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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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CORNEMUSE
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Non classifié
1263
PIANO & CLAVIERS
Piano seul
3910
Piano, Voix
913
Piano Facile
128
Piano, Voix et Guitare
83
Orgue
66
Accordéon
48
1 Piano, 4 mains
47
Instruments en Do
36
Accompagnement Piano
10
Piano grosses notes
8
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
7
Orgue, Piano (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 8 mains
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare
170
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126
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122
Ukulele
42
Basse electrique
22
Ligne De Mélodie, (Paroles) et Accords
19
2 Guitares (duo)
12
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3
Mandoline
3
4 Guitares (Quatuor)
3
Guitare (partie séparée)
2
2 Dulcimers (duo)
2
2 Mandolines (duo)
1
Ensemble de guitares
1
Dulcimer
1
3 Guitares (trio)
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
306
Chorale SSAA
90
Chorale 3 parties
76
Chorale 2 parties
35
Voix seule
33
Chorale TTBB
20
Chorale Unison
10
Voix duo, Piano
8
Voix Soprano, Piano
6
Voix duo
6
Voix basse, Piano
5
Voix basse
2
Chorale SSAATB
1
Chorale SSAATTBB
1
Voix Alto, Piano
1
Voix haute
1
Voix moyenne, Piano
1
Chorale
1
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VENTS
Flûte traversière
431
Clarinette
325
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229
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217
Saxophone Alto et Piano
154
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
151
Saxophone Tenor et Piano
145
Flûte à Bec
97
2 Saxophones (duo)
95
Clarinette et Piano
91
Flûte, Hautbois, Clarinette, Basson
79
Quatuor de Saxophones: 4 saxophones
76
Quatuor de Clarinettes: 4 clarinettes
70
Saxophone Alto
60
Quintette de Clarinettes: 5 clarinettes
54
2 Clarinettes (duo)
45
Quintette de Saxophone: 5 saxophones
43
Saxophone Tenor
43
Quatuor de Flûtes : 4 flûtes
40
2 Flûtes traversières (duo)
34
Saxophone, Clarinette (duo)
27
Saxophone (partie séparée)
27
Ensemble de Clarinettes
26
Hautbois (partie séparée)
22
Clarinette, Trompette (duo)
21
Clarinette, Violon (duo)
21
Flûte, Clarinette (duo)
17
Hautbois
17
Flûte et Guitare
17
Saxophone
16
Clarinette, Guitare (duo)
14
Flûte, Violon
13
Saxophone Soprano et Piano
13
2 Hautbois (duo)
13
3 Clarinettes (trio)
12
3 Saxophones (trio)
12
Hautbois, Clarinette (duo)
11
Ensemble de Flûtes
10
Clarinette et Alto
10
Trio de Flûtes: 3 flûtes
10
Clarinette (partie séparée)
9
Flûte, Alto (duo)
9
Flûte, Saxophone (duo)
9
Hautbois, Basson (duo)
9
Hautbois, Flûte
9
Flûte, Trompette (duo)
8
Quintette de Flûte : 5 flûtes
7
Saxophone Baryton, Piano
7
Hautbois, Guitare (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Clarinette et Basson
7
2 Flûte à bec (duo)
5
Ensemble de saxophones
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Clarinette Basse, Piano
4
Cor anglais, Piano
3
Flûte à bec Alto
3
Flute (partie séparée)
3
Flute, harpe et violon
3
Saxophone Soprano
2
Flûte traversière, Orgue (duo)
2
Ensemble De Flûte à bec
2
Flûte à bec Soprano
2
Cor anglais, Guitare (duo)
2
Saxophone et Orgue
2
Instruments en Mib
2
Flûte, Harpe et Violoncelle
1
Flûte et Trio à cordes
1
Flûte et Quatuor à Cordes
1
Hautbois, violon (duo)
1
Cornemuse
1
Saxophone, Basson (duo)
1
2 Flûtes traversières, Piano
1
3 Flûtes à bec (trio)
1
Piccolo, Piano
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Saxophone et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano, Piano
1
Harmonica
1
Flûte traversière, Basse continue
1
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CUIVRES
Trompette
193
Trombone et Piano
168
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
94
Trompette, Piano
92
Trombone
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Cor
44
Cor et Piano
23
Quatuor de Cuivres
21
Trompette, Saxophone (duo)
20
Trompette (partie séparée)
19
2 Trombones (duo)
17
Trompette, Trombone (duo)
14
2 Trompettes (duo)
14
Trombone (partie séparée)
13
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 cors
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Tuba
10
Cor (partie séparée)
8
Quatuor de cuivres: 4 trombones
8
Tuba et Piano
7
2 Cors (duo)
5
Cor anglais, Piano
3
Trompette, Cor (duo)
3
Ensemble de Trombones
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Euphonium
2
Tuba (partie séparée)
2
Cor anglais, Guitare (duo)
2
Ensemble de Cors
2
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
4 Tubas
1
3 Trombones (trio)
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
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CORDES
Violon
707
Quatuor à cordes: 2 violons, alto, violoncelle
257
Violoncelle
250
Violon et Piano
225
Violoncelle, Piano
190
Alto, Piano
185
Alto seul
149
Violon, Violoncelle (duo)
47
Harpe
40
2 Violoncelles (duo)
39
Violoncelle (partie séparée)
33
2 Violons (duo)
30
Contre Basse
26
Trio à Cordes: violon, alto, violoncelle
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violon, Alto (duo)
17
Alto (partie séparée)
16
2 Altos (duo)
16
Violon (partie séparée)
10
Violon, Guitare (duo)
10
Violoncelle , Guitare (duo)
9
4 Violoncelles
7
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Alto, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Contrebasse (partie séparée)
4
Trio à Cordes: 3 violoncelles
2
Contrebasse, Piano (duo)
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Quatuor à cordes
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
Harpe et Piano
1
Violon, Basse continue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
410
Orchestre
248
Orchestre à Cordes
95
Orchestre de chambre
49
Ensemble Jazz
35
Ensemble de cuivres
22
Batterie
19
Fanfare
15
Ensemble de Percussions
14
Cloches
12
Jazz combo
11
Percussion
7
Percussion (partie séparée)
7
Marimba
4
Piano et Orchestre
3
Batterie (partie séparée)
1
Vibraphone
1
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AUTRES
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Chorale SSAA
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I Wish I Was A Punk Rocker (with Flowers In My Hair)
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856182 By Sandi Thom. By S…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856182 By Sandi Thom. By Sandi Thom and Tom Gilbert. Arranged by Liz Garnett. Contemporary. Octavo. 7 pages. Liz Garnett #3918667. Published by Liz Garnett (A0.856182). This song was a hit in 2006 for Sandi Thom and represents a nostalgia-fest for life in the 70s from someone too young to have experienced it. The original consists primarily of solo voice and duets, accompanied by increasingly developed percussion parts. The arrangement follows this to an extent, though it develops the vocal texture further, reaching four parts towards the end, and brings in some of the percussive functions into the vocal parts so that the optional percussion parts (for cajon, egg shaker and hand-clapping) can be omitted if need be.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: B3 - C#5Lead: G#3 - A4Bari: A3 - B4Bass: E3 - A4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Sandi Thom
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Liz Garnett
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I Wish I Was A Punk Rocker
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Liz Garnett
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SheetMusicPlus
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856194 By Colbie Caillat. …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856194 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Liz Garnett. Jazz. Octavo. 3 pages. Liz Garnett #4266619. Published by Liz Garnett (A0.856194). This Christmas classic is made for close-harmony. The arrangement clothes the flowing melody in lush chords, the harmonic flavours evoking shimmering strings of its iconic performance by Judy Garland. Sing it with lavish rubato for heart-warming seasonal show-closer.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - D5Lead: A3 - D5Bari: A3 - A4Bass: E3 - A4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Colbie Caillat
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Liz Garnett
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Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
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Liz Garnett
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SheetMusicPlus
Staffansvisa från Östergötland
Chorale SSAA
SSAA chorus a cappella - Digital Download SKU: BJ.1443 Composed by Trad. Sweden. Ar…
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SSAA chorus a cappella - Digital Download SKU: BJ.1443 Composed by Trad. Sweden. Arranged by Sara Kollberg Clarke. Folk, Christmas. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1443. Published by Bo Ejeby Forlag - Digital (BJ.1443). 8.27 x 11.7 inches.Staffan-song from Östergötland. A folk song associated with Saint Stephen, in Sweden traditionally sung on Saint Lucy’s Day (Lucia). It is given a lovely a cappella setting in this version from Östergotland in the southeast of Sweden.
$3.00
2.75 €
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Chorale SSAA
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Trad
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Sara Kollberg Clarke
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Staffansvisa från Östergötland
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Tre Staffansvisor från västra Sverige
Chorale SSAA
SSAA chorus - Digital Download SKU: BJ.1281 Composed by Trad. Sweden. Arranged by J…
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SSAA chorus - Digital Download SKU: BJ.1281 Composed by Trad. Sweden. Arranged by Johanna Thür. Folk, Christmas. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1281. Published by Bo Ejeby Forlag - Digital (BJ.1281). 8.27 x 11.7 inches.Three Swedish folk Christmas/advent songs associated with Saint Stephen, in Sweden traditionally sung on Saint Lucy’s Day (Lucia). From three parts in Western Sweden: Norra Vånga, Västergötland and Karlstad.
$4.00
3.67 €
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Chorale SSAA
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Trad
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Johanna Thür
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Tre Staffansvisor från västra Sverige
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
När knoppar brister
Chorale SSAA
SSAA chorus a cappella - Digital Download SKU: BJ.1468 Composed by Ingunn Ligaarden…
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SSAA chorus a cappella - Digital Download SKU: BJ.1468 Composed by Ingunn Ligaarden. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1468. Published by Bo Ejeby Forlag - Digital (BJ.1468). 8.27 x 11.7 inches.When buds break. Delicious music to one of the most famous modern Swedish poems. It starts with the words:Yes, of course it hurts when buds are breaking.Why else would the springtime falter?.Lyrics in Swedish.
$3.00
2.75 €
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Chorale SSAA
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Ingunn Ligaarden
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När knoppar brister
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
What Was I Made For?
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie E…
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Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.
$6.00
5.51 €
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Chorale SSAA
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Billie Eilish
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Dylan Tran
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What Was I Made For?
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Dylan Trần
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SheetMusicPlus
Human
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1389868 By Rag 'n' …
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1389868 By Rag 'n' Bone Man. By Jamie Hartman, Nick Monson, and Rory Graham. Arranged by Lucia Kiel. 21st Century,A Cappella,Contemporary,Pop,Rock. 7 pages. Lucia Kiel Performances #973469. Published by Lucia Kiel Performances (A0.1389868). SSMMAA - choir version of the great song HUMAN as performed by Rag 'n Bone Man. In the key of Fm.Can be sung a capella or with good quality backingtrack, strummed guitar or piano-accompinament (see chords in sheet).It is arranged in a way that it can also be song by 4 or 5-part choir (simply take out S1 or 2 and/or A1 or 2).
$4.49
4.12 €
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Chorale SSAA
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Rag 'n' Bone Man
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Lucia Kiel
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Human
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Lucia Kiel Performances
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SheetMusicPlus
Sweet Child O' Mine
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1366578 By Guns N' …
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1366578 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Timothy Allen Music Ltd. 20th Century,Rock. 10 pages. Timothy Allen Music Ltd #950916. Published by Timothy Allen Music Ltd (A0.1366578). This is a VERY stripped-back version of the Guns ‘n’ Roses original – it doesn’t have screaming guitars, it has gentle piano and very restrained vocals. At its heart, the lyric for the song is a love ballad, and this is what has been emphasised in this arrangement. There are a lot of complexities in the writing, and it is designed for accomplished choirs. It should be an absolute gem in a programme though, demonstrating lots of choral technique whilst crossing that genre divide between classical and rock.Piano accompaniment is provided, and we also have a custom-crafted backing track available, which includes piano, cello solo, and string orchestra. See www.timothyallenmusic.co.uk for details.
$1.99
1.83 €
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Chorale SSAA
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Guns N' Roses
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Timothy Allen Music Ltd
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Sweet Child O' Mine
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Timothy Allen Music Ltd
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SheetMusicPlus
We Won't Go Back
Chorale SSAA
Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1416960 Compos…
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Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1416960 Composed by Ani Di Franco, Autumn Rowe, Connie Lim, and Mallory Finne. Arranged by Alison Dozier. A Cappella. 9 pages. A.N.D. #998549. Published by A.N.D. (A0.1416960). This treble a cappella arrangement came into being after the original song was inspired by protests outside the Supreme Court in 2022. Song is intentionally gender inclusive and packs a vocal punch. Starts in four parts and adds a fifth voice at the end. Channel your righteous rage and demand reproductive justice and bodily autonomy with a powerful song you can perform at your local rally or neighborhood revolution. Every performance is a call to action.
$2.99
2.75 €
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Chorale SSAA
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Ani Di Franco, Autumn Rowe, Connie Lim, and Mallory Finne
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Alison Dozier
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We Won't Go Back
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A.N.D.
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SheetMusicPlus
Americans
Chorale SSAA
Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1416963 By Jan…
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Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1416963 By Janelle Monae. By Charles D. Joseph Ii, Janelle Monae Robinson, Jon Webb, Kellis Earl Parker Jr., and Nathaniel Irvin III. Arranged by Alison Dozier. A Cappella. 11 pages. A.N.D. #998552. Published by A.N.D. (A0.1416963). This treble a cappella arrangement of the last song on Janelle Monae's Dirty Computer album embraces the duality of loving our country and critiquing it's injustices. The arrangement was created for an LGBTQ+ ensemble and seeks to challenge mysogyny and racism. Woven into the original song are themes from America the Beautiful set in a minor key to evoke the imperfection of a nation and it's citizens that continue to strive for equity. Nods to his purple majesty are included to honor his collaboration on the album.
$3.99
3.66 €
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Chorale SSAA
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Janelle Monae
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Alison Dozier
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Americans
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A.N.D.
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SheetMusicPlus
We're Gonna Change The World
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856235 By Matt Monro. By D…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856235 By Matt Monro. By David Geoffrey Matthews, David Matthews, and Tim Harris. Arranged by Liz Garnett. Contemporary. Octavo. 9 pages. Liz Garnett #4885999. Published by Liz Garnett (A0.856235). This song from 1970 is a kindly, though rather tongue-in-cheek, view of the emergent wave of feminism, and in its story-telling paints a picture of a moment in history in the incidental details of milk deliveries office work as much as in the main incidents of its narrative. The chorus transcends this moment in its cheerfully uplifting appeal to a brighter, more optimistic future.The arrangement was commissioned to celebrate a moment in the life of a women's chorus, and is crafted to make sure all singers get to participate in relaying the narrative.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - E5Lead: A3 - C#5Baritone: A3 - B4Bass: D3 - G#4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Matt Monro
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Liz Garnett
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We're Gonna Change The World
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Liz Garnett
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SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.66 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Rest A While Longer
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.
$50.00
45.91 €
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Chorale SSAA
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Alan Wagstaff
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Alan Wagstaff
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Rest A While Longer
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Alan Wagstaff
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SheetMusicPlus
Bring Me Sunshine
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1111748 By Willie Nelson. …
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1111748 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Liz Garnett. A Cappella,Barbershop. Octavo. 4 pages. Liz Garnett #714010. Published by Liz Garnett (A0.1111748). Originally recorded by the Mills Brothers, this song was made famous in the UK by the comedy due Morecombe and Wise in the 1970s. The song is as sunny as its title would suggest, with a gentle swing in the rhythm and a melodic contour that almost traces the shape of a smile. The arrangement is primarily homophonic, and whilst it has a few more added 6th chords than you'd find in traditional barbershop, it clearly has its roots in that idiom. The second pass through the chorus shares the melody around so that everybody gets some candy. N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs. Vocal Ranges: Tenor: E4 - E5 Lead: B3 - C5 Bari: B3 - B4 Bass: D3 - G4 www.HelpingYouHarmonise.com.
$2.99
2.75 €
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Chorale SSAA
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Willie Nelson
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Liz Garnett
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Bring Me Sunshine
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Liz Garnett
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SheetMusicPlus
Coming Back As A Man
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856237 By Caro Emerald. By…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856237 By Caro Emerald. By David Schreurs, Jan Wieringen Van, Robin Veldman, Robin Veldmen, Vince Degiorgio, Vincent Paul Degiorgio, and Wieger Hoogendorp. Arranged by Liz Garnett. Contemporary. Octavo. 7 pages. Liz Garnett #4994795. Published by Liz Garnett (A0.856237). In this fifth single from the album The Shocking Miss Emerald, Caro Emerald spins a fantasy of revenge on unreliable male lovers by playing them at their own game. Dressing it up in plenty of barbershop 7ths for contest-suitability has the effect of giving it additional backbone and drama, which are enhanced by a motif of octave leaps in the lead line introduced in the embellishments.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - F5Lead: A3 - E5Bari: A3 - B flat 4Bass: D3 - G flat 4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Caro Emerald
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Liz Garnett
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Coming Back As A Man
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Liz Garnett
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SheetMusicPlus
Piece Of My Heart
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856230 By Janis Joplin. By…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856230 By Janis Joplin. By Bert Berns and Jerry Ragovoy. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #4802044. Published by Liz Garnett (A0.856230). This song lives on the cusp of Second Wave Feminism. Its lyrics portray a woman fighting to maintain her pride in a neglectful, if not outright abusive, relationship, although it remains, at this stage, still essentially masochistic. She berates, but - in the lyrics at least - does not challenge. The iconic performances from the late 1960s (Erma Franklin, Janis Joplin, Dusty Springfield), though, tell a different story. Anger is erupting into the voices: the personal is poised to become overtly political.The arrangement sets the narrative verses in a melody-and-accompaniment texture, with the harmony parts largely on vocables to let the story through, then builds up to a primarily homophonic texture with everyone participating in the lyrics for the declarative mode of the choruses. It is built to chart a wide dynamic range, charting the emotional range of the original.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D#4 - E5Lead: G#3 - C#5Bari: B3 - A4Bass: E3 - E4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Janis Joplin
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Liz Garnett
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Piece Of My Heart
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Liz Garnett
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SheetMusicPlus
I'm So Excited
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856205 By The Pointer Sist…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856205 By The Pointer Sisters. By Anita Pointer, June Pointer, Ruth Pointer, and Trevor Lawrence. Arranged by Liz Garnett. Contemporary,Dance. Octavo. 6 pages. Liz Garnett #4293523. Published by Liz Garnett (A0.856205). This is one of those songs that wasn't a huge hit when it was first released, but has persisted in popular culture since. It has appeared in at least four movies, and was associated for years in the UK with commercials for Cadbury's Crunchie bars.Like the several cover versions of the song that have appeared this millenium, this arrangement takes a strong lead from the details of the original version, particularly in the use of vocalised embellishments that break out at phrase ends.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - F5Lead: A flat 3 - C 5Bari: A flat 3 - B flat 5Bass: D flat 3 - F4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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The Pointer Sisters
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Liz Garnett
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I'm So Excited
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Liz Garnett
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SheetMusicPlus
Straighten Up And Fly Right
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856197 Composed by Irving …
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856197 Composed by Irving Mills and Nat King Cole. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4280233. Published by Liz Garnett (A0.856197). This song was Nat King Cole's first major vocal hit. It is based on a folk tale his father used to use in his sermons, in which a buzzard takes various animals for a ride before throwing them to the ground and eating them for dinner. A monkey observes this, and goes for a ride, but surprises the buzzard wrapping his tail round the bird's neck and refusing to be thrown off.The song's rhythmic feel is both cool and dry. The laid-back swing feel gives a sense of authority in the way the monkey takes control of the situation, but the syncopations and chromatic licks also remind us that in folk tales, the monkey is the trickster, even when he's on the side of the righteous. The arrangement is designed to be suitable for barbershop contests (BHS system).N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: G flat 3 - E5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F sharp 4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Irving Mills and Nat King Cole
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Liz Garnett
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Straighten Up And Fly Right
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Liz Garnett
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SheetMusicPlus
Messin' With Fire
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856223 By Clare Teal. By C…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856223 By Clare Teal. By Clare Teal and Nigel John Stonier. Arranged by Liz Garnett. Contemporary. Octavo. 8 pages. Liz Garnett #4612541. Published by Liz Garnett (A0.856223). Clare Teal's jazz original explores the disruptive power of desire and the universality of risk-taking in human life. It is ambiguous as to whether the song is celebrating these qualities or warning us about them, but it certainly refuses to accept hypocrisy on the matter.The arrangement casts the song as a barbershop contest up-tune, and taking harmonic risks that not so many years ago would have been seen as playing with stylistic fire in the BHS system (and probably would still be in SAI as of the time of writing in 2018). Texturally, though, it remains predominantly homophonic so as to let Teal's sparkling lyrics through.It demands sizzling rhythmic skills and an up-for-it attitude, and delivers an exciting ride for singers and audience alike.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - F5Lead: A3 - E5Bari: A#3 - D5Bass: D3 - A4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Clare Teal
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Liz Garnett
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Messin' With Fire
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Liz Garnett
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SheetMusicPlus
She's Leaving Home
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856251 By The Beatles. By …
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856251 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Garnett. Rock. Octavo. 7 pages. Liz Garnett #6096635. Published by Liz Garnett (A0.856251). This classic Beatles song is extraordinary in so many ways. With simple, direct story-telling it gives a vivid snapshot of lived experience in a time of social change, clothed in Debussian harmonies on string quartet and harp. The layering of different narrative points of view in the choruses is incredibly clever - combining musical simultaneity with lyrical intelligibility. Watch and learn.The arrangement aims to stay out of the way of the song - to let the story through, whilst alluding to the subtleties of the original without letting the details distract.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D4 - FsLead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - E4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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The Beatles
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Liz Garnett
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She's Leaving Home
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Liz Garnett
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SheetMusicPlus
Mercy
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856195 By Duffy. By Aimee …
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856195 By Duffy. By Aimee Duffy and Stephen Booker. Arranged by Liz Garnett. Contemporary. Octavo. 6 pages. Liz Garnett #4269343. Published by Liz Garnett (A0.856195). This hit by Duffy was written in 2008, but its sound world evokes music of 40 years previous to that. Its bassline makes explicit reference to Ben E King's 'Stand By Me', while its harmonic riffs and melodic styling have been compared to songs by The Supremes and Aretha Franklin.The arrangement was commissioned by Young Women in Harmony, and keeps all the parts in the centre of the voice so as not to strain young ranges. This results in a tight , bright sound that captures the feel of original's Hammond organ. It also uses a variety of texture - from full unisons, to duets, to full four-part harmony - so is much more suited to chorus than quartet.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: B flat 3 - D flat 5Lead: B flat 3 - D flat 5Bari: B flat 3 - B flat 4Bass: A flat 3 - F4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Duffy
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Liz Garnett
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Mercy
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Liz Garnett
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SheetMusicPlus
All The Things You Are
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856234 By Jack Leonard wit…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856234 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Liz Garnett. Musical/Show. Octavo. 4 pages. Liz Garnett #4966823. Published by Liz Garnett (A0.856234). This ballad has not only been recorded by artists from Ella Fitzgerald to Michael Jackson, but has become the medium for harmonic exploration by a host of jazz instrumentalists. This arrangement puts its harmonic shape back in service of its story-telling to re-cast it as a barbershop contest ballad. The tonal twists and turns inherent in the melody are there, but the chord choices prioritise cleaner, ringier voicings over the extended harmonies of some renditions.The sweeping melodic line is complemented by harmony parts designed to flow; the bass line in particular invites and rewards lyricism.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - E flat 5Lead: A3 - D5Bari: B3 - B4Bass: D3 - F4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Jack Leonard with Tommy Dorsey Orchestra
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Liz Garnett
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All The Things You Are
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Liz Garnett
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SheetMusicPlus
Let There Be Love
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856254 Composed by Lionel …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856254 Composed by Lionel Rand. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #6295451. Published by Liz Garnett (A0.856254). This 1940s classic has been recorded by many artists over the years, most famously perhaps by Nat King Cole for whom it was a hit in 1961. The lyric sparkles with imagery, conveying a zest for life and evoking the way experience comes in brighter colours when you're in love.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: G4 - F5Lead: G3 - B flat 4Bari: B flat 3 - C5Bass: E flat 3 - F4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Lionel Rand
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Liz Garnett
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Let There Be Love
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Liz Garnett
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SheetMusicPlus
A Night Like This
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856227 By Caro Emerald. By…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856227 By Caro Emerald. By David Schreurs, Jan van Wieringen, and Vincent Degiorgio. Arranged by Liz Garnett. Contemporary. Octavo. 7 pages. Liz Garnett #4755071. Published by Liz Garnett (A0.856227). This song was the second single released by Caro Emerald, and its story is based on a scene in the 1967 James Bond film Casino Royale. It is based on Latin rhythm, that comes over as seductive in the minor-key verses that describe the encounter, and as celebratory in the major-key choruses that relish the experience.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - F5Lead: G3 - C5Bari: C4 - C5Bass: D3 - G4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Chorale SSAA
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Caro Emerald
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Liz Garnett
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A Night Like This
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Liz Garnett
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SheetMusicPlus
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