ISBN 9781610657556.

This book is designed to give five-string electric bass players an understanding of the bass fingerboard. Such knowledge is essential for the creation of melodic bass lines. Bass players must be able to perform on their instruments to the utmost of their abilities. To do so, they need the same tools that make any musician a powerful performer. The first set of tools consists of scales and arpeggios, which are the basic units from which all melodies and chord progressions are derived. This book will teach you, with a minimum of pain and lost sleep, to play these patterns over the entire range of this beautiful instrument. Written in notation, tablature, and fretboard diagrams. Includes access to online audio containing every exercise in the book.

ISBN 9781619115262.

Welcome to the School of the Blues Lesson Series! This book and recording were created to help give you context to all the music you worked so hard to learn. The recorded Play-Along Trax have no bass. This gives you the opportunity to work on your blues bass patterns. I have used several different keys and tempos throughout these Play-Along Trax. These Play-Along Trax give you a very realistic example of how you would play live with a band.Music examples are kept fairly simple to make sure this book is accessible to bass players just above the beginning level. For best understanding of these techniques refer to Mel Bay's Blues Bass, Level 1 (MB21063BCD).Lastly, all the references in this book are written for a right-handed four string electric bass. If you play a 5 string bass you just need to extend the examples to include your B string. If you play left-handed then you need to reverse any references to the left and right hands. We will use standard music notation along with bass tablature (TAB) for this book. Includes access to online audio.

ISBN 9781609743819. Learn bass fingerboard secrets with this quick and useful guide through the fundamental triad and seventh chord arpeggios. Learn to recognize these essential items and to easily find them over the whole neck.Each chord in Encyclopedia of Bass Arpeggios is provided with a brief introductory chart analyzing the arpeggios rising from chords and relevant inversions. The development in one and two octaves follows, considering the different positions and fingerings starting from the 3rd, the 4th, and the 5th strings. All arpeggios are presented in standard notation and tablature. Finally, a table summarizes the scales to be used with each type of chord.As well as a valuable reference for all bass players, this book gives students a fresh and comprehensive tool to practice arpeggios in a very simple and constructive way. An excellent opportunity to gain a fluent understanding of the fretboard and to hone playing skills in terms of dexterity and accuracy. For 4-string and 5-string bass.

This is a a "Rock Band" version on "Steroids" of the "Top Gun Anthem" composed by Harold Faltermeyer.
The Arrangement Include as well the small intro heard at the beginning of the movie.
It features a powerful Lead Guitar (With a Guitar Solo Included in Notation) in a mix style of Steve Lukather (Toto) / Michael Landau and Steve Stevens. A Keyboard Part (including a Lead Synth part as well), a 5 Strings Electric Bass and Powerful Drums part influenced by Mike Portnoy and some other Progressive Rock Drummer.
Work Well when played with my Top Gun "Memories" in its Rock Band version available here as well.
Available too is a Piano solo arrangement for the same tune.

Don?t Start Now is a song by English singer, Dua Lipa from her second studio album, Future Nostalgia (2020). Dua Lipa wrote the track with Caroline Ailin, Emily Warren, and its producer Ian Kirkpatrick featuring funky basslines throughout the song. The song was recorded by Kirkpatrick using Scarbee MM-Bass plug-in (Kontakt samples). During live performances, it is played using a 4-string Pbass and bass synthesiser by Matthew Carroll.

This transcription is based on the album version and arranged to be played on a 5-string bass with standard tuning. If you preferred to use a 4-string bass, I have provided an option as indicated by smaller notations in the score (I have also included a small note during the section). You can also play as Matthew Carroll did during his performance with Dua Lipa. He uses 4-string Pbass for the whole song but played the bass synthesiser during the ?Pre-Chorus? sections.

This song is in the key of B minor and is about 3?03? long. The tempo is at 124bpm and quite challenging, where it features a lot of upbeat rhythms. Still, it is perfect for an intermediate player who is looking for a challenge. Aside from playing with plucking technique, you are also required to perform ?pop? technique during the ?Chorus? parts.

This transcription includes 3 parts: 1)both notation and TAB (3 pages); 2)notation-only (2 pages); 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.

Have fun and good luck. Do visit me at www.zulhilmyzulkifli.com for any inquiries. Thank you for your purchase, and I hope you enjoy the music.

ISBN 9781619114937. 8.75 x 11.75 inches. Gleaned from years of teaching, performance, and listening experience -bass players at all levels will benefit from studying the numerous exercises, grooves, and musical examples offered in this book. Whether you are into funk, RandB, fusion, jazz, rock, punk, reggae, alternative music, or any other style; the slap technique will find a niche in your bass playing vocabulary. Chapter headings include: Technique, Hammer-Ons and Pull-Offs, Ghost Notes, Left Hand Slap, Open Strings, Double Slap, Double Stops, Double Pops, Other Licks and Tricks, and Advanced Grooves and Solos Using All Techniques. The author strongly advises the student to play each lesson slowly until the exercise or principle being illustrated is thoroughly mastered. Written in notation and tablature. Audio and video download available online.

ISBN 9781619113527. This book provides concepts and daily routines to help players gain facility on their instrument by improving technique and avoiding injury. The exercises can be used as a warm-up or as full-speed technical studies. Many of the exercises focus on one hand or the other; others are designed specifically to improve synchronicity between the two hands. It is useful for musicians of any level. The exercises are presented in string numbers, fret numbers and fretboard diagrams rather than standard notation or tab. This book will work for any variety of bass guitar-electric, acoustic, fretless-and the material can easily be adapted for bass guitars with five or more strings.

ISBN 9781609748432. The most widely-used introductory bass method available! Both Volumes I and II present a standard notation approach to reading solo and arpeggio studies for four string bass. Included in Volume I are the rudiments of playing, plus handy charts of arpeggios featuring major, minor, augmented, diminished, and seventh chords, plus upper harmonic extensions. Volume II continues with studies, scales, walking bass patterns, and more. Applicable to any style of music, this method has gained acceptance as the foundational text for electric bass study world-wide.

ISBN 9781619115163. 5.5 x 8 inches. This Qwikguide shows bassists how to play along with popular jazz chord progressions. The examples demonstrate how to use triads, arpeggios, scales, and passing tones in swing, be-bop, bossa nova, and ballad styles. The sample bass lines are all written in tablature for the 4-string bass, making it easy to learn fingerings and positions. Comes with access to online audio that presents each example twice, once as bass solo with accompaniment (piano and drums) and then as accompaniment only.