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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
Born To Die
Non classifié
273
Piano & claviers
Piano seul
161
Piano, Voix et Guitare
30
Piano, Voix
20
Orgue
16
Piano Facile
15
Instruments en Do
5
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
+ 8 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
105
Guitare notes et tablatures
27
Guitare
14
Ukulele
4
Basse electrique
2
Paroles et Accords
1
Dobro
1
+ 2 instrumentations
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Voix
Chorale SATB
81
Chorale 3 parties
31
Chorale 2 parties
6
Voix Baryton, Piano
5
Voix moyenne, Piano
4
Chorale Unison
4
Chorale SSAA
3
Chorale TTBB
3
Voix seule
2
Voix Tenor, Piano
2
Voix duo, Piano
1
Chorale SSAATTBB
1
Voix Soprano, Piano
1
+ 8 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Quintette de Saxophone: 5 saxophones
63
Clarinette et Piano
20
Saxophone Alto et Piano
20
Quatuor de Saxophones: 4 saxophones
15
Flûte traversière et Piano
15
Ensemble de Clarinettes
13
2 Saxophones (duo)
10
Flûte, Hautbois, Clarinette, Basson
9
Quintette de Flûte : 5 flûtes
8
2 Flûtes traversières (duo)
8
Hautbois, Piano (duo)
7
2 Flûte à bec (duo)
7
3 Saxophones (trio)
6
Harmonica
6
Clarinette
6
Quintette de Clarinettes: 5 clarinettes
5
2 Clarinettes (duo)
5
Saxophone Alto
5
Saxophone Baryton, Piano
5
Flûte traversière
5
Saxophone Tenor et Piano
5
Quatuor de Flûtes : 4 flûtes
4
Ensemble de saxophones
4
Saxophone Soprano et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette (partie séparée)
4
Cor anglais, Piano
4
Saxophone, Clarinette (duo)
3
Saxophone (partie séparée)
3
Clarinette Basse, Piano
3
Ensemble de Flûtes
3
Clarinette, Guitare (duo)
2
Clarinette, Trompette (duo)
2
Saxophone et Harpe
2
Hautbois (partie séparée)
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
3 Clarinettes (trio)
2
Saxophone Tenor
2
Saxophone et Orgue
2
Trio de Flûtes: 3 flûtes
2
Flûte, Saxophone (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
Flûte à bec Soprano, Piano
1
Flute (partie séparée)
1
Clarinette, Harpe (duo)
1
5 Flûtes à bec
1
Flûte, Trompette (duo)
1
3 Flûtes à bec (trio)
1
Quatuor de Flûtes à bec
1
Saxophone et Guitare
1
Flûte à Bec
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Clarinette, Basson (duo)
1
Flûte, Violon
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois (duo)
1
Hautbois, Harpe
1
Flûte, Clarinette (duo)
1
+ 59 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Ensemble de Trombones
8
Ensemble de Trompettes
8
Trompette
8
Trombone et Piano
7
Trombone
5
Trompette (partie séparée)
4
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
2 Trombones (duo)
4
Cor et Piano
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Cors
3
Trompette, Piano
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 cors
2
Trompette, Saxophone (duo)
2
Trombone (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
2
Cor et Harpe
2
Trompette, Harpe
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Cor (duo)
1
2 Trompettes (duo)
1
Euphonium, Tuba (duo)
1
4 Tubas
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Tuba et Piano
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
28
Violoncelle, Piano
21
Violon
18
Harpe
9
Alto, Piano
8
Ensemble d'Altos
7
Violon, Violoncelle (duo)
7
Ensemble de Violons
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle
5
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
2 Violons (duo)
4
Harpe, Flûte (duo)
4
Violon (partie séparée)
4
4 Violoncelles
4
Quatuor à cordes : 4 altos
3
Alto et Harpe
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Violon, Alto (duo)
2
Harpe, Violon (duo)
2
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
Violon, Basse continue
1
Harpe, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
Violon, Orgue
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Contrebasse (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
2 Harpes (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 33 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
42
Orchestre d'harmonie
35
Orchestre
26
Orchestre de chambre
14
Ensemble de cuivres
9
Ensemble Jazz
7
Cloches
3
Percussion (partie séparée)
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
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BANJO
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Vous avez sélectionné:
Born To Die
Chorale SSAA
Partitions à imprimer
3 partitions trouvées
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#TheBoyWhoLived (SSAA)
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dominic McGonigal
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#TheBoyWhoLived
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C8 Music
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.924080 Composed by Dominic McGonigal. Contemporary. Octavo. 4 pages. C8 Music #5988631. Published by C8 Music (A...
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Choral Choir (SSAA) - Level 4 - SKU: A0.924080 Composed by Dominic McGonigal. Contemporary. Octavo. 4 pages. C8 Music #5988631. Published by C8 Music (A0.924080). This song is about a miracle. Liam was born in December 2018 and was without oxygen for fifteen minutes. Normally, that is fatal. In Liam's case, he lived but he had no sight, no hearing, no touch and no brain activity. He was given days to live and his parents took him home to talk to him, sing to him, be with him in his first and last few days. Days passed and Liam didn't die. Day by day, his face lit up, he could see, he could hear, he could feel and his brain came alive. Now he is a happy toddler, with an innocent smile and a miraculous radiance. 2'30. www.dominic.mcgonigal.com
$4.99
Julian's Hazelnut for SSAA and B flat clarinet
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Julian's Hazelnut for SSAA and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages....
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Choral Choir (SSAA) - Level 4 - SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
Veni, veni, Emmanuel
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Chorale SSAA
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FACILE
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Raimund Wippermann
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Veni, veni, Emmanuel
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Schott Music - Digital
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SheetMusicPlus
Female or girl's choir (SSAA) and organ - easy to intermediate - SKU: S9.Q19199 Composed by Raimund Wippermann. This edition: choral score. Schott Chora...
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Female or girl's choir (SSAA) and organ - easy to intermediate - SKU: S9.Q19199 Composed by Raimund Wippermann. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q19199. Published by Schott Music - Digital (S9.Q19199). Latin.Raimund Wippermann, born in 1956, studied church and school music in Cologne and Düsseldorf as well as choral conducting at the Stockholm Music Academy. Since 2004 he has been director of the Robert Schumann Hochschule in Düsseldorf. The longing of the believing individual for God's presence in our world in speech and music and making it 'sing' in the end – this is the intention on which this piece is based. In this spirit, the old Advent hymn 'Veni, veni, Emmanuel' is combined here with linguistic and musical expressions of our time. The improvising singing will certainly be delightful for singers of all age groups after initial difficulties. The choral setting with its largely modal harmony is not complicated; however, the singers should have some experience in sustaining dissonances. The piece is ideal to approach sacred evening music in the Advent season, leading to quiet and calm.
$3.99
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Born To Die
