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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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I Think Of You
Non classifié
207
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237
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107
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63
Orgue
18
Piano Facile
16
Instruments en Do
11
Piano grosses notes
9
2 Pianos, 4 mains
8
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4
+ 4 instrumentations
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18
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17
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15
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7
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2
3 Guitares (trio)
1
Mandoline
1
Paroles et Accords
1
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Chorale SATB
53
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22
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17
Chorale SSAA
9
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7
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Chorale SSATTB
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Voix duo
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Voix Mezzo-Soprano, Piano
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21
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17
Ensemble de saxophones
15
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12
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10
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8
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8
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7
Saxophone (partie séparée)
7
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Alto et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Ensemble de Flûtes
6
Saxophone Tenor
6
Quatuor de Saxophones: 4 saxophones
5
Saxophone Alto
5
Clarinette et Piano
4
Clarinette
4
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2
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2
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1
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Cornemuse
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Cor anglais, Piano
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Flute (partie séparée)
1
Saxophone et Orgue
1
Clarinette Basse, Piano
1
3 Clarinettes (trio)
1
+ 26 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
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14
Ensemble de Trompettes
9
Ensemble de Trombones
8
Trompette
6
Trompette (partie séparée)
4
Trombone et Piano
4
Trombone (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor et Piano
3
Trompette, Piano
3
Trombone
3
Tuba
2
Quatuor de Cuivres
1
Tuba et Piano
1
Quatuor de cuivres: 4 cors
1
Euphonium, Piano (duo)
1
2 Euphoniums et 2 Tubas
1
Euphonium
1
Ensemble de Cors
1
3 Trombones (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
+ 19 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon
10
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10
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6
Ensemble de Violons
5
Harpe
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4
Trio à Cordes: violon, alto, violoncelle
3
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Piano
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Piano
2
2 Altos (duo)
2
2 Harpes (duo)
2
Violon, Violoncelle (duo)
1
2 Violons (duo)
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violoncelles (duo)
1
Trio à cordes: 3 altos
1
Harpe, Voix
1
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46
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19
Orchestre
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Orchestre à Cordes
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Orchestre de chambre
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Batterie
7
Jazz combo
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Fanfare
3
Cloches
1
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Crtitères actifs :
I Think Of You
Chorale SSAA
Partitions à imprimer
9 partitions trouvées
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1
When I Think Of Christmas
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Chorale SSAA
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INTERMÉDIAIRE
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Amy Lee Grant, Jason Ingram, a
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Christopher Santanelli
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When I Think Of Christmas
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Christopher Santanelli
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1508301 Composed by Amy Lee Grant, Jason Ingram, and Matt Maher. Arranged by Christopher Santanelli....
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1508301 Composed by Amy Lee Grant, Jason Ingram, and Matt Maher. Arranged by Christopher Santanelli. Advent,Christmas,Holiday. 8 pages. Christopher Santanelli #1083598. Published by Christopher Santanelli (A0.1508301). Fresh off the newest Christmas album from Vince Gill and Amy Grant, this piece has been given a new arrangement for SSAA voices, piano, and an optional string quartet. Equally appropriate for school/community concerts or church performances, this setting is sure to be a beautiful addition to your holiday repertoire!
$3.00
To Make You Feel My Love
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Chorale SSAA
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INTERMÉDIAIRE
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Rock
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Billy Joel
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Liz Garnett
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To Make You Feel My Love
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856152 By Billy Joel. By Bob Dylan. Arranged by Liz Garnett. Rock. Octavo. 4 pages. Liz Garnett #3593807. Publis...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856152 By Billy Joel. By Bob Dylan. Arranged by Liz Garnett. Rock. Octavo. 4 pages. Liz Garnett #3593807. Published by Liz Garnett (A0.856152). This ballad is I think the only song by a Nobel Laureate that I have arranged . It is in many ways, both melodically and lyrically, a simple and classic declaration of love, but manages to typify the genre without losing any sense of freshness. This is archetypal human experience, felt authentically.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges:Tenor: F4 - D flat 5Lead: B3 - C5Bari: C4 - A flat 4Bass: E flat 3 - E flat 4www.HelpingYouHarmonise.com
$2.99
Winter Song
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Ingrid Michaelson and Sara Bar
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Kevin Bruce Weed
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Winter Song
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Kevin Bruce Weed
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.894634 Composed by Ingrid Michaelson and Sara Bareilles. Arranged by Kevin Bruce Weed. A Cappella. Octavo. 9 pag...
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Choral Choir (SSAA) - Level 4 - SKU: A0.894634 Composed by Ingrid Michaelson and Sara Bareilles. Arranged by Kevin Bruce Weed. A Cappella. Octavo. 9 pages. Kevin Bruce Weed #6610293. Published by Kevin Bruce Weed (A0.894634). Christmas, winter, peace.High school girls love this quiet, peaceful song. It is a song of simple, sincere friendship; wintry, without religion or silliness. This a capella arrangement for SSAA choir closely follows the original recording by Sara and Sara Bareilles and Ingrid Michaelson https://youtu.be/UkOKCWDJ4iA. But I put it in a key I think works better for SSAA.It includes divisi sections so you will want 8 voices at least.Here is a piano cover, in the original key.https://youtu.be/Zt-eFcvpMP0
$1.99
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. A...
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Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
A Dance in Triple Time
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Chorale SSAA
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FACILE
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Anastaso Rossi
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Anastaso Rossi
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A Dance in Triple Time
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Anastasio Rossi
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1239660 Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. ...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1239660 Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. 3 pages. Anastasio Rossi #835039. Published by Anastasio Rossi (A0.1239660). Performance Notes: Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.I originally composed this piece as a little warm up ditty for the chorus, but as I worked the melody and the harmony, it  grew into just a little bit more than a warm up exercise.. Think of the story behind the music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so  handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they  float away on the wings of A Dance In Triple Time!  Anastasio Rossi May 2023Learning tracks are available at no cost from the Arranger: AAR@prodigy.net.
$2.00
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Q...
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Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$1.99
Make Believe
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jerome Kern
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Rebecca J
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Make Believe
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Rebecca J. Wood
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.996572 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #583...
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Choral Choir (SSAA) - Level 4 - SKU: A0.996572 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #5835855. Published by Rebecca J. Wood (A0.996572). Beginning in a childlike, sing-song style to set up the make-believe theme, this arrangement is full of beautiful chords and my most-often signature, a modulation. Though I hear this as a quartet arrangement, I think it can be used as a Chorus arrangement. I recommend that in the Intro, in the Bari part, where they have the repeated notes and the one note that goes up a third, keep the upper note at the same mental level as the repeated notes, so there's not a note note note note SKIP, rather note note note note skip. I know directors know that, but, I'm a control freak and love to develop the beauty of music. ALSO, at mm 11 and 19, I give the low note to the Basses, for smooth flow of voices. This is a fun piece and I hope you will try it.
$12.99
Make Believe
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jerome Kern
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Rebecca J
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Make Believe
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Rebecca J. Wood
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.996571 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #583...
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Choral Choir (SSAA) - Level 4 - SKU: A0.996571 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #5835581. Published by Rebecca J. Wood (A0.996571). Beginning in a childlike, sing-song style to set up the make-believe theme, this arrangement is full of beautiful chords and my most-often signature, a modulation. Though I hear this as a quartet arrangement, I think it can be used as a Chorus arrangement. I recommend that in the Intro, in the Bari part, where they have the repeated notes and the one note that goes up a third, keep the upper note at the same mental level as the repeated notes, so there's not a note note note note SKIP, rather note note note note skip. I know directors know that, but, I'm a control freak and love to develop the beauty of music. ALSO, at mm 11 and 19, I give the low note to the Basses, for smooth flow of voices. This is a fun piece and I hope you will try it.
$1.99
Sway (Quien Sera)
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Dean Martin
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Liz Garnett
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Sway
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856158 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Liz Garnett. Jazz. O...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856158 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Liz Garnett. Jazz. Octavo. 5 pages. Liz Garnett #3664791. Published by Liz Garnett (A0.856158). I had been listening to the Shaft version of this song since 1999, thinking 'ooh that dance tune would arrange a treat' when I eventually realised (somewhere around 2005) that it was a Dean Martin classic from the 1950s, and its arrange-ability suddenly became much less surprising. This version starts with a mysterious opening, then the rhythm gradually insinuates itself into your blood. It is moderately demanding vocally, but then the song itself demands a certain degree of panache and sexual bravado from its performers.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges: Tenor: E#4 - F#5Lead: Fx3 - D#5Bari: A flat 3 - C#4Bass: F3 - A4www.HelpingYouHarmonise.com
$2.99
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I Think Of You
