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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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expert
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Non classifié
350
PIANO & CLAVIERS
Piano seul
466
Piano Facile
139
Piano, Voix
87
Piano, Voix et Guitare
73
1 Piano, 4 mains
23
Instruments en Do
20
2 Pianos, 4 mains
15
Orgue
12
Piano grosses notes
11
Accordéon
5
Piano (partie séparée)
5
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
Ensemble d'Accordéons
1
Instrumentations suivantes
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GUITARES
Guitare
54
Guitare notes et tablatures
52
Ukulele
24
Ligne De Mélodie, (Paroles) et Accords
23
Basse electrique
7
2 Guitares (duo)
5
Paroles et Accords
3
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
Ensemble de guitares
1
Guitare (partie séparée)
1
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VOIX
Chorale SATB
56
Chorale 3 parties
33
Voix seule
19
Chorale TTBB
14
Chorale SSAA
6
Chorale Unison
5
Chorale 2 parties
4
Voix duo, Piano
4
Voix duo
2
Voix basse, Piano
1
Voix Soprano, Piano
1
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VENTS
Saxophone
123
Flûte traversière
98
Clarinette
93
Saxophone (partie séparée)
61
Saxophone Alto
33
Flûte traversière et Piano
28
Saxophone Alto et Piano
23
Hautbois, Piano (duo)
21
Quatuor de Saxophones: 4 saxophones
21
Saxophone Tenor
21
Clarinette (partie séparée)
21
Hautbois (partie séparée)
20
Clarinette et Piano
18
2 Saxophones (duo)
16
Hautbois
15
2 Clarinettes (duo)
14
Flûte, Hautbois, Clarinette, Basson
14
Saxophone Tenor et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quatuor de Clarinettes: 4 clarinettes
11
3 Saxophones (trio)
10
2 Flûtes traversières (duo)
10
Quintette de Saxophone: 5 saxophones
9
Flûte à Bec
8
Flute (partie séparée)
8
Saxophone Soprano et Piano
8
Quatuor de Flûtes : 4 flûtes
6
Saxophone Baryton, Piano
5
Saxophone Soprano
4
2 Hautbois (duo)
4
3 Clarinettes (trio)
3
Trio de Flûtes: 3 flûtes
3
Flûte à bec Soprano
2
2 Flûtes traversières, Piano
2
Flute, harpe et violon
2
Saxophone Baryton
2
Ensemble de Flûtes
2
Ensemble de saxophones
2
Cor anglais, Piano
2
Hautbois, Basson (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Flûte, Violon, Guitare
1
Clarinette, Violoncelle (duo)
1
3 Hautbois
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Basson (duo)
1
Ensemble de Clarinettes
1
Hautbois, Violoncelle
1
Cor Anglais
1
Flûte, Hautbois, Basson
1
Clarinette Basse, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Violon
1
Flûte, Clarinette et Basson
1
Instruments en Mib
1
Hautbois, Flûte
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
85
Trombone
65
Cor
34
Trompette, Piano
22
Trombone et Piano
17
Trompette (partie séparée)
16
Tuba
16
Trombone (partie séparée)
15
Quatuor de cuivres: 4 trombones
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
13
Tuba et Piano
11
2 Trompettes (duo)
9
2 Trombones (duo)
9
Cor (partie séparée)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Euphonium
5
2 Cors (duo)
5
Tuba (partie séparée)
5
Trio de Cuivres
4
2 Tubas (duo)
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trompettes
2
Cor anglais, Piano
2
Instruments en Sib
1
Quatuor de cuivres: 4 cors
1
Tuba ou Euphonium ou Saxhorn
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
Cor Anglais
1
Trompette, Cor (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon
106
Quatuor à cordes: 2 violons, alto, violoncelle
82
Alto seul
77
Violoncelle
73
Violon et Piano
35
Harpe
29
Violoncelle (partie séparée)
29
Violoncelle, Piano
25
Alto, Piano
22
2 Violoncelles (duo)
21
Violon (partie séparée)
20
Violon, Violoncelle (duo)
19
Alto (partie séparée)
15
Contre Basse
14
2 Violons (duo)
14
Contrebasse, Piano (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à Cordes: 2 violons, violoncelle
10
Contrebasse (partie séparée)
9
Trio à Cordes: violon, alto, violoncelle
8
2 Altos (duo)
7
Violon, Alto (duo)
5
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
47
Orchestre
25
Ensemble de cuivres
13
Percussion (partie séparée)
12
Orchestre à Cordes
11
Ensemble Jazz
8
Orchestre de chambre
6
Percussion
5
Batterie
4
Fanfare
3
Timbales (partie séparée)
2
Ensemble de Percussions
2
Cloches
1
Vibraphone (partie séparée)
1
Batterie (partie séparée)
1
Marimba, Piano (duo)
1
Jazz combo
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
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Piano, Voix
Partitions à imprimer
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The Genius Of Cleveland Street September 2011
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.789996 Composed by Benj Pase…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.789996 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score. 9 pages. Diamond S Music #3531189. Published by Diamond S Music (A0.789996). THE GENIUS ON CLEVELAND STREET from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal and 8 piece arrangement. This Keyboard parts also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Piccolo, Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux). Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, Red Ryder Carbine Action BB Gun. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.2 €
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Piano, Voix
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Benj Pasek and Justin Paul
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W
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Vocal Part Only
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The Genius Of Cleveland Street September 2011
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Diamond S Music
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SheetMusicPlus
Hail! La Fayett
Piano, Voix
Piano and voice - Digital Download SKU: LV.21303 Arranged by F. Fest. Portraits, Na…
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Piano and voice - Digital Download SKU: LV.21303 Arranged by F. Fest. Portraits, National Emblems, Eagles, Cannons, Drums, Patriotism, Campaigns & battles, Heroes. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21303). Hail! La Fayett. Written by Major J.N. Barker. A tribute of respect to that illustrious friend of Liberty on his arrival in the United States. Adapted to Genl. La Fayette's March, the Marsellois Hymn. The Music Arranged for a full Military Band at the request of the Committee of Arrangement by F. Fest. Published 1824 by G.E. Blake, No.13 South Fifth Street in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, National Emblems, Eagles, Cannons, Drums, Patriotism, Campaigns & battles, Heroes. First line reads When Freedom roud'd our Sires to glory, and bade them strike for life and land.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voix
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F
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Hail! La Fayett
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
La Gloria eres Tú
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.956317 Composed by Jose Anto…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.956317 Composed by Jose Antonio Mendez. Arranged by La Rosa Piano Studio. Pop,Traditional. Score. 2 pages. Yolanda Quevedo #6684491. Published by Yolanda Quevedo (A0.956317). This is an arrangement for piano solo ideal for an intermediate student.
$5.99
5.52 €
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Piano, Voix
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Jose Antonio Mendez
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La Rosa Piano Studio
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La Gloria eres Tú
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Yolanda Quevedo
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SheetMusicPlus
La Solitudine
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1269406 By Laura Pausini. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1269406 By Laura Pausini. By Arcangelo Valsiglio, Federico Cavalli, and Pietro Cremonesi. Arranged by Sérgio Matias da Cunha. 20th Century,Instructional,Multicultural,Pop,Wedding,World. Score. 6 pages. Sérgio Matias da Cunha #861926. Published by Sérgio Matias da Cunha (A0.1269406). Arranjo claro, objetivo, conciso e acessÃvel apresentando melodia cifrada com letra e acompanhamento ao piano. Presença de modulação, acordes elaborados, trÃades, tétrades, notas de tensão, polirritmia e inversões. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$9.99
9.2 €
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Piano, Voix
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Laura Pausini
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Sérgio Matias da Cunha
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La Solitudine
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Sérgio Matias da Cunha
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SheetMusicPlus
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Piano, Voix
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Le feu et la cendre
Piano, Voix
By Jeanne Landry (1922-). For voice and piano. Level 3. 22 pages. Published by Les Edition…
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By Jeanne Landry (1922-). For voice and piano. Level 3. 22 pages. Published by Les Editions Doberman-Yppan (digital)
$10.95
10.08 €
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Piano, Voix
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Jeanne Landry
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Le feu et la cendre
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Les Editions Doberman-Yppan
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SheetMusicPlus
Je Te Tiendrai La Main
Piano, Voix
Digital Download SKU: HX.333974 By Laurent Rossi. By Maryland. Pop. Piano Vocal. 2 …
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Digital Download SKU: HX.333974 By Laurent Rossi. By Maryland. Pop. Piano Vocal. 2 pages. Published by Hal Leonard Europe (HX.333974).
$4.99
4.59 €
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Piano, Voix
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Laurent Rossi
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Je Te Tiendrai La Main
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Hal Leonard Europe
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SheetMusicPlus
The Song of Shadows - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Ke
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784928 Composed by Dennis Mc…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784928 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 9 pages. DF McCorkle Music and eBook Publications #6189873. Published by DF McCorkle Music and eBook Publications (A0.784928). Key: F, Range F3 to C5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.32 €
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Piano, Voix
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Dennis McCorkle, Adele Paxton
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The Song of Shadows - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Ke
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Slim Sophia (or "Reverie’) - An Original Song Setting of Walter de la Mare's Poetry for VOICE and
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784933 Composed by Dennis Mc…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784933 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,Traditional. Score. 14 pages. DF McCorkle Music and eBook Publications #6189973. Published by DF McCorkle Music and eBook Publications (A0.784933). Key: Db, Range G3 to Ab4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.32 €
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Piano, Voix
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Dennis McCorkle, Adele Paxton
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Slim Sophia
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Dust to Dust - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key B
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784929 Composed by Dennis Mc…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784929 Composed by Dennis McCorkle, Adele Paxton. Concert,Contemporary,New Age,Spiritual. Score. 9 pages. DF McCorkle Music and eBook Publications #6189923. Published by DF McCorkle Music and eBook Publications (A0.784929). Key: B/D#m, Range F#3 to A#4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.32 €
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Piano, Voix
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Dennis McCorkle, Adele Paxton
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Dust to Dust - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key B
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 18: La vie est une fleur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-18E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-18E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-18E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 18: La vie est une fleur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Au Clair de la Lune - Pre-staff Finger Number Notation on the Black Keys
Piano, Voix
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.920663 Composed by Tradition…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.920663 Composed by Traditional. Arranged by Elizabeth Essex. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 3 pages. Elizabeth Essex #6711301. Published by Elizabeth Essex (A0.920663). Au Clair de la Lune - Pre-staff Finger Number arrangement for the piano - for the newest young beginners who know finger numbers and can find correct hand position using the illustration, on the black keys. Best for preschool students used to reading finger numbers and starting to learn key names.1 page, landscape. Easy for pre-readers and beginner pianists. Preschool. Finger numbers. Pre-staff / prestaff, pre-reader / prereader, pre-reading / prereading. Beginner.
$1.99
1.83 €
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Piano, Voix
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Traditional
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Elizabeth Essex
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Au Clair de la Lune - Pre-staff Finger Number Notation on the Black Keys
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Elizabeth Essex
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SheetMusicPlus
Viva La Vida
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1084472 By Coldplay. By Chri…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1084472 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Coldplay. Contemporary,Country,Pop. Score. 14 pages. Mr. Lu Lai #688651. Published by Mr. Lu Lai (A0.1084472). Viva la Vida piano score.
$4.99
4.59 €
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Piano, Voix
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Coldplay
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Coldplay
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Viva La Vida
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Mr. Lu Lai
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SheetMusicPlus
Viva La Vida
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1084468 By Coldplay. By Chri…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1084468 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Coldplay. Contemporary,Country,Pop. Score. 5 pages. Mr. Lu Lai #688647. Published by Mr. Lu Lai (A0.1084468). Viva la Vida piano score.
$4.99
4.59 €
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Piano, Voix
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Coldplay
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Coldplay
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Viva La Vida
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Mr. Lu Lai
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SheetMusicPlus
Clandestina
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.850142 By Filv & Edmofo. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.850142 By Filv & Edmofo. By Youssef Akdim. Arranged by Leah Ginzburg. Contemporary. Score. 5 pages. Leah Ginzburg #6249537. Published by Leah Ginzburg (A0.850142). Piano version of the lovely song Clandestina, La Cocaina performed by Emma Peters. Arranged for piano solo by Leah Ginsburg
$7.99
7.36 €
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Piano, Voix
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Filv & Edmofo
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Leah Ginzburg
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Clandestina
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Leah Ginzburg
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SheetMusicPlus
Viva La Vida
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1464003 By Coldplay. By Chri…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1464003 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by an3ss piano. Pop,Rock. Score. 7 pages. Andrés Moreno #1042714. Published by Andrés Moreno (A0.1464003).
$4.99
4.59 €
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Piano, Voix
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Coldplay
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an3ss piano
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Viva La Vida
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Andrés Moreno
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SheetMusicPlus
Red Ryder(r) Carbine Action Bb Gun
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.791534 Composed by Benj Pase…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.791534 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score. 9 pages. Diamond S Music #3531185. Published by Diamond S Music (A0.791534). RED RYDER CARBINE ACTION BB GUN from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal and 8 piece arrangement. This Keyboard parts also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Piccolo, Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux). Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.2 €
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Piano, Voix
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Benj Pasek and Justin Paul
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W
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Justin Paul
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Red Ryder(r) Carbine Action Bb Gun
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Diamond S Music
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SheetMusicPlus
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