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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Non classifié
367
PIANO & CLAVIERS
Piano seul
437
Piano, Voix
160
Piano Facile
71
Orgue
24
Piano, Voix et Guitare
24
Accordéon
12
Instruments en Do
10
1 Piano, 4 mains
8
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
6
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5
Orgue, Trompette (duo)
3
2 Pianos, 4 mains
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1
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1
Orgue, Piano (duo)
1
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GUITARES
Guitare
64
Guitare notes et tablatures
50
Ukulele
7
2 Guitares (duo)
6
Basse electrique
3
Paroles et Accords
2
Guitare (partie séparée)
2
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
51
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25
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18
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11
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8
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6
Voix moyenne, Piano
3
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2
Voix Soprano, Piano
2
Voix basse
1
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Voix duo
1
Voix Alto, Piano
1
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73
Clarinette
72
Hautbois, Piano (duo)
47
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38
Flûte traversière
35
Saxophone
22
2 Saxophones (duo)
22
2 Flûtes traversières (duo)
22
Quatuor de Saxophones: 4 saxophones
20
2 Clarinettes (duo)
19
Saxophone Alto
17
Clarinette et Piano
17
Saxophone Alto et Piano
17
Quatuor de Clarinettes: 4 clarinettes
14
Flûte, Hautbois, Clarinette, Basson
11
Flûte, Clarinette (duo)
10
Saxophone (partie séparée)
10
Saxophone Tenor
10
Quatuor de Flûtes : 4 flûtes
9
Cor anglais, Piano
8
Trio de Flûtes: 3 flûtes
8
Saxophone Tenor et Piano
8
3 Saxophones (trio)
7
Flûte à Bec
6
Quintette de Saxophone: 5 saxophones
5
3 Clarinettes (trio)
5
Ensemble de Flûtes
5
Hautbois
4
Flûte irlandaise
4
2 Flûte à bec (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte et Guitare
3
Saxophone, Clarinette (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Basson (duo)
3
Ensemble de Clarinettes
3
Quatuor de Flûtes à bec
3
Flute, harpe et violon
3
2 Saxophones, Piano
3
Clarinette, Guitare (duo)
3
Ensemble de saxophones
3
Saxophone Baryton, Piano
3
Harmonica
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Violoncelle
2
Flûte, Violon
2
Flûte, Saxophone (duo)
2
Hautbois, Basson (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Trompette (duo)
2
Clarinette, Violoncelle (duo)
2
Clarinette, Violon (duo)
2
Saxophone Soprano et Piano
2
Flûte à bec Soprano
2
Flûte, Clarinette, Piano (trio)
1
Saxophone Soprano
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Harpe
1
Hautbois, Flûte
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Piano
1
Ensemble de Hautbois
1
Cor anglais et Harpe (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
Flûte et Trio à cordes
1
Clarinette et Alto
1
Flûte à bec Alto, Piano
1
Flûte, Harpe et Violoncelle
1
Flûte, Basson et Piano
1
3 Flûtes à bec (trio)
1
2 Hautbois (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette Basse, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Clarinette (duo)
1
Flûte, Violoncelle
1
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CUIVRES
Trompette
63
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trompette, Piano
20
Cor et Piano
17
Trombone
15
Trombone et Piano
12
Cor anglais, Piano
8
Cor
7
2 Trombones (duo)
7
Trombone (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
2 Trompettes (duo)
6
Trompette (partie séparée)
5
Tuba
5
Euphonium, Piano (duo)
5
Tuba et Piano
5
2 Cors (duo)
4
Trompette, Trombone (duo)
4
Trompette, Trombone, Piano
3
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
Euphonium
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais et Harpe (duo)
1
Quatuor de Cuivres
1
3 Cors (trio)
1
3 Trombones (trio)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Cors
1
2 Tubas (duo)
1
Ensemble de Trompettes
1
Trompette, Cor (duo)
1
Instrumentations suivantes
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CORDES
Violon et Piano
105
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon
42
Harpe
35
Violoncelle, Piano
30
Alto, Piano
22
Violoncelle
18
2 Violons (duo)
18
Alto seul
16
Violoncelle (partie séparée)
11
Violon, Violoncelle (duo)
11
Trio à Cordes: violon, alto, violoncelle
9
Violon, Alto (duo)
8
2 Violoncelles (duo)
7
2 Altos (duo)
6
Harpe, Flûte (duo)
5
Alto, Violoncelle (duo)
4
Violon (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes
3
2 Harpes (duo)
3
Contre Basse
3
Trio à Cordes: 3 violoncelles
3
Alto (partie séparée)
3
Trio à cordes: 3 violins
2
Contrebasse, Piano (duo)
2
Violoncelle, Contrebasse (duo)
2
Violon, Guitare (duo)
2
2 Violoncelles, Piano
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
1
Violoncelle, Orchestre
1
Ensemble d'Altos
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Violon (duo)
1
Violon, Basse continue
1
2 Altos, Piano
1
Harpe, Voix
1
Quatuor à cordes : 4 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1035
Orchestre
39
Orchestre à Cordes
39
Orchestre de chambre
20
Ensemble de cuivres
14
Ensemble Jazz
14
Cloches
9
Jazz combo
4
Batterie
3
Ensemble de Percussions
2
Fanfare
1
Batterie (partie séparée)
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
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Air in D
Chorale SSAA
Partitions à imprimer
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Fair Fisher Lad Of Whitby SSAA
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.983532 Composed by Alec D.…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.983532 Composed by Alec D. Jackson. Arranged by Alec D Jackson. Folk. Octavo. 7 pages. Alec D. Jackson #4737055. Published by Alec D. Jackson (A0.983532). It's simple tune betrays this exercise in sustained singing hat needs to create a calm sea of sound on which the melody can float as if sung by spirits or a memory.
$2.00
1.84 €
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Chorale SSAA
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Alec D
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Alec D Jackson
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Fair Fisher Lad Of Whitby SSAA
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Alec D. Jackson
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SheetMusicPlus
AMITIE
Chorale SSAA
Choral Choir (SSAA) - Digital Download SKU: A0.993444 Composed by Olivier Costa. Co…
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Choral Choir (SSAA) - Digital Download SKU: A0.993444 Composed by Olivier Costa. Contemporary. Octavo. 18 pages. OLIVIER COSTA #6671651. Published by OLIVIER COSTA (A0.993444). « AMITIÉ » is a composition of about six minutes long for a women's choir (SSAA). It can also be performed by a male choir (TTBB), in this case the singers must read in octabassa treble clef. This piece sets to music a selection of poems based on friendship, taken from the collection Le Bestiaire ou Cortège d´Orphée by Guillaume Apollinaire. We will hear The cat, The peacock, The owl and The ox. The bond of friendship is symbolized here by an element of percussion: the friction of a metal chain, played by the members of the choir from the beginning to the end of the piece. This implies that the choir must use a stand or sing in pairs, one holding the sheet music and the other playing the string. This work explores different vocal techniques: singing, sliding, timbre play, murmuring, rhythmic speaking, declaiming and shouting. These different modes of vocal play are combined with different compositional techniques such as polyrhythm, homorhythmia, rhythmic irregularity, counterpoint, opposition and layering of sound planes. FRIENDSHIP is the second part of a cycle devoted to the work of Apollinaire.
$5.00
4.61 €
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Chorale SSAA
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Olivier Costa
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AMITIE
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OLIVIER COSTA
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SheetMusicPlus
That's When The Music Takes Me
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
$1.99
1.83 €
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Chorale SSAA
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Neil Sedaka
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Rebecca (Boo) de Bruin
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That's When The Music Takes Me
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Rebecca de Bruin
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SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.68 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Build Me Up, Buttercup
Chorale SSAA
Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1440294 By The…
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Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1440294 By The Foundations. By Michael D'Abo and Tony MacAuley. Arranged by Julia Holmber. A Cappella,Comedy,Pop,R & B,Soul. 5 pages. Julia Holmber #1020244. Published by Julia Holmber (A0.1440294). Transport your audience to the iconic sounds of the 1960s with this one-of-a-kind, world's first female a cappella arrangement of Build Me Up, Buttercup - exclusively tailored for women's voices.Whether you're seeking fresh repertoire for competitions, concerts, or just crackling vocal warmups, this digital vocal score is a must-have addition to your a cappella sheet music collection.From the upbeat opening riffs to the unbelievably tight harmonic weaving, every element embraces the quintessential 60s girl-group vibe. But this is no ordinary oldies cover - luxuriate in brand new lyrics seamlessly adapted for female singers.Combining vintage flair with a distinctly modern feminist twist, the arrangement spins the original's playful romantic banter into an empowering celebration of friendship and self-worth. You'll be utterly captivated by the interplay of soaring sopranos, rich altos, and every part in between.Each measure brims with infectious energy and unbridled joie de vivre. The call-and-response sections will have your choir bubbling with banter, while the retro-draped chord progressions set toes tapping. Prepare for nostalgic bliss!Don't miss your chance to buy this premium-quality digital vocal arrangement crafted by a true master of a cappella artistry. Secure your copy now of the world's first '60s pop hit Build Me Up, Buttercup reimagined for the modern women's choir!
$3.50
3.23 €
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Chorale SSAA
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The Foundations
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Julia Holmber
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Build Me Up, Buttercup
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Julia Holmber
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SheetMusicPlus
Badinerie
Chorale SSAA
Choral Choir,Choral,SSAA Chorus - Level 5 - Digital Download SKU: A0.1440320 Compos…
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Choral Choir,Choral,SSAA Chorus - Level 5 - Digital Download SKU: A0.1440320 Composed by Johann Sebastian Bach. Arranged by Julia Holmber. A Cappella,Baroque,Chamber,Classical,Comedy. 4 pages. Julia Holmber #1020276. Published by Julia Holmber (A0.1440320). Bach's effervescent Badinerie from Orchestral Suite No. 2 has been expertly adapted for women's choir in this distinctive a cappella arrangement.Transposed to the welcoming key of D minor to better suit female vocal ranges, this digital vocal score allows your singers to savor every ounce of the original's famous flair and wit. Bach's exuberant lines have been carefully re-voiced with the utmost attention to detail.Yet this transcription is no mere vocal reduction - the full verve and merriment of Bach's orchestral tour de force is gloriously preserved. The pristine effectiveness of the original's humor and cheekiness is captured through judicious voicings that allow the music's inherent spirit to shine.A classic addition to your advanced women's choir's repertoire, this a cappella arrangement of the cherished Badinerie will challenge your singers while delighting them with its sheer joie de vivre.Secure your copy of this distinctive vocal arrangement today and thrill your audiences with a unique perspective on one of Bach's most beloved humoristic masterpieces!
$3.50
3.23 €
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Chorale SSAA
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Johann Sebastian Bach
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Julia Holmber
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Badinerie
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Julia Holmber
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SheetMusicPlus
The Tide Is High
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.762507 By Blondie. By Howa…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.762507 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 6 pages. Rowena Harper #6341467. Published by Rowena Harper (A0.762507). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com
$3.00
2.77 €
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Chorale SSAA
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Blondie
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Rowena Harper
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The Tide Is High
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Rowena Harper
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SheetMusicPlus
The Tide Is High
Chorale SSAA
Voice (SSAA) - Level 4 - Digital Download SKU: A0.762506 By Blondie. By Howard Barr…
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Voice (SSAA) - Level 4 - Digital Download SKU: A0.762506 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 6 pages. Rowena Harper #6341465. Published by Rowena Harper (A0.762506). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com
$15.95
14.7 €
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Chorale SSAA
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Blondie
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Rowena Harper
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The Tide Is High
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Rowena Harper
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SheetMusicPlus
Candy Cane Lane
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1313694 By Sia. By …
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1313694 By Sia. By Greg Kurstin and Sia. Arranged by Gabriel Lawson. 21st Century,Christmas,Pop. 19 pages. Gabriel Lawson #902420. Published by Gabriel Lawson (A0.1313694). “Candy Cane Lane†is the second track on the album Everyday Is Christmas by Sia. Amazingly fun, nostalgic, bright, upbeat song. Arranged for four-part Treble Chorus (SSAA) and piano accompaniment with the melody in the Alto 1, Alto 2, and Soprano 2 parts. Includes the rhythm for the Sleigh Bells, and suggestions for snapping and clapping.Original key.Difficulty 6/10. *Soprano 1 and 2 ranges are not very high, but there are very few rests and it is a fairly long song.Soprano 1 D#4-F#5.Soprano 2 B3-C#5.Alto 1 A3-B4.Alto 2 G3-G#4.
$1.99
1.83 €
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Chorale SSAA
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Sia
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Gabriel Lawson
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Candy Cane Lane
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Gabriel Lawson
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SheetMusicPlus
Make Your Own Kind Of Music
Chorale SSAA
Choir, SSAA (TLbB) - Early Intermediate - Digital Download By Mama Cass Elliot / Paloma …
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Choir, SSAA (TLbB) - Early Intermediate - Digital Download By Mama Cass Elliot / Paloma Faith. Arranged by LABBS Music Category. Sheet Music Single. 6 pages. Published by LABBS - Ladies Association of British Barbershop Singers (
An uplifting song arranged by members of the LABBS Music Judging Category in 4 part close harmony for women's voicings, in the barbershop style (internal melody). Sticking fairly close to the original, the arrangement features solos of each voicepart on the melody, and rousing homophonic choruses. The standard tag builds to a satisfying climax, with an optional extended tag that sends it through the roof! The arrangement is suitable for most female barbershop choruses and quartets as a fun, fairly quick learn for performance repertoire. Each voicepart is well within the standard barbershop ranges of most arrangements (Basses: low E, one low D has an alternate note offered). Note: if you are unfamiliar with the scoring of female barbershop music, be aware the bass clef should be sung an octave higher than written, as designated by the 8 above the clef. This arrangement is not suitable for use in barbershop contests. This song and arrangement would also be a great choice for other genres of female choirs and a cappella quartets or ensembles, including high school / college / secondary school choirs wanting to try the barbershop style. It is a fun and modern song containing a strong and poignant message about not bending to peer pressure and being your own person and remaining true to yourself. Learning tracks available separately from www.hbteachtracks.co.uk www.labbs.org.uk https://www.facebook.com/SingLABBS/
$2.49
2.3 €
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Chorale SSAA
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Mama Cass Elliot / Paloma Faith
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LABBS Music Category
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Make Your Own Kind Of Music
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LABBS - Ladies Association of British Barbershop Singers
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SheetMusicPlus
Feeling Good - SSAA a capella (unaccompanied) women's choir
Chorale SSAA
By Michael Buble. Arranged by Dorothy Horn. Score. 12 pages. Published by Dorothy Horn
By Michael Buble. Arranged by Dorothy Horn. Score. 12 pages. Published by Dorothy Horn
This a cappella (SSAA) arrangement of Feeling Good will be accessible by any community or school choir. There is a short passage where Alto 1 divides into 2 parts. The melody is shared between all the parts, making it a great sing for all! The song begins in C minor and moves up into D minor, and again into E minor, leading to a rousing and dramatic ending. There is a separate version available with the main melody extracted for a soloist, i.e. Solo SSAA (and lead sheet for optional accompaniment). The soloist would carry the tune all the way through, with choir playing an accompanying role. Dorothy Horn is an arranger who lives in Sydney and whose arrangements are designed to be singable by community choirs whose members usually include people with varying musical backgrounds. Dorothy aims to keep her arrangements simple, singable, fairly easy to memorize, within comfortable singing range, while still conveying the beauty and feel of the song. https://www.musicforchoir.com/store/and#65279; https://youtu.be/owFg_xfbvuU
$3.99
3.68 €
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Chorale SSAA
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Michael Buble
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Dorothy Horn
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Feeling Good - SSAA a capella
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Dorothy Horn
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SheetMusicPlus
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