English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
117
Librairie
Musicale
30
Matériel
de Musique
165
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1597
PIANO & CLAVIERS
Piano grosses notes
3295
Orgue
1666
Piano seul
460
Piano Facile
246
Piano, Voix
117
Clavier
63
Piano, Voix et Guitare
42
1 Piano, 4 mains
16
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
7
Accompagnement Piano
6
Orgue, Piano (duo)
6
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
1 Piano, 6 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
30
Guitare notes et tablatures
29
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
2
Dulcimer
2
4 Guitares (Quatuor)
1
Basse electrique
1
Ukulele
1
Ensemble de Ukulélés
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
994
Chorale Unison
482
Chorale 3 parties
309
Chorale 2 parties
258
Chorale TTBB
37
Chorale SSAA
25
Voix duo, Piano
11
Voix seule
10
Chorale
7
Voix Soprano, Piano
6
Voix duo
5
Voix haute
4
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Voix Alto, Piano
1
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Voix Tenor, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
72
Quatuor de Clarinettes: 4 clarinettes
41
Flûte, Hautbois, Clarinette, Basson
41
Clarinette et Piano
38
Saxophone Alto et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quatuor de Saxophones: 4 saxophones
29
2 Flûtes traversières (duo)
25
2 Saxophones (duo)
22
Hautbois, Piano (duo)
22
Ensemble de saxophones
21
Quintette de Saxophone: 5 saxophones
19
Saxophone Soprano et Piano
18
Saxophone (partie séparée)
16
Ensemble de Clarinettes
15
Saxophone Tenor et Piano
15
Hautbois (partie séparée)
14
Flûte traversière
13
Clarinette
13
Quatuor de Flûtes : 4 flûtes
12
Saxophone Baryton, Piano
10
2 Clarinettes (duo)
9
Saxophone Alto
8
Flûte, Clarinette (duo)
7
Clarinette (partie séparée)
7
Trio de Flûtes: 3 flûtes
7
3 Saxophones (trio)
6
Saxophone Tenor
6
Ensemble de Flûtes
6
Clarinette Basse, Piano
6
2 Hautbois (duo)
4
Cor anglais, Piano
4
Clarinette, Basson (duo)
3
3 Clarinettes (trio)
3
Flûte, Clarinette et Basson
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violon
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violoncelle
2
Flûte, Violon, Violoncelle et Piano
2
Flûte et Guitare
2
2 Flûte à bec (duo)
2
Hautbois, Clarinette (duo)
1
Clarinette, Violon (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Trompette (duo)
1
Flûte à bec, Guitare (duo)
1
Saxophone, Clarinette (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Basson et Piano
1
2 Clarinettes, Basson
1
Flûte à bec Soprano
1
2 Flûtes traversières, Piano
1
Ocarina
1
Saxophone
1
Flute (partie séparée)
1
Saxophone Soprano
1
Piccolo, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Ensemble de Trompettes
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trompette
27
Trompette, Piano
25
Cor et Piano
17
Trombone et Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trompette (partie séparée)
10
Trombone
6
Tuba et Piano
5
2 Trompettes (duo)
5
2 Trombones (duo)
4
Euphonium, Piano (duo)
4
2 Cors (duo)
4
Ensemble de Trombones
4
Cor anglais, Piano
4
Trombone (partie séparée)
4
Trompette, violon (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Quatuor de cuivres: 4 trompettes
3
3 Trompettes (trio)
2
Quatuor de Cuivres
2
Cor
2
Trompette, Trombone (duo)
2
Tuba
1
Bass Clef Instruments
1
Quatuor de cuivres: 4 trombones
1
Trompette, Cor (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
104
Violon et Piano
57
Violon
55
Violoncelle
42
Violoncelle, Piano
39
Violon, Violoncelle (duo)
31
Alto, Piano
30
2 Violons (duo)
29
Trio à Cordes: violon, alto, violoncelle
26
Harpe
24
2 Violoncelles (duo)
20
Violon (partie séparée)
17
Alto seul
13
Alto, Violoncelle (duo)
10
2 Altos (duo)
10
Violon, Alto (duo)
10
Alto (partie séparée)
7
Harpe, Voix
6
2 Harpes (duo)
5
Trio à cordes
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Guitare (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Harpe, Flûte (duo)
3
Violoncelle (partie séparée)
3
Contrebasse, Piano (duo)
3
Ensemble d'Altos
2
2 Contrebasses (duo)
2
Contre Basse
2
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violons
2
Alto, Guitare (duo)
1
3 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Cloches
580
Orchestre d'harmonie
111
Orchestre
66
Orchestre à Cordes
38
Ensemble de cuivres
18
Orchestre de chambre
9
Ensemble Jazz
8
Batterie
7
Ensemble de Percussions
7
Instrumentation Flexible
3
Ensemble d'École
3
Jazz combo
2
Vibraphone
2
Xylophone ou Marimba ou Vibraphone
1
Voix Mezzo-Soprano, Orchestre
1
Piano et Orchestre
1
Fanfare
1
Percussion (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
6
Vous avez sélectionné:
The General’s
Piano, Voix
Partitions à imprimer
117 partitions trouvées
<
1
26
51
....
101
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
(+)
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
54.75 €
#
Piano, Voix
#
Richard Wagner
#
The Master Singers of Nuremberg
#
SheetMusicPlus
Columbia. A New National Song, Founded on the History of America
Piano, Voix
Piano and voice - Digital Download SKU: LV.14276 Composed by P. S. Gilmore. Patriot…
(+)
Piano and voice - Digital Download SKU: LV.14276 Composed by P. S. Gilmore. Patriotism, National songs, Pilgrims, Prayers. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14276). Columbia. A New National Song, Founded on the History of America. Written and Composed in New York, November, 1879. By P.S. Gilmore, Originator and General Director of the National and International Musical Jubilees, held in Boston in 1869 and 1872. Published 1879 by The American News Company in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Patriotism, National songs, Pilgrims, Prayers. First line reads Columbia! In thine early days Our Pilgrim Fathers sang thy praise.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
#
Piano, Voix
#
P
#
P
#
Columbia. A New National Song, Founded on the History of America
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
I Walk Beside Thee
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1376743 By Brooke Griffin Ca…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1376743 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Brooke Griffin Carpenter #961290. Published by Brooke Griffin Carpenter (A0.1376743). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the solo version of this composition.
$2.75
2.51 €
#
Piano, Voix
#
Brooke Griffin Carpenter
#
Brooke Griffin Carpenter
#
I Walk Beside Thee
#
Brooke Griffin Carpenter
#
SheetMusicPlus
Hurrah For General Grant! Song and chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.12251 Composed by J.P. Webster. Opera ho…
(+)
Piano and voice - Digital Download SKU: LV.12251 Composed by J.P. Webster. Opera houses--interiors, National Emblems, Crowds, Ulysses S. Grant, Presidential elections, Patriotism. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12251). Hurrah For General Grant! Song and chorus. Words by Luke Collin. Music by J.P. Webster. Published 1867 by Root & Cady, 67 Washington St. Opera House in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Opera houses--interiors, National Emblems, Crowds, Ulysses S. Grant, Presidential elections, Patriotism. First line reads Hurrah! Hurrah! The Boys in blues are coming in their might.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
#
Piano, Voix
#
J
#
Hurrah For General Grant! Song and chorus
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Take Me Out To The Ball Game
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1358160 By Trixie Friganza. …
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1358160 By Trixie Friganza. By Words by Jack Norworth Music by Albert Von Tilzer. Arranged by Dave Gingras and John E. Dosher. Early Music,Jazz. Score. 2 pages. DAVID LEE GINGRAS #942648. Published by DAVID LEE GINGRAS (A0.1358160). Take Me Out to the Ball Game is a 1908 Tin Pan Alley song by Jack Norworth and Albert Von Tilzer which has become the unofficial anthem of North American baseball, although neither of its authors had attended a game before writing the song. The song's chorus is traditionally sung as part of the seventh-inning stretch of a baseball game. Fans are generally encouraged to sing along, and at some ballparks, the words home team are replaced with the team name. This arrangement was developed from the original 1908 sheet music, but simplified so that someone of average ability can perform it and sound great doing so! We hope you like what we've done with this classic tune!
$3.99
3.64 €
#
Piano, Voix
#
Trixie Friganza
#
Dave Gingras and John E
#
Take Me Out To The Ball Game
#
DAVID LEE GINGRAS
#
SheetMusicPlus
"Wade in the Water" from Crossing Jordan for soprano, cello and piano
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284056 Composed by Spiritua…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284056 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 8 pages. Maria Thompson Corley #875229. Published by Maria Thompson Corley (A0.1284056). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$12.99
11.86 €
#
Piano, Voix
#
Spiritual
#
Maria Thompson Corley
#
"Wade in the Water" from Crossing Jordan for soprano, cello and piano
#
Maria Thompson Corley
#
SheetMusicPlus
General Grant's The Man. A Song and Chorus for the Times
Piano, Voix
Piano and voice - Digital Download SKU: LV.12389 Composed by Henry Tucker. Reconstr…
(+)
Piano and voice - Digital Download SKU: LV.12389 Composed by Henry Tucker. Reconstruction, Presidential elections, Heroes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12389). General Grant's The Man. A Song and Chorus for the Times. Words by George Cooper; Music by Henry Tucker. Published 1868 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Reconstruction, Presidential elections, Heroes. First line reads O! reconstruction is the rage All over this fair land.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
#
Piano, Voix
#
Henry Tucker
#
Music by Henry Tucker
#
General Grant's The Man. A Song and Chorus for the Times
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
General James A. Garfield, President of the U.S. God Save Our President, (The Wish of Every Loyal Heart)
Piano, Voix
Piano and voice - Digital Download SKU: LV.12404 Composed by E.H. Bailey. Portraits…
(+)
Piano and voice - Digital Download SKU: LV.12404 Composed by E.H. Bailey. Portraits, Assassination, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12404). General James A. Garfield, President of the U.S. God Save Our President, (The Wish of Every Loyal Heart). Words by Geo. R. Jackson. Music by E.H. Bailey. Published 1881 by White, Smith, & Company, 516 Washington Street in Boston. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Assassination, Patriotism. First line reads God save our President! God save our President!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
#
Piano, Voix
#
E
#
General James A. Garfield, President of the U.S. God Save Our President,
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Gone! Brave One, Gone! A Memorial Tribute To General U.S. Grant
Piano, Voix
Piano and voice - Digital Download SKU: LV.12533 Composed by Walter A. Perry. Portr…
(+)
Piano and voice - Digital Download SKU: LV.12533 Composed by Walter A. Perry. Portraits, Soldiers. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12533). Gone! Brave One, Gone! A Memorial Tribute To General U.S. Grant. Song and Chorus by Walter A. Perry. Published 1885 by Perry & Noble in New Bedford, Mass. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Soldiers. First line reads Gone, brave one, gone from us, ne'er to return.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
#
Piano, Voix
#
Walter A
#
Gone! Brave One, Gone! A Memorial Tribute To General U.S. Grant
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
The female auctionee
Piano, Voix
Voice and piano - Digital Download SKU: LV.390 Composed by Mrs. General Tom Thumb. …
(+)
Voice and piano - Digital Download SKU: LV.390 Composed by Mrs. General Tom Thumb. Arranged by G.R. Cromwell. Elephants, Brass bands, Circus parades. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.390). The female auctionee. Partly written and altered by Mrs. General Tom Thumb; arranged by G. R. Cromwell. Published [n.d.] by Hopwood & Crew, 42, New Bond Street, W. in London. Composition of strophic with chorus with voice and piano instrumentation. Subject headings for this piece include Elephants, Brass bands, Circus parades Call number. First line reads Well here I am, and what of that.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
#
Piano, Voix
#
Mrs
#
G
#
arranged by G
#
The female auctionee
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Baby, It's Cold Outside
Piano, Voix
Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Gle…
(+)
Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play “Baby, It’s Cold Outside” on piano!<br> <br> The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.<br> <br> In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!<br> <br> The song is clearly winter-themed (talking about the blizzard outside!), but it doesn’t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.<br> <br> Of course, the song has been covered by countless artists since the 40s.<br> <br> Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bublé, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!<br> <br> “Baby, It’s Cold Outside” also appeared in an episode of Glee (“A Very Glee Christmas”, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).<br> <br> Time for you to play it!<br> <br> These piano sheets come with seperate systems for the two singers, so you’ll always have an easy oversight who’s singing when. Of course, the full lyrics and chords are included as well.<br> <br> You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!<br> <br> Listen to the full arrangement here: https://youtu.be/Y5gtxqT_Ewo<br> <br> Here are the full lyrics to “Baby, It’s Cold Outside”:<br> <br> [VERSE 1]<br> <br> I really can't stay (but baby, it's cold outside)<br> <br> I've got to go away (but baby, it's cold outside)<br> <br> This evening has been (been hoping that you'd drop in)<br> <br> So very nice (i'll hold your hands, they're just like ice)<br> <br> My mother will start to worry (beautiful what's your hurry?)<br> <br> My father will be pacing the floor (listen to the fireplace roar)<br> <br> So really I'd better scurry (beautiful please don't hurry)<br> <br> But maybe just a half a drink more (put some records on while I pour)<br> <br> The neighbors might think (baby, it's bad out there)<br> <br> Say what's in this drink? (no cabs to be had out there)<br> <br> I wish I knew how (your eyes are like starlight now)<br> <br> To break this spell (i'll take your hat, your hair looks swell)<br> <br> I ought to say, no, no, no sir (mind if I move in closer?)<br> <br> At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)<br> <br> I really can't stay (oh baby don't hold out)<br> <br> But baby, it's cold outside<br> <br> [VERSE 2]<br> <br> I simply must go (but baby, it's cold outside)<br> <br> The answer is no (but baby, it's cold outside)<br> <br> Your welcome has been(how lucky that you dropped in)<br> <br> So nice and warm (look out the window at this dawn)<br> <br> My sister will be suspicious (gosh your lips look delicious)<br> <br> My brother will be there at the door (waves upon the tropical shore)<br> <br> My maiden aunts mind is vicious (gosh your lips are delicious)<br> <br> But maybe just a cigarette more (never such a blizzard before)<br> <br> I've gotta get home(but baby, you'd freeze out there)<br> <br> Say lend me a coat(it's up to your knees out there)<br> <br> You've really been grand (i thrill when you touch my hand)<br> <br> But don't you see? (how can you do this thing to me?)<br> <br> There's bound to be talk tomorrow (think of my lifelong sorrow)<br> <br> At least there will be plenty implied (if you got pnuemonia and died)<br> <br> I really can't stay (get over that old out)<br> <br> Baby, it's cold outsideWith this piano sheet music, you can play “Baby, It’s Cold Outside” on piano!<br> <br> The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.<br> <br> In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!<br> <br> The song is clearly winter-themed (talking about the blizzard outside!), but it doesn’t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.<br> <br> Of course, the song has been covered by countless artists since the 40s.<br> <br> Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bublé, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!<br> <br> “Baby, It’s Cold Outside” also appeared in an episode of Glee (“A Very Glee Christmas”, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).<br> <br> Time for you to play it!<br> <br> These piano sheets come with seperate systems for the two singers, so you’ll always have an easy oversight who’s singing when. Of course, the full lyrics and chords are included as well.<br> <br> You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!<br> <br> Listen to the full arrangement here: https://youtu.be/Y5gtxqT_Ewo<br> <br> Here are the full lyrics to “Baby, It’s Cold Outside”:<br> <br> [VERSE 1]<br> <br> I really can't stay (but baby, it's cold outside)<br> <br> I've got to go away (but baby, it's cold outside)<br> <br> This evening has been (been hoping that you'd drop in)<br> <br> So very nice (i'll hold your hands, they're just like ice)<br> <br> My mother will start to worry (beautiful what's your hurry?)<br> <br> My father will be pacing the floor (listen to the fireplace roar)<br> <br> So really I'd better scurry (beautiful please don't hurry)<br> <br> But maybe just a half a drink more (put some records on while I pour)<br> <br> The neighbors might think (baby, it's bad out there)<br> <br> Say what's in this drink? (no cabs to be had out there)<br> <br> I wish I knew how (your eyes are like starlight now)<br> <br> To break this spell (i'll take your hat, your hair looks swell)<br> <br> I ought to say, no, no, no sir (mind if I move in closer?)<br> <br> At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)<br> <br> I really can't stay (oh baby don't hold out)<br> <br> But baby, it's cold outside<br> <br> [VERSE 2]<br> <br> I simply must go (but baby, it's cold outside)<br> <br> The answer is no (but baby, it's cold outside)<br> <br> Your welcome has been(how lucky that you dropped in)<br> <br> So nice and warm (look out the window at this dawn)<br> <br> My sister will be suspicious (gosh your lips look delicious)<br> <br> My brother will be there at the door (waves upon the tropical shore)<br> <br> My maiden aunts mind is vicious (gosh your lips are delicious)<br> <br> But maybe just a cigarette more (never such a blizzard before)<br> <br> I've gotta get home(but baby, you'd freeze out there)<br> <br> Say lend me a coat(it's up to your knees out there)<br> <br> You've really been grand (i thrill when you touch my hand)<br> <br> But don't you see? (how can you do this thing to me?)<br> <br> There's bound to be talk tomorrow (think of my lifelong sorrow)<br> <br> At least there will be plenty implied (if you got pnuemonia and died)<br> <br> I really can't stay (get over that old out)<br> <br> Baby, it's cold outside
$4.99
4.55 €
#
Piano, Voix
#
Glee Cast
#
Mario Stallbaumer
#
Baby, It's Cold Outside
#
Mario Stallbaumer
#
SheetMusicPlus
Ulican Dubh, Oh (The Song of Sorrow)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335207 Composed by Traditio…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335207 Composed by Traditional Irish. Arranged by Konrad Harley. Celtic,Folk,Irish. Score. 2 pages. Konrad Harley #921055. Published by Konrad Harley (A0.1335207). Based on a traditional Irish song from A General Collection of the Ancient Music of Ireland, ed. Edward Bunting (London: Bunting, 1809), p. 5.Arranged with a new piano accompaniment by Konrad Harley (2023).In Alfred Moffat's The Minstrelsy of Ireland (London: Augener & Co., 1897), p. 22, where there is another version of this song, a footnote explains that “Ullachán dubh O is an expression of lamentation something like the English 'alack and well-a-day'.â€.
$5.00
4.56 €
#
Piano, Voix
#
Traditional Irish
#
Konrad Harley
#
Co
#
Ulican Dubh, Oh
#
Konrad Harley
#
SheetMusicPlus
My Father
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1026318 Composed by Nicholas…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1026318 Composed by Nicholas Swann. Praise & Worship,Sacred. Score. 2 pages. Nicholas Swann #6066655. Published by Nicholas Swann (A0.1026318). Suitable for church services, schools and general worship, ‘My Father’ is a hymn about a Christian’s love of Jesus Christ. The tune is a simple one and can be easily played by anyone familiar with traditional style hymns. Comprising 6 verses, My Father lasts approximately 2m 26s if all the verses are sung.
$1.99
1.82 €
#
Piano, Voix
#
Nicholas Swann
#
My Father
#
Nicholas Swann
#
SheetMusicPlus
Our Lord's Glory
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1026315 Composed by Nicholas…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1026315 Composed by Nicholas Swann. Praise & Worship,Sacred. Score. 3 pages. Nicholas Swann #6062403. Published by Nicholas Swann (A0.1026315). Suitable for church services, schools and general worship, ‘Our Lord’s Glory’ is a thoughtful hymn about living our lives in a way that honours our Lord. The tune is a simple one and can be easily played by anyone familiar with traditional style hymns. A combination of verses and a chorus, Our Lord's Glory lasts approximately 3m 30s if all four verses are sung. A flute or recorder playing the tune would make an enjoyable accompaniment, especially during the final instrumental refrain of the verse.
$1.99
1.82 €
#
Piano, Voix
#
Nicholas Swann
#
Our Lord's Glory
#
Nicholas Swann
#
SheetMusicPlus
In the Quiet of this Moment
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.821637 Composed by Everall A…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.821637 Composed by Everall A. Peele. Christian,Praise & Worship,Sacred. Score. 4 pages. Everall Aiken Peele #5985201. Published by Everall Aiken Peele (A0.821637). Contemporary Christian Praise and Worship; moderate pace, gentle tone, meditative, excellent for transition to prayer time, pre-sermon, special music, general worship, or during Holy Communion / Lord's Supper. Good for solo vocal, group vocal, small choir, or even congregational singing. Accompany with organ, piano or keyboard - one key change. But it's always the words that are important: To Your throne I come with boldness, for you’ve covered me and called me;I’m in love with you, my Sovereign Lord,and I want the world to know.
$3.00
2.74 €
#
Piano, Voix
#
Everall A
#
In the Quiet of this Moment
#
Everall Aiken Peele
#
SheetMusicPlus
On Eagle's Wings LARGE PRINT EASY PIANO
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1387462 Composed by M. Jonca…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1387462 Composed by M. Joncas. Arranged by Large Print Sheet Music. Christian,Folk,New Age,Praise & Worship,Religious. Score. 3 pages. Large Print Sheet Music #971316. Published by Large Print Sheet Music (A0.1387462). This is a LARGE PRINT edition of On Eagle's Wings. This is a lovely piece for memorial services, funerals, or general worship. This arrangement is an easy piano version, featuring single notes in both hands. It also includes the lyrics to the first verse.
$4.99
4.55 €
#
Piano, Voix
#
M
#
Large Print Sheet Music
#
On Eagle's Wings LARGE PRINT EASY PIANO
#
Large Print Sheet Music
#
SheetMusicPlus
Heart and Home (Key of G) for Men's Voices with Flute Obligato
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1138641 Composed by Words an…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1138641 Composed by Words and Music by C. Michael Perry. Arranged by C. Michael Perry. Christian,Religious,Spiritual. Score. 8 pages. Shining Sharon Music #738990. Published by Shining Sharon Music (A0.1138641). When we view the Gospel of Jesus Christ through His eyes and heart, and learn to live the way he asks us to, we will surely find ourselves Home.) Inspired by a 2021 LDS General Conference Talk by Elder Gerrit W. Gong.
$4.50
4.11 €
#
Piano, Voix
#
Words and Music by C
#
C
#
Heart and Home
#
Shining Sharon Music
#
SheetMusicPlus
At the Cross
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.821633 Composed by Everall A…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.821633 Composed by Everall A. Peele. Christian,Sacred. Score. 3 pages. Everall Aiken Peele #5985107. Published by Everall Aiken Peele (A0.821633). A new tune for an old familiar hymn often makes the words easier to hear and more meaningful. This tune for the familiar words by Isaac Watts and Mr. Hudson is moderately paced and meditative, but builds to a triumphant and inspiring conclusion. Especially good for the Lenten and Easter seasons and for Holy Communion / Lord's Supper, but also suitable for general worship, for solo vocal, group vocal, small choir, or congregational singing.
$3.00
2.74 €
#
Piano, Voix
#
Everall A
#
At the Cross
#
Everall Aiken Peele
#
SheetMusicPlus
The King Shall Come When Morning Dawns (Vocal Trio - (SAB)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1264093 By Stephen DeCesare.…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1264093 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Advent,Christian,Praise & Worship,Sacred,Traditional. Score. 7 pages. Exultet Music #857007. Published by Exultet Music (A0.1264093). The traditional hymn that is generally used during Advent or when the topic is about Christ's Second Coming has been freshly arranged for a Vocal Trio (SAB) with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$12.99
11.86 €
#
Piano, Voix
#
Stephen DeCesare
#
Stephen DeCesare
#
The King Shall Come When Morning Dawns
#
Exultet Music
#
SheetMusicPlus
The King Shall Come When Morning Dawns (Vocal Quartet - (SATB)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1264094 By Stephen DeCesare.…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1264094 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Advent,Christian,Praise & Worship,Sacred,Traditional. Score. 8 pages. Exultet Music #857008. Published by Exultet Music (A0.1264094). The traditional hymn that is generally used during Advent or when the topic is about Christ's Second Coming has been freshly arranged for a Vocal Quartet (SATB) with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$12.99
11.86 €
#
Piano, Voix
#
Stephen DeCesare
#
Stephen DeCesare
#
The King Shall Come When Morning Dawns
#
Exultet Music
#
SheetMusicPlus
The King Shall Come When Morning Dawns (Vocal solo)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1264095 By Stephen DeCesare.…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1264095 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Advent,Christian,Praise & Worship,Sacred,Traditional. Score. 5 pages. Exultet Music #857009. Published by Exultet Music (A0.1264095). The traditional hymn that is generally used during Advent or when the topic is about Christ's Second Coming has been freshly arranged for a Vocal solo with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$4.99
4.55 €
#
Piano, Voix
#
Stephen DeCesare
#
Stephen DeCesare
#
The King Shall Come When Morning Dawns
#
Exultet Music
#
SheetMusicPlus
When I Grow Up
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.829234 Composed by Tim Minch…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.829234 Composed by Tim Minchin. Arranged by Brianne Lundberg. Broadway,Children,Contemporary,Film/TV,Musical/Show. Score. 6 pages. Brianne Lundberg #5288581. Published by Brianne Lundberg (A0.829234). This playful piece from Matilda the Musical explores how children see grown ups and all that they imagine they will be able to do when they’re grown up. With a driving beat and a perfect balance between lightheartedness and solemnity, “When I Grow Up†is a fantastic and engaging modern musical theatre piece.This is an intermediate piano arrangement with optional vocal solo, set in the original key (F major). 5 pages (plus cover); includes repeats with 1st and 2nd endings. It is written in the same style as the original, but simplified to make it playable for an early to mid intermediate pianist. Good for smaller hands (largest harmonic interval is minor 7th). Includes chord symbols. This arrangement is a great standalone musical solo piece and includes all lyrics up through the verse originally written for Miss Honey; ends after this section (does not include the final upbeat section where Matilda's lyrics begin with Just because you find that life's not fair...).May be performed as a piano solo or as a vocal accompaniment. If used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Vocalist should adjust octaves as needed. Lower harmonies are generally meant to be played by the pianist (not sung).See more previews of this sheet music at www.MusicAndTheory.com/when-i-grow-up-matilda.Brianne Lundberg is a Composer, Arranger, and Piano Instructor. In addition to publishing with Hal Leonard, she has independently published many arrangements and original compositions for piano and a variety of other instruments and ensembles. For more of Brianne's music or to request a custom arrangement, visit www.MusicAndTheory.com.
$5.99
5.47 €
#
Piano, Voix
#
Tim Minchin
#
Brianne Lundberg
#
When I Grow Up
#
Brianne Lundberg
#
SheetMusicPlus
Op. 47, No. 7: Verse sans fin from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-40E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-40E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-40E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 7: Verse sans fin from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-36E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-34E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
<
1
26
51
....
101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
