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Sonatas 1-6 for Three Euphoniums Volume 1 #3 Euphoniums #AVANCÉ #Classique #Henry Purcell #Sauer, Ralph #Sonatas 1-6 for Three Euphoniu #Gordon Cherry #SheetMusicPlus

Brass Ensemble Euphonium - Level 5 - SKU: A0.792071 Composed by Henry Purcell. Arranged by Sauer, Ralph. Baroque. Score and parts. 88 pages. Gordon Cher...(+)

Brass Ensemble Euphonium - Level 5 - SKU: A0.792071 Composed by Henry Purcell. Arranged by Sauer, Ralph. Baroque. Score and parts. 88 pages. Gordon Cherry #3103743. Published by Gordon Cherry (A0.792071). Purcell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 1 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous. Especially delightful are the dissonances that the composer intersperses throughout each work.<P>Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform. For advanced performers. Part three is optional for Tuba.

Sonatas 7-12 for Three Euphoniums with optional Tuba, Volume 2 #3 Euphoniums #AVANCÉ #Henry Purcell #Sauer, Ralph #Sonatas 7-12 for Three Euphoni #Gordon Cherry #SheetMusicPlus

Brass Ensemble Euphonium - Level 5 - SKU: A0.810914 Composed by Henry Purcell. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Score and parts....(+)

Brass Ensemble Euphonium - Level 5 - SKU: A0.810914 Composed by Henry Purcell. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Score and parts. 92 pages. Gordon Cherry #3687895. Published by Gordon Cherry (A0.810914). Purcell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 2 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous. Volume 2 is a continuation of the six sonatas from volume one, with more surprises and enjoyment for performers and listeners alike. Especially delightful are the dissonances that the composer intersperses throughout each work. Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform. Part three may also be performed on Tuba. For advanced performers.

Suit Suite for Three Euphoniums and Three Tubas #3 Euphoniums #INTERMÉDIAIRE/AVANCÉ #Contemporain #Sy Brandon #Suit Suite for Three Euphonium #Sy Brandon #SheetMusicPlus

Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.754940 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 56 pages. Sy Brandon #32248...(+)

Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.754940 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 56 pages. Sy Brandon #3224881. Published by Sy Brandon (A0.754940). This composition, composed for the Kansas State University Tuba-Euphonium Ensemble, is inspired by the suits of a deck of cards and their associated representations. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money's sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A flutter-tongued chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between the euphoniums and the tubas. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again.