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Die In A Fire
Non classifié
58
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57
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21
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15
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8
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3
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25
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7
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7
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4
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4
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1
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6
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2
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1
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1
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1
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1
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1
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1
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7
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5
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2
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1
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Trompette
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Trompette, Piano
1
Cor et Piano
1
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14
Violon
9
Violon et Piano
5
Violon (partie séparée)
3
Violon, Alto (duo)
3
2 Violoncelles (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Harpes (duo)
2
Contrebasse (partie séparée)
2
Harpe
2
Violoncelle, Piano
1
Violon, Violoncelle (duo)
1
Alto, Piano
1
Contre Basse
1
Alto seul
1
Alto (partie séparée)
1
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Orchestre d'harmonie
34
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17
Ensemble de cuivres
8
Orchestre de chambre
3
Ensemble Jazz
3
Orchestre
2
Cloches
1
Ensemble de Percussions
1
Jazz combo
1
Batterie (partie séparée)
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Die In A Fire
Chorale SSAA
Partitions à imprimer
7 partitions trouvées
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1
Messin' With Fire
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Chorale SSAA
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AVANCÉ
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Clare Teal and Nigel John Ston
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Jenny Mills
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Messin' With Fire
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LABBS - Ladies Association of British Barbershop Singers
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.1220874 Composed by Clare Teal and Nigel John Stonier. Arranged by Jenny Mills. A Cappella,Barbershop,Contempora...
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Choral Choir (SSAA) - Level 5 - SKU: A0.1220874 Composed by Clare Teal and Nigel John Stonier. Arranged by Jenny Mills. A Cappella,Barbershop,Contemporary,Jazz. Octavo. 11 pages. LABBS - Ladies Association of British Barbershop Singers #817216. Published by LABBS - Ladies Association of British Barbershop Singers (A0.1220874). A super-jazzy arrangement of this uptempo swing song as sung by Clare Teal, this is one that is fiendishly challenging, but worthy of an attempt by established SSAA a cappella groups who are experienced and confident with the swing genre. The arranger, the late Jen Mills, was an accomplished jazz musician as well as a barbershop singer and LABBS Music Judge. This arrangement has been donated by her partner for publication by LABBS on SMP so that SSAA a cappella groups can experience the joy of this arrangement.This arrangement is NOT suitable for barbershop contest, as the harmony parts are frequently performing non-homorhythmically with neutral syllables, to give a huge hit of big band flavour.The arrangement is predominantly in the barbershop style (melody in the inner voice) but at times the melody gets passed around the other parts too, so everyone gets a turn!With an extended vocal instrumental intro, it would be suitable for a show where a spoken intro overlays the first 30 seconds or so (once the speech is planned, some bars can be repeated as many times as needed to accommodate).For those unfamiliar with the song, look up Clare Teal's performance on YouTube from her album Don't Talk. A sound sample of this arrangement will follow soon.
$2.99
Messin' With Fire
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Clare Teal
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Liz Garnett
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Messin' With Fire
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856223 By Clare Teal. By Clare Teal and Nigel John Stonier. Arranged by Liz Garnett. Contemporary. Octavo. 8 pag...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856223 By Clare Teal. By Clare Teal and Nigel John Stonier. Arranged by Liz Garnett. Contemporary. Octavo. 8 pages. Liz Garnett #4612541. Published by Liz Garnett (A0.856223). Clare Teal's jazz original explores the disruptive power of desire and the universality of risk-taking in human life. It is ambiguous as to whether the song is celebrating these qualities or warning us about them, but it certainly refuses to accept hypocrisy on the matter.The arrangement casts the song as a barbershop contest up-tune, and taking harmonic risks that not so many years ago would have been seen as playing with stylistic fire in the BHS system (and probably would still be in SAI as of the time of writing in 2018). Texturally, though, it remains predominantly homophonic so as to let Teal's sparkling lyrics through.It demands sizzling rhythmic skills and an up-for-it attitude, and delivers an exciting ride for singers and audience alike.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - F5Lead: A3 - E5Bari: A#3 - D5Bass: D3 - A4www.HelpingYouHarmonise.com
$2.99
Do As You Will
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Alan Wagstaff
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Alan Wagstaff
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Do As You Will
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Alan Wagstaff
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45 pages. Alan Wagstaff #639233. Published by Alan Wagstaff (A0.1040536). 'Do As You Will' is a folksy, Celtic feel choral song arranged for SSAA -with harp, flute, fiddle, and accordion accompaniment. Its shifting tonality adds complexity. The lyric is female point of view: Do As You Will Once I had a soldier lad who swore he’d love me truly. Ah! But now those days are gone! When the battle raged he turned his heel and followed duly. I gave him the salute and soldiered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Then I loved a farmer’s son whose trinkets were his kisses. Ah! But now those days are gone! But on the road to market he had scores of narrow misses. I tossed him out for chaff and ploughed straight on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Next I had a blacksmith who was swarthy, dark, and handsome. Ah! But now those days are gone! He stole away my store of coin and ran off with the ransom. I hope he finds the fires! I’m forging on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Jack the Tinker courted me, and he was ever willing. Ah! But now those days are gone! Everywhere he plied his trade he fell to Jack and Jilling. I rattled his old pans and wandered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. There’s no faith in any man, not even my own brother. Ah! But would those days were gone! Girls, if you but would, or can, you’d best love one another and leave them all behind and carry on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will.
$20.00
Give Me Your Stars to Hold
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Chorale SSAA
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Kate Crellin
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Give Me Your Stars to Hold
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Heritage Music Press
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SheetMusicPlus
SSAA choir, a cappella - SKU: LX.15-3843H Composed by Kate Crellin. Educational, Concert, General. Octavo. 4 pages. Heritage Music Press #e15/3843H. Pub...
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SSAA choir, a cappella - SKU: LX.15-3843H Composed by Kate Crellin. Educational, Concert, General. Octavo. 4 pages. Heritage Music Press #e15/3843H. Published by Heritage Music Press (LX.15-3843H). The delicate harmonic beauty of this piece is truly stunning. Though short in length, there is immense opportunity for magical expressive moments. With close harmonies weaving in and out of consonances and unisons and flowing passages paired with moments of rhythmic energy, there is so much music to be made. A repeating ending of layered melodies that gradually fades al niente will have your audience holding their breath. Composed as a set of three compositions, also look for Day of Fire and Sun (15/3842L) and Home–Thoughts, from Abroad (15/3844L).
$2.30
Aura Lea
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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William Fosdick and George Pou
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Howard Ward
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Aura Lea
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Howard Ward
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1268169 Composed by William Fosdick and George Poulton. Arranged by Howard Ward. 19th Century,A Cappella,...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1268169 Composed by William Fosdick and George Poulton. Arranged by Howard Ward. 19th Century,A Cappella,Traditional. 3 pages. Howard Ward #860730. Published by Howard Ward (A0.1268169). Aura Lea (Aura Lee) is a song written in the mid-19th century just prior to the American Civil War.  As a ballad about a maiden it was readily taken up by soldiers on both sides, often being sung around camp fires.The tune is perhaps best known for being used by Elvis Presley in his hit song ‘Love Me Tender’.This arrangement, for ‘a cappella’ SSAA choir, provides some close harmony challenges, although the voice-leading is, in the main, intuitive,  Written mostly in 4 parts, there are the occasional divided voices.
$2.99
Hot Cross Buns (Jazz Medley)
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Chorale SSAA
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional, Public Domain
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Claire F
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Hot Cross Buns
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Claire F Miley
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.934895 Composed by Traditional, Public Domain. Arranged by Claire F. Miley. Folk,Traditional. Octavo. 12 pages. ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.934895 Composed by Traditional, Public Domain. Arranged by Claire F. Miley. Folk,Traditional. Octavo. 12 pages. Claire F Miley #4812197. Published by Claire F Miley (A0.934895). ISWC: T-930.649.518-1. Old English music and street vendor calls are jazzed up in this arrangement. A sure-fire audience pleaser! Drop me a line or follow me at: Website: clairemileymusic.com Post: @claire_miley Twitter @claire_miley Instagram @clairemileymusic.
$1.99
Joy to the World
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Chorale SSAA
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FACILE
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Isaac Watts
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Susan C Smith
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Joy to the World
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Susan C Smith at Dusty Guitar Music, LLC
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1278348 By Isaac Watts. By George Frideric Handel and Lowell Mason. Arranged by Susan C Smith. A Cappella,Christ...
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Choral Choir (SSAA) - Level 2 - SKU: A0.1278348 By Isaac Watts. By George Frideric Handel and Lowell Mason. Arranged by Susan C Smith. A Cappella,Christian,Christmas,Holiday,Traditional. Octavo. 8 pages. Susan C Smith at Dusty Guitar Music, LLC #870066. Published by Susan C Smith at Dusty Guitar Music, LLC (A0.1278348). NON-TRADITIONAL MELODY: A great favorite, and a most well-known song among Christmas carols, Joy to the World was not originally written to be a Christmas carol. There were several melodies attached to the poem by Isaac Watts. The traditional version, which has become the most popular, is attributed to Lowell Mason, and is the fourth revised version. The first part of the tune in the popular version is similar to pieces by George Frideric Handel, and the melody for the second part is Lowell Mason's. Presented herein is a fifth version (maybe there are more!). If one of Handel's rousing pieces could be used for the first part of the song, why not another? I have used the Handel's Overture to the Music for the Royal Fireworks for the first part of the song, and have kept Lowell Mason's rousing ending. Please enjoy. Also available for SATB. ASCAP.
$2.00
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