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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Just Love You
Non classifié
250
Piano & claviers
Piano seul
205
Piano, Voix et Guitare
137
Piano, Voix
75
Piano Facile
48
2 Pianos, 4 mains
20
Accompagnement Piano
18
Instruments en Do
15
1 Piano, 4 mains
6
Piano grosses notes
4
Orgue
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
28
Guitare notes et tablatures
26
Guitare
17
Ukulele
16
Paroles et Accords
11
Basse electrique
10
2 Guitares (duo)
5
Piano, Guitare (duo)
2
+ 3 instrumentations
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Voix
Chorale SATB
51
Chorale 3 parties
38
Chorale 2 parties
15
Chorale TTBB
12
Voix duo, Piano
10
Chorale SSAA
8
Voix duo
7
Pack Instrumental pour Chorale
4
Voix seule
3
Chorale Unison
3
Chorale
1
Voix Tenor, Piano
1
Voix haute
1
Chorale SSATTB
1
+ 9 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
19
Clarinette et Piano
18
Saxophone
15
2 Saxophones (duo)
14
Clarinette
14
Flûte traversière
12
Quatuor de Saxophones: 4 saxophones
11
Hautbois, Piano (duo)
11
Saxophone (partie séparée)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Saxophone Tenor
10
Saxophone, Clarinette (duo)
8
Saxophone Alto et Piano
8
Flûte traversière et Piano
8
Saxophone Alto
8
Flûte, Clarinette (duo)
8
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette, Violon (duo)
6
2 Clarinettes (duo)
6
2 Flûtes traversières (duo)
5
Clarinette, Trompette (duo)
4
Quintette de Saxophone: 5 saxophones
4
Ensemble de Clarinettes
4
Hautbois (partie séparée)
4
Cor anglais, Piano
4
Flûte à bec Soprano
4
Saxophone Tenor et Piano
4
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Clarinette et Alto
3
Ensemble de Flûtes
3
Flûte, Alto (duo)
3
Saxophone Soprano et Piano
3
Flute (partie séparée)
2
Flûte, Trompette (duo)
2
Hautbois, Basson (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Baryton, Piano
2
Clarinette Basse, Piano
2
Flûte, Violon
1
Ocarina
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de saxophones
1
Hautbois, Flûte
1
Flûte, Saxophone (duo)
1
Clarinette, Trombone (duo)
1
Flûte et Guitare
1
Flûte irlandaise
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Soprano, Piano
1
+ 49 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trompette
18
Trombone et Piano
15
Trompette, Piano
9
Trombone
9
Cor
8
Cor et Piano
8
Trompette (partie séparée)
7
Trompette, Trombone (duo)
5
Quatuor de Cuivres
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba
4
Trombone (partie séparée)
4
2 Trompettes (duo)
4
Cor anglais, Piano
4
Trompette, Saxophone (duo)
4
Trompette, Cor (duo)
3
Tuba et Piano
2
Instruments en Sib
2
Tuba et Orgue
2
Ensemble de Cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon et Piano
31
Violon
26
Violoncelle
23
Violon, Violoncelle (duo)
13
Violoncelle, Piano
13
Alto seul
12
Alto, Piano
11
Violon, Alto (duo)
11
Harpe
10
2 Violons (duo)
9
Trio à Cordes: 2 violons, violoncelle
7
2 Altos (duo)
5
2 Violoncelles (duo)
4
Piano Trio: Violon, Alto, Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Voix
2
Trio à Cordes: 3 violoncelles
2
Contrebasse, Piano (duo)
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Alto et Basson
1
4 Contrebasses
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
15
Ensemble Jazz
13
Ensemble de cuivres
8
Orchestre d'harmonie
7
Orchestre à Cordes
6
Fanfare
3
Batterie
3
Jazz combo
3
Orchestre de chambre
3
Ensemble de Percussions
2
Marimba, Piano (duo)
1
Cloches
1
+ 7 instrumentations
Retracter
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AUTRES INST…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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FUNK
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HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
I Just Love You
Chorale SSAA
Partitions à imprimer
8 partitions trouvées
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1
You Made Me Love You
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Chorale SSAA
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INTERMÉDIAIRE
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Joe McCarthy, James Monaco
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Liz Garnett
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You Made Me Love You
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856142 Composed by Joe McCarthy, James Monaco. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856142 Composed by Joe McCarthy, James Monaco. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #3023075. Published by Liz Garnett (A0.856142). Written just before the First World War, this flirtatious song anticipates that world where women were finding a new independence and power, and trying to work out what to do with it. On the one hand, the singer doesn’t want to be unfeminine by making the first move, on the other, she’s going to make a bid for what she wants. Go girl, is what I say.This arrangement is suitable for performance in a barbershop contest, and the Southern Comfort Barber Gals won a bronze medal in the Holland Harmony 2009 chorus contest with this it. It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Ranges:Tenor: F4 - E5Lead: A flat 3 - C#5Bari: B flat 3 - B4Bass: E flat 3 - F#4www.HelpingYouHarmonise.com
$3.25
I AM
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Chorale SSAA
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INTERMÉDIAIRE
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Jocelyn Scofield
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I AM
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Bilsco Music
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Mu...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Music #1052847. Published by Bilsco Music (A0.1475304). SCORES INCLUDED:Full Score & Parts Scores: Solo+Sopranos, Mezzos+Altos, CajonPERFORMANCE NOTES FROM THE COMPOSER:I AM is a singing meditation. It is both a piece that honors the individual and the whole. It is meant to affirm an individual's worth, as well as the whole collective. When a choir prepares for a performance, they rehearse a piece dozens if not hundreds of times. I wanted the experience of rehearsing I AM to be an ongoing declaration of the singer’s value. Therefore, every phrase in this piece is an affirmation. When a singer finds themselves singing the piece outside of rehearsal, they will be singing words that are positive and affirming. I cannot express how much joy that brings me as a composer.Musically, I AM is both complex, with its 7-part vocal split, contrasting rhythms, and varying accents, yet simple in its repetition, lyrics, and tonality. Each of the 7 parts sings a unique affirmation throughout the piece. They are simple statements like, I am enough and I am love, but can hold so much complexity depending on an individual's relationship with the statement. In the middle of the piece, there is an aleatoric section where each singer contributes their unique affirming statement. It creates a chaotic building of sound before coming together for the first and only time in the piece to sing I AM as a whole choir in block chords. It is one of my favorite moments in the piece because simple and complex are just a beat apart.I AM was commissioned by the Grand Rapids Women's Chorus and premiered on May 10, 2024. If you would like to hear more about the creation of the piece, you can hear the composer's original explantions on Youtube.
$4.99
It Must Be Love
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Chorale SSAA
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INTERMÉDIAIRE
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Madness
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Liz Garnett
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It Must Be Love
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Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Publi...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Published by Liz Garnett (A0.856211). This song was made famous for people of my generation by Madness, but those just a little older may remember the original version as sung by Labbi Siffre himself.This arrangement draws on the Madness version in the rhythmic feel of its riffs, but honours the song-writer's request to use all the correct lyrics (and I've highlighted the place where Madness don't so you can make sure to get it right too).N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal RangesTenor: E flat 4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F4www.HelpingYouHarmonise.com
$2.99
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. A...
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Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
#
SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Q...
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Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$1.99
A Dance in Triple Time
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Chorale SSAA
#
FACILE
#
Anastaso Rossi
#
Anastaso Rossi
#
A Dance in Triple Time
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Anastasio Rossi
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1239660 Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. ...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1239660 Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. 3 pages. Anastasio Rossi #835039. Published by Anastasio Rossi (A0.1239660). Performance Notes: Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.I originally composed this piece as a little warm up ditty for the chorus, but as I worked the melody and the harmony, it  grew into just a little bit more than a warm up exercise.. Think of the story behind the music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so  handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they  float away on the wings of A Dance In Triple Time!  Anastasio Rossi May 2023Learning tracks are available at no cost from the Arranger: AAR@prodigy.net.
$2.00
Streets Of Edinburgh
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Chorale SSAA
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INTERMÉDIAIRE
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The Proclaimers
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Liz Garnett
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Streets Of Edinburgh
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Liz Garnett
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SheetMusicPlus
SSAA Chorus,Voice - Level 3 - SKU: A0.1491362 By The Proclaimers. By Charles Stobo Reid and Craig Morris Reid. Arranged by Liz Garnett. 21st Century,A C...
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SSAA Chorus,Voice - Level 3 - SKU: A0.1491362 By The Proclaimers. By Charles Stobo Reid and Craig Morris Reid. Arranged by Liz Garnett. 21st Century,A Cappella,Barbershop,Folk. Barbershop Quartet. 6 pages. Liz Garnett #1068100. Published by Liz Garnett (A0.1491362). This ballad from The Prolcaimers 11th studio album, Angry Cyclist is a poignant celebration of their home city. Its melody and lyrics both carry the wistfulness of responding to a place that is deeply loved, whilst fully aware of its flaws. The arrangement respects the simplicity of expression of the original, with a largely homophonic and mostly diatonic setting, with just a few moments of chromaticism or diatonic dissonance to point up the sense of nostalgia, and vocal lines that you can pour your heart into.Vocal Ranges:Tenor: E4 - E5Lead: C#3 - D5Bari: B3 - B4Bass: E3 - A4N.B. This arrangement is notated in treble and bass alta (i.e. sounding one octave higher than written) clefs.The price includes permission to make four copies (one for each part)www.HelpingYouHarmonise.com
$16.99
Angels, We Call Them Mothers Down Here
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Chorale SSAA
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INTERMÉDIAIRE
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Contemporain
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Bert Kalmar and Harry Ruby
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Rebecca J
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Angels, We Call Them Mothers D
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Rebecca J. Wood
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.996562 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebec...
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Choral Choir (SSAA) - Level 3 - SKU: A0.996562 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324809. Published by Rebecca J. Wood (A0.996562). Hear 30 second clip beginning at measure 1. Arrangement about 1 min 30 secs performance time. I love this little child/mother song. If one keeps the title Angels, the surprise ending will be kept to the end. Lovely harmonies and emotions, with the climax at m 52 followed by the surprise ending.Milk this little song for all it's worth. My heart swells just for going through it in my head!! Feedback would be appreciated. After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song. After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here. Such a tear-jerker, I think!!
$12.99
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I Just Love You
