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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I'm Not In Love
Sheetmusicplus
Non classifié
79
Piano & claviers
Piano, Voix et Guitare
73
Piano seul
71
Piano, Voix
25
Piano Facile
10
Piano grosses notes
9
Instruments en Do
8
Orgue
6
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
14
Paroles et Accords
5
Basse electrique
5
Guitare
5
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
2
Ukulele
2
+ 2 instrumentations
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Voix
Chorale SATB
50
Chorale 2 parties
5
Chorale SSAA
4
Chorale TTBB
3
Voix Soprano, Piano
2
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Voix seule
1
Voix haute
1
Voix duo
1
Voix Alto, Piano
1
+ 6 instrumentations
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Vents
Flûte traversière
4
Saxophone Tenor
3
Saxophone Alto et Piano
3
Quatuor de Saxophones: 4 saxophones
3
Hautbois, Piano (duo)
3
Saxophone Alto
3
Flûte traversière et Piano
3
Clarinette
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette Basse, Piano
2
3 Clarinettes (trio)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Tenor et Piano
2
Saxophone Soprano et Piano
2
Clarinette et Piano
2
Saxophone Baryton, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte et Guitare
1
2 Clarinettes (duo)
1
2 Hautbois (duo)
1
3 Saxophones (trio)
1
Ensemble de saxophones
1
Saxophone (partie séparée)
1
2 Flûte à bec (duo)
1
Ensemble de Flûtes
1
Flûte, Clarinette (duo)
1
Clarinette, Guitare (duo)
1
2 Saxophones (duo)
1
Quintette de Saxophone: 5 saxophones
1
Flûte à bec Soprano
1
2 Flûtes traversières (duo)
1
Cor anglais, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
+ 29 instrumentations
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Cuivres
Trompette
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Cor et Piano
3
Euphonium, Piano (duo)
3
Trombone
2
Trombone et Piano
2
Trio de Cuivres
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Piano
1
Cor anglais, Piano
1
2 Trombones (duo)
1
+ 8 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon, Violoncelle (duo)
15
Violon
14
Violon et Piano
8
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Piano
3
Harpe
3
2 Violons (duo)
2
Violon, Alto (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle, Piano
2
Trio à Cordes: 3 violoncelles
1
Alto seul
1
2 Violoncelles (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
2 Altos (duo)
1
2 Violons, Piano
1
Contre Basse
1
+ 16 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
10
Orchestre d'harmonie
8
Ensemble Jazz
7
Orchestre
4
Batterie
1
Ensemble de cuivres
1
Marimba
1
Cloches
1
Jazz combo
1
+ 4 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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ASIE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
LATIN POP ROCK
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
I'm Not In Love
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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If I'm Not Made For You (if You're Not The One)
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Chorale SSAA
#
INTERMÉDIAIRE
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Daniel Bedingfield
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Liz Garnett
#
If I'm Not Made For You
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856190 By Daniel Bedingfield. By Daniel Bedingfield. Arranged by Liz Garnett. Contemporary,Dance,Pop. Octavo. 6 ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856190 By Daniel Bedingfield. By Daniel Bedingfield. Arranged by Liz Garnett. Contemporary,Dance,Pop. Octavo. 6 pages. Liz Garnett #3919001. Published by Liz Garnett (A0.856190). In writing this love-song Daniel Bedingfield deliberately aimed for the feel of a classic pop ballad; he certainly found that wistful mode of expression, though the soaring vocal lines suggest that he did not want to be held in by the genre even as he was recreating it.The arrangement shapes the narrative through a variety of textures, and makes a feature of handing the melody round between the different parts.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D4 - F5Lead: A3 - D5Bari: C4 - C5Bass: F3 - G4www.HelpingYouHarmonise.com
$2.99
Do As You Will
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Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Alan Wagstaff
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Alan Wagstaff
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Do As You Will
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Alan Wagstaff
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45 pages. Alan Wagstaff #639233. Published by Alan Wagstaff (A0.1040536). 'Do As You Will' is a folksy, Celtic feel choral song arranged for SSAA -with harp, flute, fiddle, and accordion accompaniment. Its shifting tonality adds complexity. The lyric is female point of view: Do As You Will Once I had a soldier lad who swore he’d love me truly. Ah! But now those days are gone! When the battle raged he turned his heel and followed duly. I gave him the salute and soldiered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Then I loved a farmer’s son whose trinkets were his kisses. Ah! But now those days are gone! But on the road to market he had scores of narrow misses. I tossed him out for chaff and ploughed straight on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Next I had a blacksmith who was swarthy, dark, and handsome. Ah! But now those days are gone! He stole away my store of coin and ran off with the ransom. I hope he finds the fires! I’m forging on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Jack the Tinker courted me, and he was ever willing. Ah! But now those days are gone! Everywhere he plied his trade he fell to Jack and Jilling. I rattled his old pans and wandered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. There’s no faith in any man, not even my own brother. Ah! But would those days were gone! Girls, if you but would, or can, you’d best love one another and leave them all behind and carry on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will.
$20.00
Make Believe
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Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Jerome Kern
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Rebecca J
#
Make Believe
#
Rebecca J. Wood
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.996572 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #583...
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Choral Choir (SSAA) - Level 4 - SKU: A0.996572 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #5835855. Published by Rebecca J. Wood (A0.996572). Beginning in a childlike, sing-song style to set up the make-believe theme, this arrangement is full of beautiful chords and my most-often signature, a modulation. Though I hear this as a quartet arrangement, I think it can be used as a Chorus arrangement. I recommend that in the Intro, in the Bari part, where they have the repeated notes and the one note that goes up a third, keep the upper note at the same mental level as the repeated notes, so there's not a note note note note SKIP, rather note note note note skip. I know directors know that, but, I'm a control freak and love to develop the beauty of music. ALSO, at mm 11 and 19, I give the low note to the Basses, for smooth flow of voices. This is a fun piece and I hope you will try it.
$12.99
Make Believe
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Jerome Kern
#
Rebecca J
#
#
Make Believe
#
Rebecca J. Wood
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.996571 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #583...
(+)
Choral Choir (SSAA) - Level 4 - SKU: A0.996571 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #5835581. Published by Rebecca J. Wood (A0.996571). Beginning in a childlike, sing-song style to set up the make-believe theme, this arrangement is full of beautiful chords and my most-often signature, a modulation. Though I hear this as a quartet arrangement, I think it can be used as a Chorus arrangement. I recommend that in the Intro, in the Bari part, where they have the repeated notes and the one note that goes up a third, keep the upper note at the same mental level as the repeated notes, so there's not a note note note note SKIP, rather note note note note skip. I know directors know that, but, I'm a control freak and love to develop the beauty of music. ALSO, at mm 11 and 19, I give the low note to the Basses, for smooth flow of voices. This is a fun piece and I hope you will try it.
$1.99
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I'm Not In Love
