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Vernon Lee
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Vous avez sélectionné:
Vernon Lee
Piano, Voix
Partitions à imprimer
6 partitions trouvées
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April In Paris
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Coleman Hawkins
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Dave Gingras and John E
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April In Paris
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1141215 By Coleman Hawkins. By E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broa...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1141215 By Coleman Hawkins. By E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #741502. Published by DAVID LEE GINGRAS (A0.1141215). April in Paris is a popular song composed by Vernon Duke with lyrics by Yip Harburg in 1932 for the Broadway musical Walk a Little Faster. The original 1933 hit was performed by Freddy Martin, and the 1952 remake (inspired by the movie of the same name) was by the Sauter-Finegan Orchestra, whose version made the Cashbox Top 50. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some left-hand rhythm to keep the beat flowing! We hope you like what we've done with the song!
$4.99
Autumn In New York
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Bud Powell
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Dave Gingras and John E
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Autumn In New York
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1141217 By Bud Powell. By Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Sc...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1141217 By Bud Powell. By Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #741504. Published by DAVID LEE GINGRAS (A0.1141217). Autumn in New York is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some left-hand rhythm for interest, we hope you like what we've done with the song!
$4.99
I Like The Likes Of You
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Piano, Voix
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INTERMÉDIAIRE
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E
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Dave Gingras and John E
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I Like The Likes Of You
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1352826 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/T...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1352826 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #937641. Published by DAVID LEE GINGRAS (A0.1352826). I Like The Likes of You is a song by Vernon Duke written in 1934 after he returned to the United States from Europe in 1929 with the intention of settling in the country permanently. He composed and published much serious music, but devoted greater efforts to establishing himself on Broadway. Duke's songs April in Paris (1932), Autumn in New York (1934), I Like the Likes of You (1934), Water Under the Bridge (1934), and I Can't Get Started (1936) were 1930s hits. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills just for fun! We hope you like what we've done with this grand old tune!
$4.99
What Is There To Say
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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E
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Dave Gingras and John E
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What Is There To Say
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1142555 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,M...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1142555 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #742925. Published by DAVID LEE GINGRAS (A0.1142555). What Is There To Say? is a beautiful ballad from the 1934 Ziegfeld Follies. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added a couple of left-hand fills and a few minor chord changes to make it a little more fun to play. We hope you like what we've done with this great tune!
$4.99
I Can't Get Started
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Vernon Duke
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Dave Gingras, John E
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I Can't Get Started
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.794041 Composed by Vernon Duke. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 3 pages. DAVID LEE ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.794041 Composed by Vernon Duke. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 3 pages. DAVID LEE GINGRAS #5218151. Published by DAVID LEE GINGRAS (A0.794041). I Can't Get Started aka I Can't Get Started With You or I Can't Get Started (With You) is a popular song first heard in the theatrical production of Ziegfeld Foliies in 1936 where it was sung by Bob Hope to Eve Arden. It has been recorded by Bunny Berigan, Frank Sinatra and Billie Holiday and many other artists and musicians. This is a contemporary arrangement featuring a root-based chord-blocking method we have used in nearly all of our arrangements. It's a fun song to play and not too difficult, John and I hope you like it!
$4.99
What Is There To Say
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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E
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Dave Gingras and John E
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What Is There To Say
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1253057 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,M...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1253057 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #846804. Published by DAVID LEE GINGRAS (A0.1253057). What Is There to Say? is a great model of theater song writing from The Ziegfeld Follies of 1934, it’s a case of every note counting and not one false move along the way. The chief characteristic of the song is the four sets of triplets in the second phrase. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
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