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Voice on the right, vol
Piano, Voix
Partitions à imprimer
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1
Mermaid in the Jar Piano/Vocal Score
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1302964 Composed by Rachel J…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1302964 Composed by Rachel J. Peters. 21st Century,Classical,Comedy,Opera. Score. 57 pages. Rachel J Peters #892572. Published by Rachel J Peters (A0.1302964). A short operaMusic by Rachel J. PetersLibretto by Royce VavrekBased on the short story by Sheila HetiMermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voicesDURATION: 20 minutesWORLD PREMIERE: Oberlin Conservatory, Winter 2020NOTE: All performances of this work require separate permission and licensing. To learn more about this opera and obtain performance rights, please visit www.racheljpeters.com.
$20.00
18.44 €
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Piano, Voix
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Rachel J
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Mermaid in the Jar Piano/Vocal Score
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Rachel J Peters
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SheetMusicPlus
The Wild Beast of the Bungalow
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1371218 By Rachel J Peters. …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1371218 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. Score. 237 pages. Rachel J Peters #955471. Published by Rachel J Peters (A0.1371218). Libretto by Royce Vavrek, based on and further inspired by Mermaid in the Jar by Sheila Heti.This triptych of short chamber operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy) takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chicken pox and shingles force her to confront what it means to care for others and be cared for herself.INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Full orchestra score and parts will need to be rented separately.)DURATION: 90 minutesPAGES: 237WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please contact the composer at rachel@racheljpeters.com.
$37.50
34.57 €
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Piano, Voix
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Rachel J Peters
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The Wild Beast of the Bungalow
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Rachel J Peters
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SheetMusicPlus
Sussex by the Sea - voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.805674 Composed by Ward-Higg…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.805674 Composed by Ward-Higgs. Arranged by Marcus Martin. 20th Century,Contemporary. Score. 11 pages. Cornelius Edition (uk) #6717825. Published by Cornelius Edition (uk) (A0.805674). Sussex by the Sea was composed in 1907. It has become the unofficial 'National anthem' of the county of Sussex and adopted by Brighton and Hove Albion FC and the Sussex County Cricket Club. The song never became the regimental march of The Royal Sussex regiment, It was, however, the first march used by the Royal Air Force, Enthusiasm for Sussex by the Sea goes far beyond Sussex. ]The march continues to be played at band concerts all over the world The song was published in 1907, Enthusiasm for Sussex by the Sea goes far beyond Sussex. King Hussein of Jordan would insist the tune be played whenever he visited the military academy at Sandhurst.[2]The march continues to be played at band concerts all over the world and, despite the Royal Sussex Regiment's amalgamation into the Queen's Regiment and later the Princess of Wales's Royal Regiment, it is still played on ceremonial occasions.Sussex By The Sea is the regimental march of the 25th Battalion, Royal Queensland Regiment, Australia.This version for voice and Piano can be performed as a 'short' version or with the additional verses. The piano accompaniment part can also be used as a piano solo or (with modification) as an organ voluntary when requested at Military Funerals.
$5.99
5.52 €
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Piano, Voix
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The Sea is the regimental march of the 25th Battalion, Royal Queensland Regiment, Australia
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Ward-Higgs
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Marcus Martin
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Sussex by the Sea - voice and Piano
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Cornelius Edition
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SheetMusicPlus
"Deep River" (Arranged in 5-Keys)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1339954 By Kenneth Martin. B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1339954 By Kenneth Martin. By Harry T. Burleigh. Arranged by Kenneth Martin. 20th Century,Classical,Historic,Instructional,Spiritual. Score. 17 pages. Martin Music Editions #925614. Published by Martin Music Editions (A0.1339954). Certainly! Crafting an effective YouTube video description involves incorporating relevant keywords while providing valuable information. Here's an SEO-rich description for your YouTube video on the 5-key edition of Deep River arranged by Harry T. Burleigh:🎵 Explore the Depths of Deep River | 5-Key Edition by Harry T. Burleigh 🎵🌟 Welcome to Martin Music Editions, where musical heritage comes alive! 🌟🎶 Immerse yourself in the timeless beauty of Deep River, a poignant African-American Spiritual arranged by the maestro Harry T. Burleigh. Our 5-Key Edition is meticulously crafted to cater to voices of all ranges and types, making it an invaluable addition to the repertoire of singers and voice studio instructors.🎹 Piano Accompaniment Crafted for Emotion:Harry T. Burleigh's masterful touch extends to the piano accompaniment, shaping the melodic leaps, especially during phrases like my home is over Jordan. The carefully crafted intervals not only present a vocal challenge but also express the profound distance one feels on the journey to freedom. 🚀🌈 A Symbol of Hope and Resistance:Deep River is more than a song; it's a symbol of hope, resilience, and resistance. Rooted in the African-American experience, this spiritual's adaptability and enduring popularity transcend cultural boundaries. Burleigh's arrangement mirrors the emotional depth of the lyrics, creating a powerful musical experience. 🌊🎤 Versatile for All Voices:Our 5-Key Edition ensures versatility for singers of all voice types. Voice studio instructors can tailor the piece to showcase the unique qualities of each student's voice, making Deep River a versatile gem in vocal training. 🌈📜 Educational and Inspirational:Join us on a journey through history and culture. Deep River found new life as a Civil Rights anthem, championed by luminaries like Marian Anderson and Paul Robeson. Delve into the meanings behind the text and experience the profound emotional and historical significance of this spiritual. 📖🌠Connect with Cultural Heritage:Performing African American spirituals demands cultural sensitivity. Learn how to navigate the rich history of these songs with respect, authenticity, and a deep understanding of the oral tradition. ðŸŒðŸŽ¼ Experience the Power of Deep River with Martin Music Editions - Where Tradition Meets Versatility! 🎼Don't forget to like, share, and subscribe for more musical treasures! 🌟 #DeepRiver #HarryTBurleigh #MartinMusicEditions #MusicHeritage #VocalRepertoire #Recital #Repertoire #IHSA #Contest #NATS.
$7.99
7.37 €
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Piano, Voix
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Kenneth Martin
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Kenneth Martin
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"Deep River"
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Martin Music Editions
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SheetMusicPlus
Everybody's Everybody: A musical benefit for hungry children in Africa
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.940139 Composed by Merrill Collins. Con…
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Vocal Solo,Voice - Digital Download SKU: A0.940139 Composed by Merrill Collins. Contemporary. 56 pages. Merrill Collins Chausseblanche #3041217. Published by Merrill Collins Chausseblanche (A0.940139). An educational dramatic musical promoting awareness of The United Nations Convention on the Rights of the Child.Recommended age group: 5-12. For All ages. This book contains the playscript and scores for a musical about hunger in Africa. For use in classrooms, assemblies, after-school programs, youth groups, music classes, recreation centers, senior centers, camps, corporate events, public events, and fundraisers. These materials were created for an adult leader of adult volunteers.
$4.99
4.6 €
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Piano, Voix
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Merrill Collins
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Everybody's Everybody: A musical benefit for hungry children in Africa
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Merrill Collins Chausseblanche
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SheetMusicPlus
Opera Scenes for Women
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1353635 Composed by Philip S…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages. Music Anon #938378. Published by Music Anon (A0.1353635). Music by Philip Seward • Libretti by Joan Mazzonelli & Philip SewardThis volume offers four scenes for women singers for use in opera scene study and performance. There are a wide range of characters represented and various musical styles. The first is from High Fidelity which has been adapted from Anton Chekhov’s The Bear and George Bernard Shaw’s How He Lied to Her Husband. There are also references to Wolfgang Amadeus Mozart’s Cosà fan tutte later in the score. In this opening scene, Aurora Wentworth is practicing the mourning she believes society expects of her while her cousin, Georgina, from Milwaukee arrives to spice up the summer morning.The second scene from Dorabella’s Daughters finds Anabella trapped in a woodsman’s cottage the day after her wedding. The opera opens at the wedding reception for her stepsister Cinderella where Annabella is particularly spiteful. In a fury, she marries the next man who walks in the room — as it happens,  a woodsman — or so she thinks. In this scene she is mourning her fate. Her younger sister, Brendella comes to visit and the two are joined later by their very happy stepsister, Cinderella.The third scene from The Passion of John presents three women with their own perspectives on Jesus in this stylized presentation of the Gospel of John. The first singer offers the perspective of the gospel, the second presents a firsthand narrative of the Samaritan woman and the third is the woman who was accused of adultery. All three are accompanied by a women’s choral ensemble, flute, classical guitar and cello.The final scene in this collection comes from The Proposal. The opera is composed as two loosely joined acts where the first is sung by four women and the second by three men. The action concerns the aftermath of a proposal of marriage where the woman, Eve, asks for time to consider. The unexpected response sends Sam into a bit of a tailspin. In this scene, from the end of the first act Eve is arguing with three versions of herself in the middle of the night: the romantic, the maternal and the one focused on career. The scene opens right after Eve-Romantic has just waxed poetic about the perfect fairytale romance.
$45.00
41.49 €
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Piano, Voix
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Philip Seward
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Opera Scenes for Women
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Music Anon
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SheetMusicPlus
Die Walkure
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.77 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
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Voice on the right, vol
