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TRI ET FILTRES
Tri et filtres :
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PIANO & CLAVIERS
Piano seul
870
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Piano, Voix
321
1 Piano, 4 mains
203
Instruments en Do
103
Piano, Voix et Guitare
103
Accompagnement Piano
68
Piano Trio: piano, violon, violoncelle
32
Orgue
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2 Pianos, 4 mains
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Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
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Piano (partie séparée)
4
1 Piano, 6 mains
3
Piano grosses notes
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2 Pianos, 8 mains
1
2 Accordéons
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GUITARES
Guitare
92
Guitare notes et tablatures
75
Ligne De Mélodie, (Paroles) et Accords
38
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19
Basse electrique
17
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9
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7
Basse électrique (partie séparée)
7
4 Guitares (Quatuor)
4
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3
Piano, Guitare (duo)
2
3 Guitares (trio)
2
Ensemble de guitares
2
Dulcimer
2
Mandoline
1
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VOIX
Chorale SATB
144
Chorale 2 parties
117
Chorale Unison
57
Chorale 3 parties
55
Voix Soprano, Piano
43
Chorale SSAA
23
Chorale TTBB
18
Voix duo, Piano
11
Voix Alto, Piano
10
Voix Tenor, Piano
9
Voix duo
3
Voix Tenor
2
Chorale SSAB, Piano
2
Voix seule
1
Voix moyenne, Piano
1
Chorale SSATB
1
Voix haute
1
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VENTS
Clarinette
144
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Flûte traversière et Piano
117
Saxophone (partie séparée)
116
Flûte traversière
106
Clarinette et Piano
98
Quintette de Saxophone: 5 saxophones
93
Hautbois, Piano (duo)
88
2 Saxophones (duo)
80
Saxophone Alto
79
Quatuor de Saxophones: 4 saxophones
76
Saxophone Alto et Piano
73
Flûte, Hautbois, Clarinette, Basson
72
Quatuor de Clarinettes: 4 clarinettes
63
Hautbois (partie séparée)
57
2 Flûtes traversières (duo)
49
Saxophone Tenor et Piano
43
2 Clarinettes (duo)
42
Hautbois
40
Saxophone Soprano et Piano
30
Saxophone Tenor
29
Flûte, Clarinette (duo)
26
Saxophone Baryton, Piano
24
Ensemble de Clarinettes
23
2 Flûte à bec (duo)
22
2 Hautbois (duo)
22
Quatuor de Flûtes : 4 flûtes
21
Quintette de Clarinettes: 5 clarinettes
19
Saxophone, Clarinette (duo)
18
Clarinette Basse, Piano
17
Flûte, Clarinette et Basson
15
Cor Anglais
15
Saxophone Soprano
15
Cor anglais, Piano
15
Hautbois, Clarinette (duo)
14
Flute (partie séparée)
14
3 Clarinettes (trio)
13
Saxophone Baryton
13
Clarinette, Trompette (duo)
12
Clarinette (partie séparée)
11
Flûte à bec Soprano
11
Ensemble de Flûtes
11
Clarinette, Violon (duo)
11
3 Saxophones (trio)
11
Ensemble de saxophones
10
Saxophone
10
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
8
Hautbois, Basson (duo)
7
Flûte à Bec
7
Flûte, Alto (duo)
7
Clarinette et Alto
6
Flûte, Violon, Piano
6
Clarinette Basse
6
Clarinette, Basson (duo)
5
Quatuor de Flûtes à bec
5
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4
Flûte, Violoncelle
4
Flûte, Hautbois, Basson
4
Hautbois, Violoncelle
4
Clarinette, Violoncelle (duo)
4
Flûte à bec Tenor
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
5 Flûtes à bec
3
Ensemble De Flûte à bec
3
2 Clarinettes, Piano
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Flûte à bec Soprano, Piano
2
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2
Hautbois, Basson et Piano
2
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2
Flûte, Hautbois (duo)
2
Flûte à bec Alto
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Flûte à bec Alto, Piano
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Hautbois, Clarinette et Piano (Trio)
1
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1
Piccolo, Piano
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Flûte et Guitare
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette, Piano (trio)
1
4 Hautbois
1
Ensemble à vent
1
Saxophone et Guitare
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
119
Trompette
108
Trompette, Piano
88
Quatuor de Cuivres : 2 trompettes, trombone, tuba
87
Cor
81
Trombone
78
Cor et Piano
76
Tuba
69
Trombone et Piano
58
Tuba et Piano
34
Trompette (partie séparée)
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Trombone (partie séparée)
29
Trompette, Trombone (duo)
28
2 Trompettes (duo)
22
2 Trombones (duo)
20
Cor (partie séparée)
18
Cor Anglais
15
2 Cors (duo)
15
Cor anglais, Piano
15
Quatuor de Cuivres
14
Tuba et Orgue
12
2 Tubas (duo)
11
Trompette, Saxophone (duo)
10
Tuba (partie séparée)
10
Euphonium, Piano (duo)
9
Ensemble de Trombones
7
Quatuor de cuivres: 4 cors
6
Euphonium
6
Trompette, Cor (duo)
6
Ensemble de Trompettes
5
Trombone, Cor (duo)
4
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
3
Cor, Tuba (duo)
2
Trombone basse et Piano
2
Trompette, Euphonium (duo)
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Euphoniums
1
Trombone basse
1
4 Tubas
1
Ensemble de Cors
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
162
Violon
154
Violon et Piano
132
Alto, Piano
110
Violoncelle, Piano
97
Alto seul
91
Violoncelle
77
Violoncelle (partie séparée)
65
Contre Basse
61
Violon, Violoncelle (duo)
54
Trio à Cordes: violon, alto, violoncelle
54
2 Violons (duo)
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
41
Contrebasse, Piano (duo)
36
Trio à Cordes: 2 violons, violoncelle
30
Violon, Alto (duo)
29
2 Violoncelles (duo)
26
2 Altos (duo)
25
Harpe
18
Alto (partie séparée)
13
2 Contrebasses (duo)
12
Contrebasse (partie séparée)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Ensemble de Violons
4
Violon (partie séparée)
4
Ensemble d'Altos
4
Piano Trio: Violon, Alto, Piano
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
3
2 Harpes (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Altos, Piano
2
Violoncelle, Contrebasse (duo)
2
2 Violoncelles, Piano
2
Violon, Guitare (duo)
2
4 Contrebasses
1
4 Violoncelles
1
Violoncelle, Orchestre
1
Alto et Basson
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
Harpe, Voix
1
Trio à Cordes: 2 violons, alto
1
Violon, Violoncelle, Clarinette
1
Violon, Basson (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
287
Orchestre à Cordes
113
Orchestre
67
Fanfare
65
Ensemble de cuivres
47
Ensemble Jazz
43
Batterie (partie séparée)
37
Orchestre de chambre
27
Marimba
17
Ensemble de Percussions
14
Xylophone
14
Xylophone, Piano
12
Jazz combo
12
Cloches
11
Batterie
11
Percussion (partie séparée)
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Ensemble d'École
3
Percussion
1
Piano et Orchestre
1
2 Marimbas
1
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AUTRES
Vous avez sélectionné:
Time Out 1
Piano, Voix
Partitions à imprimer
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Center of the Universe, Opus 1 (for baritone voice & piano)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.942803 Composed by ForteTwo. Holiday,L…
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Piano,Vocal,Voice - Digital Download SKU: A0.942803 Composed by ForteTwo. Holiday,Love,Pop,Wedding. Score. 5 pages. ForteTwo Music #3432087. Published by ForteTwo Music (A0.942803). A love song/ballad for baritone voice and piano composed by ForteTwo. Also works with solo bass clef instrument (e.g. cello, trombone) and piano. Performance time: about 3½ minutes. The composer may be reached for comment at fortetwomusic@icloud.com.
$5.00
4.61 €
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Piano, Voix
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ForteTwo
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Center of the Universe, Opus 1
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ForteTwo Music
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SheetMusicPlus
Look Out Halloween Night
Piano, Voix
Piano,Voice - Level 1 - Digital Download SKU: A0.1175747 Composed by Connie Boss. C…
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Piano,Voice - Level 1 - Digital Download SKU: A0.1175747 Composed by Connie Boss. Children,Halloween,Holiday. Full Performance. Duration 147. Connie Boss #775869. Published by Connie Boss (A0.1175747). This is a spooky kids song about Halloween spooks......ghosts, witches, monsters and vampires. Fun to sing...Fun sound effects...... You can purchase the sheet music for this song on here as well. Look Out Halloween Night - kids song solo and piano - Piano, Vocal, Guitar - Digital Sheet Music | Sheet Music PlusFor questions or requests, email cdboss@cvalley.net see lyrics: Look Out Halloween Night By Connie Boss Ghosts, witches, monsters, vampires Look out Halloween night They will fill us with fright Boo Boo Be aware of the ghost He scares me the most Sometimes he likes to boast Boo Tee hee hee, Tee hee hee, Tee hee hee Laughter from the witch As she rides on her broomstick She might dump you in a ditch Tee hee hee, Tee hee hee, Tee hee hee Master, Master Frankenstein’s monster Cries for his master He’s a big disaster Master, Master Blah, blah, blah, blah, blah The vampire drinks your blood It’s the food he loves He flies from up above Blah, blah, blah, blah, blah Ghosts, witches, monsters, vampires Look out Halloween night They will fill us with fright.
$1.99
1.84 €
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Piano, Voix
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Connie Boss Ghosts, witches, monsters, vampires Look out Halloween night They will fill us with fright Boo Boo Be aware of the ghost He scares me the most Sometimes he likes to boast Boo Tee hee hee, Tee hee hee, Tee hee hee Laughter from the witch As she rides on her broomstick She might dump you in a ditch Tee hee hee, Tee hee hee, Tee hee hee Master, Master Frankenstein’s monster Cries for his master He’s a big disaster Master, Master Blah, blah, blah, blah, blah The vampire drinks your blood It’s the food he loves He flies from up above Blah, blah, blah, blah, blah Ghosts, witches, monsters, vampires Look out Halloween night They will fill us with fright
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Connie Boss
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Look Out Halloween Night
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Connie Boss
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SheetMusicPlus
RACHMANINOFF: "It's Time!" Op.14 N12 High key (E min). DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1473844 By Sergei Rachmanino…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1473844 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Score Animations. 19th Century,20th Century,Classical,Opera,Romantic Period. Score. 4 pages. Natalia Melnik #1051563. Published by Natalia Melnik (A0.1473844). Rachmaninoff. Пора! / Pora! / It's Time! (Now Is The Time!)Op. 14 No 12Lyrics by S.NadsonHigher key (E minor)Range:B3 - F#5 (Soprano, Mezzo-Soprano);B2 - F#4 (Tenor, Baritone)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics:https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/s-rachmaninoff-it-s-time-op-14-n12-higher-key-e-min-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singersPlease visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://youtu.be/BIlK2Uj8FVs?si=y_sb2FfnHa5rNPDe
$8.50
7.84 €
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Piano, Voix
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Sergei Rachmaninoff
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Score Animations
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RACHMANINOFF: "It's Time!" Op.14 N12 High key
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Natalia Melnik
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SheetMusicPlus
RACHMANINOFF: "It's Time!" Op.14 N12 Orig.key (E-flat min). DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1473842 By Sergei Rachmanino…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1473842 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Opera,Romantic Period. Score. 4 pages. Natalia Melnik #1051561. Published by Natalia Melnik (A0.1473842). Rachmaninoff. Пора! / Pora! / It's Time! (Now Is The Time!)Op. 14 No 12Lyrics by S.NadsonOriginal key (E-flat minor)Range:B♭3 - F5 (Soprano, Mezzo-Soprano);B♭2 - F4 (Tenor, Baritone)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics:https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/s-rachmaninoff-it-s-time-op-14-n12-orig-key-e-flat-min-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singersPlease visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://youtu.be/BIlK2Uj8FVs?si=y_sb2FfnHa5rNPDe
$8.50
7.84 €
#
Piano, Voix
#
Sergei Rachmaninoff
#
Russian for Singers
#
RACHMANINOFF: "It's Time!" Op.14 N12 Orig.key
#
Natalia Melnik
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SheetMusicPlus
RACHMANINOFF: "It's Time!" Op.14 N12 Low key (D min). DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1475035 By Sergei Rachmanino…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1475035 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Opera,Romantic Period. Score. 4 pages. Natalia Melnik #1052626. Published by Natalia Melnik (A0.1475035). Rachmaninoff. Пора! / Pora! / It's Time! (Now Is The Time!)Op. 14 No 12Lyrics by S.NadsonLower key (D minor)Range:A3 - E5 (Mezzo-Soprano, Contralto);A2 - E4 (Baritone, Bass)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics:https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/s-rachmaninoff-it-s-time-op-14-n12-lower-key-d-min-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singersPlease visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://youtu.be/BIlK2Uj8FVs?si=y_sb2FfnHa5rNPDe
$8.50
7.84 €
#
Piano, Voix
#
Sergei Rachmaninoff
#
Russian for Singers
#
RACHMANINOFF: "It's Time!" Op.14 N12 Low key
#
Natalia Melnik
#
SheetMusicPlus
RACHMANINOFF: "It's Time!" Op.14 N12 High key (F min). DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1475034 By Sergei Rachmanino…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1475034 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Opera,Romantic Period. Score. 4 pages. Natalia Melnik #1052625. Published by Natalia Melnik (A0.1475034). Rachmaninoff. Пора! / Pora! / It's Time! (Now Is The Time!)Op. 14 No 12Lyrics by S.NadsonHigher key (F minor)Range:C4 - G5 (Soprano, Mezzo-Soprano);C3 - G4 (Tenor, Baritone)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics:https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/s-rachmaninoff-it-s-time-op-14-n12-higher-key-f-min-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singersPlease visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://youtu.be/BIlK2Uj8FVs?si=y_sb2FfnHa5rNPDe
$8.50
7.84 €
#
Piano, Voix
#
Sergei Rachmaninoff
#
Russian for Singers
#
RACHMANINOFF: "It's Time!" Op.14 N12 High key
#
Natalia Melnik
#
SheetMusicPlus
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 3: Adieu from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-27E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-27E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 3: Adieu from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 8: Illusions perdues from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-32E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-32E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 8: Illusions perdues from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-33E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Psalm 117: Go Out And Tell The Good News - piano/vocal
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.832544 Composed by Bill Haye…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.832544 Composed by Bill Hayes. Christian,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Www.HayesMusicPublishing.com #6401667. Published by www.HayesMusicPublishing.com (A0.832544). Psalm 117: Go Out And Tell The Good News Written in a piano/vocal format with ICEL lyrics and chord symbols. Text is Psalm 117 (shortest psalm in the bible) and is appropriate for the 21st Sunday in Ordinary Time, Year C, as well as personal reflection.
$1.99
1.84 €
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Piano, Voix
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Bill Hayes
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Psalm 117: Go Out And Tell The Good News - piano/vocal
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www.HayesMusicPublishing.com
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SheetMusicPlus
Baby, It's Cold Outside
Piano, Voix
Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Gle…
(+)
Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play “Baby, It’s Cold Outside” on piano!<br> <br> The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.<br> <br> In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!<br> <br> The song is clearly winter-themed (talking about the blizzard outside!), but it doesn’t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.<br> <br> Of course, the song has been covered by countless artists since the 40s.<br> <br> Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bublé, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!<br> <br> “Baby, It’s Cold Outside” also appeared in an episode of Glee (“A Very Glee Christmas”, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).<br> <br> Time for you to play it!<br> <br> These piano sheets come with seperate systems for the two singers, so you’ll always have an easy oversight who’s singing when. Of course, the full lyrics and chords are included as well.<br> <br> You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!<br> <br> Listen to the full arrangement here: https://youtu.be/Y5gtxqT_Ewo<br> <br> Here are the full lyrics to “Baby, It’s Cold Outside”:<br> <br> [VERSE 1]<br> <br> I really can't stay (but baby, it's cold outside)<br> <br> I've got to go away (but baby, it's cold outside)<br> <br> This evening has been (been hoping that you'd drop in)<br> <br> So very nice (i'll hold your hands, they're just like ice)<br> <br> My mother will start to worry (beautiful what's your hurry?)<br> <br> My father will be pacing the floor (listen to the fireplace roar)<br> <br> So really I'd better scurry (beautiful please don't hurry)<br> <br> But maybe just a half a drink more (put some records on while I pour)<br> <br> The neighbors might think (baby, it's bad out there)<br> <br> Say what's in this drink? (no cabs to be had out there)<br> <br> I wish I knew how (your eyes are like starlight now)<br> <br> To break this spell (i'll take your hat, your hair looks swell)<br> <br> I ought to say, no, no, no sir (mind if I move in closer?)<br> <br> At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)<br> <br> I really can't stay (oh baby don't hold out)<br> <br> But baby, it's cold outside<br> <br> [VERSE 2]<br> <br> I simply must go (but baby, it's cold outside)<br> <br> The answer is no (but baby, it's cold outside)<br> <br> Your welcome has been(how lucky that you dropped in)<br> <br> So nice and warm (look out the window at this dawn)<br> <br> My sister will be suspicious (gosh your lips look delicious)<br> <br> My brother will be there at the door (waves upon the tropical shore)<br> <br> My maiden aunts mind is vicious (gosh your lips are delicious)<br> <br> But maybe just a cigarette more (never such a blizzard before)<br> <br> I've gotta get home(but baby, you'd freeze out there)<br> <br> Say lend me a coat(it's up to your knees out there)<br> <br> You've really been grand (i thrill when you touch my hand)<br> <br> But don't you see? (how can you do this thing to me?)<br> <br> There's bound to be talk tomorrow (think of my lifelong sorrow)<br> <br> At least there will be plenty implied (if you got pnuemonia and died)<br> <br> I really can't stay (get over that old out)<br> <br> Baby, it's cold outside
$4.99
4.61 €
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Piano, Voix
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Glee Cast
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Mario Stallbaumer
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Baby, It's Cold Outside
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Mario Stallbaumer
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SheetMusicPlus
Shells of Ocean for 1 or 2 Voices. Ich ging zum Strande am Meere hin
Piano, Voix
Piano and voice - Digital Download SKU: LV.2613 Composed by J.W. Cherry. Nostalgia,…
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Piano and voice - Digital Download SKU: LV.2613 Composed by J.W. Cherry. Nostalgia, Beaches, Time. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2613). Shells of Ocean. New Edition for 1 or 2 Voices. Ich ging zum Strande am Meere hin. Illustr. Popul. Song, No. 20. Written by J.W. Lake. The Music Composed By J.W. Cherry. Published [n.d.] by G. Andre & Co., 1104 Chestnut Str.St. in Philadelphia. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Nostalgia, Beaches, Time. First line reads One summer eve, with pensive thought, I wander'd on the seabeat shore.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Piano, Voix
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J
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J
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Shells of Ocean for 1 or 2 Voices. Ich ging zum Strande am Meere hin
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Good Old Irish Gentleman. A Song of the Olden Time
Piano, Voix
Piano and voice - Digital Download SKU: LV.2925 Composed by Charles M. King. Harps,…
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Piano and voice - Digital Download SKU: LV.2925 Composed by Charles M. King. Harps, History, Ireland, Patriotism. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2925). The Good Old Irish Gentleman. A Song of the Olden Time. Composed by Charles M. King. Published 1840 by Firth & Hall, 1 Franklin Square in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Harps, History, Ireland, Patriotism. First line reads Much do I like the good old song, sung in old England's praise.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Piano, Voix
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Charles M
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The Good Old Irish Gentleman. A Song of the Olden Time
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
(1) The Twin Roses. A Favorite Song in Adrian and Orrilla. (2) Bounding Billows
Piano, Voix
Piano and voice - Digital Download SKU: LV.921 Composed by M. Kelly. Symbols, Love,…
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Piano and voice - Digital Download SKU: LV.921 Composed by M. Kelly. Symbols, Love, Ships, Grief, Travel. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.921). (1) The Twin Roses. A Favorite Song in Adrian and Orrilla. (2) Bounding Billows. (1) Composed by M. Kelly. (2) Written by Mrs. Robbinson, in crossing from Dover to Calais. Published [n.d.] by G.E. Blake in Philadelphia. Composition of strophic with piano and voice First line of (1) On one parent stalk two white Roses were growing from buds just expanding First line of (2) Bounding billows cease your motion, bear me not so swiftly o'er instrumentation. Subject headings for this piece include Symbols, Love, Ships, Grief, Travel. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Piano, Voix
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M
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(1) The Twin Roses. A Favorite Song in Adrian and Orrilla.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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