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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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CLOCHES
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COR ANGLAIS
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CORNET
DEEJAY
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Faster
Non classifié
136
Piano & claviers
Piano seul
156
Piano Facile
154
Piano, Voix et Guitare
18
Instruments en Do
12
Piano, Voix
10
Orgue
6
Accompagnement Piano
4
1 Piano, 4 mains
3
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
15
Guitare
12
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
6
Guitare (partie séparée)
2
Ukulele
2
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Banjo
1
+ 4 instrumentations
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Voix
Chorale SATB
22
Chorale Unison
9
Chorale 3 parties
9
Chorale 2 parties
8
Chorale SSAA
5
Chorale TTBB
3
Chorale
2
Chorale SSAATTBB
1
Voix duo, Piano
1
Voix Alto, Piano
1
+ 5 instrumentations
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Vents
Flûte traversière et Piano
28
2 Saxophones (duo)
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
2 Flûtes traversières (duo)
13
Quatuor de Saxophones: 4 saxophones
10
Saxophone Alto et Piano
9
Saxophone, Clarinette (duo)
9
Clarinette et Piano
8
2 Clarinettes (duo)
8
Saxophone Tenor et Piano
8
Hautbois, Piano (duo)
7
Clarinette
6
Saxophone Baryton, Piano
6
Clarinette, Trompette (duo)
6
Clarinette, Violon (duo)
6
Saxophone Soprano et Piano
6
Cor anglais, Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Saxophone (partie séparée)
5
Flûte, Clarinette (duo)
5
2 Hautbois (duo)
5
Hautbois (partie séparée)
4
Hautbois, Basson (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
3 Clarinettes (trio)
4
Trio de Flûtes: 3 flûtes
4
Clarinette et Alto
3
Flûte, Violon
3
Flûte traversière
3
Flûte, Alto (duo)
3
Quatuor de Flûtes : 4 flûtes
3
3 Saxophones (trio)
3
Clarinette Basse, Piano
3
Flûte, Trompette (duo)
3
Flûte, Saxophone (duo)
3
Saxophone Alto
3
Hautbois, Flûte
3
Flûte, Clarinette et Basson
2
Saxophone Tenor
2
Ensemble de saxophones
2
Flûte à bec Soprano
2
Hautbois, Clarinette (duo)
2
Ensemble de Flûtes
2
Ensemble de Clarinettes
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois, Basson
1
2 Cors Anglais Et Pianoforte
1
2 Clarinettes, Basson
1
Clarinette (partie séparée)
1
Flute (partie séparée)
1
Flûte, Violoncelle
1
Flûte à bec Alto, Piano
1
Clarinette, Basson (duo)
1
+ 49 instrumentations
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Cuivres
Cor et Piano
11
Trompette, Piano
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Euphonium, Piano (duo)
7
Trombone et Piano
7
Trompette, Saxophone (duo)
6
Cor
6
2 Trombones (duo)
6
Cor anglais, Piano
6
Quatuor de cuivres: 4 trombones
5
Trombone (partie séparée)
5
Trompette
4
2 Trompettes (duo)
4
Trompette (partie séparée)
3
Trombone
3
Trompette, Trombone (duo)
3
Ensemble de Trombones
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba
2
2 Cors (duo)
2
2 Tubas (duo)
2
Euphonium
1
Tuba (partie séparée)
1
Tuba et Piano
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 cors
1
+ 23 instrumentations
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Cordes
Violoncelle
39
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon et Piano
20
Harpe
14
Violon
10
Violoncelle, Piano
9
Violon, Violoncelle (duo)
8
Alto, Piano
8
2 Violons (duo)
6
2 Altos (duo)
5
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
3
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Contrebasses (duo)
1
Alto (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
138
Orchestre à Cordes
27
Cloches
16
Batterie
16
Ensemble Jazz
9
Ensemble de cuivres
8
Ensemble d'École
6
Orchestre
4
Fanfare
4
Orchestre de chambre
3
Jazz combo
2
Ensemble de Percussions
2
Marimba
1
Batterie (partie séparée)
1
Vibraphone
1
+ 10 instrumentations
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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Vous avez sélectionné:
Faster
Chorale SSAA
Partitions à imprimer
5 partitions trouvées
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I Walk A Little Faster
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Blossom Dearie
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Kevin Keller
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I Walk A Little Faster
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Kevin Keller
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1184721 By Blossom Dearie. By Carolyn Leigh and Cy Coleman. Arranged by Kevin Keller. 20th Century,A Cappella,Ba...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1184721 By Blossom Dearie. By Carolyn Leigh and Cy Coleman. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop. Octavo. 4 pages. Kevin Keller #784402. Published by Kevin Keller (A0.1184721). SSAA a cappella chart in the barbershop style (melody in S2) suitable for competition in BHS and HI. More Fiona Apple vs Blossom Dearie but that was not available in the dropdown choices and I can't edit it!!!!
$3.49
Flowers
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Chorale SSAA
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INTERMÉDIAIRE
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Pop musique
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Miley Cyrus
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Liz Garnett
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Flowers
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Liz Garnett
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1376178 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Liz Garnett. 21st ...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1376178 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Liz Garnett. 21st Century,A Cappella,Barbershop,Pop. 5 pages. Liz Garnett #960728. Published by Liz Garnett (A0.1376178). Miley Cyrus's Grammy-winning celebration of emotional independence is re-imagined as a barbershop contest tune, inspired by the Postmodern Jukebox cover version. It starts off in a wistful free waltz-ballad feel, switches up a gear into a steady swing vibe at the first chorus, and escalates again into a faster, clave-driven Latin vibe before subsiding back into a slower tempo for the very end. There is a hint of the initial wistfulness at the start of the tag, but it settles into a sense of gentle resolution: all is now sorted.Vocal Ranges:Tenor: E4 - E5Lead: G#3 - C#5Bari: A#3 - B4Bass: D#3 - F#4N.B. This arrangement is notated in the traditional clefs for women's barbershop, i.e. treble and bass alta (sounding an octave higher than written).www.HelpingYouHarmonise.com.
$2.99
Stompa
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Jerrod Bettis and Serena Ryder
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Katherine Bodor
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Stompa
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Katherine Bodor
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.955488 Composed by Jerrod Bettis and Serena Ryder. Arranged by Katherine Bodor. A Cappella. 12 pages. Kat...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.955488 Composed by Jerrod Bettis and Serena Ryder. Arranged by Katherine Bodor. A Cappella. 12 pages. Katherine Bodor #5359077. Published by Katherine Bodor (A0.955488). A cappella arrangement of Stompa. Voicing is SSAA+Lead+VP. Starts with a slower jazz-like re-envisioning of the original, then transitions into a faster groove similar to the original. Aimed for an intermediate high school or collegiate vocal ensemble.
$3.99
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. A...
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Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
A Dance in Triple Time
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Chorale SSAA
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FACILE
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Anastaso Rossi
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Anastaso Rossi
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A Dance in Triple Time
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Anastasio Rossi
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1239660 Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. ...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1239660 Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. 3 pages. Anastasio Rossi #835039. Published by Anastasio Rossi (A0.1239660). Performance Notes: Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.I originally composed this piece as a little warm up ditty for the chorus, but as I worked the melody and the harmony, it  grew into just a little bit more than a warm up exercise.. Think of the story behind the music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so  handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they  float away on the wings of A Dance In Triple Time!  Anastasio Rossi May 2023Learning tracks are available at no cost from the Arranger: AAR@prodigy.net.
$2.00
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