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It Had To Be You
Non classifié
529
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377
Piano seul
183
Piano, Voix
52
Piano Facile
21
Orgue
19
Instruments en Do
15
2 Pianos, 4 mains
7
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4
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4
Piano grosses notes
3
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1
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
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22
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14
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12
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Banjo
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1
4 Guitares (Quatuor)
1
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60
Chorale 3 parties
16
Chorale TTBB
12
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11
Chorale Unison
4
Chorale SSAA
4
Voix duo
3
Voix Soprano, Piano
2
Voix Tenor
2
Voix Alto, Piano
1
Voix duo, Piano
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Baryton, Piano
1
Voix haute
1
+ 10 instrumentations
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74
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69
Ensemble de saxophones
41
Saxophone (partie séparée)
24
Quatuor de Saxophones: 4 saxophones
24
Ensemble de Clarinettes
21
2 Flûtes traversières (duo)
15
Clarinette
15
Clarinette et Piano
14
Hautbois (partie séparée)
12
Flûte traversière et Piano
12
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Alto et Piano
11
Quintette de Flûte : 5 flûtes
10
Ensemble de Flûtes
9
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Tenor et Piano
7
2 Saxophones (duo)
6
Hautbois, Piano (duo)
6
3 Clarinettes (trio)
4
Saxophone Alto
4
Saxophone, Clarinette (duo)
3
Flûte traversière
3
Cor anglais, Piano
2
Saxophone Tenor
2
3 Saxophones (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Flute (partie séparée)
2
Saxophone Soprano et Piano
2
Saxophone Baryton, Piano
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone et Orgue
1
Clarinette, Violoncelle (duo)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
Flûte, Trompette (duo)
1
Flûte, Clarinette (duo)
1
Cor Anglais
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violon
1
Flûte, Violon, Piano
1
Hautbois, Flûte
1
Cor anglais, Guitare (duo)
1
Flûte à bec Soprano
1
Flûte, Alto (duo)
1
+ 43 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trombone (partie séparée)
17
Ensemble de Trombones
16
Trompette (partie séparée)
14
Quatuor de Cuivres
11
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11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor et Piano
6
Trombone
6
Trombone et Piano
5
Trompette
5
Trompette, Piano
4
Trompette, Trombone (duo)
4
Euphonium, Piano (duo)
3
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3
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3
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2
Trio de Cuivres
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
Tuba (partie séparée)
2
Tuba
2
Cor (partie séparée)
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Cor
2
2 Trombones (duo)
2
4 Tubas
1
Ensemble de Tubas
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon et Piano
23
Harpe
16
Ensemble de Violons
10
2 Violons (duo)
10
Violoncelle, Piano
10
Ensemble d'Altos
9
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
Violon
8
2 Violoncelles (duo)
7
Alto, Piano
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle
7
2 Altos (duo)
5
Contre Basse
4
Alto seul
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse (partie séparée)
2
Violoncelle, Orgue
1
Contrebasse, Piano (duo)
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
4 Violoncelles
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
+ 23 instrumentations
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92
Fanfare
58
Ensemble Jazz
37
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32
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27
Orchestre de chambre
23
Jazz combo
13
Ensemble de cuivres
11
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5
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3
Cloches
3
Vibraphone
3
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1
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--INSTRUMENTS--
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Vous avez sélectionné:
It Had To Be You
Saxophone Alto
Partitions à imprimer
4 partitions trouvées
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It Had Better Be Tonight
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Michael Buble
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Bobby Hesch
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articulations marked!!
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It Had Better Be Tonight
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.839161 By Michael Buble. By Henry Mancini. Arranged by Bobby Hesch. Contemporary. Individual part. 4 pages. Bobb...
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Alto Saxophone Solo - Level 4 - SKU: A0.839161 By Michael Buble. By Henry Mancini. Arranged by Bobby Hesch. Contemporary. Individual part. 4 pages. Bobby Hesch #5319289. Published by Bobby Hesch (A0.839161). ***IT HAD BETTER BE TONIGHT*** !!! WHAT A DYNAMITE NUMBER. LET'S PLAY SOME JAZZ!!! GREAT HENRY MANCINI SONG!! PURE ADRENALIN TOP TO BOTTOM!! CHECK OUT THE MP3 FOR JAZZ STYLE AND INTERPRETATION!! RANGE LOW B NATURAL TO ALTISSIMO G. LAST 3 LINES ARE OPTIONAL 8VA IF YOU WANT TO GO HIGHER. lots of courtesy accidentals & articulations marked!! I LOVE TO PLAY THIS TUNE, I HOPE YOU DO TOO. ONCE UNDER YOUR FINGERS IT IS PURE JOY!! CONTACT INFORMATION: bobbyhesch@yahoo.com
$4.99
A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for Eb ALTO SAXOPHONE in Treble Clef.
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Saxophone Alto
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FACILE
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Various
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Robert A KEATCH
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A LEARN TO PLAY book of 100 EA
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
Alto Saxophone Solo - Level 2 - SKU: A0.1107899 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multi...
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Alto Saxophone Solo - Level 2 - SKU: A0.1107899 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multicultural,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #710514. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1107899). If you're a beginner or looking to enhance your musical skills, this book is just what you need. It features well-known tunes including For He's A Jolly Good Fellow and Happy Birthday, and is packed with an impressive collection of easy-to-learn melodies and duets that make reading and playing the TREBLE clef a breeze.The book is designed specifically for beginners, with each page containing useful teaching points, guidance notes for both teachers and students, a note value chart, the Circle of Fifths for major keys, scales, easy technical exercises, and an alphabetical index of tunes.It's perfect for teacher-student play-along.  It's available in 10 different versions for all Western musical instruments, allowing for unison or octave play.ENDORSEMENTS. Professional musician Keith Walker highly recommends this book, wishing he had it 50 years ago.It's popular among elementary school instrumentalists and teachers because of its simplicity and versatility, as it can be played on any instrument.This book is a great source of inspiration and motivation for people of all ages and classrooms.It's definately an excellent resource to have!
$11.99
Let It Be
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Saxophone Alto
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FACILE
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Rock
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The Beatles
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David McKeown
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Let It Be
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David McKeown
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SheetMusicPlus
Alto Saxophone Solo - Level 2 - SKU: A0.588341 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pa...
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Alto Saxophone Solo - Level 2 - SKU: A0.588341 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5318559. Published by David McKeown (A0.588341). Let It Be was one of the Beatles last recordings, released in 1970 when Paul McCartney had already announced his departure from the band. This full version of Let it Be is arranged in a suitable key and range for solo Alto Saxophone, and includes chord accompaniment in concert pitch above the stave.This arrangement of Let It Be is suitable for musicians at an early intermediate level, though the short transcribed guitar solo might present a little more difficulty. The overall performance time is around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
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Saxophone Alto
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Sl...
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Alto Saxophone Solo - Level 3 - SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Slide Ride (A0.784330). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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It Had To Be You
