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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Give It All
Non classifié
357
Piano & claviers
Piano seul
136
Piano, Voix
69
Piano, Voix et Guitare
20
Orgue
8
Instruments en Do
4
Piano Trio: piano, violon, violoncelle
3
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
1
Piano Facile
1
Clavecin
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
38
Guitare notes et tablatures
7
4 Guitares (Quatuor)
6
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
3
Ensemble de guitares
3
Ukulele
1
Mandoline
1
+ 4 instrumentations
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Voix
Chorale SATB
100
Chorale 3 parties
20
Chorale TTBB
12
Chorale 2 parties
9
Chorale SSAA
7
Voix Alto, Piano
3
Chorale Unison
2
Voix duo, Piano
1
Voix Soprano, Piano
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
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17
Quatuor de Clarinettes: 4 clarinettes
13
Flûte, Hautbois, Clarinette, Basson
11
Clarinette et Piano
11
2 Flûtes traversières (duo)
11
Flûte traversière et Piano
11
Flûte traversière
9
Quatuor de Flûtes : 4 flûtes
8
Quintette de Clarinettes: 5 clarinettes
7
2 Saxophones (duo)
6
Hautbois, Piano (duo)
6
Ensemble de Flûtes
6
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
5
3 Clarinettes (trio)
4
Saxophone Soprano et Piano
4
Ensemble de Clarinettes
3
Ensemble de saxophones
3
2 Clarinettes (duo)
3
Hautbois (partie séparée)
2
Hautbois, Guitare (duo)
2
Saxophone Tenor
2
3 Saxophones (trio)
2
2 Flûte à bec (duo)
2
Flûte et Guitare
2
Saxophone Alto
2
Saxophone et Harpe
1
Trio de Flûtes: 3 flûtes
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette Basse
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois (duo)
1
Clarinette, Harpe (duo)
1
Clarinette, Violon (duo)
1
Flûte, Hautbois, Basson
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette (duo)
1
+ 37 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
6
Trompette, Piano
5
Trompette
5
Trompette, Trombone (duo)
4
Trombone
4
Tuba et Piano
3
2 Trompettes (duo)
2
3 Trombones (trio)
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trombones
1
Trombone basse
1
2 Trombones (duo)
1
Trompette, Harpe
1
4 Tubas
1
3 Trompettes (trio)
1
Tuba
1
2 Euphoniums (duo)
1
2 Cors (duo)
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor et Harpe
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trompettes
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
189
Violon, Violoncelle (duo)
129
Trio à Cordes: violon, alto, violoncelle
114
Violon
106
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Trio à Cordes: 2 violons, violoncelle
9
Violon et Piano
9
Harpe
8
Violon, Alto (duo)
8
2 Violons (duo)
7
Alto, Piano
7
2 Altos (duo)
6
Violoncelle, Piano
6
2 Violoncelles (duo)
5
Alto seul
4
2 Harpes (duo)
3
Trio à cordes: 3 altos
3
4 Violoncelles
2
Violoncelle
2
Trio à Cordes: 3 violoncelles
2
Contrebasse, Piano (duo)
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Harpe
1
Violon, Guitare (duo)
1
Contre Basse
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
99
Orchestre d'harmonie
28
Cloches
24
Ensemble de cuivres
17
Orchestre
14
Ensemble Jazz
14
Batterie
7
Orchestre de chambre
7
Ensemble de Percussions
6
Fanfare
6
Xylophone, Piano
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Marimba
1
Jazz combo
1
+ 9 instrumentations
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
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Give It All
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Chorale SSAA
Partitions à imprimer
7 partitions trouvées
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Happy Now
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1259181 By Pentatonix. By …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1259181 By Pentatonix. By Johan Carlsson, Johan Jens Erik Carlsson, John Bellion, Jon Bellion, Jonathan David Bellion, Kevin Olusola, Kristin Maldonado, Mark Williams, Matt Sallee, Matthew Sallee, Mitchell Grassi, Raul Cubina, Ross Golan, Scott Hoying, Sean Meier, and Sean Myer. Arranged by Karen Wilson. 21st Century,A Cappella,Contemporary,Pop. Octavo. 9 pages. Karen Wilson #852451. Published by Karen Wilson (A0.1259181). This is a fabulous song by Pentatonix which I have arranged for four-part (SSAA) a cappella voices. It can be sung with or without the body percussion as I know it's sometimes difficult to do both at the same time!Whilst in the original Pentatonix song, Scott Hoying has most of the solos, I have arranged this so that all voices get the chance to sing the main melody. The bass part is not the most interesting(!) as the whole song is built over a repeating two-bar phrase (four chords). However, in this arrangment, I have managed to give them the main melody at bar 30 and at bar 61 they are the only voice-part to sing Mitch's parting tune - it's the basses' time to shine!I have two versions of this song available. The other version (Product Number 1356139) is closer to the original Pentatonix one. It is more rhythmic and slightly more difficult to sing, so if you like a challenge, then go and check out that one. But this version is equally enjoyable and will keep a smile on your face and your toes a tappin!!
$1.99
1.83 €
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Chorale SSAA
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Pentatonix
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Karen Wilson
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Happy Now
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Karen Wilson
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SheetMusicPlus
The Rose of Tralee (SSAA, a cappella) arranged by Sarah Jaysmith
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849287 Arranged by Sarah J…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849287 Arranged by Sarah Jaysmith. A Cappella,Celtic,Contemporary,Folk. Octavo. 8 pages. Sarah Jaysmith #4607681. Published by Sarah Jaysmith (A0.849287). This is a lush and interesting arrangement of this beautiful Irish folk song for women's choir or quartet. The range and phrasing allow the full warmth and richness of women's voices to shine. Although it is an old folk song, the harmonies and changing time signatures give it a contemporary feel - it is beautiful to sing and to hear! The duration is c. 3 minutes, and this recording is from a reading session by Elektra Women's Choir in Vancouver (the piece is a cappella but you can hear a rehearsal pianist in the recording).Sarah Jaysmith has been arranging and composing choral music for many years. Find her at www.sarahjaysmith.com
$2.50
2.3 €
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Chorale SSAA
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Sarah Jaysmith
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The Rose of Tralee
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Sarah Jaysmith
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SheetMusicPlus
Waiting for the Sandman (SSAA, a cappella) - original jazz song by Sarah and Gil Jaysmith
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849286 Composed by Sarah J…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849286 Composed by Sarah Jaysmith. Arranged by Sarah Jaysmith. A Cappella,Holiday,Jazz,Wedding. Octavo. 7 pages. Sarah Jaysmith #4642305. Published by Sarah Jaysmith (A0.849286). This original song has a wonderful jazzy nostalgia feel to it, and the arrangement for SSAA a cappella enhances that. There is a small amount of divisi at the end. The harmonies are mostly homophonic, allowing the warmth of the voices to shine through. The duration is about 3 minutes.It's a simple story - girl meets boy, girl is too shy to ask his name, girl spends sleepless night wishing she had been brave, girl amazingly meets boy the next day (thanks to a little Sandman magic!). This recording is a rehearsal recording, and is a little under tempo, but still gives you the feel of the piece. Try a new song that audiences and your singers will love! Sarah Jaysmith has been arranging and composing choral music for many years. Find her at www.sarahjaysmith.com
$2.50
2.3 €
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Chorale SSAA
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Sarah Jaysmith
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Sarah Jaysmith
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Waiting for the Sandman
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Sarah Jaysmith
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SheetMusicPlus
O virtus Sapientiæ (Downloadable)
Chorale SSAA
SSAA/SSAA a cappella - Medium - Digital Download SKU: MQ.7913-E Composed by Alice P…
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SSAA/SSAA a cappella - Medium - Digital Download SKU: MQ.7913-E Composed by Alice Parker and Hildegard Von Bingen. Instrument part. 11 pages. E. C. Schirmer Music Company - Digital #7913-E. Published by E. C. Schirmer Music Company - Digital (MQ.7913-E). Latin.O strength of Wisdom,which circles the spherescomprehending everythingin the one way which holds life,having three wings, of which one rushes to the heights and another drips with sweat from the earth, and the third flies from all sides. Praise be to you as it is fitting to you, O Wisdom.Recording Credits:This performance was given by the Smith College Glee Club under the direction of Jonathan Hirsh, on November 6, 2009, in the Battell Chapel at Yale University, as part of their participation in the National Collegiate Choral Organization's National Conference. The recording engineer was Mateusz Zechowski with Studioteo Recording Services. Permission to used this track was kindly given by Katie Lipow.
$2.65
2.44 €
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Chorale SSAA
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Alice Parker and Hildegard Von Bingen
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O virtus Sapientiæ
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Star Spangled Banner
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.796823 Composed by Francis…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.796823 Composed by Francis Scott Key, John Stafford Smith. Arranged by Eric Hagmann. A Cappella,Holiday,Instructional,Patriotic,Standards. Octavo. 2 pages. Eric Hagmann #4362333. Published by Eric Hagmann (A0.796823). A staple at sporting events, 4th of July outings, school assemblies, and more, The Star-Spangled Banner is an important tradition in American culture. This SSAA a cappella arrangement adds a rich, new layer of harmony to the common melody that we've all come to know. Standard progressions are given a fresh approach with chords smoothly moving from one to the other in a manner influenced by changes found directly in jazz theory. A pinch of syncopation, without overdoing it, adds new bounce to lines that were once stiff and rigid. If your ensemble is looking for a version of the US National Anthem that has some flavor without straying too far from the original form, this arrangement is for you!Feel free to follow me on Facebook and reach out with any questions or comments: https://www.facebook.com/erichagmannmusic/
$2.25
2.07 €
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Chorale SSAA
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Francis Scott Key, John Stafford Smith
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Eric Hagmann
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The Star Spangled Banner
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Eric Hagmann
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SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.67 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
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