAA
12
Chorale 2 parties
8
Voix duo
4
Chorale Unison
2
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix seule
1
Chorale SSATTB
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Quintette de Saxophone: 5 saxophones
89
Flûte traversière et Piano
82
Flûte irlandaise
80
2 Saxophones (duo)
64
Clarinette et Piano
60
Ensemble de saxophones
59
Quatuor de Saxophones: 4 saxophones
50
2 Flûtes traversières (duo)
49
Hautbois, Piano (duo)
48
Saxophone Alto et Piano
38
Ensemble de Clarinettes
37
Quintette de Flûte : 5 flûtes
33
Saxophone Tenor et Piano
33
Saxophone Baryton, Piano
32
Saxophone Soprano et Piano
31
2 Clarinettes (duo)
29
Cor anglais, Piano
27
Ensemble de Flûtes
26
Quatuor de Clarinettes: 4 clarinettes
26
Quintette de Clarinettes: 5 clarinettes
20
Quatuor de Flûtes : 4 flûtes
19
Saxophone, Clarinette (duo)
19
Clarinette
17
Clarinette Basse, Piano
16
Flûte, Hautbois, Clarinette, Basson
15
Clarinette, Violon (duo)
14
Clarinette et Alto
12
Flûte, Alto (duo)
11
Flûte et Guitare
11
Hautbois, Basson (duo)
11
Clarinette, Trompette (duo)
10
2 Hautbois (duo)
10
Flûte, Clarinette (duo)
8
Flûte traversière
8
Hautbois, Clarinette (duo)
7
Flûte, Violon
7
3 Saxophones (trio)
6
Saxophone (partie séparée)
5
Hautbois, Flûte
5
Flûte, Violoncelle
5
Flûte, Trompette (duo)
5
Quatuor de Flûtes à bec
5
Flute, harpe et violon
4
Clarinette, Guitare (duo)
4
Flûte, Violon, Piano
4
Flûte, Saxophone (duo)
4
Trio de Flûtes: 3 flûtes
3
Hautbois
3
Ocarina
3
Flûte à bec Soprano, Piano
3
Flûte, Clarinette, Piano (trio)
3
Saxophone Tenor
2
2 Clarinettes, Piano
2
Harmonica
2
Flûte à bec Alto, Piano
2
Hautbois (partie séparée)
2
Clarinette, Violoncelle (duo)
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Flûte à bec Tenor
2
Saxophone et Orgue
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Soprano
1
Saxophone et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle, Guitare
1
3 Clarinettes (trio)
1
Flûte, Basson et Piano
1
3 Flûtes à bec (trio)
1
Ensemble de Hautbois
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Alto
1
Flûte, Clarinette et Basson
1
Flute (partie séparée)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte à Bec, Piano
1
2 Flûtes traversières, Piano
1
Ensemble à vent
1
+ 76 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
100
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Trombone et Piano
40
Ensemble de Trombones
36
Cor et Piano
30
Euphonium, Piano (duo)
30
Trompette, Piano
30
Cor anglais, Piano
27
Tuba et Piano
17
Trompette, Trombone (duo)
17
Trompette
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Ensemble de Trompettes
12
Quatuor de cuivres: 4 trombones
12
Quatuor de Cuivres
10
Trompette, Saxophone (duo)
10
2 Trompettes (duo)
10
2 Trombones (duo)
5
Trombone
5
Trombone (partie séparée)
4
3 Trombones (trio)
4
Ensemble de Cors
4
Cor
4
Trio de Cuivres
3
Tuba
2
Trompette (partie séparée)
2
2 Euphoniums et 2 Tubas
2
Trombone, Orgue
1
3 Euphoniums
1
2 Cors, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
Tuba (partie séparée)
1
4 Tubas
1
2 Cors (duo)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
277
Violon, Violoncelle (duo)
165
Trio à Cordes: violon, alto, violoncelle
142
Violon
121
Violon et Piano
66
Harpe
65
Violoncelle, Piano
54
Alto, Piano
48
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
Violon, Alto (duo)
22
2 Violoncelles (duo)
20
2 Altos (duo)
16
2 Violons (duo)
12
Ensemble d'Altos
10
Ensemble de Violons
10
Contrebasse, Piano (duo)
8
Violoncelle
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
2 Harpes (duo)
7
4 Violoncelles
7
Alto seul
6
Violoncelle, Contrebasse (duo)
5
Flûte, Contrebasse (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
3
Harpe, Flûte (duo)
3
2 Violons, Piano
3
Trio à Cordes: 2 violons, alto
2
Ensemble de Violoncelles
2
Violon (partie séparée)
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Harpe, Violon, Violoncelle
1
Contrebasse (partie séparée)
1
Violoncelle, Orchestre
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
179
Orchestre d'harmonie
91
Orchestre
87
Ensemble Jazz
66
Ensemble de cuivres
54
Orchestre de chambre
30
Cloches
26
Jazz combo
26
Ensemble de Percussions
17
Batterie
6
Fanfare
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
1
2 Marimbas
1
Vibraphone
1
Piano et Orchestre
1
Batterie (partie séparée)
1
Ensemble d'École
1
+ 13 instrumentations
Retracter
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BASSE
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COR ANGLAIS
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CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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ORCHESTRE
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PERCU. ORCH…
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SYNTHE
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VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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FUNK
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JAZZ MANOUCHE - SWIN…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
She's Not There: Score
SheetMusicPlus
Partitions à imprimer
168 partitions trouvées
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51
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151
She's Not There
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.765882 By The Zombies. By Ro…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.765882 By The Zombies. By Rod Argent. Arranged by Jorge Juárez. Film/TV. Score. 2 pages. Georgie Guitar #5045573. Published by Georgie Guitar (A0.765882). By The Zombies. Piano / Vocals.
$4.99
4.58 €
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Piano, Voix
#
The Zombies
#
Jorge Juárez
#
She's Not There
#
Georgie Guitar
#
SheetMusicPlus
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99
1.83 €
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Piano, Voix
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Arthur Le Clerq
#
Kim Kirkman
#
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea
#
Kim Kirkman
#
SheetMusicPlus
if there are any heavens
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1418039 Composed by Liz Nede…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1418039 Composed by Liz Nedela. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. Score. 12 pages. Liz Nedela #999589. Published by Liz Nedela (A0.1418039). This piece is based on a poem by e.e. cummings. The subject matter is the specialheaven that would be created for the poet’s mother. The music shadows, augments,and illuminates the rendition of the poem. In keeping with poetic symbolism, the pianouses motifs and musical phrases to emulate the soprano throughout the pieceThe tone of the piece is somewhat minor and modal; however, please portray a light-hearted interpretation—it should never be heavy or dark. The poet is uplifting his motherto the highest stature possible, and portrays his father as devoted and loving towardsher.The key is atonal; however, various tonality implications are heard throughout. Thepiano pedal should be complimentary to the piece, with care not to be noticed or over-bearing.Please Note: there are two other versions of this piece by this composer:One is for solo pianoOne is for the ensemble of Soprano, Violin, Bassoon, CelloAlso please note: the mp3 is from computer notation; the the soprano does not sing words; please sing along with the mp3 following the text.Text is used by permission of the Trustees of the E.E. Cummings Trust.
$6.00
5.51 €
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Piano, Voix
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Liz Nedela
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if there are any heavens
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Liz Nedela
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SheetMusicPlus
There's Something About Those Candles TTB
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.992889 Composed by Sandy Sherman. Cont…
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Piano,Vocal,Voice - Digital Download SKU: A0.992889 Composed by Sandy Sherman. Contemporary. Score. 8 pages. In The Pink Music #3622119. Published by In The Pink Music (A0.992889). There's Something About Those Candles is a Chanukah (Hanukkah) song focusing on more than just the story and celebration of the oil that lasted 8 nights. It reminds us of the universal journey of all who are fighting for freedom, the need to repair this world, and the need to be a blessing to others. Each candle has the power to connect us with God and to make us aware that just one spark is all it takes to eliminate the darkness. When these candles are all aglow, it's not just something that happens outside of us, but it can be a glowing transformation within.It is appropriate for all adult and youth choirs, and in order to facilitate learning each part, recordings of each individual voice and piano accompaniment are available at no additional charge by contacting inthepinkmusic@hotmail.comDuration: 2:45
$2.25
2.06 €
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Piano, Voix
#
Sandy Sherman
#
There's Something About Those Candles TTB
#
In The Pink Music
#
SheetMusicPlus
There's Something About Those Candles SATB
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.992888 Composed by Sandy Sherman. Hanu…
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.992888 Composed by Sandy Sherman. Hanukkah. Score. 8 pages. In The Pink Music #3622113. Published by In The Pink Music (A0.992888). There's Something About Those Candles is a Chanukah (Hanukkah) song focusing on more than just the story and celebration of the oil that lasted 8 nights. It reminds us of the universal journey of all who are fighting for freedom, the need to repair this world, and the need to be a blessing to others. Each candle has the power to connect us with God and to make us aware that just one spark is all it takes to eliminate the darkness. When these candles are all aglow, it's not just something that happens outside of us, but it can be a glowing transformation within.It is appropriate for all adult and youth choirs, and in order to facilitate learning each part, recordings of each individual voice and piano accompaniment are available at no additional cost by contacting inthepinkmusic@hotmail.comDuration: 2:45
$2.25
2.06 €
#
Piano, Voix
#
Sandy Sherman
#
There's Something About Those Candles SATB
#
In The Pink Music
#
SheetMusicPlus
He's Always There - SSA
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1262253 Composed by Amy Mora…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1262253 Composed by Amy Morales. Christian,Praise & Worship. Score. 4 pages. Amy J Morales #855286. Published by Amy J Morales (A0.1262253). A song of comfort about God's abiding care. There's never been a friend so dear than He Who conquers all my fears.A friend Who's constant and so near - He's always there, He's always there.When my faith seems small and weak, then His promises I'll seek.And through His Word, I'll hear Him speak.He's always there. He's always there. For every hour of every day, He'll walk beside you all the way. For every minute that passes by, throughout your life, He will abide.There's not a moment that He's not there to guide your steps and show His care.So take it to the Lord in prayer, He's always there. He's always there.Oh, how wonderful to know that my Father loves me so.No matter where on earth I go, He's always there, He's always there.And when my journey here's complete, I'll worship at my Savior's feet. Forever in that land so sweet. He's always there. He's always there.  For every hour of every day, He'll walk beside you all the way. For every minute that passes by, throughout your life, He will abide.There's not a moment that He's not there to guide your steps and show His care.So take it to the Lord in prayer, He's always there. He's always there.
$2.50
2.29 €
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Piano, Voix
#
Amy Morales
#
He's Always There - SSA
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Amy J Morales
#
SheetMusicPlus
Here I Am - A Graduation Song [full score]
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1007855 Composed by by Austr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1007855 Composed by by Australian composer Rebecca Summers. Contemporary,Singer/Songwriter. Score. 14 pages. Rebecca Summers #3879235. Published by Rebecca Summers (A0.1007855). A perfect song for a school or college graduation ceremony with lyrics capturing the excitement of breaking into a new chapter of life. Written with a diva in mind who's not afraid to create some drama and excitement on stage. Piano part effective without being out of the reach of most student pianists. Example of lyricsVerse 1Hello world. What you got in store for me?If I prise apart your clenched fist, what would your palm lines tell my future readsIs it you who holds the story? Or is it me who holds the dream?ChorusHere I am, it's time for leaving and I want to say goodbyeHere I am can't wait for providence nothing happens 'less I tryand I know I'm getting misty, but there's something 'bout this placeHello world, here I am I'm yours to take.
$9.99
9.17 €
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Piano, Voix
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by Australian composer Rebecca Summers
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Here I Am - A Graduation Song [full score]
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Rebecca Summers
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SheetMusicPlus
LEE: There's not an eye will weep for me (transposed to E-flat major)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.538150 Composed by Alexander Lee. Arra…
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.538150 Composed by Alexander Lee. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #3679913. Published by AST Publications, LLC (A0.538150). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.17 €
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Piano, Voix
#
Alexander Lee
#
ArtSongTranspositions
#
LEE: There's not an eye will weep for me
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AST Publications, LLC
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SheetMusicPlus
John Cage I-VI (2023) piano-vocal score
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
9.17 €
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Piano, Voix
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
The Lord Is My Shepherd (Ps. 23) [Soloist/Small Group]
Piano, Voix
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.869914 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.869914 Composed by Cherolyn Klosner-Lane, Gene Klosner. Contemporary,Sacred. Score. 9 pages. Cher & Gene Klosner #6009623. Published by Cher & Gene Klosner (A0.869914). Contemporary setting of Psalm 23 with Psalm Tone verses.4th Sunday of Lent (Laetare Sunday) A (lent4A)4th Sunday of Easter (Good Shepherd Sunday) A (east4A)16th Sunday in Ordinary Time B (ord16B)34th Sunday in Ordinary Time A (Christ the King) (ord34A)Most Sacred Heart C (solsacheartC)Nov 2: Commemoration of All the Faithful Departed (All Souls) ABC (1102ABC)Confirmation, 1st Communion, FuneralsOfficial Liturgical text: The Lord is my shepherd; there is nothing I shall want.Sheet music available in Octavo and Soloist/Small Group formats. MP3s soon available w/Alto or Tenor verses.Other liturgical uses for this psalm:Saturday of the 4th Week in Ordinary Time (I) (ord4SaI)Wednesday of the 20th Week in Ordinary Time (II) (ord20WeII)Wednesday of the 32nd Week in Ordinary Time (II) (ord32WeII)Masses for the Dead (incl'g Funerals for Baptized Children)Common Masses: Holy Men and Women Common Masses: PastorsRitual Masses: Christian Initiation of Adults - Presentation of the Lord's PrayerRitual Masses: Christian Initiation of Adults - Apart from Easter VigilRitual Masses: Holy Orders Ritual Masses: Institution of AcolytesRitual Masses: Pastoral Care of the Sick and the Dying - ViaticumVarious Needs: Masses for the Unity of ChristiansVotive Masses: Most Holy EucharistVotive Masses: Jesus Christ, the Eternal High PriestVotive Masses: Most Sacred Heart of JesusJan 2*: Memorial of Sts. Basil the Great and Gregory Nazianzen, bishops and doctors of the Church (mem0102)Jan 21*: Memorial of St. Agnes, virgin and martyr (mem0121)Feb 22*: Feast of The Chair of St. Peter, apostle (fst0222)May 18*: Optional memorial of St. John I, pope and martyr (optmem0518)Jun 6*: Optional memorial of St. Norbert, bishop (optmem0606)Jul 20*: Optional memorial of St. Apollinaris, bishop and martyr (optmem0720)Oct 16*: Optional memorial of St. Margaret Mary Alacoque, virgin (optmem1016b)Nov 16*: Optional memorial of St. Gertrude, virgin (optmem1116b)Dec 31*: Optional memorial of St. Sylvester I, pope (optmem1231)*not on Sundayshttps://www.facebook.com/LTFMusic/www.LTFMusic.comwww.youtube.com/cgklosner
$4.99
4.58 €
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Piano, Voix
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Cherolyn Klosner-Lane, Gene Klosner
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there is nothing I shall want
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The Lord Is My Shepherd
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Cher & Gene Klosner
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SheetMusicPlus
What Is There To Say
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1253057 Composed by E.Y. Yip…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1253057 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #846804. Published by DAVID LEE GINGRAS (A0.1253057). What Is There to Say? is a great model of theater song writing from The Ziegfeld Follies of 1934, it’s a case of every note counting and not one false move along the way. The chief characteristic of the song is the four sets of triplets in the second phrase. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
4.58 €
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Piano, Voix
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E
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Dave Gingras and John E
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What Is There To Say
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DAVID LEE GINGRAS
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SheetMusicPlus
Die Walkure
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.55 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
55.05 €
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
There's A Home In Wyomin'
Piano, Voix
Piano, vocal & chords - Digital Download SKU: RX.9783841803443 Popular Standard
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Piano, vocal & chords - Digital Download SKU: RX.9783841803443 Popular Standard. Composed by Billy Hill and Peter De Rose. Key of G-Major. Traditional Pop. Score. With Text Language: English. 7 pages. Published by Shapiro Bernstein Organization (RX.9783841803443). ISBN 978-3-8418-0344-3.Die Originalversion von There's A Home In Wyomin wurde 1933 veroffentlicht. Von verschiedenen Kunstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt. Mittlerweile gehort dieser Song zum Popular Standard. In dieser Ausgabe sind die Klaviernoten in der Tonart G-Dur im Violin- und Bassschlussel notiert. Akkordbezeichnungen, Text und Gesangsmelodie sind in dieser Ausgabe ebenfalls enthalten.
$3.99
3.66 €
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Piano, Voix
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Billy Hill and Peter De Rose
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There's A Home In Wyomin'
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Shapiro Bernstein Organization
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SheetMusicPlus
There's Music In You
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790058 Composed by Richard R…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790058 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Contemporary. Score. 9 pages. Diamond S Music #3561329. Published by Diamond S Music (A0.790058). THERE’S MUSIC IN YOU from Rodgers & Hammerstein’s CINDERELLA. For VOCAL SOLO and 9 Piece Band accompaniment. FULL SCORE & PARTS (This is the PIANO/VOCAL PART ONLY) Begins in the Key of C then quickly modulates to F. Scored for REED 1 (Flute, Bb Clarinet), REED 2 (Bass Clarinet, Bb Clarinet), Trumpet that doubles on Flugelhorn, Trombone, Violin, Piano, Double Bass, Drums, Percussion. This is a wonderful arrangement of a beautiful song. There’s music In You was not a part of the original 1957 version of Cinderella in 1957. The song was originally used in the 1953 movie Main Street To Broadway in which Rodgers & Hammerstein had a cameo. The song was added to the 1997 television version in which Whitney Houston sang the song. It was also put into the new 2013 Broadway adaptation of R&H’s Cinderella. This arrangement is like the 2013 Broadway version.This key is good for Soprano, High Baritone, or Tenor. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.17 €
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Piano, Voix
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Richard Rodgers
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W
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There's Music In You
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Diamond S Music
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SheetMusicPlus
Mighty Lions of War (Saul's Army) from "The Kings" - ACT 1:Song 8
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784821 Composed by McCorkle,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784821 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 32 pages. DF McCorkle Music and eBook Publications #11731. Published by DF McCorkle Music and eBook Publications (A0.784821). ACT ONE: Song 8 The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 15:1-3 - And Samuel said unto Saul: Yahweh sent me to anoint you to be king over His people, over Israel; now therefore hearken thou unto the voice of the words of Yahweh. 2 Thus says Yahweh of hosts: ‘I remember that which Amalek did to Israel, how he set himself against him in the way, when he came up out of Egypt. 3 Now go and smite Amalek, and utterly destroy all that they have, and spare them not; but slay both man and woman, infant and suckling, ox and sheep, camel and ass.’] The scene transitions to many years later, on the battlefield with SAUL’S TROOPS and the PHILISTINE STORM TROOPERS in battle [The Mighty Lions of War – Saul’s Troops & Philistine Storm Troopers]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.74 €
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Piano, Voix
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McCorkle, Dennis F
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Mighty Lions of War
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Nothing Takes Us Away
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841759 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841759 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3474037. Published by Andrew Mc Donald (Macka Records) (A0.841759). Nothing Takes Us Away is a song about how nothing can keep us from God's love. Not famine, nor wars,no angels, no powers no nothing can take us away from Jesus love .His love will always be there for us no matter what.
$4.99
4.58 €
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Piano, Voix
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Andrew Mc Donald
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Nothing Takes Us Away
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Andrew Mc Donald
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SheetMusicPlus
A Baby's Hope original Christmas song - SATB, piano and optional cello
Piano, Voix
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801034 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801034 Composed by Connie Boss. Christmas,Sacred. Score. 7 pages. Connie Boss #3897593. Published by Connie Boss (A0.801034). A Baby's Hope is a Christmas song in SATB with solo and descant parts. Piano and cello accompaniment and Guitar chords. You can view the choir at https://www.youtube.com/watch?v=skkdTX9FjME&index=8&t=0s&list=PLlYnLRoGREBiIbRVrK64gkENO... gave us the gift of his baby son to save our sinful lives. What have we done since that time to save our sinful lives. Take a look deep inside, can you find the baby Christ. A soloist starts the sentence while the choir finishes it on the verses. There are beautiful chord changes and notes being sung by the choir a beat apart to finish out harmonies.
$5.50
5.05 €
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Piano, Voix
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Connie Boss
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A Baby's Hope original Christmas song - SATB, piano and optional cello
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Connie Boss
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SheetMusicPlus
There's Something About That Name
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776813 Composed by Bill Gait…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776813 Composed by Bill Gaither. Arranged by Leonora Hardy. Christian,Contemporary,Religious,Sacred. Score. 2 pages. Leonora Hardy #4968121. Published by Leonora Hardy (A0.776813). An easily learned arrangement for the church pianist who wants to have a more flowing style of music to accompany congregational singing. To that end, the melody is retained, as well as traditional timing to help singers even if a song leader is not present. It is also suitable for preludes, offertories or communion.. Lyrics are included as well as chords for guitar. Intermediate level. Hymn
$4.99
4.58 €
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Piano, Voix
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Bill Gaither
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Leonora Hardy
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There's Something About That Name
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Leonora Hardy
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SheetMusicPlus
Note Reading Song
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.1380632 By Hugh Goodridge. By Hugh Goo…
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Piano,Vocal,Voice - Digital Download SKU: A0.1380632 By Hugh Goodridge. By Hugh Goodridge. Arranged by Hugh Goodridge. Children,Contemporary,Holiday,Pop,Romantic Period. Score. 3 pages. Goodridge & Huvon Music Publishing #965410. Published by Goodridge & Huvon Music Publishing (A0.1380632). There are very few note reading songs to help kids, memorize their notes. Â I am glad I have produced this one. It's a very pleasant tune that can be helpful to the beginning piano player. Â The melody is delightful and the words are helpful and interesting.
$2.50
2.29 €
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Piano, Voix
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Hugh Goodridge
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Hugh Goodridge
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Note Reading Song
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Goodridge & Huvon Music Publishing
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SheetMusicPlus
Someone's Brother
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841828 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841828 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3478185. Published by Andrew Mc Donald (Macka Records) (A0.841828). Someone's Brother is a song about loving one another. Why do we hate and look down the barrel of a gun to each other? There is so much abuse and assault that we hear of these days, the world has gone mad. We need to remember that person is someone's brother or mother or sister or father.We should be treating one another in love and respect and how we should expect to be treated ourselves.
$4.99
4.58 €
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Piano, Voix
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Andrew Mc Donald
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Someone's Brother
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Andrew Mc Donald
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SheetMusicPlus
Thank U, Next
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
4.58 €
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Piano, Voix
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Ariana Grande
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Mario Stallbaumer
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
He Will Lead Me Home
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
1.83 €
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Piano, Voix
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Five Songs for Soprano - Song-Cycle, Op. 14
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99
6.41 €
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Piano, Voix
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William Kersten
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Five Songs for Soprano - Song-Cycle, Op. 14
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William Kersten
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SheetMusicPlus
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