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Vous avez sélectionné:
Turn On The Sun
Piano, Voix
Partitions à imprimer
8 partitions trouvées
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Toasting Mother Earth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
31.54 €
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Piano, Voix
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Let the Spirit Live (New! ANZAC Day Anthem for young voices VOCAL 1 PART)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1150910 Composed by Australi…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1150910 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday. Score. 1 pages. Rebecca Summers #749234. Published by Rebecca Summers (A0.1150910). Perfect for ANZAC Day this year, this 2-part choral work for Primary School children is a real show-stopper, with easy parts that build to a mighty refrain, a beginner trumpet addition in the close and relatable lyrics that tell the story of a young person's ANZAC Day experience and thanks our returned service people for their sacrifice. Piano backing track, Vocal Part 1 and Vocal Part 2, plus the Bb Trumpet parts available for download. This piece was originally written for a school on the Sunshine Coast, Queensland, Australia. I hope you can feel the ANZAC spirit when you perform it. We did.
$9.95
8.97 €
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Piano, Voix
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Australian composer, Rebecca Summers
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Let the Spirit Live
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Rebecca Summers
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SheetMusicPlus
On a Green Bank
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462643 Composed by Irish Tr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462643 Composed by Irish Traditional. Arranged by Konrad Harley. Celtic,Irish. Score. 5 pages. Konrad Harley #1041402. Published by Konrad Harley (A0.1462643). Based on a traditional Irish melody (Tell me dear Eveleen) and words from The Irish Minstrel (Edinburgh: Robert Purdie, 1825), p. 48. Arranged by Konrad Harley (1986-), 2024.Lyrics: On a green bank gentle Mary was seated,Night's gloomy mantle was curtain'd around,And softly each note list'ning Echo repeated,As she breath'd the melting sound.“Oh! sweetest hope, thou art my treasure,With a tear I look to thee!Heigh ho! a farewell to pleasure,Till my Lover returns to me!Oh! sweetest hope, thou art my treasure,With a tear I look to thee!Heigh ho! a farewell to pleasure,Till my Lover returns to me!”Chill fell the dews, and the night it was dreary,Wildly the wind from the mountain now rov'd;The dews and the wind were unheeded by Mary,She thought but of him she lov'd:Again she sung, “Thou art my treasure,Oh! sweet hope, I look to thee!Heigh ho! a farewell to pleasure,Till my Edmund returns to me!”Again she sung, “Thou art my treasure,Oh! sweet hope, I look to thee!Heigh ho! a farewell to pleasure,Till my Edmund returns to me,Till my Edmund returns to me.”.
$3.00
2.7 €
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Piano, Voix
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Irish Traditional
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Konrad Harley
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On a Green Bank
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Konrad Harley
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SheetMusicPlus
Pulanglah Ke Sisiku (Return to My Side)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1023209 Composed by Hon-Kit …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1023209 Composed by Hon-Kit Wong. Arranged by Hon-Kit Wong. Jazz,World. Score. 4 pages. By Hon-Kit Wong #5001887. Published by By Hon-Kit Wong (A0.1023209). Pulanglah Ke Sisiku which means return to my side in Malay, is a song composed as part of a university musical play entitled Heaven Here on Earth. This duet, sung at the climax of the performance, features the male protagonist serenading his beloved in an effort to coax her to return to his side following a series of misunderstandings.Written in the style of 1960's Malaysian pop music with a hint of contemporary flavour, Pulanglah Ke Sisiku adopts a Latin beat and modulates between major and minor keys to accentuate the dynamic emotions of the scene. Musical motives from Heaven Here On Earth, the romantic ballad of the play (sheet music also available on SMP), are interspersed throughout the song to foreshadow the finale. This is the only song in the play with lyrics in Malay and serves as a tribute to the late P. Ramlee, whose musical ingenuity set the tone for Malaysia in the 1960's.
$2.99
2.69 €
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Piano, Voix
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Hon-Kit Wong #5001887
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Hon-Kit Wong
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Hon-Kit Wong
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Pulanglah Ke Sisiku
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By Hon-Kit Wong
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SheetMusicPlus
Six Welsh Folk Songs for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.522222 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.522222 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Holiday. Score. 21 pages. Colin Kirkpatrick Publications #3913261. Published by Colin Kirkpatrick Publications (A0.522222). These folk song arrangements are written in the Welsh language. The vocal range is from Middle C to F on the top line of the staff. They are suitable for mezzo soprano and could also be sung by tenor voice an octave lower. They are among some of the most popular folk songs of Wales and sure to be well received at a vocal recital. They would also make excellent encore pieces. For copyright reasons, English translations are not provided, although some are to be found on various web pages. 1. Y Ddau Farch (The Two Mares) The song tells the story of two horses. The older one tells the younger, “In my day I was as good a horse as youâ€. But when I became too old to work, I was sent away to the mountains. She vows never to return to her cruel owners. This is an example of a macaronic song in which the lyrics use more than one language. 2. Si Hei Lwli, ’Mabi (Sleep, my Lovely Baby) In this pentatonic lullaby, a mother tells her child that their ship is moving away, the captain is on board, the eastern wind is blowing and the seagull is on its nest. 3. Canu Cwnsela (Wassail Song) The singers ask permission to come in and sing for their dinner. But they seem to have chosen the wrong house because the reply is: “I have no dinner or money to spend, to give you a welcome tonight.†The melody is in the Dorian Mode. 4. Robin Ddiog (Lazy Robin) The song, also in the Aeolian mode is about a robin whose little house is always tidy. “Open the door a little bit, so that I can see the sea and the waves†he asks. When the door is opened, the breeze sweeps away all the leaves from the floor. 5. Migildi Magildi “When the smithy’s door is open, we can see the blacksmith working.†The song describes the sights and sounds of the blacksmith’s workshop.You can hear all the songs in the audio demo, though they are played by an oboe rather than sung.
$9.95
8.97 €
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Piano, Voix
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Traditional
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Colin Kirkpatrick
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Six Welsh Folk Songs for Voice and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
He Will Lead Me Home
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
1.79 €
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Piano, Voix
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Cornet Man
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1472242 Composed by Bob Merr…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1472242 Composed by Bob Merrill and Jule Styne. Arranged by Fred Barton. Broadway,Film/TV,Jazz,Musical/Show,Standards. Score. 6 pages. Fred Barton Music #1049944. Published by Fred Barton Music (A0.1472242). This is the only version available with the correct two-page introductory section, as sung by Barbra Streisand on Broadway and on the original cast album, cut later during the run of the show. Cornet Man is the quintessential show business star turn to show off the voice and swing performance style of the singer. Fred Barton is an acclaimed arranger and curator of Golden Age Broadway shows and songs, whose arrangements are played regularly at Carnegie Hall, by symphony orchestras around the country, and in cabarets and nightclubs on three continents.
$7.99
7.2 €
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Piano, Voix
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Bob Merrill and Jule Styne
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Fred Barton
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Cornet Man
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Fred Barton Music
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SheetMusicPlus
Maybe This Time
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1089807 Composed by Fred Ebb…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1089807 Composed by Fred Ebb and John Kander. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 4 pages. DAVID LEE GINGRAS #694019. Published by DAVID LEE GINGRAS (A0.1089807). Maybe This Time is a song written by John Kander and Fred Ebb for actress Kaye Ballard. It was later included in the 1972 film Cabaret, where it is sung by the character Sally Bowles, played by Liza Minnelli. It had already been recorded and released twice, in similar arrangements, on Minnelli's debut studio album Liza! Liza! (1964), and subsequently New Feelin' (1970), but it turned into a traditional pop standard after its 1972 inclusion in Cabaret. This version features a root-based chord blocking that John and I have used in many of our arrangements. We also added some interesting left-hand fills to keep the rhythm flowing! We hope you like what we've done with the song!
$4.99
4.5 €
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Piano, Voix
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Fred Ebb and John Kander
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David Lee Gingras and John E
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Maybe This Time
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DAVID LEE GINGRAS
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SheetMusicPlus
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