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TRI ET FILTRES
Tri et filtres :
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CORDES
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28
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9
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9
2 Violoncelles (duo)
7
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4 Violoncelles
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Alto seul
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2 Harpes (duo)
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Quatuor à cordes : 4 altos
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2 Altos (duo)
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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5 Harpes
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Harpe, Voix
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Quatuor à cordes: 4 violons
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Contre Basse
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Alto et Harpe
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
125
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72
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48
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46
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Cloches
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Fanfare
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3 Marimbas
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Batterie
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Vibraphone
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Marimba
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Orchestre, Violon
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Percussion
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Batterie (partie séparée)
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Xylophone ou Marimba ou Vibraphone
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AUTRES
Vous avez sélectionné:
It Would Be You
SheetMusicPlus
Partitions à imprimer
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Blue Christmas
Saxophone Alto
Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839133 By Elvis Presley. B…
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Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839133 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Bobby Hesch. Rock. Individual part. 3 pages. Bobby Hesch #5302863. Published by Bobby Hesch (A0.839133). BLUE CHRISTMAS IS A GREAT OPPORTUNITY TO LEARN TO EXPRESS YOURSELF AND USE YOUR MUSICIANSHIP!!!! I wrote it in a way that is easy to read, but interpreting it will require the performer to listen to the MP3 to understand how everything fits. It's impossible to read if all of the nuances are written. IT'S Beautiful! If you have never performed a song that has an ebb and flow to the tempo, this would be your avenue to try it. Feel free to contact me with questions. If you master it you will love it! Contact Information: bobbyhesch@yahoo.com.
$4.99
4.55 €
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Saxophone Alto
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Elvis Presley
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Bobby Hesch
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Blue Christmas
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Bobby Hesch
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SheetMusicPlus
Fantasie
Saxophone Alto
Altosaxophone - difficult - Digital Download SKU: S9.Q564397 Version for alto sa…
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Altosaxophone - difficult - Digital Download SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564397. Published by Schott Music - Digital (S9.Q564397). Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music. 'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte. - Jörg Widmann ...on the interpretation: It would be important to take the title completely literally – which is why the performer should of course play the piece with imagination. The most important information on the structure: the complete absence of bar lines – whenever the piece is played to me by students or other persons, I am always pleased about the player's own ideas and about the fact that the musical text is taken literally and seriously, with all its dynamic and articulation marks, and yet filled with life and imagination. What I always notice, however, is that the rhythmic fast pulse part is often played like an étude, rather than with imagination. What is most important to me, personally, is to take pleasure in making tonal distinctions, even despite the strict timing. Use your imagination and enjoy playing my 'Fantasie'! - Jörg WidmannDie Bearbeitung durch Lois Alén González von Widmanns Fantasie ermöglicht es nun auch Saxophonisten, die für Klarinette komponierte Fantasie, die durch ihre starke Kontrastierung der Charakterveränderungen zu einem ausdrucksstarken Bravourstück geworden ist, spielen zu können.
$12.99
11.86 €
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Saxophone Alto
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Joerg Widmann
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Fantasie
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Schott Music - Digital
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SheetMusicPlus
High Hopes
Saxophone Alto
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.810707 By Panic! At the Di…
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.810707 By Panic! At the Disco. By Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Youngs, Jonas Jeberg, Lauren Pritchard, Samuel Hollander, Tayla Parx, and William Lobban Bean. Arranged by Lori Cummings. Instructional,Pop. Individual part. 2 pages. Lori Cummings #417667. Published by Lori Cummings (A0.810707). This arrangement of a popular, high-energy song by Panic at the Disco is written for any treble instrument. The lowest note is D beside Middle C, so would work for a wide range of instruments, including flute, violin, clarinet, saxophone (soprano or alto) or trumpet. It begins with a strong beat with the introduction, then includes the chorus which is repeated throughout the song, one verse, ending with the chorus and then the fun beats of the introduction. The notes cover a wide range, especially in the verse, so this song is more suitable for a skilled player (intermediate level). However the introduction and chorus part would be suitable for elementary level students.
$5.45
4.97 €
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Saxophone Alto
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Panic! At the Disco
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Lori Cummings
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High Hopes
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Lori Cummings
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
Saxophone Alto
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.784330 Composed by Joshua …
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Slide Ride (A0.784330). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.56 €
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Saxophone Alto
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
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Slide Ride
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SheetMusicPlus
Nue - Clara Luciani - Karaoke for Saxophone Eb
Saxophone Alto
Alto Sax, Baritone Sax - Intermediate - Digital Download By Clara Luciani. Arranged b…
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Alto Sax, Baritone Sax - Intermediate - Digital Download By Clara Luciani. Arranged by Stephane ELSINY. Individual Part, Sheet Music Single, Solo Part. 2 pages. Published by Stephane Elsiny
When you like a pop rock song, would you like to play it with your instrument? Me too, that's good!<br> <br> The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/6I-aaSwnPcw<br> <br> Professors, these titles are ideal for motivating your students.<br> <br> Students, bring these titles to your teacher and have fun.<br> <br> Soon other French songs, pop, variety and also international songs…When you like a pop rock song, would you like to play it with your instrument? Me too, that's good!<br> <br> The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/6I-aaSwnPcw<br> <br> Professors, these titles are ideal for motivating your students.<br> <br> Students, bring these titles to your teacher and have fun.<br> <br> Soon other French songs, pop, variety and also international songs…
$4.99
4.55 €
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Saxophone Alto
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Clara Luciani
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Stephane ELSINY
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Nue - Clara Luciani - Karaoke for Saxophone Eb
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SheetMusicPlus
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