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Always Be You
Non classifié
298
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147
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65
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53
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48
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12
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11
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9
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3
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3
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2
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1
Piano Trio: piano, violon, violoncelle
1
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Guitares
Guitare
21
Guitare notes et tablatures
17
Ligne De Mélodie, (Paroles) et Accords
10
4 Guitares (Quatuor)
1
Ensemble de guitares
1
2 Guitares (duo)
1
+ 1 instrumentations
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85
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18
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18
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11
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11
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6
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4
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2
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1
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1
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1
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39
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19
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13
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12
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12
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11
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11
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9
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8
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8
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8
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8
Flûte, Violon
8
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8
Clarinette et Piano
7
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7
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6
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6
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5
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5
Flûte traversière
5
Hautbois, Piano (duo)
5
Clarinette
4
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4
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4
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4
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4
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4
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3
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3
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2
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2
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1
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1
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1
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1
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1
Cor Anglais
1
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1
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1
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1
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1
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1
Flûte, Hautbois, Basson
1
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1
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1
Hautbois (partie séparée)
1
Flûte et Guitare
1
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16
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13
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11
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10
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9
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8
Trombone et Piano
5
Trompette, Piano
5
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4
Trompette
4
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2
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2
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2
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1
Cor Anglais
1
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1
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1
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191
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157
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118
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116
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26
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20
Harpe
18
Violon, Alto (duo)
14
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14
2 Violoncelles (duo)
13
Violoncelle
12
Alto, Piano
10
2 Altos (duo)
10
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8
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6
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3
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3
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2
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2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 violins
1
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
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Orchestre à Cordes
125
Orchestre d'harmonie
45
Ensemble Jazz
28
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11
Jazz combo
6
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6
Fanfare
4
Cloches
4
Ensemble de Percussions
4
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4
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1
Batterie
1
Marimba
1
Ensemble d'École
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
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Vous avez sélectionné:
Always Be You
Saxophone Alto
Partitions à imprimer
3 partitions trouvées
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I Will Always Love You
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Whitney Houston
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Jorge Juárez
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I Will Always Love You
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Georgie Guitar
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.766183 By Whitney Houston. By Dolly Parton. Arranged by Jorge Juárez. Contemporary,Pop. Individual part. 4 pa...
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Alto Saxophone Solo - Level 4 - SKU: A0.766183 By Whitney Houston. By Dolly Parton. Arranged by Jorge Juárez. Contemporary,Pop. Individual part. 4 pages. Georgie Guitar #5375663. Published by Georgie Guitar (A0.766183). An accurate note for note transcription of the vocals to be played Instrumental on Alto Sax. Includes Sax solo arrangement.
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
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Saxophone Alto
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Sl...
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Alto Saxophone Solo - Level 3 - SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Slide Ride (A0.784330). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Fantasie
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Saxophone Alto
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AVANCÉ
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Classique
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Joerg Widmann
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Fantasie
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Schott Music - Digital
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SheetMusicPlus
Altosaxophone - difficult - SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloa...
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Altosaxophone - difficult - SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564397. Published by Schott Music - Digital (S9.Q564397). Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music. 'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte. - Jörg Widmann ...on the interpretation: It would be important to take the title completely literally – which is why the performer should of course play the piece with imagination. The most important information on the structure: the complete absence of bar lines – whenever the piece is played to me by students or other persons, I am always pleased about the player's own ideas and about the fact that the musical text is taken literally and seriously, with all its dynamic and articulation marks, and yet filled with life and imagination. What I always notice, however, is that the rhythmic fast pulse part is often played like an étude, rather than with imagination. What is most important to me, personally, is to take pleasure in making tonal distinctions, even despite the strict timing. Use your imagination and enjoy playing my 'Fantasie'! - Jörg WidmannDie Bearbeitung durch Lois Alén González von Widmanns Fantasie ermöglicht es nun auch Saxophonisten, die für Klarinette komponierte Fantasie, die durch ihre starke Kontrastierung der Charakterveränderungen zu einem ausdrucksstarken Bravourstück geworden ist, spielen zu können.
$12.99
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Always Be You
