It is impossible to sing Katrina and the Waves' classic without feeling cheerful and optimistic. This short arrangement was written to be learned in an afternoon at a workshop mixing experienced and novice singers, and so keeps the parts relatively simple and the ranges not too extended. It gains interest through textural changes and handing the melody around between different parts.

The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).

Vocal Ranges:

Tenor: F4 - D5
Lead: B flat 3 - B flat 4
Bari: C4 - A 4
Bass: F3 - F4

This is a short, two-page arrangement of Meghan Trainor's cheerful and catchy defense of diversity in body-types. It was written to be workshopped, and can be learned and performed in an afternoon, and features vocal ranges accessible to relatively inexperienced singers. It starts off with the tune in unison, then split between upper and lower voices, before blossoming out into harmony, and passing the melody to the lead for the verse.

It is written in A major, as that is the key of the original, but leaves headroom to pitch it up should the voices need it.

N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.

Vocal Ranges:
Tenor: E3 - C#5
Lead: E3 - A4
Baritone: E3 - A 4
Bass: E3 - E4