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TRI ET FILTRES
Tri et filtres :
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Tuba
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Cor
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2 Tubas (duo)
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trompettes
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Trombone basse et Piano
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2 Trompettes (duo)
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CORDES
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56
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29
Violon
15
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Alto, Piano
9
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6
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6
Alto seul
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Violoncelle
6
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6
Trio à Cordes: violon, alto, violoncelle
5
Violon, Violoncelle (duo)
3
2 Violons (duo)
3
Contrebasse, Piano (duo)
3
Alto (partie séparée)
2
Contre Basse
2
Trio à Cordes: 3 violoncelles
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Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Violoncelles (duo)
1
Alto, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
4 Violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
82
Orchestre d'harmonie
45
Orchestre à Cordes
18
Ensemble Jazz
16
Batterie
15
Orchestre de chambre
13
Ensemble de cuivres
13
Ensemble de Percussions
9
Jazz combo
2
Cloches
2
Marimba
1
Piano et Orchestre
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Fanfare
1
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AUTRES
Formation musicale - Solfège
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Saxophone Alto
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Creedence Clearwater Revival : Proud Mary (niveau difficile, sax alto)
Saxophone Alto
Téléchargez la partition interactive Proud Mary (niveau difficile, sax alto)…
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Téléchargez la partition interactive Proud Mary (niveau difficile, sax alto) de Creedence Clearwater Revival - Application disponible sur PC, Mac, Android et iPad -- Pop/rock
5.99 €
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Saxophone Alto
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Creedence Clearwater Revival
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Proud Mary
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Tomplay
20,000
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Bran…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
$4.99
4.61 €
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Saxophone Alto
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Sy Brandon
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20,000
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Sy Brandon
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SheetMusicPlus
You Raise Me Up
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.940675 By Josh Groban & Th…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.940675 By Josh Groban & The African Children's Choir. By Brendan Graham and Rolf Lovland. Arranged by Joshua Shreves. Contemporary,Pop. Individual part. 2 pages. Published by Joshua Shreves #3395933. Published by Published by Joshua Shreves (A0.940675). This arrangement of You Raise Me Up is intended for solo instrumentalists. It is best to approach this music as a 'suggested solo'. It is completely okay to improvise as you see fit.
$4.99
4.61 €
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Saxophone Alto
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Josh Groban & The African Children's Choir
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Joshua Shreves
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You Raise Me Up
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Joshua Shreves #3395933.
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SheetMusicPlus
"More... Jazz Licks at Your Fingertips" for Alto Saxophone
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.809109 Composed by Tony Be…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.809109 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573825. Published by Tony Benade (A0.809109). More… Jazz Licks at Your Fingertips is a sequel to Jazz Licks at your Fingertips This study contains over 80 jazz licks/phrases in several different keys. There are progressions on the ii7 - V7 in both major and minor keys. There are also major, minor 6th and 7ths as well as dominant, diminished and augmented chords. As you go on you will find licks on flatted and raised ninths, augmented 11ths and 13th chords. Most important however, are the Application Exercises. There are six jazz etudes which contain chord progressions found in many of the jazz standards. You will have the opportunity to use the licks in measures that deal with the chords that you have dealt with in the previous section. There are parts where you are asked to fill in your own licks in between the written melody. All the material that you have just worked on in the the last section can be used in each etude. By the end of the study, you can improve on the enitre song. It is a unique method that I have developed over the past 50 years. If you follow the method and work on all the exercises as directed, you will take your first steps in the Real way pros play jazz. There is even accompaniment provided for each etude. There are mp4s that are available at no extra cost if you have a device that will play them. There is also accompaniment provided at the end of the book if have musician friends play along with you. The process for obtaining the mp4s is explained at the beginning of the book under Application Exercises.
$29.95
27.64 €
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Saxophone Alto
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the end of the study, you can improve on the enitre song
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Tony Benade
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"More... Jazz Licks at Your Fingertips" for Alto Saxophone
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Tony Benade
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SheetMusicPlus
Andersen Viana: Monologue for a friend (Monólogo para um Amigo) for solo alto saxophone
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Anderse…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3017637. Published by Musik Fabrik Music Publishing (A0.533545). This was the first piece composed for the saxophone by ANDERSEN VIANA. The piece uses two contrasting sections: one related to violence and psychological instability in the big cities, and other; related to the nostalgic moods found in Rio de Janeiro in the past. It was composed specially for a friend, saxophonist and Doctor Mecenas MAGNO. Monologue for a friend is a rhapsodic and brilliant piece of great effect, also using rhythms and reminiscences of the music called Choros and Samba so popular in the Rio de Janeiro city at the 40’ths and 50'ths. It uses also free structures and little allusions to minimalism of Riley and Reich. The work is divided in six sections: Tormentà to, Scherzando, Lento, Lentissimo, reexposition (Tormentà to) and Coda. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$10.35
9.55 €
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Saxophone Alto
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Andersen Viana
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Andersen Viana: Monologue for a friend
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Musik Fabrik Music Publishing
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SheetMusicPlus
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