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Tri et filtres :
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Trio à Cordes: 2 violons, violoncelle
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Cloches
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Orchestre à Cordes
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Chorale SSAA
Partitions à imprimer
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Lost Lullabies - SSAA choir with piano, Holocaust children survivors
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.890640 Composed by …
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.890640 Composed by Stella ter Hart. Concert,Folk,Jewish,Standards. 8 pages. Stella ter Hart #3455425. Published by Stella ter Hart (A0.890640). Inspired by the 1,116 orphaned Polish children who, as Holocaust survivors, were brought to Canada after World War II and became known as The Redeemed Children. These tunes, and others like them, were the only possessions they had and their only direct connection to the past. I received a copy of a book of tunes (unarranged) while speaking at a conference; an elderly gentlemen came up to me, pressed them into my hands and asked me to help keep them alive. The work features two tunes, both on the theme of motherhood. The first tune describes a young mother shushing everything around her so that her little son can sleep. The second tune rejoices when the poor are raised up and a barren woman's house is filled with the laughter of children.To honour the integrity of the tunes, this work features idiomatic writing and harmonies and captures not only the rhythm but also the intended mood and sentiment. Brief solo opportunities feature a soprano and alto in a traditional 'cantor' style section. Shifting from sweet and gentle to driving and energetic, this is an excellent work to build musical expression, story telling and deep empathy.Suitable for all intermediate level treble choirs for any recital, concert or festival occasion.Duration: 4:05 Key Structure: Eflat major and C minor Level: intermediate Language: Yiddish and Hebrew (translations and pronunciation guide provided)composer contact: www.stellaterhart.com
$2.50
2.26 €
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Chorale SSAA
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Stella ter Hart
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Lost Lullabies - SSAA choir with piano, Holocaust children survivors
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Stella ter Hart
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SheetMusicPlus
I Got Lost In His Arms
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download Composed by Irving Berlin. Arranged …
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Choral Choir (SSAA) - Level 3 - Digital Download Composed by Irving Berlin. Arranged by Larry F. Wright. A Cappella. Octavo. 6 pages. Larry Wright #4601959. Published by Larry Wright
A WOMEN'S 4-part, a cappella, barbershop, CONTEST ballad arrangement of an Irving Berlin song. Quartets and choruses singing at a "B-" contest level should be able to successfully learn and perform this arrangement making good use of the available excellent Vocal Learning Trax <www.larrywrightmusic.com>.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.59 €
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Chorale SSAA
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Irving Berlin
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Larry F
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I Got Lost In His Arms
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Larry Wright
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SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.61 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
The Coconut Nut (the Coconut Song)
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.504042 Composed by Dillon …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.504042 Composed by Dillon Francis, James Anthony Rushent, and Ryan Cayabyab. Arranged by Jay Dougherty. A Cappella,Barbershop,Multicultural,World. Octavo. 8 pages. Jay Dougherty #116003. Published by Jay Dougherty (A0.504042). This whimsical piece by Philippine composer/performer Ryan Cayabyab praises the coconut palm tree and its many uses while continually reminding us that the coconut is NOT a nut! This arrangement by Jay Dougherty will steal the hearts of your audience and make them want to dance along. It is written for 4 part treble voices (or quartet) and solo (five total voice parts). While most arrangements of this song are in 8 or more parts, this version has been parsed down to make it more accessible to groups needing fewer parts.NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song with one one a part (quartet plus solo), please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $4 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$1.99
1.8 €
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Chorale SSAA
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Dillon Francis, James Anthony Rushent, and Ryan Cayabyab
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Jay Dougherty
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The Coconut Nut
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Jay Dougherty
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SheetMusicPlus
Infant Christ, We Bow Before You (accompanied)
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.881191 Composed by Denise …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.881191 Composed by Denise M. Owen. 20th Century,A Cappella,Christian,Christmas,Sacred. Octavo. 3 pages. Denise M. Owen #6081. Published by Denise M. Owen (A0.881191). For Soprano and Alto, duet or chorus. This piece is modal and haunting. It contemplates how blessed Mary was to be the mother of Christ, and how blessed we are by Him. The words are adapted from Reginald Heber's poem Virgin-born, we bow before Thee (public domain) and the music is original by the composer. This would be an appropriate anthem for Advent, Christmas, Epiphany, Annunciation, or any feast of the Virgin Mary. An a cappella version is also available.
$2.00
1.81 €
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Chorale SSAA
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Denise M
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Infant Christ, We Bow Before You
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Denise M. Owen
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SheetMusicPlus
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