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TRI ET FILTRES
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Tri et filtres :
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Xylophone, Piano
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Vous avez sélectionné:
A Place To Be
Chorale SSAA
Partitions à imprimer
5 partitions trouvées
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1
A Quiet Place
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.720273 By Take 6. By Ralph…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.720273 By Take 6. By Ralph Carmichael. Arranged by Julie Gaulke. A Cappella,Contemporary,Jazz,Sacred. Octavo. 2 pages. Julie Gaulke #3684727. Published by Julie Gaulke (A0.720273). This SSAA voicing (scored in barbershop format) is based on the Take 6 version of A Quiet Place as penned by Mervyn Warren. This version takes the well-known and loved 6 part harmonies of Take 6 and condenses it down to 4 part treble voices. Although only half the range of the full mixed voice version of T6, this arrangement encompasses the chord progressions and tight harmonies we've come to know and love. Requires a keen ear for harmony, as there are some very tricky voice leadings. LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: http://www.juliegaulketracks.com/store/p36/Quiet_Place_%28arr._Julie_Gaulke%29.html See full performance video here: https://youtu.be/GEW1aJOPIBA
$2.99
2.79 €
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Chorale SSAA
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Take 6
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Julie Gaulke
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A Quiet Place
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Julie Gaulke
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SheetMusicPlus
Surely The Presence Of The Lord Is In This Place
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.502672 Composed by Lanny W…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.502672 Composed by Lanny Wolfe. Arranged by Susanna Lausevic. 20th Century,A Cappella,Praise & Worship,Sacred. Octavo. 4 pages. Susanna Lausevic #115023. Published by Susanna Lausevic (A0.502672). All female voices. soloist could be low voice. soloist goes up to B. sop goes up to high F sharp. Lovely ending. shortened song. 1 verse only. check out my YOUTUBE channel for the audio version to this arrangement and subscribe for more songs at Susanna Lausevic.
$4.00
3.73 €
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Chorale SSAA
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Lanny Wolfe
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Susanna Lausevic
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Surely The Presence Of The Lord Is In This Place
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Susanna Lausevic
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SheetMusicPlus
A Little Respect
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By And…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
$1.99
1.86 €
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Chorale SSAA
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Erasure
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Rebecca (Boo) de Bruin
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A Little Respect
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Rebecca de Bruin
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SheetMusicPlus
It Must Be Love
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856211 By Madness. By Labi…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Published by Liz Garnett (A0.856211). This song was made famous for people of my generation by Madness, but those just a little older may remember the original version as sung by Labbi Siffre himself.This arrangement draws on the Madness version in the rhythmic feel of its riffs, but honours the song-writer's request to use all the correct lyrics (and I've highlighted the place where Madness don't so you can make sure to get it right too).N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal RangesTenor: E flat 4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F4www.HelpingYouHarmonise.com
$2.99
2.79 €
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Chorale SSAA
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Madness
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Liz Garnett
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It Must Be Love
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Liz Garnett
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SheetMusicPlus
Look for the Silver Lining
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1122297 By Chet Baker. By …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1122297 By Chet Baker. By Jerome Kern and Buddy da Sylva. Arranged by Liz Garnett. A Cappella,Barbershop,Standards. Octavo. 5 pages. Liz Garnett #723455. Published by Liz Garnett (A0.1122297). The first chorus of Jerome Kern's classic is conceived to be delivered in a free-flowing, conversational ballad style. It’s chord choices cast the song in a yearny, poignant light; sung from the point of view of someone who is currently finding things hard. Looking for the silver lining as courageous moral effort rather than an act of easy optimism. It then moves into tempo to the place of joy that the lyric promises as its goal. Syncopation and interchange between the parts bring musical sparkle to express lightness of spirits. The tag returns to the original tempo and feel, revealing the joy to be a vision rather than reality, but one which provides hope: we’ll find it some day. This version of the arrangement was designed to be suitable for barbershop contest. It is notated in in treble and bass alta (i.e. sung an octave higher than written) clefs. Vocal Ranges: Tenor: F4 - F#5 Lead: A3 - D5 Bari: B3 - D5 Bass: D3 - f4.
$2.99
2.79 €
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Chorale SSAA
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Chet Baker
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Liz Garnett
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Look for the Silver Lining
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Liz Garnett
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SheetMusicPlus
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