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Alt., C4 to E-flat 5
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Vous avez sélectionné:
Alt., C4 to E-flat 5
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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To Make You Feel My Love
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Chorale SSAA
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INTERMÉDIAIRE
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Rock
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Billy Joel
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Liz Garnett
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To Make You Feel My Love
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856152 By Billy Joel. By Bob Dylan. Arranged by Liz Garnett. Rock. Octavo. 4 pages. Liz Garnett #3593807. Publis...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856152 By Billy Joel. By Bob Dylan. Arranged by Liz Garnett. Rock. Octavo. 4 pages. Liz Garnett #3593807. Published by Liz Garnett (A0.856152). This ballad is I think the only song by a Nobel Laureate that I have arranged . It is in many ways, both melodically and lyrically, a simple and classic declaration of love, but manages to typify the genre without losing any sense of freshness. This is archetypal human experience, felt authentically.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges:Tenor: F4 - D flat 5Lead: B3 - C5Bari: C4 - A flat 4Bass: E flat 3 - E flat 4www.HelpingYouHarmonise.com
$2.99
God Only Knows
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Chorale SSAA
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FACILE
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Rock
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The Beach Boys
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Helping You Harmonise
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God Only Knows
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.856153 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Helping You Harmonise. Pop,Rock. Octavo. 2...
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Choral Choir (SSAA) - Level 2 - SKU: A0.856153 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Helping You Harmonise. Pop,Rock. Octavo. 2 pages. Liz Garnett #3591543. Published by Liz Garnett (A0.856153). From the Pet Sounds album, this song sees the Beach Boys move from their happy-boppy-surfing persona into a more three-dimensional and emotionally engaged world. When it was first released it was much more successful in the UK than in America, though it has come to be recognised as a real landmark in twentieth-century popular music. The arrangement was commissioned to sing at a wedding.It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges:Tenor: F4 - E flat 5Lead: B flat - DBari: C4 - B flat 4Bass: E flat 3 - E flat4www.HelpingYouHarmonise.com
$2.99
Diamonds Are Forever
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Chorale SSAA
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Film/TV
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John Barry/Don Black
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Liz Garnett
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Diamonds Are Forever
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Helping You Harmonise
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SheetMusicPlus
Choir, SSAA, female barbershop - By John Barry/Don Black. Arranged by Liz Garnett. 5 pages. Published by Helping You Harmonise...
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Choir, SSAA, female barbershop - By John Barry/Don Black. Arranged by Liz Garnett. 5 pages. Published by Helping You Harmonise
Shirley Bassey made the iconic recording of this song as the theme tune for the eponymous Bond movie. It charts a journey from mystery to strength, with the song's persona somehow managing to come over as simultaneously sympathetic and self-contained.
It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)
Vocal ranges:
Tenor: C4 - F5
Lead: B flat 3 - D5
Bari: B flat 3 - B flat 4
Bass: E flat 3 - G4
$2.99
The Sound Of Silence
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Chorale SSAA
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AVANCÉ
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Simon And Garfunkel
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Liz Garnett
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The Sound Of Silence
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Li...
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Choral Choir (SSAA) - Level 5 - SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Liz Garnett #4612527. Published by Liz Garnett (A0.856221). The starting-point for this major show-piece was Disturbed's 2015 cover of Simon and Garfunkel's classic. The White Rosettes sought to capture its escalation of of emotional impact as the vocal range shifted and the orchestration developed through the narrative of a dystopic vision.A cappella voices can capture that sense of build through layering of different sizes of ensemble. And, whilst their timbral palette is more limited than the instrumentation Disturbed could draw on, they have the power of harmony to add colour and impact.The arrangement is built around two main harmonic ideas: juxtaposing minor chords and key areas a third apart, and the dissonance of the melodic major 2nd and minor 3rd rubbing up against each other. Between them they create an atmosphere that hangs heavy with portent and mystery, echoing and amplifying the emotional tone of the lyrics.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:QuartetTenor: F#4 - E5Lead: B3 - A4Bari: C#4 - A4Bass: F#3 - A 4OctetTenor: G4 - D5Lead: C4 - A4Bari: B3 - A4Bass: E3 - C4DuetVoice 1: G3 - C5Voice 2: G3 - A4Full chorusTenor 1: E flat 4 - G5Tenor 2: E flat 4 - F#5Lead 1: B3 - E flat 5Lead 2: B3 - E flat 5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com
$3.99
City Of Stars
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Chorale SSAA
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Contemporain
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Justin Hurwitz
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Liz Garnett
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City Of Stars
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - SKU: A0.856160 Composed by Justin Hurwitz. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #3684039. Published...
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Choral Choir (SSAA) - SKU: A0.856160 Composed by Justin Hurwitz. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #3684039. Published by Liz Garnett (A0.856160). This arrangement takes both the original version of the song from La La Land and Sheridan Smith's cover as points of reference, and develops into a barbershop contest ballad.* It is conceived for a free, rubato style that focuses on the lyric and gives the melody room to breathe, with a contrasting Bridge that picks up a more driving rhythm and the swing feel from the reference versions.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)* Suitable for contest under BHS rules rather than SAIVocal ranges:Tenor: E flat 4 to F5Lead: C4 - D5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com
$2.99
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Alt., C4 to E-flat 5
