ISBN 9781619119437.

This study examines time signatures and rhythms for the acoustic bass and the four and five-string electric bass. This method book is divided into two sections: 1) addresses simple meters, and 2) focuses on compound meters. This study will promote facility in executing the feel or groove of the rhythm within each time signature. In standard notation only.

ISBN 9781610652056. The ability to read, play, and make a convincing, consistent groove in a sixteenth note rhythm is one of the more formidable challenges facing a contemporary rhythm section player. This book attempts to address that challenge by supplying chord progressions with different syncopated rhythmic patterns. Practice of these exercises will lead to an understanding of the style, and ability to execute the rhythms common to funk. Comping Styles for Bass is a collection of 36 different progressions with both guitar and bass parts written out, so a bass player can see what the guitar is doing and also get used to reading bass parts in a funk style. It includes a online audio which demonstrates the progressions in a trio setting of guitar, bass, and drums. It is a useful tool for learning to interact with a rhythm section. Includes access to online audio.

ISBN 9781610659147. Featured here are classic RandB/Soul bass grooves from the 1940's -1970's; Rhythm and Blues bass lines mixing Motown, Memphis (soul/gospel) and New Orleans (funk) feels. 30 examples written in standard bass clef notation and TAB and all are contained on the companion audio with a full rhythm section. The examples will vary from basic to very complex. Includes access to online audio.

Don?t Start Now is a song by English singer, Dua Lipa from her second studio album, Future Nostalgia (2020). Dua Lipa wrote the track with Caroline Ailin, Emily Warren, and its producer Ian Kirkpatrick featuring funky basslines throughout the song. The song was recorded by Kirkpatrick using Scarbee MM-Bass plug-in (Kontakt samples). During live performances, it is played using a 4-string Pbass and bass synthesiser by Matthew Carroll.

This transcription is based on the album version and arranged to be played on a 5-string bass with standard tuning. If you preferred to use a 4-string bass, I have provided an option as indicated by smaller notations in the score (I have also included a small note during the section). You can also play as Matthew Carroll did during his performance with Dua Lipa. He uses 4-string Pbass for the whole song but played the bass synthesiser during the ?Pre-Chorus? sections.

This song is in the key of B minor and is about 3?03? long. The tempo is at 124bpm and quite challenging, where it features a lot of upbeat rhythms. Still, it is perfect for an intermediate player who is looking for a challenge. Aside from playing with plucking technique, you are also required to perform ?pop? technique during the ?Chorus? parts.

This transcription includes 3 parts: 1)both notation and TAB (3 pages); 2)notation-only (2 pages); 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.

Have fun and good luck. Do visit me at www.zulhilmyzulkifli.com for any inquiries. Thank you for your purchase, and I hope you enjoy the music.

ISBN 9781609748104. This superb study book or method supplement for any bass student contains 19 bass rhythm parts in a mixture of popular styles, including shuffles, reggae, rock, swing, standard walking bass, be-bop, newgrass, syncopated Latin lines, the jazz waltz, and country western. Performance notes are included with each tune explaining how to use position and fingering markings, when to shift position, how to count and play syncopated rhythm patterns, and more. Bass parts are in notation and tablature with fingerings and positions, and guitar lead and chord parts are shown. In addition, there are sections dealing with slap/pop and hammer-on techniques. Includes a handy base line manual and a chord arpeggio chart. The unique one-glance fingerboard chart shows musical notation exactly where it appears on the frets.