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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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628
Piano & claviers
Piano seul
316
Piano, Voix
119
Orgue
22
2 Pianos, 4 mains
8
Piano, Voix et Guitare
7
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
2
Clavecin
2
Orgue, Trompette (duo)
2
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavier
1
Piano Facile
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
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Guitares
Guitare
24
Basse electrique
19
Guitare notes et tablatures
3
Ukulele
2
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
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Voix
Chorale SATB
63
Voix Soprano, Piano
15
Chorale TTBB
13
Chorale SSAA
7
Voix Alto, Piano
4
Voix duo, Piano
4
Voix haute
4
Voix Baryton, Piano
3
Chorale 3 parties
2
Voix seule
2
Voix duo
2
Voix basse, Piano
1
Voix Tenor
1
Chorale SAATB A Cappella
1
Voix Tenor, Piano
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Flûte traversière et Piano
16
Ensemble de Clarinettes
15
Flûte traversière
12
Saxophone Alto et Piano
12
Saxophone
11
Clarinette et Piano
11
Hautbois, Piano (duo)
10
Saxophone Soprano et Piano
9
Saxophone Tenor et Piano
8
Quatuor de Saxophones: 4 saxophones
7
Saxophone Baryton, Piano
6
Clarinette
6
Hautbois (partie séparée)
5
Flûte, Hautbois, Clarinette, Basson
5
Clarinette Basse, Piano
5
Ensemble de Flûtes
5
Quatuor de Clarinettes: 4 clarinettes
5
Ensemble de saxophones
4
Flute (partie séparée)
4
2 Flûtes traversières (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
2
2 Clarinettes (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Guitare (duo)
2
Clarinette, Basson, Piano (trio)
2
Flûte, Violon, Piano
2
Saxophone Alto
2
Quintette de Flûte : 5 flûtes
1
Clarinette Basse
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Basson et Piano
1
Flûte, Saxophone (duo)
1
Flûte, Basson et Piano
1
3 Saxophones (trio)
1
Saxophone Tenor
1
Saxophone et Orgue
1
Cor Anglais
1
Flûte à bec Alto, Piano
1
Saxophone, Clarinette (duo)
1
Flûte et Guitare
1
2 Hautbois (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
Quintette de Saxophone: 5 saxophones
1
Saxophone (partie séparée)
1
Flûte à Bec
1
2 Saxophones, Piano
1
Hautbois
1
+ 48 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
78
Trombone et Piano
73
Ensemble de Trombones
45
Tuba et Piano
35
Euphonium, Piano (duo)
34
Cor et Piano
21
Quatuor de cuivres: 4 trombones
19
Trompette, Piano
11
Trompette
10
Trombone
9
Trombone basse
7
Trombone basse et Piano
7
Cor
7
Quatuor de cuivres: 4 cors
5
Tuba
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
3 Trombones (trio)
3
Cor anglais, Piano
2
2 Trombones (duo)
2
Euphonium
2
Trompette (partie séparée)
2
Euphonium, Tuba (duo)
2
Trombone, Tuba (duo)
2
3 Euphoniums
2
2 Euphoniums et 2 Tubas
1
3 Tubas (trio)
1
4 Tubas
1
2 Trompettes (duo)
1
Trombone (partie séparée)
1
Cor Anglais
1
2 Tubas (duo)
1
Trombone et orchestre
1
Trio de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone, Orgue
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violon et Piano
24
Violon
16
Violoncelle
15
Violoncelle, Piano
14
Alto, Piano
9
Trio à Cordes: violon, alto, violoncelle
7
Contrebasse, Piano (duo)
7
Alto seul
6
Harpe
6
Violon, Violoncelle (duo)
5
Contre Basse
4
Violon, Alto (duo)
3
Violoncelle, Contrebasse (duo)
3
Harpe, Flûte (duo)
2
2 Altos (duo)
2
Violon, Guitare (duo)
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre
121
Orchestre d'harmonie
57
Ensemble de cuivres
35
Ensemble Jazz
28
Jazz combo
28
Orchestre de chambre
25
Orchestre à Cordes
21
Big band
8
Batterie
7
Cloches
4
Ensemble de Percussions
2
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Saxophone Alto
Partitions à imprimer
2 partitions trouvées
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Fantasie
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Saxophone Alto
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AVANCÉ
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Classique
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Joerg Widmann
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Fantasie
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Schott Music - Digital
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SheetMusicPlus
Altosaxophone - difficult - SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloa...
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Altosaxophone - difficult - SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564397. Published by Schott Music - Digital (S9.Q564397). Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music. 'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte. - Jörg Widmann ...on the interpretation: It would be important to take the title completely literally – which is why the performer should of course play the piece with imagination. The most important information on the structure: the complete absence of bar lines – whenever the piece is played to me by students or other persons, I am always pleased about the player's own ideas and about the fact that the musical text is taken literally and seriously, with all its dynamic and articulation marks, and yet filled with life and imagination. What I always notice, however, is that the rhythmic fast pulse part is often played like an étude, rather than with imagination. What is most important to me, personally, is to take pleasure in making tonal distinctions, even despite the strict timing. Use your imagination and enjoy playing my 'Fantasie'! - Jörg WidmannDie Bearbeitung durch Lois Alén González von Widmanns Fantasie ermöglicht es nun auch Saxophonisten, die für Klarinette komponierte Fantasie, die durch ihre starke Kontrastierung der Charakterveränderungen zu einem ausdrucksstarken Bravourstück geworden ist, spielen zu können.
$12.99
Andersen Viana: Monologue for a friend (Monólogo para um Amigo) for solo alto saxophone
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Saxophone Alto
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AVANCÉ
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Andersen Viana
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Andersen Viana: Monologue for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music ...
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Alto Saxophone Solo - Level 5 - SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3017637. Published by Musik Fabrik Music Publishing (A0.533545). This was the first piece composed for the saxophone by ANDERSEN VIANA. The piece uses two contrasting sections: one related to violence and psychological instability in the big cities, and other; related to the nostalgic moods found in Rio de Janeiro in the past. It was composed specially for a friend, saxophonist and Doctor Mecenas MAGNO. Monologue for a friend is a rhapsodic and brilliant piece of great effect, also using rhythms and reminiscences of the music called Choros and Samba so popular in the Rio de Janeiro city at the 40’ths and 50'ths. It uses also free structures and little allusions to minimalism of Riley and Reich. The work is divided in six sections: Tormentà to, Scherzando, Lento, Lentissimo, reexposition (Tormentà to) and Coda. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$10.35
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