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Theme III
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--INSTRUMENTS--
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AUTOHARPE
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BASSE
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Vous avez sélectionné:
Theme III
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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I Love You Truly - medium voice/piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Carrie Jacobs-Bond
#
Phil Beaman
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I Love You Truly - medium voic
#
Phil Beaman
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1217366 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Jazz,Romantic Period,Standards,Wedding....
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Piano,Vocal,Voice - Level 3 - SKU: A0.1217366 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Jazz,Romantic Period,Standards,Wedding. Score. 7 pages. Phil Beaman #813910. Published by Phil Beaman (A0.1217366). I Love You Truly is based on the 1906 hit pop song by Carrie Jacobs-Bond; a song which was the #1 wedding song for over 50 years. Â I have created an arrangement with 4 variations with each variation getting further from the original theme and each progressing further into jazz. Â Variation I - I utilize rich chords of the ballads of that period while keeping the sung melody close to the original. Â Variation II - I rhythmically augment the melody, simplify the texture, and add chromatic passing tones and progressions. Â Variation III - I set this in stride jazz with syncopated riffing in the melody. Â Variation IV - I make this one a slower, bolder jazz with various triplet patterns on fragments of melody and a strong jazz chord progression based on fifths. Â This is a gentle jazzy update to the most popular wedding song of all time; perfect for any wedding today, whether vintage or modern. Â 7 page score; Â 3:00 minutesI have published it in 3 different vocal ranges on this site: Â High - middle C to high G; Medium - low A to high E; Low - low G to high D. Â The MP3 recording is of the Medium Voice version. Â Vocal part is Intermediate level, while Piano part is Advanced Intermediate level. Â This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.
$6.25
I Love You Truly - low voice/piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Carrie Jacobs-Bond
#
Phil Beaman
#
I Love You Truly - low voice/p
#
Phil Beaman
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1217368 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Jazz,Romantic Period,Standards,Wedding....
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1217368 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Jazz,Romantic Period,Standards,Wedding. Score. 7 pages. Phil Beaman #813912. Published by Phil Beaman (A0.1217368). I Love You Truly is based on the 1906 hit pop song by Carrie Jacobs-Bond; a song which was the #1 wedding song for over 50 years. Â I have created an arrangement with 4 variations with each variation getting further from the original theme and each progressing further into jazz. Â Variation I - I utilize rich chords of the ballads of that period while keeping the sung melody close to the original. Â Variation II - I rhythmically augment the melody, simplify the texture, and add chromatic passing tones and progressions. Â Variation III - I set this in stride jazz with syncopated riffing in the melody. Â Variation IV - I make this one a slower, bolder jazz with various triplet patterns on fragments of melody and a strong jazz chord progression based on fifths. Â This is a gentle jazzy update to the most popular wedding song of all time; perfect for any wedding today, whether vintage or modern. Â 7 page score; Â 3:00 minutesI have published it in 3 different vocal ranges on this site: Â High - middle C to high G; Medium - low A to high E; Low - low G to high D. Â The MP3 recording is of the Medium Voice version. Â Vocal part is Intermediate level, while Piano part is Advanced Intermediate level. Â This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.
$6.25
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Piano, Voix
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INTERMÉDIAIRE
#
Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3
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Samuel Warren Hatch
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99
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Theme III
