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BANJO
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366
Piano & claviers
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178
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137
Piano, Voix
128
Piano, Voix et Guitare
98
Instruments en Do
45
Orgue
8
1 Piano, 4 mains
8
Accompagnement Piano
4
Piano (partie séparée)
3
Accordéon
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Trompette (duo)
2
2 Pianos, 4 mains
2
Piano grosses notes
1
Clavier
1
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Guitare notes et tablatures
463
Ligne De Mélodie, (Paroles) et Accords
63
Ukulele
52
Guitare
21
Guitare (partie séparée)
6
Paroles et Accords
5
Dulcimer
3
Banjo
2
Basse electrique
2
Ensemble de guitares
1
Piano, Guitare (duo)
1
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179
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86
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33
Chorale TTBB
17
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13
Voix duo, Piano
8
Chorale SSAA
5
Voix duo
3
Voix Soprano, Piano
3
Voix seule
2
Voix Baryton, Piano
2
Chorale SSATTB
1
Voix haute
1
Chorale
1
Voix Tenor
1
Voix Alto, Piano
1
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2 Saxophones (duo)
34
2 Flûtes traversières (duo)
20
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18
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17
Saxophone (partie séparée)
16
2 Clarinettes (duo)
16
Quatuor de Saxophones: 4 saxophones
15
Clarinette, Violon (duo)
11
Flûte, Hautbois, Clarinette, Basson
10
Clarinette, Trompette (duo)
10
Quatuor de Flûtes : 4 flûtes
10
Flûte traversière
9
Quatuor de Clarinettes: 4 clarinettes
9
2 Hautbois (duo)
7
Flûte, Clarinette (duo)
7
Saxophone Alto et Piano
6
Hautbois, Clarinette (duo)
6
Hautbois, Flûte
6
Quintette de Saxophone: 5 saxophones
6
Saxophone Alto
6
Flûte, Violon
6
Flûte, Saxophone (duo)
6
Clarinette et Alto
5
Clarinette
5
Flûte, Trompette (duo)
5
Saxophone Tenor
4
Ensemble de Flûtes
4
Flûte traversière et Piano
4
Hautbois (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Alto (duo)
3
Ensemble de Clarinettes
2
Flûte, Clarinette et Basson
2
Hautbois, Piano (duo)
2
Clarinette et Piano
2
Hautbois, Basson (duo)
2
Flûte, Hautbois (duo)
2
Trio de Flûtes: 3 flûtes
2
Flute (partie séparée)
2
Flûte, Harpe et Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûte à bec (duo)
1
Cor anglais, Piano
1
Cor Anglais
1
3 Clarinettes (trio)
1
Clarinette, Trombone (duo)
1
Flûte, Violon, Piano
1
Saxophone Tenor et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte irlandaise
1
Ensemble de saxophones
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Basson (duo)
1
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trombone (partie séparée)
14
Trompette, Saxophone (duo)
13
Trompette, Trombone (duo)
11
Trompette (partie séparée)
10
2 Trombones (duo)
8
2 Trompettes (duo)
8
Trompette
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Piano
4
Cor
4
Tuba
4
Quatuor de cuivres: 4 trombones
3
Trombone
3
2 Tubas (duo)
2
Trio de Cuivres
2
Cor et Piano
2
Trombone et Piano
2
Tuba (partie séparée)
1
Quatuor de Cuivres
1
Cor anglais, Piano
1
Cor Anglais
1
Tuba et Piano
1
Cor (partie séparée)
1
Euphonium
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
Bass Clef Instruments
1
2 Cors (duo)
1
2 Euphoniums et 2 Tubas
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
212
Violon, Violoncelle (duo)
158
Trio à Cordes: violon, alto, violoncelle
120
Violon
118
Violon et Piano
47
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
Harpe
15
Alto, Piano
13
Violon, Alto (duo)
12
Violoncelle
12
2 Violons (duo)
11
Violoncelle, Piano
10
2 Violoncelles (duo)
10
Alto seul
9
Trio à Cordes: 2 violons, violoncelle
9
2 Altos (duo)
8
Contrebasse (partie séparée)
4
4 Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Alto et Basson
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Contre Basse
1
Violoncelle (partie séparée)
1
+ 22 instrumentations
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Orchestre à Cordes
182
Orchestre d'harmonie
67
Ensemble Jazz
44
Fanfare
38
Batterie
18
Orchestre
17
Cloches
15
Orchestre de chambre
7
Ensemble de Percussions
5
Batterie (partie séparée)
3
Ensemble de cuivres
3
Bodhran
1
Percussion (partie séparée)
1
Jazz combo
1
Marimba
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Your Ways
Saxophone Alto
Partitions à imprimer
6 partitions trouvées
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Fantasie
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Saxophone Alto
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AVANCÉ
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Classique
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Joerg Widmann
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Fantasie
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Schott Music - Digital
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SheetMusicPlus
Altosaxophone - difficult - SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloa...
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Altosaxophone - difficult - SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564397. Published by Schott Music - Digital (S9.Q564397). Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music. 'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte. - Jörg Widmann ...on the interpretation: It would be important to take the title completely literally – which is why the performer should of course play the piece with imagination. The most important information on the structure: the complete absence of bar lines – whenever the piece is played to me by students or other persons, I am always pleased about the player's own ideas and about the fact that the musical text is taken literally and seriously, with all its dynamic and articulation marks, and yet filled with life and imagination. What I always notice, however, is that the rhythmic fast pulse part is often played like an étude, rather than with imagination. What is most important to me, personally, is to take pleasure in making tonal distinctions, even despite the strict timing. Use your imagination and enjoy playing my 'Fantasie'! - Jörg WidmannDie Bearbeitung durch Lois Alén González von Widmanns Fantasie ermöglicht es nun auch Saxophonisten, die für Klarinette komponierte Fantasie, die durch ihre starke Kontrastierung der Charakterveränderungen zu einem ausdrucksstarken Bravourstück geworden ist, spielen zu können.
$12.99
Pur(rrr)ifying
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Juan Guerra González
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Pur(rrr)ifying
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.933336 Composed by Juan Guerra González. Contemporary. Individual part. 25 pages. Juan Carlos Guerra Gonzalez...
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Alto Saxophone Solo - Level 4 - SKU: A0.933336 Composed by Juan Guerra González. Contemporary. Individual part. 25 pages. Juan Carlos Guerra Gonzalez #6026515. Published by Juan Carlos Guerra Gonzalez (A0.933336). Inspiration always comes from unexpected situations or places. Every single morning when my wife wakes up, our cat Zeus comes to her and starts his massage routine (yes, we have a cat that does massages.) When he’s in the middle of his routine he always purrs, as many cats do. One day he changed the time of his routine and instead of doing in in the morning, he came to our bed when we were almost sleeping. When he started purring, I was impressed by the sense of relaxation I was getting from that sound and I decided to use it in my next composition.I came across an investigation of Dr. Karen Mccomb, a professor at the University of Sussex, London who also appeared on the documentary The Lion in your Living Room (available at Netflix) According to Dr. Mccomb, cats have two different types of purrs, the first type is for when our feline friends want something from us (solicitation purr) and the other one when they’re just relaxing (non-solicitation purr). I divided the piece into two movements, accompanied by a prerecorded tape. Visit www.juancarlosguerra.com to learn more about the piece.The first movement (Solicitation Purr) is for when cats are demanding for action, the saxophone creates effects while the tape accentuates this idea. Multiple cats joined this movement with their particular meows. The second movement (Non-solicitation Purr) is more relaxing and lyric for the soloist.
$7.99
Linus And Lucy
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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The Vince Guaraldi Trio
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Bobby Hesch
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Linus And Lucy
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.839482 By The Vince Guaraldi Trio. By Vince Guaraldi. Arranged by Bobby Hesch. Contemporary. Individual part. 3 ...
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Alto Saxophone Solo - Level 4 - SKU: A0.839482 By The Vince Guaraldi Trio. By Vince Guaraldi. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6022393. Published by Bobby Hesch (A0.839482). !!!***LINUS AND LUCY***!!! BY THE GREAT VINCE GUARALDI FROM A CHARLIE BROWN CHRISTMAS!!!LET'S PLAY SOME JAZZ!!! KEY OF F!!! LOW D - HIGH D!!! STRAIGHT 8THS/SWING MARKED!!! CHALLENGING JAZZ 47-79!!! THE CROWD ALWAYS LOVES THIS ONE!!! CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyhesch MP3 FOR JAZZ SYTYLE & INTERPRETATION!!! JAZZ UP YOUR CHRISTMAS PARTIES!!! HAVE FUN!!!
$4.99
Joy to the World / Hark the Herald (Arrangements Level 3-5 for ALTO SAX + Written Acc)
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Saxophone Alto
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INTERMÉDIAIRE
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Musique Sacrée
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Noël
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George F Handel / Felix Mendel
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Dr Jerry Nelson
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Joy to the World / Hark the He
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Jerry Nelson
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.874959 Composed by George F Handel / Felix Mendelssohn. Arranged by Dr Jerry Nelson. Christian,Christmas,Sacred....
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Alto Saxophone Solo - Level 3 - SKU: A0.874959 Composed by George F Handel / Felix Mendelssohn. Arranged by Dr Jerry Nelson. Christian,Christmas,Sacred. Individual part. 6 pages. Jerry Nelson #3679957. Published by Jerry Nelson (A0.874959). These two carols always rise to the top of the let's sing list. Play them with energy. They move you easily from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System. The DEMO is performed at the higher challenge level. Bonus: A written Accompaniment is included, plus Chord Chart for live rhythm. Or, purchase the vibrant Accompaniment Track (#SO.424301 ). 2:37Jerry Nelson now presents his finest Christmas arrangements in a variety of styles – Jazz, Symphonic, Classical. Hear them all start-to-finish. Search Jerry Nelson Christmas (plus the name of your instrument). Visit www.JerryNelsonMusic.com for a FREE 16-Minute Mega Medley Arrangement and Track!
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
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Saxophone Alto
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Sl...
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Alto Saxophone Solo - Level 3 - SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Slide Ride (A0.784330). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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Your Ways
