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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Orchestre à Cordes
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29
Orchestre
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Fanfare
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Live And Die
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Chorale SSAA
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#TheBoyWhoLived (SSAA)
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.924080 Composed by Dominic…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.924080 Composed by Dominic McGonigal. Contemporary. Octavo. 4 pages. C8 Music #5988631. Published by C8 Music (A0.924080). This song is about a miracle. Liam was born in December 2018 and was without oxygen for fifteen minutes. Normally, that is fatal. In Liam's case, he lived but he had no sight, no hearing, no touch and no brain activity. He was given days to live and his parents took him home to talk to him, sing to him, be with him in his first and last few days. Days passed and Liam didn't die. Day by day, his face lit up, he could see, he could hear, he could feel and his brain came alive. Now he is a happy toddler, with an innocent smile and a miraculous radiance. 2'30. www.dominic.mcgonigal.com
$4.99
4.61 €
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Chorale SSAA
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Dominic McGonigal
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#TheBoyWhoLived
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C8 Music
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SheetMusicPlus
Julian's Hazelnut for SSAA and B flat clarinet
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrien…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
1.84 €
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Chorale SSAA
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Adrienne Inglis
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Julian's Hazelnut for SSAA and B flat clarinet
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Adrienne Inglis
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SheetMusicPlus
Messin' With Fire
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856223 By Clare Teal. By C…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856223 By Clare Teal. By Clare Teal and Nigel John Stonier. Arranged by Liz Garnett. Contemporary. Octavo. 8 pages. Liz Garnett #4612541. Published by Liz Garnett (A0.856223). Clare Teal's jazz original explores the disruptive power of desire and the universality of risk-taking in human life. It is ambiguous as to whether the song is celebrating these qualities or warning us about them, but it certainly refuses to accept hypocrisy on the matter.The arrangement casts the song as a barbershop contest up-tune, and taking harmonic risks that not so many years ago would have been seen as playing with stylistic fire in the BHS system (and probably would still be in SAI as of the time of writing in 2018). Texturally, though, it remains predominantly homophonic so as to let Teal's sparkling lyrics through.It demands sizzling rhythmic skills and an up-for-it attitude, and delivers an exciting ride for singers and audience alike.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - F5Lead: A3 - E5Bari: A#3 - D5Bass: D3 - A4www.HelpingYouHarmonise.com
$2.99
2.76 €
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Chorale SSAA
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Clare Teal
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Liz Garnett
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Messin' With Fire
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Liz Garnett
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SheetMusicPlus
That's When The Music Takes Me
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
$1.99
1.84 €
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Chorale SSAA
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Neil Sedaka
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Rebecca (Boo) de Bruin
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That's When The Music Takes Me
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Rebecca de Bruin
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SheetMusicPlus
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