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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
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7
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3
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7
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6
Cor
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5
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5
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59
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25
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12
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5
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2
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3 partitions trouvées
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1
Prelude from Sonata No. 2 op. 27 for solo Violin (E. Ysaÿe) [Alto Saxophone Arrangement]
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Saxophone Alto
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AVANCÉ
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Classique
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Eugene Ysaye
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Asun Ortiz
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Prelude from Sonata No. 2 op.
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Asunción Ortiz
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.1505249 Composed by Eugene Ysaye. Arranged by Asun Ortiz. 19th Century,20th Century,Baroque,Classical,Romantic P...
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Alto Saxophone Solo - Level 5 - SKU: A0.1505249 Composed by Eugene Ysaye. Arranged by Asun Ortiz. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 11 pages. Asunción Ortiz #1080633. Published by Asunción Ortiz (A0.1505249). (EN)Prelude Obsession from Sonata No. 2 by Ysaÿe arranged for E-flat Alto Saxophone. The part has been elaborated with great care and precision, maintaining the original articulations that appear on the Violin part. Also, it has been carefully adapted to the Saxophone's possibilities. It includes a Preface written by the arranger where the piece is put in context. The adaptations made are also explained in the Preface, as well as some considerations for future performers. This revised and critical edition of Ysaÿe's Prelude offers players a reliable score, containing the necessary information to achieve a successful performance. The edition that served as a reference for this arrangement was the one published in 1924 by Schott Frères (Brussels - Paris).(ES)Preludio Obsession de la Sonata No. 2 de Ysaÿe, arreglado para saxofón alto en Mi bemol. La parte ha sido elaborada con gran cuidado y precisión, manteniendo las articulaciones originales que aparecen en la parte de violín. Además, ha sido cuidadosamente adaptada a las posibilidades del saxofón. Incluye un Prefacio escrito por la arreglista, en el cual se contextualiza la pieza. Las adaptaciones realizadas también se explican en el Prefacio, así como algunas consideraciones para futuros intérpretes. Esta edición revisada y crítica del Preludio de Ysaÿe ofrece a los músicos una partitura en la que poder confiar, que contiene la información necesaria para lograr una interpretación exitosa. La edición que sirvió como referencia para este arreglo fue la publicada en 1924 por Schott Frères (Bruselas - París).
$6.99
20,000
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Saxophone Alto
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AVANCÉ
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Contemporain
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Sy Brandon
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20,000
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Sy Brandon
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815...
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Alto Saxophone Solo - Level 5 - SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
$4.99
Lan Na Thai for Alto Saxophone and Pre-recorded Sounds
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Saxophone Alto
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AVANCÉ
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Sy Brandon
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Lan Na Thai for Alto Saxophone
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Sy Brandon
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.755140 Composed by Sy Brandon. 20th Century,Contemporary,Multicultural,World. Individual part. 20 pages. Sy Bran...
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Alto Saxophone Solo - Level 5 - SKU: A0.755140 Composed by Sy Brandon. 20th Century,Contemporary,Multicultural,World. Individual part. 20 pages. Sy Brandon #3406013. Published by Sy Brandon (A0.755140). A free mp3 file of the pre-recorded sounds for this composition is available at https://www.dropbox.com/s/pkqxbtnymb6iknu/lan_na_thai_prs.mp3?dl=0 Lan Na Thai was composed during 2008 at the request of Dr. Andy Wen for a performance at the 2009 World Saxophone Congress in Bangkok, Thailand. The composition is in three movements with each titled after a different period in Thailand history. The piece is loosely programmatic as it tries to capture the general mood of each era, rather than specific events. I. Sukhothai (The Dawn of Happiness) This movement reflects the ideal state, a land of plenty, and is peaceful. II. Ayutthaya This movement reflects a period of wealth that is characterized by wars with Burma. III. The Chakri Dynasty This movement reflects the more hectic pace of modern society where Thailand moves from an absolute monarchy to a constitutional monarchy. Folk music of Thailand is built on a seven-note scale of equal intervals. The fourth and seventh notes of this scale are often used only for ornamental purposes. In order to approximate this scale, a pentatonic scale is used as it is like a major scale with the fourth and seventh tones removed. The pre-recorded sounds approximate some of the instruments traditionally used in Thai folk music.
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