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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can I Get It
Non classifié
509
Piano & claviers
Piano seul
243
Piano, Voix
72
Piano, Voix et Guitare
71
Piano Facile
44
2 Pianos, 4 mains
26
Instruments en Do
22
Orgue
14
1 Piano, 4 mains
8
Accordéon
2
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Orgue, Trompette (duo)
1
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
47
Guitare notes et tablatures
31
Ukulele
11
Ligne De Mélodie, (Paroles) et Accords
9
4 Guitares (Quatuor)
6
Basse electrique
4
Ensemble de guitares
2
2 Guitares (duo)
2
Mandoline
1
Paroles et Accords
1
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
84
Chorale 3 parties
31
Chorale 2 parties
14
Chorale TTBB
14
Chorale SSAA
12
Chorale Unison
9
Voix duo
6
Voix duo, Piano
3
Voix Alto, Piano
2
Voix seule
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
Voix Tenor
1
+ 10 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
26
Flûte traversière
19
Quatuor de Saxophones: 4 saxophones
19
Flûte traversière et Piano
17
Clarinette
15
Saxophone Alto et Piano
15
Saxophone Tenor et Piano
14
Quatuor de Clarinettes: 4 clarinettes
14
Quatuor de Flûtes : 4 flûtes
12
2 Flûtes traversières (duo)
12
Clarinette et Piano
11
Saxophone Alto
10
Saxophone Tenor
8
Saxophone (partie séparée)
8
Quintette de Saxophone: 5 saxophones
8
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Soprano et Piano
7
Hautbois, Flûte
6
3 Saxophones (trio)
6
Flûte et Guitare
6
Hautbois (partie séparée)
6
Flûte à Bec
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Ensemble de saxophones
4
2 Saxophones (duo)
4
Ensemble de Clarinettes
4
Quintette de Clarinettes: 5 clarinettes
4
2 Clarinettes (duo)
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
3
Clarinette Basse, Piano
3
2 Flûte à bec (duo)
3
Ensemble de Flûtes
3
Saxophone Soprano
2
Flute (partie séparée)
2
Cor Anglais
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Basson (duo)
2
2 Saxophones, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle
1
Clarinette, Guitare (duo)
1
Piccolo
1
Flûte, Hautbois, Basson
1
Flûte et Trio à cordes
1
Flûte, Hautbois (duo)
1
Flûte à bec Soprano
1
3 Clarinettes (trio)
1
Flûte, Violon
1
Flûte, Clarinette et Basson
1
Saxophone et Orgue
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette
19
Trombone et Piano
16
Trompette, Piano
14
Cor et Piano
9
Tuba
8
Trompette, Trombone (duo)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor
6
Trombone
6
Trompette (partie séparée)
5
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trombones
4
Trombone (partie séparée)
4
Tuba et Piano
3
Euphonium
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trompettes (duo)
3
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Trompette, Cor (duo)
2
Cor Anglais
2
Trio de Cuivres
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
Bass Clef Instruments
1
2 Trombones (duo)
1
Trompette, Euphonium (duo)
1
Trompette, violon (duo)
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
242
Violon, Violoncelle (duo)
166
Violon
144
Trio à Cordes: violon, alto, violoncelle
130
Harpe
31
Violoncelle
28
Violon et Piano
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violoncelle, Piano
20
Violon, Alto (duo)
19
Alto, Piano
17
Trio à Cordes: 2 violons, violoncelle
12
Alto seul
8
Violoncelle, Contrebasse (duo)
7
2 Harpes (duo)
6
2 Violons (duo)
5
2 Violoncelles (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
4 Violoncelles
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, alto
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
2 Violoncelles, Piano
1
Ensemble de Violons
1
Contre Basse
1
Harpe, Voix
1
Ensemble d'Altos
1
2 Contrebasses (duo)
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Harpe, Violon (duo)
1
Alto, Violoncelle (duo)
1
Harpe et Piano
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
116
Orchestre d'harmonie
58
Orchestre
26
Ensemble Jazz
16
Ensemble de cuivres
14
Orchestre de chambre
9
Ensemble de Percussions
6
Jazz combo
6
Cloches
5
Batterie
4
Xylophone, Piano
4
Fanfare
4
Xylophone
1
Percussion
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Marimba
1
Ensemble d'École
1
Orchestre, Violon
1
Piano et Orchestre
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Can I Get It
Chorale SSAA
Partitions à imprimer
12 partitions trouvées
<
1
I Can't Get Next To You
#
Chorale SSAA
#
INTERMÉDIAIRE
#
The Temptations
#
Thomas J
#
I Can't Get Next To You
#
Thomas J. West
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.928358 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Thomas J. West. A Cappella,Hip-Ho...
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Choral Choir (SSAA) - Level 3 - SKU: A0.928358 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Thomas J. West. A Cappella,Hip-Hop,R & B. Octavo. 11 pages. Thomas J. West #5801575. Published by Thomas J. West (A0.928358). This SSAA a cappella arrangement of The Temptations classic was originally commissioned for an American treble voices barbershop quartet to expand their repertoire past the traditional barbershop homophonic style. It features lead lines for all four singers reminiscent of the original Temptations recording, with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from D3 to F4. Tenor part range is from D4 to A5. www.thomasjwestmusic.com .
$1.99
It Must Be Love
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Chorale SSAA
#
INTERMÉDIAIRE
#
Madness
#
Liz Garnett
#
It Must Be Love
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Publi...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Published by Liz Garnett (A0.856211). This song was made famous for people of my generation by Madness, but those just a little older may remember the original version as sung by Labbi Siffre himself.This arrangement draws on the Madness version in the rhythmic feel of its riffs, but honours the song-writer's request to use all the correct lyrics (and I've highlighted the place where Madness don't so you can make sure to get it right too).N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal RangesTenor: E flat 4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F4www.HelpingYouHarmonise.com
$2.99
Together We Can Change the World
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Chorale SSAA
#
FACILE
#
Lois J Henrickson
#
Lois J Henrickson (Lytingale)
#
Together We Can Change the Wor
#
Lytingale Music
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1353397 Composed by Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Contemporar...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1353397 Composed by Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Contemporary,Pop. 17 pages. Lytingale Music #938156. Published by Lytingale Music (A0.1353397). Written for SSAA chorus. Theme: empowerment, activism. We are the ones who can fix this world!Accompanied by piano, with optional violin (or flute) partAvailable formats: full score with piano, lead sheet (no piano, for singers), violin part, piano reduction. The mp3 is a rough mix of the parts recordings created for rehearsal (which are available).My community chorus memorizes, so I write with repetition and consistency! Our chorus found this exciting and inspirational to sing. This piece was also chosen to be performed as a mass chorus piece for the national Sister Singers Network Festival 2023 in Cleveland.Lyrics:Movin' and a-shakin' and a-shakin' and a-movin',Movin' and a-shakin' and a-shakin' and a-movin', Movin' and a-shakin' and a-shakin' and a-movin',  Movin' and a-shakin' and a-shakin' and a-movin', Rock on, sisters! Rock on! Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! Awaken the world, sisters. Awakenin', awakenin' the world. We are the ones  Who get things done.We are the ones  Who make it run.We are the ones  Who work together. Together we can change the world. Honor the mothers. Honor the mothers who carried us through, to get us to a world of possibility where we can see how to be more, how to live free. We stand on the shoulders. We stand on the shoulders of women who died, and women who cried out for freedom, for justice, for life. Some of us rock the cradle. Some of us rock the boat. Giving what we are able   to do, to see, to be. Standing on the rock of community.Standing on the rock of community. We're standing on the rock of community.  Makin' a way to grow and live the power,    the power of our own truth. Together we can change the world. Liberty! Together we can change the world. Equality! Together we can change the world. Community! Together we can change the world. Fix this world. There's a whole lot to do.Fix this world. Gonna make it new.Fix this world. It's up to me and you. I witnessed.  Because it needed to be done.I spoke out.  Because it needed to be done. I stood up.   Because it needed to be done. I did what needed, I did what needed, I did what needed to be done.Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! We are the ones  Who get things done.We are the ones  Who make it run.We are the ones  Who work together, Together we can change the world. Movin' and a-shakin' and a-shakin' and a-movin', Together we can change the worldMovin' and a-shakin' and a-shakin' and a-movin', Together we can change the world.Together, Together, Together, Together,Together we can change the world. (2021) Lois J Henrickson (Lytingale).
$1.99
I AM
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Chorale SSAA
#
INTERMÉDIAIRE
#
Jocelyn Scofield
#
I AM
#
Bilsco Music
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Mu...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Music #1052847. Published by Bilsco Music (A0.1475304). SCORES INCLUDED:Full Score & Parts Scores: Solo+Sopranos, Mezzos+Altos, CajonPERFORMANCE NOTES FROM THE COMPOSER:I AM is a singing meditation. It is both a piece that honors the individual and the whole. It is meant to affirm an individual's worth, as well as the whole collective. When a choir prepares for a performance, they rehearse a piece dozens if not hundreds of times. I wanted the experience of rehearsing I AM to be an ongoing declaration of the singer’s value. Therefore, every phrase in this piece is an affirmation. When a singer finds themselves singing the piece outside of rehearsal, they will be singing words that are positive and affirming. I cannot express how much joy that brings me as a composer.Musically, I AM is both complex, with its 7-part vocal split, contrasting rhythms, and varying accents, yet simple in its repetition, lyrics, and tonality. Each of the 7 parts sings a unique affirmation throughout the piece. They are simple statements like, I am enough and I am love, but can hold so much complexity depending on an individual's relationship with the statement. In the middle of the piece, there is an aleatoric section where each singer contributes their unique affirming statement. It creates a chaotic building of sound before coming together for the first and only time in the piece to sing I AM as a whole choir in block chords. It is one of my favorite moments in the piece because simple and complex are just a beat apart.I AM was commissioned by the Grand Rapids Women's Chorus and premiered on May 10, 2024. If you would like to hear more about the creation of the piece, you can hear the composer's original explantions on Youtube.
$4.99
I Will Survive
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Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Gloria Gaynor
#
Liz Garnett
#
I Will Survive
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856163 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Liz Garnett. Disco. Octavo. 10 pag...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856163 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Liz Garnett. Disco. Octavo. 10 pages. Liz Garnett #3866269. Published by Liz Garnett (A0.856163). A familiar song as you’ve never heard it before.Forget the disco beat, said my friend Judith, and give it a folk or a gospel feel. This apparently impossible arrangement brief turned into an epic and inexorable journey from fragility to strength. It needs both vocal and emotional stamina, but once you can sing it, you feel like you rule the world.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: E4 - F5Lead: D4 - D flat 5Bari: F3 - B flat 4Bass: E flat 3 - A flat 4www.HelpingYouHarmonise.com
$2.99
Breaking Up Is Hard To Do
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Chorale SSAA
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INTERMÉDIAIRE
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Neil Sedaka
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Larry Wright
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Breaking Up Is Hard To Do
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Larry Wright
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.853700 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Larry Wright. A Cappella,Barbers...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.853700 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #4412137. Published by Larry Wright (A0.853700). A WOMEN'S 4-part, barbershop arrangement of this classic, medium tempo'd ballad song; it can be sung a cappella or performed using either the available piano/bass parts or the pre-recorded, fully orchestrated accompaniment track. The arrangement for both the accompanied and a cappella versions is EXACTLY THE SAME. Sung a cappella, it's a very nice piece. Sung using the accompaniment, it's a show stopper... and, with that in mind, I recommend it being performed as the last song in your program. IMPORTANT NOTE: by FIRST purchasing the $100 COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the current much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to the publisher who controls the song licensing of the second song. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
Happy Now
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
#
Pentatonix
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Karen Wilson
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Happy Now
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Karen Wilson
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1259757 By Pentatonix. By Johan Carlsson, Johan Jens Erik Carlsson, John Bellion, Jon Bellion, Jonathan David Be...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1259757 By Pentatonix. By Johan Carlsson, Johan Jens Erik Carlsson, John Bellion, Jon Bellion, Jonathan David Bellion, Kevin Olusola, Kristin Maldonado, Mark Williams, Matt Sallee, Matthew Sallee, Mitchell Grassi, Raul Cubina, Ross Golan, Scott Hoying, Sean Meier, and Sean Myer. Arranged by Karen Wilson. 21st Century,A Cappella,Contemporary,Pop. Octavo. 10 pages. Karen Wilson #853033. Published by Karen Wilson (A0.1259757). This is a fabulous song by Pentatonix which I have arranged for four-part (SSAA) a cappella voices, although sometimes the voice parts split. It can be sung with or without the body percussion as I know it's sometimes difficult to do both at the same time!Whilst in the original Pentatonix song, Scott Hoying has most of the solos, I have arranged this so that all voices get the chance to sing the main melody. The bass part is not the most interesting(!) as the whole song is built over a repeating two-bar phrase (four chords). However, in this arrangement, I have managed to give them the main melody at bar 30 and at bar 61 they are the only voice-part to sing Mitch's parting tune - it's the basses' time to shine!I have two versions of this song available. The other version (Product Number 1355563) is easier to sing. If you want a challenge, this is the version you should try! It's as close as I could get to the original.
$1.99
The Parting Glass (women's voicing)
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Chorale SSAA
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FACILE
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Contemporain
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Traditional
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Liz Garnett
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The Parting Glass
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.856245 Composed by Traditional. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz Garnett #5732647. Pu...
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Choral Choir (SSAA) - Level 2 - SKU: A0.856245 Composed by Traditional. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz Garnett #5732647. Published by Liz Garnett (A0.856245). This setting of the traditional Scottish song of farewell is designed as an 8-part arrangement that male and female quartets or choruses can sing together to finish a joint performance, as well as two separate 4-part arrangements for the respective groups to use when they're not sharing the stage. It was conceived to address the 'cost-per-wear' problem of special occasion pieces that only get performed occasionally but still need rehearsing to the same standard as the rest of the set.This is the setting for women's voices, in which the melody is taken for the most part by female leads, then handed off to the basses for the 3rd phrase of each verse. The first verse is homophonic, while the second explores a variety of melody+accompaniment textures before restoring the harmonic texture to introduce a tag that blossoms out from unison.The versions for men's voicing and combined voicings are also available for purchase.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - E flat 5
$2.99
Happy Now
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Chorale SSAA
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INTERMÉDIAIRE
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Pentatonix
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Karen Wilson
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Happy Now
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Karen Wilson
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1259181 By Pentatonix. By Johan Carlsson, Johan Jens Erik Carlsson, John Bellion, Jon Bellion, Jonathan David Be...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1259181 By Pentatonix. By Johan Carlsson, Johan Jens Erik Carlsson, John Bellion, Jon Bellion, Jonathan David Bellion, Kevin Olusola, Kristin Maldonado, Mark Williams, Matt Sallee, Matthew Sallee, Mitchell Grassi, Raul Cubina, Ross Golan, Scott Hoying, Sean Meier, and Sean Myer. Arranged by Karen Wilson. 21st Century,A Cappella,Contemporary,Pop. Octavo. 9 pages. Karen Wilson #852451. Published by Karen Wilson (A0.1259181). This is a fabulous song by Pentatonix which I have arranged for four-part (SSAA) a cappella voices. It can be sung with or without the body percussion as I know it's sometimes difficult to do both at the same time!Whilst in the original Pentatonix song, Scott Hoying has most of the solos, I have arranged this so that all voices get the chance to sing the main melody. The bass part is not the most interesting(!) as the whole song is built over a repeating two-bar phrase (four chords). However, in this arrangment, I have managed to give them the main melody at bar 30 and at bar 61 they are the only voice-part to sing Mitch's parting tune - it's the basses' time to shine!I have two versions of this song available. The other version (Product Number 1356139) is closer to the original Pentatonix one. It is more rhythmic and slightly more difficult to sing, so if you like a challenge, then go and check out that one. But this version is equally enjoyable and will keep a smile on your face and your toes a tappin!!
$1.99
Young And Beautiful
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Chorale SSAA
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INTERMÉDIAIRE
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Lana Del Rey
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Z Wagner
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Young And Beautiful
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Z Wagner
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1094448 By Lana Del Rey. By Elizabeth Grant and Rick Nowels. Arranged by Z Wagner. A Cappella,Contemporary,Pop,R...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1094448 By Lana Del Rey. By Elizabeth Grant and Rick Nowels. Arranged by Z Wagner. A Cappella,Contemporary,Pop,Rock,Wedding. Octavo. 17 pages. Z Wagner #698500. Published by Z Wagner (A0.1094448). SSAA or SSAT Arrangement (originally arranged for The Gathering Acappella, Emory University's women+ acappella group). Arrangement may be adjusted for co-ed groups. Arrangement gets more layered as it goes on, with options for duets/trios and improvisation for the soloist, and fun lines for everyone (no more boring alto lines!). Well suited for mid-sized groups and chamber choirs to larger groups. Tempo is slower than performance tempo for the sake of learning/MIDIs (you might choose 130 or even 140 for performance). Best if you have A2s with range, but that lowest note may be cut for those who can't reach it. Great memories attached to this piece, I hope your choir enjoys it too! - Z.
$5.00
Let Me Be There
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Chorale SSAA
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DÉBUTANT
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Rock
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Elvis Presley
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Liz Garnett
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Let Me Be There
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 1 - SKU: A0.856222 By Elvis Presley. By John Rostill. Arranged by Liz Garnett. Rock. Octavo. 3 pages. Liz Garnett #4594611. ...
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Choral Choir (SSAA) - Level 1 - SKU: A0.856222 By Elvis Presley. By John Rostill. Arranged by Liz Garnett. Rock. Octavo. 3 pages. Liz Garnett #4594611. Published by Liz Garnett (A0.856222). This song was first recorded by Olivia Newton John, and then covered by Elvis Presley the following year, which tells you a good deal about the range of voices and performing personas it can suit. The arrangement was commissioned to form part of the polecat collection (common repertoire that all members can sing together) for the Ladies Association of Barbershop Singers, and is thus designed to be accessible to singers and audiences alike.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: G4 - E flat 5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - G4www.HelpingYouHarmonise.com
$2.50
Bring Me Sunshine
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Chorale SSAA
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FACILE
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Willie Nelson
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Liz Garnett
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Bring Me Sunshine
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1111748 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Liz Garnett. A Cappella,Barbershop. Octavo....
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Choral Choir (SSAA) - Level 2 - SKU: A0.1111748 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Liz Garnett. A Cappella,Barbershop. Octavo. 4 pages. Liz Garnett #714010. Published by Liz Garnett (A0.1111748). Originally recorded by the Mills Brothers, this song was made famous in the UK by the comedy due Morecombe and Wise in the 1970s. The song is as sunny as its title would suggest, with a gentle swing in the rhythm and a melodic contour that almost traces the shape of a smile. The arrangement is primarily homophonic, and whilst it has a few more added 6th chords than you'd find in traditional barbershop, it clearly has its roots in that idiom. The second pass through the chorus shares the melody around so that everybody gets some candy. N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs. Vocal Ranges: Tenor: E4 - E5 Lead: B3 - C5 Bari: B3 - B4 Bass: D3 - G4 www.HelpingYouHarmonise.com.
$2.99
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