Partitions Numériques de tempo. pour Cor Anglais

tempo.

Prelude in Bb minor - BWV 999 - English Horn #Cor Anglais #AVANCÉ #Classique #Johann Sebastian Bach #Ygor Nunes #Prelude in Bb minor - BWV 999 #Ygor Nunes #SheetMusicPlus

English Horn Solo - Level 5 - SKU: A0.1386042 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual ...(+)

English Horn Solo - Level 5 - SKU: A0.1386042 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 4 pages. Ygor Nunes #969988. Published by Ygor Nunes (A0.1386042). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, Bb minor, solo keyboard, Baroque, polyphony, moderate tempo.

Attwood's Allegro-gigue-English Horn solo #Cor Anglais #INTERMÉDIAIRE #Phil Beaman #Attwood's Allegro-gigue-Englis #Phil Beaman #SheetMusicPlus

English Horn Solo - Level 3 - SKU: A0.844935 Composed by Phil Beaman. Baroque,Classical,Concert,Instructional. Individual part. 2 pages. Phil Beaman #59...(+)

English Horn Solo - Level 3 - SKU: A0.844935 Composed by Phil Beaman. Baroque,Classical,Concert,Instructional. Individual part. 2 pages. Phil Beaman #5999535. Published by Phil Beaman (A0.844935). The Gigue is a lively Baroque dance in compound time. This short fun piece is great for auditions, exams, or recitals as it shows your clean playing technique at Allegro tempo.

English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!