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Give It All Up
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31
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10
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6
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1
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1
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1
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1
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1
3 Clarinettes (trio)
1
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1
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1
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9
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4
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3
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Tuba
2
2 Trompettes (duo)
2
2 Tubas (duo)
1
Trombone et Piano
1
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4 Tubas
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Trombone
1
Quatuor de cuivres: 4 cors
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Ensemble de Cors
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24
Violon
8
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6
Harpe
4
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3
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3
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3
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3
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle , Guitare (duo)
2
Alto seul
1
Violoncelle
1
Harpe, Voix
1
2 Violoncelles (duo)
1
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1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
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24
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18
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13
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12
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5
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5
Cloches
4
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Vous avez sélectionné:
Give It All Up
Chorale SSAA
Partitions à imprimer
5 partitions trouvées
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Together As One
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Michael Thomas Coull
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Together As One
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1269757 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishi...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1269757 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #862265. Published by MTC Publishing (A0.1269757). Together As One - Choral Composition for SSAA and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience.  It explores how singing gives us both sides of the emotional coin:  from nervousness and even trepidation on one side, to great joy on the other.   We all feel nervous before a performance, and even more so when we are actually standing in front of the audience.  But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing.  And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'.  This original composition for SSAA choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group. A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SATB, 2-Part and Unison.
$3.99
This Woman's Work
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Kate Bush
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Dominic Stichbury
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This Woman's Work
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Dominic Stichbury
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1380273 By Kate Bush. By Kate Bush. Arranged by Dominic Stichbury. Pop. 11 pages. Dominic Stichbury #9650...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1380273 By Kate Bush. By Kate Bush. Arranged by Dominic Stichbury. Pop. 11 pages. Dominic Stichbury #965026. Published by Dominic Stichbury (A0.1380273). This beautiful and tender song was written by Kate Bush specifically for the film ‘She’s Having A Baby’. Bush puts herself in the shoes of a man waiting outside the delivery room as his wife gives birth. The song explores his vulnerability at this tense moment. This SSSAA arrangement plays with the form of the original song, whilst incorporating all the themes and hooks that we know from Bush's version. It offers a variety of different textures throughout, handing the melody around and moving between a free chorale-like opening to a steady pulse for the bulk of the arrangement. There is an additional descant soprano part on the top stave, which could be sung by a soloist or a small group. The key bars for this part are 12-15 & 26-28 , where we hear the iconic opening motif. The other passages of this descant can be omitted as necessary depending on the ensemble's skill level. This was arranged especially for Chaps Choir's 10 year celebration concert in 2023. The link below takes you to a mock-up of the lower voice version of this arrangement.
$2.25
Messin' With Fire
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Chorale SSAA
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AVANCÉ
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Clare Teal and Nigel John Ston
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Jenny Mills
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Messin' With Fire
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LABBS - Ladies Association of British Barbershop Singers
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.1220874 Composed by Clare Teal and Nigel John Stonier. Arranged by Jenny Mills. A Cappella,Barbershop,Contempora...
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Choral Choir (SSAA) - Level 5 - SKU: A0.1220874 Composed by Clare Teal and Nigel John Stonier. Arranged by Jenny Mills. A Cappella,Barbershop,Contemporary,Jazz. Octavo. 11 pages. LABBS - Ladies Association of British Barbershop Singers #817216. Published by LABBS - Ladies Association of British Barbershop Singers (A0.1220874). A super-jazzy arrangement of this uptempo swing song as sung by Clare Teal, this is one that is fiendishly challenging, but worthy of an attempt by established SSAA a cappella groups who are experienced and confident with the swing genre. The arranger, the late Jen Mills, was an accomplished jazz musician as well as a barbershop singer and LABBS Music Judge. This arrangement has been donated by her partner for publication by LABBS on SMP so that SSAA a cappella groups can experience the joy of this arrangement.This arrangement is NOT suitable for barbershop contest, as the harmony parts are frequently performing non-homorhythmically with neutral syllables, to give a huge hit of big band flavour.The arrangement is predominantly in the barbershop style (melody in the inner voice) but at times the melody gets passed around the other parts too, so everyone gets a turn!With an extended vocal instrumental intro, it would be suitable for a show where a spoken intro overlays the first 30 seconds or so (once the speech is planned, some bars can be repeated as many times as needed to accommodate).For those unfamiliar with the song, look up Clare Teal's performance on YouTube from her album Don't Talk. A sound sample of this arrangement will follow soon.
$2.99
City Of Stars
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Chorale SSAA
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Contemporain
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Justin Hurwitz
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Liz Garnett
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City Of Stars
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - SKU: A0.856160 Composed by Justin Hurwitz. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #3684039. Published...
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Choral Choir (SSAA) - SKU: A0.856160 Composed by Justin Hurwitz. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #3684039. Published by Liz Garnett (A0.856160). This arrangement takes both the original version of the song from La La Land and Sheridan Smith's cover as points of reference, and develops into a barbershop contest ballad.* It is conceived for a free, rubato style that focuses on the lyric and gives the melody room to breathe, with a contrasting Bridge that picks up a more driving rhythm and the swing feel from the reference versions.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)* Suitable for contest under BHS rules rather than SAIVocal ranges:Tenor: E flat 4 to F5Lead: C4 - D5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com
$2.99
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
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Give It All Up
