English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
54
Partitions
Numériques
109
Librairie
Musicale
112
Matériel
de Musique
319
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
237
PIANO & CLAVIERS
Piano grosses notes
3096
Orgue
1436
Piano Facile
139
Piano seul
121
Piano, Voix
109
Clavier
59
Piano, Voix et Guitare
44
Accompagnement Piano
9
Instruments en Do
9
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
Piano (partie séparée)
1
Instrumentations suivantes
Retracter
GUITARES
Basse electrique
12
Guitare notes et tablatures
12
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
2
Ukulele
2
Banjo
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
Guitare, Violon, Violoncelle (trio)
1
Basse électrique (partie séparée)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
147
Chorale 3 parties
32
Chorale Unison
26
Chorale 2 parties
17
Chorale TTBB
14
Chorale SSAA
12
Voix duo, Piano
5
Voix Soprano
3
Voix Soprano, Piano
2
Voix duo
2
Chorale SSATTB
1
Voix Tenor, Piano
1
Voix Alto, Piano
1
Voix seule
1
Instrumentations suivantes
Retracter
VENTS
Flûte et Guitare
10
Flûte traversière et Piano
10
Cor anglais, Piano
9
Clarinette, Guitare (duo)
8
Saxophone (partie séparée)
6
Clarinette et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Cor anglais, Guitare (duo)
4
Clarinette (partie séparée)
4
Hautbois, Piano (duo)
4
Flûte à bec Soprano
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Alto et Piano
3
Quatuor de Saxophones: 4 saxophones
3
Quatuor de Flûtes : 4 flûtes
3
2 Clarinettes (duo)
3
Saxophone Baryton, Piano
2
Saxophone Tenor et Piano
2
Ensemble de Flûtes
2
Saxophone Soprano et Piano
2
Flûte à bec Soprano, Piano
2
Ensemble de Clarinettes
2
Quintette de Saxophone: 5 saxophones
2
Clarinette, Violon (duo)
2
Hautbois (partie séparée)
2
Saxophone Alto
2
Flûte traversière
2
Flûte à bec Alto, Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flute (partie séparée)
2
2 Flûtes traversières (duo)
2
Saxophone et Orgue
1
Flûte, Basson et Piano
1
2 Saxophones (duo)
1
Hautbois, Guitare (duo)
1
Saxophone Tenor
1
Instrumentations suivantes
Retracter
CUIVRES
Cor anglais, Piano
9
Trombone (partie séparée)
9
Trompette (partie séparée)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Cor anglais, Guitare (duo)
4
Trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette
3
Tuba
3
Cor
3
Euphonium, Piano (duo)
2
Cor et Piano
2
Trompette, Piano
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Trombone et Piano
2
Tuba ou Euphonium ou Saxhorn
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon et Piano
7
Harpe
6
Violon (partie séparée)
5
Violon
4
Violoncelle, Piano
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Piano
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
Contrebasse (partie séparée)
2
Violon, Violoncelle (duo)
2
Violoncelle
2
Alto (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
1
Flûte, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Alto seul
1
Violoncelle (partie séparée)
1
2 Violons (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
54
Orchestre
23
Orchestre à Cordes
18
Batterie
12
Ensemble de cuivres
12
Orchestre de chambre
9
Fanfare
9
Ensemble Jazz
8
Cloches
3
Batterie (partie séparée)
2
Percussion
2
Percussion (partie séparée)
2
Jazz combo
1
Ensemble de Percussions
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Word Up
Piano, Voix
Partitions à imprimer
109 partitions trouvées
<
1
26
51
....
101
Can I Have a Word?
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909893 Composed by Christoph…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909893 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 4 pages. Christopher Benfield #6202231. Published by Christopher Benfield (A0.909893). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.Can I Have a Word is about a relationship between two people, the singer looking for compromise by talking about the use of different words.
$2.99
2.68 €
#
Piano, Voix
#
Christopher Benfield
#
Can I Have a Word?
#
Christopher Benfield
#
SheetMusicPlus
I Wake Up
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842186 Composed by Andrew Mc…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842186 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 7 pages. Andrew Mc Donald (Macka Records) #5303219. Published by Andrew Mc Donald (Macka Records) (A0.842186). I Wake Up is a song about starting our day with Jesus in the word. As we get up in the morning we wonder what our day is going to reveal. When we spend time with Jesus before we begin we can expect the blessing for others and our selves and a terrific adventure awaits.
$4.99
4.47 €
#
Piano, Voix
#
Andrew Mc Donald
#
I Wake Up
#
Andrew Mc Donald
#
SheetMusicPlus
I Eat Words
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909894 Composed by Christoph…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909894 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 3 pages. Christopher Benfield #6202229. Published by Christopher Benfield (A0.909894). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.I Eat Words is an odd piece about a monster that eats words, featuring enticing wordplay and text painting.
$2.99
2.68 €
#
Piano, Voix
#
Christopher Benfield
#
I Eat Words
#
Christopher Benfield
#
SheetMusicPlus
Rock-a-bye Baby, Up On a Tree Top. Song and Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.814 Composed by C.A. White. Children sle…
(+)
Piano and voice - Digital Download SKU: LV.814 Composed by C.A. White. Children sleeping, Lullabies, Infants. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.814). Rock-a-bye Baby, Up On a Tree Top. Song and Chorus. These words, every Mother's Lullaby. Music By C.A. White. Published 1881 by White, Smith & Co., 516 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Children sleeping, Lullabyes, Infants. First line reads Rock-a-bye Baby, up on a tree top.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Piano, Voix
#
C
#
C
#
Rock-a-bye Baby, Up On a Tree Top. Song and Chorus
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Rock-a-bye Baby, Up On a Tree Top. Song and Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.813 Composed by C.A. White. Children sle…
(+)
Piano and voice - Digital Download SKU: LV.813 Composed by C.A. White. Children sleeping, Lullabies, Infants. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.813). Rock-a-bye Baby, Up On a Tree Top. Song and Chorus. These words, every Mother's Lullaby. Music By C.A. White. Published 1881 by White, Smith & Co., 516 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Children sleeping, Lullabyes, Infants. First line reads Rock-a-bye Baby, up on a tree top.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Piano, Voix
#
C
#
C
#
Rock-a-bye Baby, Up On a Tree Top. Song and Chorus
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Bobbin' Up and Down
Piano, Voix
Piano and voice - Digital Download SKU: LV.7403 Composed by Theodore Morse. Portrai…
(+)
Piano and voice - Digital Download SKU: LV.7403 Composed by Theodore Morse. Portraits, Ships, Bodies of water, Fish, Leisure. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7403). Bobbin' Up and Down. Words by D.A. Esrom. Music by Theodore Morse. Published 1913 by Theodore Morse Music Co., Theodore Morse, Pres., Herman Snyder, Sec. Treas., 143-145 W. 40th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Ships, Bodies of water, Fish, Leisure. First line reads Come on and take a trip on a funny little ship and sail away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Piano, Voix
#
Theodore Morse
#
Bobbin' Up and Down
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Up To Here. Comic Song
Piano, Voix
Piano and voice - Digital Download SKU: LV.5843 Composed by Harry Randall. Occupati…
(+)
Piano and voice - Digital Download SKU: LV.5843 Composed by Harry Randall. Occupations, Alcoholic beverages, Intoxication, Oceans, Swimming, Courtship. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5843). Up To Here. Comic Song. Words by J.P. Harrington. Music by Harry Randall. Published 1893 by T.B. Harms & Co., 18 East 22nd St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Occupations, Alcoholic beverages, Intoxication, Oceans, Swimming, Courtship. First line reads I always was a man who liked his clothes to be a fit.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Piano, Voix
#
Harry Randall
#
Up To Here. Comic Song
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
You'll Have to Put Him to Sleep With the Marseillaise (And Wake Him Up With a Oo-La-La)
Piano, Voix
Piano and voice - Digital Download SKU: LV.24016 Composed by Harry Von Tilzer. Coup…
(+)
Piano and voice - Digital Download SKU: LV.24016 Composed by Harry Von Tilzer. Couples, Soldiers, Kissing, Courtship, War allies, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24016). You'll Have to Put Him to Sleep With the Marseillaise (And Wake Him Up With a Oo-La-La). Words by Andrew Sterling. Music by Harry Von Tilzer, 1918. Published 1918 by Harry Von Tilzer Music Publishing Co., 222 W. 46th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Couples, Soldiers, Kissing, Courtship, War allies, World War I. First line reads Girls have you heard the very latest news.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Piano, Voix
#
Harry Von Tilzer
#
You'll Have to Put Him to Sleep With the Marseillaise
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
My Love, Rise Up
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268282 Composed by Samantha…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268282 Composed by Samantha Jellett. Christian,Easter,Lent,Praise & Worship. Score. 2 pages. Samantha Jellett #860844. Published by Samantha Jellett (A0.1268282). 'Rise up, my love, my fair one, and come away. Â For lo, the winter is past, the rain over and gone, the flowers appear on the earth' (Song of Solomon 2: 10-12)This simple but beautiful hymn uses the words of Song of Solomon to give a different but fitting approach to the theme of Easter. Â It can be sung by a solo voice or congregation, accompanied by piano or organ. Â It is also available in versions for SA and SATB.
$1.99
1.78 €
#
Piano, Voix
#
Samantha Jellett
#
My Love, Rise Up
#
Samantha Jellett
#
SheetMusicPlus
Up With The Red Bandanna. Song and Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.13180 Composed by Paul Prescott. Portrai…
(+)
Piano and voice - Digital Download SKU: LV.13180 Composed by Paul Prescott. Portraits--A.G. Thurman, Presidential elections. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13180). Up With The Red Bandanna [sic]. Song and Chorus. Words and Music by Paul Prescott. Published 1888 by Oliver Ditson & Co., 451 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits--A.G. Thurman, Presidential elections. First line reads Oh! democrats get ready, The fight is near at hand.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Piano, Voix
#
Paul Prescott
#
Up With The Red Bandanna. Song and Chorus
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Three Little Words
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909898 Composed by Christoph…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909898 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 2 pages. Christopher Benfield #6202237. Published by Christopher Benfield (A0.909898). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.Three Little Words is a comedic song about the singer's anger with someone, talking about the things they could be, but they are not.
$2.99
2.68 €
#
Piano, Voix
#
Christopher Benfield
#
Three Little Words
#
Christopher Benfield
#
SheetMusicPlus
Five Songs About Words
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909892 Composed by Christoph…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909892 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 23 pages. Christopher Benfield #6202223. Published by Christopher Benfield (A0.909892). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.
$8.99
8.05 €
#
Piano, Voix
#
Christopher Benfield
#
Five Songs About Words
#
Christopher Benfield
#
SheetMusicPlus
That's What's the Matter With Hannah. Comic Ballad. Song and Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.15258 Composed by J.H. Ross. Gold, Cloth…
(+)
Piano and voice - Digital Download SKU: LV.15258 Composed by J.H. Ross. Gold, Clothing & dress, James Monroe, Petroleum industry, Inventions, Progress. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15258). That's What's the Matter With Hannah. Comic Ballad. Song and Chorus. Words by S.S. Steele. Music by J.H. Ross. Published 1865 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Gold, Clothing & dress, James Monroe, Petroleum industry, Inventions, Progress. First line reads Bywords up and down are the life of the town.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Piano, Voix
#
J
#
That's What's the Matter With Hannah. Comic Ballad. Song and Chorus
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
GROWING UP. lead sheet&words( #CJDennis ) AND piano
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019298 Composed by #GeoffRo…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019298 Composed by #GeoffRodThomson. Lyrics: #CJDennis. Children,Contemporary,Film/TV,Musical/Show. Score. 1 pages. Geoff R Thomson #3142115. Published by Geoff R Thomson (A0.1019298). This poem #GrowingUp by C.J.Dennis is about Tommy a little tadpole who is having to deal with something very life-changing. Geoff Rod Thomson has added touching music to this tale. These C.J.Dennis songs would be great for teachers and their language, music, drama, history or other students. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com.
$1.99
1.78 €
#
Piano, Voix
#
#GeoffRodThomson
#
GROWING UP. lead sheet&words( #CJDennis ) AND piano
#
Geoff R Thomson
#
SheetMusicPlus
Be Merciful to Me ~ Psalm 57 (for Vocal Solo with Piano accompaniment)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565304 By Sharon Wilson. By …
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565304 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Sacred. Score. 8 pages. Sharon Wilson #3872535. Published by Sharon Wilson (A0.565304). This Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as a vocal solo with piano accompaniment (3 staff piano-vocal score). This solo arrangement is in the key of G major and has a vocal range of one octave, from the first B below middle C to the first B above middle C (B3 to B4). The purchase price includes a 5-page combined score plus a 2-page solo score. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The simplicity of the melody allows the vocalists to focus on the words and dynamics as the audience is drawn to the beauty of God's Word expressed musically. The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
$4.99
4.47 €
#
Piano, Voix
#
Sharon Wilson
#
Sharon Wilson
#
Be Merciful to Me ~ Psalm 57
#
Sharon Wilson
#
SheetMusicPlus
Not Finished Just Yet!
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842178 Composed by Andrew Mc…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842178 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 7 pages. Andrew Mc Donald (Macka Records) #5222585. Published by Andrew Mc Donald (Macka Records) (A0.842178). Not Finished Just Yet is a song about not giving up on sharing our faith. It is not in vain that we tell the Gospel. Every word counts and we will have an impact on someone and they will eventually come 'round. God is not finished with them yet. In due time we will reap a harvest if we do not give up!
$4.99
4.47 €
#
Piano, Voix
#
Andrew Mc Donald
#
Not Finished Just Yet!
#
Andrew Mc Donald
#
SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
<
1
26
51
....
101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
