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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All Is Found
Non classifié
1 504
Piano & claviers
Piano seul
715
Piano Facile
124
Piano, Voix
118
Piano, Voix et Guitare
74
Orgue
56
Accompagnement Piano
53
Instruments en Do
38
Accordéon
37
Piano grosses notes
18
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
7
1 Piano, 4 mains
7
Clavecin
3
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
+ 13 instrumentations
Retracter
Guitares
Guitare
82
Guitare notes et tablatures
67
Dulcimer
24
Ukulele
17
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
7
Mandoline
4
Banjo
3
4 Guitares (Quatuor)
3
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
Ensemble de guitares
1
2 Guitares (duo)
1
3 Guitares (trio)
1
Paroles et Accords
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
311
Chorale 3 parties
70
Chorale 2 parties
64
Chorale TTBB
49
Voix Tenor
32
Voix Alto, Piano
30
Chorale SSAA
30
Voix Soprano
24
Chorale Unison
22
Voix Baryton, Piano
20
Voix Tenor, Piano
17
Pack Instrumental pour Chorale
12
Voix Soprano, Piano
9
Voix haute
8
Voix duo
6
Voix duo, Piano
6
Voix seule
5
Chorale SSAATTBB
3
Voix moyenne, Piano
2
Chorale SSATTB
2
Chorale
2
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
104
2 Clarinettes (duo)
72
Flûte traversière et Piano
70
Quatuor de Saxophones: 4 saxophones
68
2 Flûtes traversières (duo)
64
Hautbois, Piano (duo)
56
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Quatuor de Clarinettes: 4 clarinettes
44
2 Flûte à bec (duo)
44
Clarinette et Piano
42
Saxophone, Clarinette (duo)
41
Clarinette
34
3 Clarinettes (trio)
34
Saxophone Alto
32
Flûte, Hautbois, Clarinette, Basson
30
Clarinette, Violon (duo)
29
Flûte traversière
28
Clarinette, Trompette (duo)
27
Quintette de Saxophone: 5 saxophones
27
Saxophone Alto et Piano
24
2 Hautbois (duo)
21
Hautbois (partie séparée)
21
Flûte, Clarinette (duo)
18
Quatuor de Flûtes : 4 flûtes
15
Saxophone Tenor
15
Flûte, Saxophone (duo)
14
Flûte, Violon
14
Saxophone Tenor et Piano
14
Hautbois, Basson (duo)
14
Clarinette et Alto
14
Hautbois, Clarinette (duo)
14
Ensemble de Flûtes
14
Hautbois, Flûte
13
Flûte, Alto (duo)
13
Flûte, Trompette (duo)
12
Saxophone Soprano et Piano
11
Ensemble de Clarinettes
11
Saxophone Baryton, Piano
9
Clarinette, Trombone (duo)
9
Flûte et Guitare
8
Clarinette Basse, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Hautbois
6
Quatuor de Flûtes à bec
6
Cor anglais, Piano
6
Clarinette, Guitare (duo)
6
5 Flûtes à bec
5
3 Saxophones (trio)
5
Quintette de Flûte : 5 flûtes
4
Saxophone (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Violon, Violoncelle et Piano
3
Saxophone Soprano
2
Hautbois, Guitare (duo)
2
Cor anglais, Guitare (duo)
2
Flûte à bec Soprano
2
Saxophone Baryton
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble de saxophones
2
Clarinette, Basson (duo)
2
Clarinette (partie séparée)
1
Flûte à bec Alto
1
Saxophone et Guitare
1
Flûte, Violon et Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à Bec
1
Flute, harpe et violon
1
Flûte, Violoncelle
1
Harmonica
1
Saxophone
1
Saxophone et Orgue
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Piano (trio)
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Quatuor de Cuivres
46
2 Trompettes (duo)
34
Trombone et Piano
34
2 Trombones (duo)
33
Trompette
32
Trompette, Saxophone (duo)
28
Trompette, Piano
27
Cor et Piano
25
Trombone
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trompette, Trombone (duo)
17
Cor
17
Tuba et Piano
14
Tuba
11
2 Euphoniums (duo)
10
2 Cors (duo)
6
Trombone (partie séparée)
6
Quatuor de cuivres: 4 trombones
6
Cor anglais, Piano
6
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 cors
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette (partie séparée)
5
Ensemble de Trompettes
4
Ensemble de Trombones
3
Cor anglais, Guitare (duo)
2
2 Tubas (duo)
2
3 Trombones (trio)
1
Bass Clef Instruments
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
4 Tubas
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
109
Violoncelle, Piano
58
Violoncelle
51
Violon
45
Violon, Violoncelle (duo)
32
Harpe
28
2 Violons (duo)
28
2 Violoncelles (duo)
26
Alto, Piano
26
Alto seul
26
Violon, Alto (duo)
24
2 Altos (duo)
19
Trio à Cordes: violon, alto, violoncelle
9
Contrebasse, Piano (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
Contre Basse
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto (partie séparée)
6
Violon (partie séparée)
5
Alto, Violoncelle (duo)
4
2 Violons, Piano
3
4 Violoncelles
3
2 Contrebasses (duo)
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
Harpe, Voix
2
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
Alto et Harpe
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Trio à cordes: 3 violins
1
Violoncelle, Orgue
1
Trio à Cordes: 3 violoncelles
1
Harpe, Trombone (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
278
Orchestre à Cordes
92
Orchestre
79
Jazz combo
51
Ensemble Jazz
45
Ensemble de cuivres
34
Orchestre de chambre
30
Cloches
17
Ensemble de Percussions
10
Ensemble d'École
5
Marimba
4
Batterie
4
Vibraphone
2
Fanfare
2
Xylophone, Piano
1
Piano et Orchestre
1
Xylophone
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Librairie Musicale
Matériel de musique
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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Vous avez sélectionné:
All Is Found
Chorale SSAA
Partitions à imprimer
30 partitions trouvées
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1
26
Now That I Found You
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Diane Warren and Michael Bolto
#
Larry Wright
#
contestable-HI/not SAI
#
Now That I Found You
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853822 Composed by Diane Warren and Michael Bolton. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 7 p...
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Choral Choir (SSAA) - Level 3 - SKU: A0.853822 Composed by Diane Warren and Michael Bolton. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 7 pages. Larry Wright #4631865. Published by Larry Wright (A0.853822). A WOMEN'S 4-part, a cappella, barbershop ballad arrangement of a great pop song originally recorded by Michael Bolton; contestable-HI/not SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the excellent part-predominant vocal Learning Trax available from my website store <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website store (using the COMBO list,... which gets you a second combo FREE!!!)... and the per-copy price on the SMP website store is anything but $1.89, email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections; Sorry quartets!
$15.00
Saving All My Love For You
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Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Whitney Houston
#
Paul K Heatley
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Saving All My Love For You
#
Paul K Heatley
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.546820 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Paul K Heatley. 20th Century,A Cappel...
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Choral Choir (SSAA) - Level 4 - SKU: A0.546820 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Paul K Heatley. 20th Century,A Cappella,Jazz,Pop. Octavo. 6 pages. Paul K Heatley #156755. Published by Paul K Heatley (A0.546820). Whitney Houston's first smash hit from 1985 is arranged here for a quartet of female voices by Paul Heatley, founder of London-based acapella pop choir Kitsch in Sync. Serious pipes are required for the lead vocal, while the supporting parts add soul to this sultry arrangement, emphasizing the bittersweet lyrics - in true Heatley style, each part gets plenty of actual words to sing. Amateur ensembles may find this a challenge to learn, but the effort will be well worth it!
$2.00
All Is Found
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Chorale SSAA
#
INTERMÉDIAIRE
#
Kristen Anderson-Lopez and Rob
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Fran Carter
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All Is Found
#
fran Carter
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.836094 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Fran Carter. A Cappella. Octavo. 8 pages...
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Choral Choir (SSAA) - Level 3 - SKU: A0.836094 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Fran Carter. A Cappella. Octavo. 8 pages. Fran Carter #6493023. Published by fran Carter (A0.836094). Beautiful and haunting lullaby sung by the mother in Frozen II, for treble voices. Based on the Kacey Musgraves version, melody in the second soprano line. For 4 or more voices.
$1.99
All Is Found
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Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Kristen Anderson-Lopez and Rob
#
Simon Arnott
#
All Is Found
#
Simon Arnott
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1295193 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Simon Arnott. A Cappella,Film/TV...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1295193 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Simon Arnott. A Cappella,Film/TV. 4 pages. Simon Arnott #885513. Published by Simon Arnott (A0.1295193). SSAAAA Choir.
$1.99
All Is Found (Frozen 2) - SATB a-cappella
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Chorale SSAA
#
INTERMÉDIAIRE
#
Film Walt Disney
#
Ruben Federizon
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All Is Found
#
A Major Music Publishing
#
SheetMusicPlus
Choir, SSAA - Intermediate - By By Kristen Anderson-Lopez and Robert Lopez. Arranged by Ruben Federizon. Score. 8 pages. Published by A Major Music ...
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Choir, SSAA - Intermediate - By By Kristen Anderson-Lopez and Robert Lopez. Arranged by Ruben Federizon. Score. 8 pages. Published by A Major Music Publishing
$1.99
My Heart Will Go On (Love Theme from Titanic)
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Chorale SSAA
#
FACILE
#
Film/TV
#
Deja Vu
#
Chris Arnold
#
My Heart Will Go On
#
Chris Arnold
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.874616 By Deja Vu. By James Horner. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #428...
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Choral Choir (SSAA) - Level 2 - SKU: A0.874616 By Deja Vu. By James Horner. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #4283663. Published by Chris Arnold (A0.874616). Haunting ballad made famous by Celine Dion, this arrangement is elegant in its simplicity.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.This arrangement would also be suitable for SSAA high-school/college ensembles; alternate notes have been included for younger voices.$1.99 US per copy, suitable for choruses and choirs. For quartets, look for the same title available under small ensembles.Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.
$1.99
Stand By Me
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Chorale SSAA
#
FACILE
#
Ben E
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Chris Arnold
#
Stand By Me
#
Chris Arnold
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.874609 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Chris Arnold. A Cappella,Soul...
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Choral Choir (SSAA) - Level 2 - SKU: A0.874609 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Chris Arnold. A Cappella,Soul. Octavo. 8 pages. Chris Arnold #4283041. Published by Chris Arnold (A0.874609). This classic song recorded by Ben E. King has been arranged with a strong doo-wop flavour.Written for women's barbershop ensemble, it uses four parts plus lead solo. All parts other than the solo are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.This arrangement would be suitable for high-school jazz ensembles.$1.99 US per copy, suitable for choruses and choirs. For quintets, look for the same title available under small ensembles.
$1.99
In Excelsis Gloria
#
Chorale SSAA
#
Noël
#
Christopher Aspaas
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Vom Himmel Hoch
#
In Excelsis Gloria
#
Aspen Hill Music - Digital
#
SheetMusicPlus
SSAA choir and piano - Moderately Difficult - SKU: MQ.AHM-22-E Composed by Christopher Aspaas. Christmas. Instrument part. 16 pages. Aspen Hill Music - ...
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SSAA choir and piano - Moderately Difficult - SKU: MQ.AHM-22-E Composed by Christopher Aspaas. Christmas. Instrument part. 16 pages. Aspen Hill Music - Digital #AHM-22-E. Published by Aspen Hill Music - Digital (MQ.AHM-22-E). English.This setting of ‘Twas in the Moon of Wintertime was created for the Manitou Singers of St. Olaf College and their conductor, Dr. Therees Tkach Hibbard. I was asked to re-arrange my SATB setting of the same tune and text (published by earthsongs) but could not come up with a workable solution. Instead, I started over with a setting for accompanied treble choir and viola knowing the skill and musicianship of violist Dr. Charles Gray, Professor of Music (Viola, Violin, String Literature and Pedagogy). Three tunes are incorporated in this arrangement: Une Jeune Pucelle; Vom Himmel Hoch; and, Veni, Emmanuel. The first tune, Une Jeune Pucelle, is the ‘Twas in the Moon of Wintertime melody, and first appears in fragments within the opening viola solo. The second theme, Vom Himmel Hoch, is found in the viola part in measure 30, and implies the text, “From heaven above to earth I come To bear good news to every home; Glad tidings of great joy I bring, Whereof I now will say and sing...†which matches the unfolding drama of the ‘Twas in the Moon story. The third tune, Veni, Emmanuel, comes in response to the viola solo with the interjection: “Rejoice, rejoice, Emmanuel, shall come to you, O Israel.â€.
$2.85
My Heart Will Go On (Love Theme from Titanic)
#
Chorale SSAA
#
FACILE
#
Film/TV
#
Deja Vu
#
Chris Arnold
#
My Heart Will Go On
#
Chris Arnold
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.874601 By Deja Vu. By James Horner. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #347...
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Choral Choir (SSAA) - Level 2 - SKU: A0.874601 By Deja Vu. By James Horner. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #3478501. Published by Chris Arnold (A0.874601). Haunting ballad made famous by Celine Dion, this arrangement is elegant in its simplicity.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.This arrangement would also be suitable for SSAA high-school/college ensembles; alternate notes have been included for younger voices.$12.99 US price includes 4 copies per purchase, suitable for quartets. For choruses, look for the same title available under choral ensembles.Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.
$12.99
You Don't Bring Me Flowers
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Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Neil Diamond & Barbra Streisan
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Chris Arnold
#
You Don't Bring Me Flowers
#
Chris Arnold
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.874658 By Neil Diamond & Barbra Streisand. By Neil Diamond. Arranged by Chris Arnold. A Cappella. Octavo. 4 page...
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Choral Choir (SSAA) - Level 4 - SKU: A0.874658 By Neil Diamond & Barbra Streisand. By Neil Diamond. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4288843. Published by Chris Arnold (A0.874658). Beautiful, heart-crushing ballad sung by Barbra Streisand.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.
$1.99
You Don't Bring Me Flowers
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Neil Diamond & Barbra Streisan
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Chris Arnold
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You Don't Bring Me Flowers
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Chris Arnold
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.874657 By Neil Diamond & Barbra Streisand. By Neil Diamond. Arranged by Chris Arnold. A Cappella. Octavo. 4 page...
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Choral Choir (SSAA) - Level 4 - SKU: A0.874657 By Neil Diamond & Barbra Streisand. By Neil Diamond. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4288841. Published by Chris Arnold (A0.874657). Beautiful, heart-crushing ballad sung by Barbra Streisand.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.
$12.99
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
True Colors
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Chorale SSAA
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INTERMÉDIAIRE
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Phil Collins
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Chris Arnold
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True Colors
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Chris Arnold
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.874666 By Phil Collins. By Billy Steinberg and Tom Kelly. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pa...
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Choral Choir (SSAA) - Level 3 - SKU: A0.874666 By Phil Collins. By Billy Steinberg and Tom Kelly. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #4317453. Published by Chris Arnold (A0.874666). Classic 80's hit by Cyndi Lauper, this song is perfect for youth ensembles.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff. This arrangement would also be suitable for SSAA high-school/college ensembles.$1.99 US per copy, suitable for choruses and choirs. For quartets, look for the same title available under small ensembles.
$1.99
A Kiss To Build A Dream On
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Chorale SSAA
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INTERMÉDIAIRE
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Bert Kalmar, Harry Ruby, and O
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Chris Arnold
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A Kiss To Build A Dream On
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Chris Arnold
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1099570 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Chris Arnold. A Cappella,Barbers...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1099570 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Chris Arnold. A Cappella,Barbershop,Film/TV,Jazz,Standards. Octavo. 5 pages. Chris Arnold #703459. Published by Chris Arnold (A0.1099570). Featured in the classic movie Sleepless In Seattle, this is arranged to bring Louis Armstrong's incomparable style to women's a cappella. Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff. This arrangement would also be suitable for SSAA high-school/college ensembles. $1.99 US per copy, suitable for choruses and choirs. For quartets, look for the same title available under small ensembles. Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.
$1.99
She Works Hard For No Money
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Donna Summer and Michael Omart
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Kathleen McGuire
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She Works Hard For No Money
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Kathleen McGuire
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1168471 Composed by Donna Summer and Michael Omartian. Arranged by Kathleen McGuire. Disco,Pop. Octavo. 11 pages...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1168471 Composed by Donna Summer and Michael Omartian. Arranged by Kathleen McGuire. Disco,Pop. Octavo. 11 pages. Kathleen McGuire #768805. Published by Kathleen McGuire (A0.1168471). ***40th ANNIVERSARY***A Donna Summer hit from post-disco / new wave era (1983), She Works Hard for the Money is more than a fun pop piece. The song tells a story of a hard-working blue-collar woman, based on inspiration Summer found after the 25th Annual Grammy Awards ceremony (23 Feb 1983) when she attended an after-party. She encountered a restroom attendant named Onetta Johnson (whose name is mentioned in the song) whom she found sound asleep - despite a blaring TV - exhausted from working long hours. Summer related the story in an interview: I looked at her and my heart just filled up with compassion for this lady, and I thought to myself: God, she works hard for the money, cooped up in this stinky little room all night. Then I thought about it, and I said, She works hard for the money... She works hard for the money...This is it! This is it! I know this is it! The arrangement opens with an a cappella introduction in full harmony. The melody moves between the altos and sopranos, with each part otherwise providing rhythmic support (echoing the instrumental accompaniment). The sopranos divide into 3 parts occasionally, allowing some high voices (A-flat) to shine. There are no solos in this arrangement -- your women all have opportunity to sing this powerful, true story that serves more broadly as an allegory for women's rights and socioeconomic hardship. The arrangement is a show-stopper, bound to get audiences clapping and even up out of their seats! Set of band parts & full conductor's score available separately: Trumpet, Tenor Sax, Synth, Electric Guitar, Bass Guitar, Drum Set.
$1.99
Imagine
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Chorale SSAA
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INTERMÉDIAIRE
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John Lennon And The Plastic On
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Chris Arnold
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Imagine
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Chris Arnold
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.874615 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Chris Arnold. A Cappella,Rock. Octav...
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Choral Choir (SSAA) - Level 3 - SKU: A0.874615 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Chris Arnold. A Cappella,Rock. Octavo. 4 pages. Chris Arnold #4285525. Published by Chris Arnold (A0.874615). Famous song by John Lennon with his vision of world peace.Written for women's barbershop ensemble, it features the bass part on melody. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.This arrangement would also be suitable for SSAA high-school/college jazz ensembles.$1.99 US per copy, suitable for choruses and choirs. For quartets, look for the same title available under small ensembles.Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.
$1.99
What Was I Made For?
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Chorale SSAA
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FACILE
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Pop musique
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Billie Eilish
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Dylan Tran
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What Was I Made For?
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Dylan Trần
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cap...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.
$6.00
The Good-Morrow
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Chorale SSAA
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INTERMÉDIAIRE
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Howard Goodall
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The Good-Morrow
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SSAA choir and piano - Medium - SKU: MQ.56-0117-E Composed by Howard Goodall. 9 pages. MorningStar Music Publishers - Digital Sheet Music #56-0117-E. Pu...
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SSAA choir and piano - Medium - SKU: MQ.56-0117-E Composed by Howard Goodall. 9 pages. MorningStar Music Publishers - Digital Sheet Music #56-0117-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0117-E). English.Composed in 2000 for the highly regarded Cantamus Girls’ Choir and their founder, Pamela Cook, The Good-Morrow is Howard Goodall’s stunning setting of the John Dunne poem, for upper voices and piano. The universal themes of love, compassion, and togetherness are echoed in the music, a reflective and uplifting choral work ideal for concert performance.
$3.15
Spem in alium
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Chorale SSAA
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AVANCÉ
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Pascal Martine
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Spem in alium
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Schott Music - Digital
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SheetMusicPlus
Female choir (SSAA) a cappella - advanced - SKU: S9.Q46577 Composed by Pascal Martine. This edition: choral score. Schott Choral Music. Downloadable, Ch...
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Female choir (SSAA) a cappella - advanced - SKU: S9.Q46577 Composed by Pascal Martine. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3:30. Schott Music - Digital #Q46577. Published by Schott Music - Digital (S9.Q46577). Latin.Pascal Martiné is a much sought-after choral composer, both at home and abroad. The fact that the founder and director of the women's choir 'Luna' from Mainz has developed a special interest in the pure sound of a female choir, is proven by his sacred choral work Spem in alium for a cappella women's choir (SSAA) which is well worth listening to. In just 71 bars he creates an atmospherically dense musical tapestry in which the hope of divine grace is given sincere expression. This church music gem whose Latin text comes from the apocryphal Book of Judith and which is divided in two parts as responsory, is easy to study and rehearse for ambitious amateur choirs. A four- or eight-part women's choir is optional for a total of seven bars.Pascal Martiné, founder of the women's choir 'Luna' from Mainz, creates with Spem in alium an atmospherically dense musical tapestry in which the hope of divine grace is given sincere expression. This church music gem for a cappella women's choir (SSAA) whose Latin text comes from the apocryphal Book of Judith and which is divided in two parts as responsory, is easy to study and rehearse for ambitious amateur choirs. A four- or eight-part women's choir is optional for a total of seven bars.
$3.99
The Star Spangled Banner
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Chorale SSAA
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INTERMÉDIAIRE
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Americana
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Patriotique
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Francis Scott Key, John Staffo
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Eric Hagmann
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The Star Spangled Banner
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.796823 Composed by Francis Scott Key, John Stafford Smith. Arranged by Eric Hagmann. A Cappella,Holiday,Instruct...
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Choral Choir (SSAA) - Level 3 - SKU: A0.796823 Composed by Francis Scott Key, John Stafford Smith. Arranged by Eric Hagmann. A Cappella,Holiday,Instructional,Patriotic,Standards. Octavo. 2 pages. Eric Hagmann #4362333. Published by Eric Hagmann (A0.796823). A staple at sporting events, 4th of July outings, school assemblies, and more, The Star-Spangled Banner is an important tradition in American culture. This SSAA a cappella arrangement adds a rich, new layer of harmony to the common melody that we've all come to know. Standard progressions are given a fresh approach with chords smoothly moving from one to the other in a manner influenced by changes found directly in jazz theory. A pinch of syncopation, without overdoing it, adds new bounce to lines that were once stiff and rigid. If your ensemble is looking for a version of the US National Anthem that has some flavor without straying too far from the original form, this arrangement is for you!Feel free to follow me on Facebook and reach out with any questions or comments: https://www.facebook.com/erichagmannmusic/
$2.25
Not I, But Christ
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Chorale SSAA
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INTERMÉDIAIRE
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Musique Sacrée
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Ada Widdington and Michael War
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Michael Ware
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Not I, But Christ
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Michael Ware Music
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1405190 Composed by Ada Widdington and Michael Ware. Arranged by Michael Ware. Christian,Praise & Wo...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1405190 Composed by Ada Widdington and Michael Ware. Arranged by Michael Ware. Christian,Praise & Worship,Religious,Sacred,Traditional. 10 pages. Michael Ware Music #988234. Published by Michael Ware Music (A0.1405190). Putting Jesus at the center of our lives is a foundational principal of the Christian faith. This anthem confidently affirms the Lordship of Christ with an inspiring melody that builds steadily from beginning to end. Sections of unison writing for strength of sound are mixed with thicker, warm, harmonic moments creating an anthem that has much to enjoy musically. A fitting setting to a praise-worthy text! Duration: ca. 3:19. This product is the SSAA Choral score with accompaniment.
$2.50
Silent Night
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Julie Hinton
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Julie Hinton
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Silent Night
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Red Tape Productions
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1369123 By Julie Hinton. By Franz Xaver Gruber & Joseph Mohr. Arranged by Julie Hinton. A Cappella,Christ...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1369123 By Julie Hinton. By Franz Xaver Gruber & Joseph Mohr. Arranged by Julie Hinton. A Cappella,Christian,Christmas,Holiday,Religious. 5 pages. Red Tape Productions #953471. Published by Red Tape Productions (A0.1369123). This lush SSAA acapella setting of Silent Night has a flowing feel as the various parts move wordlessly around the melody in an adjusted chord pattern. Â The 1st Soprano takes the melody the first verse, the 2nd Alto joins in the second, and all four parts come together in the final verse. Â Perfect for women's acapella groups and show choirs!This arrangement is also available in SATB acapella, as well as a piano/vocal solo and SATB with piano accompaniment. Â A similar accompaniment can also be found in the arranger's settings of The First Noel/Silent Night and The First Noel/Away in a Manger.
$2.25
On the Wayside
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Chorale SSAA
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FACILE
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Aaron Gage
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On the Wayside
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Aaron Gage
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1295717 Composed by Aaron Gage. A Cappella,Barbershop,Contemporary,Pop,Soul. 15 pages. Aaron Gage #886014...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1295717 Composed by Aaron Gage. A Cappella,Barbershop,Contemporary,Pop,Soul. 15 pages. Aaron Gage #886014. Published by Aaron Gage (A0.1295717). On the Wayside was commissioned as a debut work for the Metro Voices Choir; an all-female led SSAA a cappella group built off the foundational Alexandria Harmonizers. The work encapsulates the idea that we must always continue to move forward in life and leave the people and issues in our lives that cause us grief on the wayside. It is meant to invoke a sense of personal power and triumph for all who adhere to its message.
$2.50
(You Make Me Feel Like) A Natural Woman
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Chorale SSAA
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INTERMÉDIAIRE
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Pop musique
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Aretha Franklin
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David Maddux
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(You Make Me Feel Like) A Natu
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David Maddux
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1506045 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by David Maddux...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1506045 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by David Maddux. Pop. 10 pages. David Maddux #1081428. Published by David Maddux (A0.1506045). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS. Immerse your choir in the soulful harmonies of Carole King's iconic Natural Woman, artfully arranged for SSAA voices. This classic tune, known for its empowering lyrics and lush melody, is reimagined to showcase the rich, resonant qualities of a women's chorus. Perfect for ensembles looking to explore themes of self-discovery and authenticity, this arrangement offers both depth and a profound connection to the listener.
$5.25
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