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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Place To Be
Sheetmusicplus
Non classifié
1 054
Piano & claviers
Piano seul
279
Piano, Voix
186
Piano Facile
70
Piano, Voix et Guitare
49
2 Pianos, 4 mains
26
Instruments en Do
22
Orgue
20
Piano Trio: piano, violon, violoncelle
13
Piano grosses notes
11
Piano Quatuor: piano, violon, alto, violoncelle
6
1 Piano, 4 mains
5
Accompagnement Piano
4
Accordéon
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Ukulele
38
Guitare
35
Guitare notes et tablatures
35
Basse electrique
10
Piano, Guitare (duo)
3
Dulcimer
3
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
2
Paroles et Accords
2
4 Guitares (Quatuor)
1
Ensemble de Ukulélés
1
2 Dulcimers (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
229
Chorale 2 parties
28
Chorale 3 parties
24
Chorale TTBB
24
Chorale Unison
23
Voix duo, Piano
12
Voix Alto, Piano
9
Voix Soprano, Piano
8
Chorale SSAA
6
Voix duo
3
Voix Baryton, Piano
3
Voix haute
2
Chorale
1
Voix moyenne, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
Voix basse, Piano
1
Chorale SSAB a cappella
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
47
Clarinette et Piano
42
Hautbois, Piano (duo)
41
Saxophone Alto et Piano
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Saxophone Tenor et Piano
23
Ensemble de Clarinettes
22
Clarinette
22
Flûte traversière
20
Flûte, Hautbois, Clarinette, Basson
18
Saxophone Baryton, Piano
18
Quintette de Saxophone: 5 saxophones
16
3 Saxophones (trio)
15
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Soprano et Piano
14
Quatuor de Saxophones: 4 saxophones
14
Saxophone Alto
13
Ensemble de Flûtes
13
Hautbois (partie séparée)
12
Ensemble de saxophones
11
2 Clarinettes (duo)
11
2 Saxophones (duo)
10
Cor anglais, Piano
10
Saxophone (partie séparée)
10
Saxophone Tenor
9
2 Flûtes traversières (duo)
6
Clarinette Basse, Piano
6
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Hautbois, Clarinette (trio)
5
Saxophone Soprano
4
Flûte, Clarinette (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Flute, harpe et violon
3
Quintette de Flûte : 5 flûtes
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
Flûte, Violoncelle
3
Quatuor de Flûtes à bec
3
Clarinette, Guitare (duo)
2
Cor Anglais
2
Flûte à bec Alto
2
Ocarina
2
Saxophone Baryton
2
Flûte à bec Soprano
2
Flûte et Guitare
2
Hautbois
2
2 Flûte à bec (duo)
2
Flûte à Bec
1
Hautbois, Flûte
1
5 Flûtes à bec
1
Harmonica
1
3 Flûtes à bec (trio)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Piccolo, Piano
1
Ensemble à vent
1
Flûte, Violoncelle, Guitare
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trompette
34
Trombone et Piano
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trompette, Piano
26
Cor et Piano
23
Tuba et Piano
20
Trombone
19
Euphonium, Piano (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Tuba
13
Cor
11
Cor anglais, Piano
10
Ensemble de Trombones
8
Trompette, Trombone (duo)
5
2 Trompettes (duo)
4
Quatuor de cuivres: 4 trombones
3
Cor Anglais
2
Quatuor de Cuivres
2
Ensemble de Trompettes
2
3 Trompettes (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba et Orgue
2
Trombone basse et Piano
1
Trombone (partie séparée)
1
Trompette (partie séparée)
1
2 Cors (duo)
1
Ensemble de Cors
1
2 Trombones (duo)
1
Trombone, Violon (duo)
1
2 Tubas (duo)
1
Euphonium
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon et Piano
54
Violon
37
Violoncelle, Piano
30
Alto, Piano
29
Trio à Cordes: violon, alto, violoncelle
22
Violoncelle
20
Harpe
18
Contre Basse
13
Violon, Violoncelle (duo)
12
Alto seul
11
Contrebasse, Piano (duo)
11
2 Violons (duo)
10
Trio à Cordes: 2 violons, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Alto (duo)
5
2 Violoncelles (duo)
4
Alto, Violoncelle (duo)
3
Violon (partie séparée)
3
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
4 Violoncelles
2
Contrebasse (partie séparée)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Alto (partie séparée)
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
2 Violons, Piano
1
Harpe, Voix
1
Trio à cordes: 3 altos
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
140
Orchestre de chambre
88
Orchestre
60
Orchestre à Cordes
33
Batterie
32
Ensemble Jazz
32
Ensemble de cuivres
27
Cloches
26
Jazz combo
9
Ensemble de Percussions
5
Fanfare
3
Marimba
3
Vibraphone
3
Xylophone, Piano
2
Piano et Orchestre
1
Vibraphone et Marimba
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
A Place To Be
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
A Quiet Place
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Take 6
#
Julie Gaulke
#
A Quiet Place
#
Julie Gaulke
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.720273 By Take 6. By Ralph Carmichael. Arranged by Julie Gaulke. A Cappella,Contemporary,Jazz,Sacred. Octavo. 2 ...
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Choral Choir (SSAA) - Level 4 - SKU: A0.720273 By Take 6. By Ralph Carmichael. Arranged by Julie Gaulke. A Cappella,Contemporary,Jazz,Sacred. Octavo. 2 pages. Julie Gaulke #3684727. Published by Julie Gaulke (A0.720273). This SSAA voicing (scored in barbershop format) is based on the Take 6 version of A Quiet Place as penned by Mervyn Warren. This version takes the well-known and loved 6 part harmonies of Take 6 and condenses it down to 4 part treble voices. Although only half the range of the full mixed voice version of T6, this arrangement encompasses the chord progressions and tight harmonies we've come to know and love. Requires a keen ear for harmony, as there are some very tricky voice leadings. LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: http://www.juliegaulketracks.com/store/p36/Quiet_Place_%28arr._Julie_Gaulke%29.html See full performance video here: https://youtu.be/GEW1aJOPIBA
$2.99
Surely The Presence Of The Lord Is In This Place
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Lanny Wolfe
#
Susanna Lausevic
#
Surely The Presence Of The Lor
#
Susanna Lausevic
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.502672 Composed by Lanny Wolfe. Arranged by Susanna Lausevic. 20th Century,A Cappella,Praise & Worship,Sacred. O...
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Choral Choir (SSAA) - Level 3 - SKU: A0.502672 Composed by Lanny Wolfe. Arranged by Susanna Lausevic. 20th Century,A Cappella,Praise & Worship,Sacred. Octavo. 4 pages. Susanna Lausevic #115023. Published by Susanna Lausevic (A0.502672). All female voices. soloist could be low voice. soloist goes up to B. sop goes up to high F sharp. Lovely ending. shortened song. 1 verse only. check out my YOUTUBE channel for the audio version to this arrangement and subscribe for more songs at Susanna Lausevic.
$4.00
A Little Respect
#
Chorale SSAA
#
FACILE
#
Erasure
#
Rebecca (Boo) de Bruin
#
A Little Respect
#
Rebecca de Bruin
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,P...
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Choral Choir (SSAA) - Level 2 - SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
$1.99
It Must Be Love
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Madness
#
Liz Garnett
#
It Must Be Love
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Publi...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Published by Liz Garnett (A0.856211). This song was made famous for people of my generation by Madness, but those just a little older may remember the original version as sung by Labbi Siffre himself.This arrangement draws on the Madness version in the rhythmic feel of its riffs, but honours the song-writer's request to use all the correct lyrics (and I've highlighted the place where Madness don't so you can make sure to get it right too).N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal RangesTenor: E flat 4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F4www.HelpingYouHarmonise.com
$2.99
Look for the Silver Lining
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Chet Baker
#
Liz Garnett
#
Look for the Silver Lining
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1122297 By Chet Baker. By Jerome Kern and Buddy da Sylva. Arranged by Liz Garnett. A Cappella,Barbershop,Standar...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1122297 By Chet Baker. By Jerome Kern and Buddy da Sylva. Arranged by Liz Garnett. A Cappella,Barbershop,Standards. Octavo. 5 pages. Liz Garnett #723455. Published by Liz Garnett (A0.1122297). The first chorus of Jerome Kern's classic is conceived to be delivered in a free-flowing, conversational ballad style. It’s chord choices cast the song in a yearny, poignant light; sung from the point of view of someone who is currently finding things hard. Looking for the silver lining as courageous moral effort rather than an act of easy optimism. It then moves into tempo to the place of joy that the lyric promises as its goal. Syncopation and interchange between the parts bring musical sparkle to express lightness of spirits. The tag returns to the original tempo and feel, revealing the joy to be a vision rather than reality, but one which provides hope: we’ll find it some day. This version of the arrangement was designed to be suitable for barbershop contest. It is notated in in treble and bass alta (i.e. sung an octave higher than written) clefs. Vocal Ranges: Tenor: F4 - F#5 Lead: A3 - D5 Bari: B3 - D5 Bass: D3 - f4.
$2.99
The Longest Time
#
Chorale SSAA
#
Billy Joel
#
Brandon C Stanley
#
The Longest Time
#
Brandon C Stanley
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - SKU: A0.1407111 By Billy Joel. By Billy Joel. Arranged by Brandon C Stanley. 21st Century,A Cappella,Barbershop,Broadw...
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Choral Choir,Choral,SSAA Chorus - SKU: A0.1407111 By Billy Joel. By Billy Joel. Arranged by Brandon C Stanley. 21st Century,A Cappella,Barbershop,Broadway,Musical/Show,Rock. 15 pages. Brandon C Stanley #989780. Published by Brandon C Stanley (A0.1407111). In 1983 Billy Joel released his 9th studio album, “An Innocent Manâ€. This concept album pays tribute to the popular music of Joel’s teenage years in the 50’s and 60’s. Side One, Track #3 of that album is “The Longest Timeâ€, which pays homage to doo-wop groups such as The Teenagers. This song has become a time-less classic sung by barbershop quartets around the world.Duration: 4 minutesThis arrangement for beautyshop quartet matches the original piece in length. It has been transposed up to C Major to better suit a female ensemble. Note that if no bass guitar is present, the Bass 2 (opt.) part can be sung in it’s place.ARRANGEMENT:Tenor 1 (Soprano)Tenor 2 (Soprano)LEAD (Soloist)Baritone (Alto)Bass (Alto)Bass 2 (optional) (Alto)Bass GuitarWHAT IS INCLUDED:Score (in C)ChoirBass Guitar**Note that the recording is a barbershop quartet (male) that has been pitched up to the key of C Major. A beautyshop quartet will most certaintly not sound like this in timbre.Â
$1.99
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A Place To Be
