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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
â?on N
Non classifié
766
Piano & claviers
Piano seul
426
Piano, Voix
174
Accordéon
141
Piano, Voix et Guitare
64
Orgue
55
Piano Facile
38
1 Piano, 4 mains
25
Instruments en Do
18
2 Pianos, 4 mains
7
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
5
Orgue, Piano (duo)
4
Accompagnement Piano
4
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
Accordéon, Corde(s)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
117
Guitare
80
Guitare notes et tablatures
68
Basse electrique
20
Ligne De Mélodie, (Paroles) et Accords
12
2 Guitares (duo)
11
Ukulele
7
Paroles et Accords
3
Guitare (partie séparée)
3
4 Guitares (Quatuor)
2
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
3 Guitares (trio)
1
Ensemble de guitares
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
143
Chorale 3 parties
41
Chorale SSAA
34
Chorale 2 parties
13
Chorale TTBB
7
Voix duo
7
Voix Soprano, Piano
5
Voix seule
5
Voix basse, Piano
5
Pack Instrumental pour Chorale
5
Voix duo, Piano
5
Chorale Unison
4
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Voix Alto, Piano
2
Chorale SSAATB
1
Chorale
1
Voix et basse continue
1
Voix basse
1
+ 14 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
210
Clarinette et Piano
186
Flûte traversière et Piano
183
Saxophone Alto et Piano
138
Saxophone Tenor et Piano
132
2 Saxophones (duo)
122
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
110
Flûte, Hautbois, Clarinette, Basson
71
Quintette de Saxophone: 5 saxophones
69
Quatuor de Clarinettes: 4 clarinettes
66
Quatuor de Saxophones: 4 saxophones
52
Quintette de Clarinettes: 5 clarinettes
52
2 Clarinettes (duo)
35
Quatuor de Flûtes : 4 flûtes
31
Saxophone, Clarinette (duo)
30
2 Flûtes traversières (duo)
27
Saxophone Alto
27
Flûte traversière
27
Clarinette
26
Saxophone Tenor
21
Clarinette, Trompette (duo)
21
Clarinette, Violon (duo)
20
Flûte et Guitare
17
Hautbois (partie séparée)
16
Clarinette, Guitare (duo)
14
Ensemble de Clarinettes
13
Flûte, Violon
13
3 Saxophones (trio)
13
Flûte, Clarinette (duo)
12
Clarinette et Alto
11
Hautbois, Flûte
10
Flûte, Alto (duo)
10
Flûte, Saxophone (duo)
10
Quintette de Flûte : 5 flûtes
10
Saxophone (partie séparée)
10
Hautbois, Clarinette (duo)
10
2 Hautbois (duo)
10
Hautbois, Basson (duo)
9
Flûte, Trompette (duo)
8
3 Clarinettes (trio)
8
Flûte, Clarinette et Basson
7
Hautbois, Guitare (duo)
7
Saxophone Baryton, Piano
7
Saxophone Soprano et Piano
7
Trio de Flûtes: 3 flûtes
6
Ensemble de Flûtes
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Saxophone Soprano
4
Flute, harpe et violon
3
Flûte à Bec
3
Saxophone Baryton
2
Hautbois
2
Saxophone et Orgue
2
Ensemble de saxophones
2
Cor anglais, Piano
2
Cor anglais, Guitare (duo)
2
Clarinette Basse, Piano
2
Flûte, Violoncelle
1
2 Flûte à bec (duo)
1
3 Flûtes à bec (trio)
1
Flûte à bec Soprano
1
Clarinette, Basson (duo)
1
Flûte à bec Alto
1
Ensemble De Flûte à bec
1
Flute (partie séparée)
1
Flûte traversière, Orgue (duo)
1
Clarinette (partie séparée)
1
Clarinette Basse
1
Instruments en Mib
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes traversières, Piano
1
Flûte et Quatuor à Cordes
1
Clarinette, Violoncelle, Piano (trio)
1
+ 70 instrumentations
Retracter
Cuivres
Trombone et Piano
152
Trompette
107
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
77
Trompette, Piano
73
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette, Saxophone (duo)
27
Trombone
22
Trompette (partie séparée)
17
2 Trombones (duo)
15
Trompette, Trombone (duo)
12
2 Trompettes (duo)
12
Quatuor de cuivres: 4 cors
10
Quatuor de Cuivres
9
Cor et Piano
8
Trombone (partie séparée)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba et Piano
4
Cor
3
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
2 Cors (duo)
2
Ensemble de Trombones
2
Cor anglais, Guitare (duo)
2
Trompette, Cor (duo)
2
Tuba
2
Ensemble de Cors
2
Quatuor de cuivres: 4 trombones
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
Cor (partie séparée)
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
Instruments en Sib
1
Trio de Cuivres
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
229
Alto, Piano
172
Violon et Piano
169
Violoncelle, Piano
143
Violon
86
Violon, Violoncelle (duo)
44
Violoncelle
43
2 Violoncelles (duo)
32
Trio à Cordes: violon, alto, violoncelle
29
Harpe
24
2 Violons (duo)
23
Violon, Alto (duo)
20
Alto seul
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Alto (partie séparée)
12
Violoncelle , Guitare (duo)
12
2 Altos (duo)
12
Alto, Guitare (duo)
11
Trio à Cordes: 2 violons, violoncelle
5
4 Violoncelles
4
Violon, Guitare (duo)
4
Harpe, Quatuor à cordes
3
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violon (duo)
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
2 Harpes (duo)
1
Harpe et Piano
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
96
Ensemble Jazz
67
Orchestre à Cordes
52
Batterie
51
Orchestre
45
Fanfare
29
Ensemble de cuivres
18
Cloches
17
Orchestre de chambre
17
Ensemble de Percussions
9
Jazz combo
6
Marimba
3
Percussion
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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Partitions Gratuites
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Nouveautes
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Vous avez sélectionné:
â?on N
Chorale SSAA
Partitions à imprimer
34 partitions trouvées
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1
26
The Christmas Song (chestnuts Roasting On An Open Fire)
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Nat Cole With N
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BK Riha
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The Christmas Song
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BK Riha
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1301685 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by BK Riha. A Cappella,C...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1301685 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by BK Riha. A Cappella,Christmas,Film/TV,Holiday. 8 pages. BK Riha #891297. Published by BK Riha (A0.1301685). This arrangement is available for the following voicings:SSAA (key of Bb major)SATB (key of Eb major, tenor/soprano solo)SSAB (key of Eb major, tenor/soprano solo or all tenors on the melody)Inquire about practice tracks. Find more arrangements at http://bkmakesmusic.com
$4.25
Writing's On The Wall from the film SPECTRE
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Soul/R&B
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Sam Smith
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Liz Garnett
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Writing's On The Wall from the
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856220 By Sam Smith. By James Napier and Sam Smith. Arranged by Liz Garnett. Pop,R & B. Octavo. 6 pages. Liz Gar...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856220 By Sam Smith. By James Napier and Sam Smith. Arranged by Liz Garnett. Pop,R & B. Octavo. 6 pages. Liz Garnett #4579101. Published by Liz Garnett (A0.856220). Sam Smith's theme tune for the James Bond film Spectre pulls at the heartstrings as it wavers between strength and vulnerability in an atmosphere of impending doom. The arrangement shares melodic material between the parts: the lead taking the main narrative, but handing over to the tenor for passages of particular emotional fragility. The bass takes the melody in the bridge, echoing the orchestral surges of the original, while the baritone takes the characteristic Bond-motifs that are woven in as counter-melody throughout.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D4 - E flat 5Lead: B flat 3 - D5Bari: A3 - C5Bass: D3 - F4www.HelpingYouHarmonise.com
$2.99
Nächtlicher Himmel
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Chorale SSAA
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Rolf Rudin
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Nächtlicher Himmel
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Schott Music - Digital
#
SheetMusicPlus
Female choir (SSAA) and piano - SKU: S9.Q20916 Nach Worten aus einem Brief von Vincent van Gogh. Composed by Rolf Rudin. This edition: choral sco...
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Female choir (SSAA) and piano - SKU: S9.Q20916 Nach Worten aus einem Brief von Vincent van Gogh. Composed by Rolf Rudin. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Op. 59a. Schott Music - Digital #Q20916. Published by Schott Music - Digital (S9.Q20916). German.With his musical setting Nächtlicher Himmel based on words from a letter by Vincent van Gogh, Rolf Rudin ventures into downright impressionist terrain. Just as the famous painter creates literary images with his letters and knows how to visualize landscapes and frames of mind, the award-winning composer knows how to musically capture such moods and atmospheres. His composition for two- to four-part women's choir (SSAA) and piano lives on dynamic nuances, changes of time, chromaticism and triplet figures as well as harp-like arpeggios which give the work a mystical quality. Due to its chord progressions with great chromaticism, the choral part of this c. 4-minute work contains some intonational obstacles which are worth negotiating while holding out the prospect of a unique sound experience.
$4.99
Tre Staffansvisor från västra Sverige
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Chorale SSAA
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Trad
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Johanna Thür
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Tre Staffansvisor från v
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SSAA chorus - SKU: BJ.1281 Composed by Trad. Sweden. Arranged by Johanna Thür. Folk, Christmas. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1281. Pu...
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SSAA chorus - SKU: BJ.1281 Composed by Trad. Sweden. Arranged by Johanna Thür. Folk, Christmas. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1281. Published by Bo Ejeby Forlag - Digital (BJ.1281). 8.27 x 11.7 inches.Three Swedish folk Christmas/advent songs associated with Saint Stephen, in Sweden traditionally sung on Saint Lucy’s Day (Lucia). From three parts in Western Sweden: Norra Vånga, Västergötland and Karlstad.
$4.00
Staffansvisa från Östergötland
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Chorale SSAA
#
Trad
#
Sara Kollberg Clarke
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Staffansvisa från Ö
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Bo Ejeby Forlag - Digital
#
SheetMusicPlus
SSAA chorus a cappella - SKU: BJ.1443 Composed by Trad. Sweden. Arranged by Sara Kollberg Clarke. Folk, Christmas. Octavo. 8 pages. Bo Ejeby Forlag - Di...
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SSAA chorus a cappella - SKU: BJ.1443 Composed by Trad. Sweden. Arranged by Sara Kollberg Clarke. Folk, Christmas. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1443. Published by Bo Ejeby Forlag - Digital (BJ.1443). 8.27 x 11.7 inches.Staffan-song from Östergötland. A folk song associated with Saint Stephen, in Sweden traditionally sung on Saint Lucy’s Day (Lucia). It is given a lovely a cappella setting in this version from Östergotland in the southeast of Sweden.
$3.00
Sweet Child O' Mine
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Chorale SSAA
#
AVANCÉ
#
Guns N' Roses
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Suzzie Vango
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Sweet Child O' Mine
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Suzzie Vango
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 5 - SKU: A0.1493143 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arr...
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Choral Choir,Choral,SSAA Chorus - Level 5 - SKU: A0.1493143 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Suzzie Vango. 21st Century,A Cappella,Pop,Rock. 10 pages. Suzzie Vango #1069813. Published by Suzzie Vango (A0.1493143). This is an upbeat, intricate and challenging SSSAA (upper voice) arrangement of Guns n Roses' Sweet Child O Mine. As featured on Scala radio and by all-female a cappella quintet, Papagena on their album Hush.
$4.00
Americans
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Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Janelle Monae
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Alison Dozier
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Americans
#
A.N.D.
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 4 - SKU: A0.1416963 By Janelle Monae. By Charles D. Joseph Ii, Janelle Monae Robinson, Jon Webb, Kellis Earl Par...
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Choral Choir,Choral,SSAA Chorus - Level 4 - SKU: A0.1416963 By Janelle Monae. By Charles D. Joseph Ii, Janelle Monae Robinson, Jon Webb, Kellis Earl Parker Jr., and Nathaniel Irvin III. Arranged by Alison Dozier. A Cappella. 11 pages. A.N.D. #998552. Published by A.N.D. (A0.1416963). This treble a cappella arrangement of the last song on Janelle Monae's Dirty Computer album embraces the duality of loving our country and critiquing it's injustices. The arrangement was created for an LGBTQ+ ensemble and seeks to challenge mysogyny and racism. Woven into the original song are themes from America the Beautiful set in a minor key to evoke the imperfection of a nation and it's citizens that continue to strive for equity. Nods to his purple majesty are included to honor his collaboration on the album.
$3.99
What Was I Made For?
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Chorale SSAA
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FACILE
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Pop musique
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Billie Eilish
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Dylan Tran
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What Was I Made For?
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Dylan Trần
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cap...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.
$6.00
Rest A While Longer
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Chorale SSAA
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Alan Wagstaff
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Alan Wagstaff
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Rest A While Longer
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Alan Wagstaff
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.
$50.00
Grace Kelly
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Chorale SSAA
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AVANCÉ
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Mika
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Liz Garnett
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Grace Kelly
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6...
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Choral Choir (SSAA) - Level 5 - SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
$12.99
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
I Find Your Love
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Chorale SSAA
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FACILE
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Contemporain
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Beth Chapman and Patrick Doyle
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Liz Garnett
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I Find Your Love
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.856219 Composed by Beth Chapman and Patrick Doyle. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz G...
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Choral Choir (SSAA) - Level 2 - SKU: A0.856219 Composed by Beth Chapman and Patrick Doyle. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz Garnett #4346679. Published by Liz Garnett (A0.856219). This song is from Chapman's 2005 album Look, and was featured on the soundtrack for the film Calendar Girls. It features a beautifully-shaped melody carrying a simple and sincere expression of love. The arrangement opens and closes with melody-and-accompaniment textures, with the harmony parts singing gentle bell-chords that evoke the backing of the original. As the message becomes more emphatic, all parts join in the words, and then all take on instrumental roles for the more urgent bridge passage.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F#4 - E5Lead: B3 - B4Bari: B3 - B4Bass: E3 - E4www.HelpingYouHarmonise.com
$2.99
Piece Of My Heart
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Janis Joplin
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Liz Garnett
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Piece Of My Heart
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856230 By Janis Joplin. By Bert Berns and Jerry Ragovoy. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages....
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Choral Choir (SSAA) - Level 4 - SKU: A0.856230 By Janis Joplin. By Bert Berns and Jerry Ragovoy. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #4802044. Published by Liz Garnett (A0.856230). This song lives on the cusp of Second Wave Feminism. Its lyrics portray a woman fighting to maintain her pride in a neglectful, if not outright abusive, relationship, although it remains, at this stage, still essentially masochistic. She berates, but - in the lyrics at least - does not challenge. The iconic performances from the late 1960s (Erma Franklin, Janis Joplin, Dusty Springfield), though, tell a different story. Anger is erupting into the voices: the personal is poised to become overtly political.The arrangement sets the narrative verses in a melody-and-accompaniment texture, with the harmony parts largely on vocables to let the story through, then builds up to a primarily homophonic texture with everyone participating in the lyrics for the declarative mode of the choruses. It is built to chart a wide dynamic range, charting the emotional range of the original.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D#4 - E5Lead: G#3 - C#5Bari: B3 - A4Bass: E3 - E4www.HelpingYouHarmonise.com
$2.99
Straighten Up And Fly Right
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Irving Mills and Nat King Cole
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Liz Garnett
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Straighten Up And Fly Right
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856197 Composed by Irving Mills and Nat King Cole. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz G...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856197 Composed by Irving Mills and Nat King Cole. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4280233. Published by Liz Garnett (A0.856197). This song was Nat King Cole's first major vocal hit. It is based on a folk tale his father used to use in his sermons, in which a buzzard takes various animals for a ride before throwing them to the ground and eating them for dinner. A monkey observes this, and goes for a ride, but surprises the buzzard wrapping his tail round the bird's neck and refusing to be thrown off.The song's rhythmic feel is both cool and dry. The laid-back swing feel gives a sense of authority in the way the monkey takes control of the situation, but the syncopations and chromatic licks also remind us that in folk tales, the monkey is the trickster, even when he's on the side of the righteous. The arrangement is designed to be suitable for barbershop contests (BHS system).N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: G flat 3 - E5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F sharp 4www.HelpingYouHarmonise.com
$2.99
A Night Like This
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Chorale SSAA
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INTERMÉDIAIRE
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Contemporain
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Caro Emerald
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Liz Garnett
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A Night Like This
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856227 By Caro Emerald. By David Schreurs, Jan van Wieringen, and Vincent Degiorgio. Arranged by Liz Garnett. Co...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856227 By Caro Emerald. By David Schreurs, Jan van Wieringen, and Vincent Degiorgio. Arranged by Liz Garnett. Contemporary. Octavo. 7 pages. Liz Garnett #4755071. Published by Liz Garnett (A0.856227). This song was the second single released by Caro Emerald, and its story is based on a scene in the 1967 James Bond film Casino Royale. It is based on Latin rhythm, that comes over as seductive in the minor-key verses that describe the encounter, and as celebratory in the major-key choruses that relish the experience.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - F5Lead: G3 - C5Bari: C4 - C5Bass: D3 - G4www.HelpingYouHarmonise.com
$2.99
I Thought She Knew
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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N Sync
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Theodore Hicks
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I Thought She Knew
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Theo Hicks Music
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.512661 By N Sync. Arranged by Theodore Hicks. Pop. Octavo. 7 pages. Theo Hicks Music #4967597. Published by Theo...
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Choral Choir (SSAA) - Level 4 - SKU: A0.512661 By N Sync. Arranged by Theodore Hicks. Pop. Octavo. 7 pages. Theo Hicks Music #4967597. Published by Theo Hicks Music (A0.512661). A beautiful love song made famous by *NSYNC, this new arrangement was premiered by the Barbershop Harmony Society's 2018 Next Generation Varsity Youth Quartet Champions, Frontier. This piece works well for small ensemble (quartet minimum) or a large choir.This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.Voicings available: TTBB, SSAAFor more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/For more information on Frontier Quartet or purchasing their albums, visit https://www.frontierquartet.com/
$4.00
Coming Back As A Man
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Caro Emerald
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Liz Garnett
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Coming Back As A Man
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856237 By Caro Emerald. By David Schreurs, Jan Wieringen Van, Robin Veldman, Robin Veldmen, Vince Degiorgio, Vin...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856237 By Caro Emerald. By David Schreurs, Jan Wieringen Van, Robin Veldman, Robin Veldmen, Vince Degiorgio, Vincent Paul Degiorgio, and Wieger Hoogendorp. Arranged by Liz Garnett. Contemporary. Octavo. 7 pages. Liz Garnett #4994795. Published by Liz Garnett (A0.856237). In this fifth single from the album The Shocking Miss Emerald, Caro Emerald spins a fantasy of revenge on unreliable male lovers by playing them at their own game. Dressing it up in plenty of barbershop 7ths for contest-suitability has the effect of giving it additional backbone and drama, which are enhanced by a motif of octave leaps in the lead line introduced in the embellishments.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - F5Lead: A3 - E5Bari: A3 - B flat 4Bass: D3 - G flat 4www.HelpingYouHarmonise.com
$2.99
Cry Me A River
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Chorale SSAA
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INTERMÉDIAIRE
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Justin Timberlake
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Liz Garnett
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Cry Me A River
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856204 By Justin Timberlake. By Justin Timberlake, Scott Storch, Timothy Mosely, and Timothy Mosley. Arranged by...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856204 By Justin Timberlake. By Justin Timberlake, Scott Storch, Timothy Mosely, and Timothy Mosley. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4301725. Published by Liz Garnett (A0.856204). From Justin Timberlake's album Justified, this song makes an obvious reference to the 1950s ballad of the same title. Whilst it contains a similar emotional theme, the narrative that unfolds is quite different, as are the musical gestures of popular music 50 years on from the older song. The arrangement borrows a lot of the motifs from Timberlake's recording and weaves them into a texture that develops in complexity until the very end where it dissolves back into nothing.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: C4 - G5Lead: G3 - C5Bari: C4 - B flat4Bass: F3 - F4www.HelpingYouHarmonise.com
$2.99
Upside Down
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Chorale SSAA
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INTERMÉDIAIRE
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Paloma Faith
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Liz Garnett
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Upside Down
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856191 By Paloma Faith. By Andy Love, Belle Humble, Jos Jorgensen, and Paloma Faith. Arranged by Liz Garnett. A ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856191 By Paloma Faith. By Andy Love, Belle Humble, Jos Jorgensen, and Paloma Faith. Arranged by Liz Garnett. A Cappella. Octavo. 8 pages. Liz Garnett #4264987. Published by Liz Garnett (A0.856191). Paloma Faith's 2010 single is an anthem for anyone who likes to to take a bit of a different angle on things. The original features call-and-response structures which translate readily into a cappella textures, and the arrangement as a whole develops from an initial melody-and-accompaniment texture into increasing harmonic richness as it progresses.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - E5Lead: A3 - D5Bari: C#4 - A4Bass: E3 - F4www.HelpingYouHarmonise.com
$2.99
Vissa får man, vissa får man inte
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Chorale SSAA
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Jenny Willén
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Helena Bromander Andersson
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Vissa får man, vissa f&a
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SSAA chorus - SKU: BJ.1452 Composed by Jenny Willén. Arranged by Helena Bromander Andersson. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1452. Publi...
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SSAA chorus - SKU: BJ.1452 Composed by Jenny Willén. Arranged by Helena Bromander Andersson. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1452. Published by Bo Ejeby Forlag - Digital (BJ.1452). 8.27 x 11.7 inches.Some you get, some you don’t. Two playful, teasing, songs on the love you want from another person. And you might get it – or not.
$4.80
Messin' With Fire
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Clare Teal
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Liz Garnett
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Messin' With Fire
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856223 By Clare Teal. By Clare Teal and Nigel John Stonier. Arranged by Liz Garnett. Contemporary. Octavo. 8 pag...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856223 By Clare Teal. By Clare Teal and Nigel John Stonier. Arranged by Liz Garnett. Contemporary. Octavo. 8 pages. Liz Garnett #4612541. Published by Liz Garnett (A0.856223). Clare Teal's jazz original explores the disruptive power of desire and the universality of risk-taking in human life. It is ambiguous as to whether the song is celebrating these qualities or warning us about them, but it certainly refuses to accept hypocrisy on the matter.The arrangement casts the song as a barbershop contest up-tune, and taking harmonic risks that not so many years ago would have been seen as playing with stylistic fire in the BHS system (and probably would still be in SAI as of the time of writing in 2018). Texturally, though, it remains predominantly homophonic so as to let Teal's sparkling lyrics through.It demands sizzling rhythmic skills and an up-for-it attitude, and delivers an exciting ride for singers and audience alike.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - F5Lead: A3 - E5Bari: A#3 - D5Bass: D3 - A4www.HelpingYouHarmonise.com
$2.99
O Little Town of Bethlehem
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Chorale SSAA
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FACILE
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Trad
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Liz Garnett
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O Little Town of Bethlehem
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.856143 Composed by Trad. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 6 pages. Liz Garnett #3023069. P...
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Choral Choir (SSAA) - Level 2 - SKU: A0.856143 Composed by Trad. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 6 pages. Liz Garnett #3023069. Published by Liz Garnett (A0.856143). This is based on my simple, 3-part arrangement of this carol, re-worked for a 4-part female a cappella texture. It has the same calypso feel, but takes the opportunity of the extra part to blossom out into fuller harmonies in the middle of each verse.Ranges:Tenor: C4 - D5Lead: C4 - C5Bari: F3 - G4Bass: F3 - F4(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.www.HelpingYouHarmonise.com
$2.50
The Sound Of Silence
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Chorale SSAA
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AVANCÉ
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Simon And Garfunkel
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Liz Garnett
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The Sound Of Silence
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Li...
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Choral Choir (SSAA) - Level 5 - SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Liz Garnett #4612527. Published by Liz Garnett (A0.856221). The starting-point for this major show-piece was Disturbed's 2015 cover of Simon and Garfunkel's classic. The White Rosettes sought to capture its escalation of of emotional impact as the vocal range shifted and the orchestration developed through the narrative of a dystopic vision.A cappella voices can capture that sense of build through layering of different sizes of ensemble. And, whilst their timbral palette is more limited than the instrumentation Disturbed could draw on, they have the power of harmony to add colour and impact.The arrangement is built around two main harmonic ideas: juxtaposing minor chords and key areas a third apart, and the dissonance of the melodic major 2nd and minor 3rd rubbing up against each other. Between them they create an atmosphere that hangs heavy with portent and mystery, echoing and amplifying the emotional tone of the lyrics.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:QuartetTenor: F#4 - E5Lead: B3 - A4Bari: C#4 - A4Bass: F#3 - A 4OctetTenor: G4 - D5Lead: C4 - A4Bari: B3 - A4Bass: E3 - C4DuetVoice 1: G3 - C5Voice 2: G3 - A4Full chorusTenor 1: E flat 4 - G5Tenor 2: E flat 4 - F#5Lead 1: B3 - E flat 5Lead 2: B3 - E flat 5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com
$3.99
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