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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ice off
Non classifié
4 001
Piano & claviers
Piano, Voix et Guitare
43 912
Piano, Voix
33 173
Piano Facile
8 295
Piano grosses notes
2 821
Piano seul
2 048
Ligne De Mélodie, Piano
536
Instruments en Do
352
Orgue
232
Accordéon, Voix
186
1 Piano, 4 mains
70
Piano Trio: piano, violon, violoncelle
54
Orgue, Voix
23
2 Pianos, 4 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
16
Accompagnement Piano
15
Accordéon
15
Orgue, Piano (duo)
8
Orgue, Trompette (duo)
7
Piano Quatuor: piano, 2 violons, violoncelle
4
Accordéon et Orchestre
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
2
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
9 887
Ligne De Mélodie, (Paroles) et Accords
9 262
Ukulele
2 087
Basse electrique
737
Piano, Guitare (duo)
137
Guitare
86
Banjo
38
4 Guitares (Quatuor)
11
2 Guitares (duo)
8
3 Guitares (trio)
8
2 Ukuleles
5
Mandoline
5
Guitare (partie séparée)
4
Dulcimer
3
Paroles et Accords
3
Ensemble de guitares
2
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
2 056
Chorale 3 parties
430
Voix duo, Piano
367
Voix, Guitare
219
Chorale TTBB
179
Chorale 2 parties
176
Voix Soprano, Piano
126
Chorale SSAA
119
Voix Tenor, Piano
96
Voix Alto, Piano
95
Chorale Unison
92
Chorale SATTB
85
Chorale
78
Chorale SSATBB
76
Voix Baryton, Piano
76
Voix haute
42
Voix seule
39
Voix et basse continue
31
Voix duo
23
Chorale SAATB A Cappella
20
Voix basse, Piano
19
Voix moyenne, Piano
18
Chorale SATTBB, Clavier
9
Voix basse
7
Chorale SSAATTBB
6
Voix Tenor
5
Voix Mezzo-Soprano, Piano
5
Voix Soprano
4
Chorale SSAB a cappella
1
Chorale SSATB
1
+ 25 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
422
Flûte traversière et Piano
394
Clarinette et Piano
382
Saxophone Alto et Piano
307
Saxophone Tenor et Piano
286
2 Saxophones (duo)
227
Quatuor de Saxophones: 4 saxophones
195
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
180
Clarinette
154
Flûte traversière
148
Saxophone Soprano et Piano
135
Saxophone Alto
133
2 Flûtes traversières (duo)
129
Quintette de Saxophone: 5 saxophones
119
Flûte, Hautbois, Clarinette, Basson
117
Harmonica
88
Saxophone Tenor
88
3 Saxophones (trio)
70
Saxophone Baryton, Piano
67
Saxophone (partie séparée)
66
2 Clarinettes (duo)
64
Quatuor de Clarinettes: 4 clarinettes
58
Hautbois
58
Hautbois (partie séparée)
55
2 Flûtes traversières, Piano
53
Saxophone Soprano
49
Saxophone Baryton
47
2 Hautbois (duo)
43
Quintette de Clarinettes: 5 clarinettes
36
Quatuor de Flûtes : 4 flûtes
36
Flûte, Clarinette, Piano (trio)
35
Quintette de Flûte : 5 flûtes
32
2 Flûte à bec (duo)
31
3 Clarinettes (trio)
30
Hautbois, Basson (duo)
28
Clarinette, Violon (duo)
25
Flûte, Violon et Violoncelle
25
2 Clarinettes, Piano
24
Flûte, Violoncelle, Piano (trio)
23
Flûte, trombone et piano
23
Trio de Flûtes: 3 flûtes
23
Clarinette, Violoncelle, Piano (trio)
23
Ensemble de Clarinettes
22
Flûte, Clarinette et Basson
20
Saxophone
19
Flûte, Alto et Piano
19
Flûte, Violon, Piano
19
Flûte à bec Soprano
16
Flûte, Clarinette (duo)
15
Cor anglais, Piano
15
Flûte, Hautbois, Piano (trio)
15
Flûte, Trombone (duo)
13
Flûte à Bec
13
Flute (partie séparée)
13
Hautbois, Violoncelle
13
Flûte, Hautbois, Clarinette (trio)
12
Cor Anglais
11
Flûte, Violoncelle
11
Clarinette (partie séparée)
11
Ensemble de saxophones
10
Ensemble de Flûtes
10
Flûte, Basson et Piano
10
Flûte, Hautbois, Basson
9
Flûte, Violon
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Clarinette, trompette et piano
9
Clarinette, Basson (duo)
9
Flûte, Violon, Violoncelle et Piano
8
Hautbois, Clarinette (duo)
8
Clarinette Basse, Piano
8
Instruments en Mib
8
Clarinette, Violoncelle (duo)
8
Flûte à bec Tenor
7
Flûte à bec Alto
7
Ensemble De Flûte à bec
6
Hautbois, violon (duo)
6
Hautbois et alto (duo)
6
Flûte, Alto (duo)
6
Quatuor de Flûtes à bec
5
Clarinette et Alto
5
Flûte, Violoncelle, Guitare
5
2 Saxophones, Piano
4
Clarinette, Alto et Piano (trio)
4
Flûte et Guitare
4
Clarinette, Basson, Piano (trio)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Saxophone, Clarinette (duo)
3
Flûte, Hautbois (duo)
3
Clarinette, Harpe (duo)
2
5 Flûtes à bec
2
Flûte, Violon, Guitare
2
Clarinette, Contrebasse (duo)
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Trombone (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
Piccolo
2
Clarinette Basse
2
Clarinette, Guitare (duo)
2
2 Clarinettes, Basson
1
Flûte à Bec, Piano
1
Flûte irlandaise
1
Clarinette, Saxophone, Piano
1
Hautbois, Basson et Piano
1
Hautbois, Violon, Piano
1
Clarinette, Tuba
1
Flûte et Quatuor à Cordes
1
Flûte et Trio à cordes
1
Flûte, Saxophone (duo)
1
Hautbois, trombone (duo)
1
Hautbois, Violoncelle et Piano
1
Hautbois, Trompette (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Hautbois, Harpe
1
Flûte, Hautbois, Violon
1
Flûte, Clarinette, Violon (trio)
1
+ 112 instrumentations
Retracter
Cuivres
Trombone et Piano
354
Trompette, Piano
260
Trompette
245
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
191
Cor et Piano
137
Trombone
127
Quatuor de Cuivres: 2 trompettes, Cor, trombone
119
Cor
114
Tuba et Piano
90
Tuba
86
Quatuor de Cuivres : 2 trompettes, trombone, tuba
66
2 Trompettes (duo)
57
2 Trombones (duo)
52
2 Cors (duo)
50
Trompette (partie séparée)
44
Trompette, Trombone (duo)
36
Quatuor de cuivres: 4 trombones
28
Quatuor de Cuivres
25
Ensemble de Trombones
24
Trombone (partie séparée)
21
2 Tubas (duo)
20
Trompette, Violoncelle et Piano
19
Quatuor de cuivres: 4 trompettes
18
Trio de Cuivres
15
Cor anglais, Piano
15
Cor Anglais
11
Quatuor de cuivres: 4 cors
10
Bass Clef Instruments
10
Cor (partie séparée)
9
Euphonium, Piano (duo)
9
Instruments en Sib
9
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Ensemble de Trompettes
6
3 Trombones (trio)
6
Euphonium
5
3 Trompettes (trio)
5
Trompette, Trombone, Piano
4
Cor, Violoncelle (duo)
4
Trompette, Violoncelle (duo)
4
2 Euphoniums et 2 Tubas
3
Trompette, Cor (duo)
3
Tuba (partie séparée)
3
Cor et Basson (duo)
3
Trombone basse et Piano
3
Trombone, Cor (duo)
3
2 Euphoniums (duo)
2
Trompette, Saxophone (duo)
2
Tuba et Orgue
2
4 Tubas
2
Instruments en Fa
2
3 Cors (trio)
1
Cor, Violoncelle et Piano
1
Trompette, Basson (duo)
1
3 Tubas (trio)
1
Ensemble de Tubas
1
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
512
Violon et Piano
473
Alto, Piano
395
Violon
376
Violoncelle, Piano
348
Violon, Violoncelle (duo)
278
Trio à Cordes: violon, alto, violoncelle
261
Violoncelle
163
Quintette à cordes: 2 violons, alto, violoncelle, basse
158
Alto seul
136
2 Violons (duo)
93
Contre Basse
84
Contrebasse, Piano (duo)
75
2 Violoncelles (duo)
69
2 Altos (duo)
48
Violon, Alto (duo)
42
Trio à Cordes: 2 violons, violoncelle
41
Alto (partie séparée)
35
Harpe
28
Trio à cordes: 3 violins
24
4 Violoncelles
21
Alto, Violoncelle (duo)
20
2 Contrebasses (duo)
20
Quatuor à cordes: 4 violons
16
Violon, Clarinette, Piano (trio)
14
Piano Trio: Violon, Alto, Piano
13
Violon (partie séparée)
12
Harpe, Flûte (duo)
12
Trio à Cordes: 3 violoncelles
11
Trio à cordes
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Harpe, Violon (duo)
9
Violon, Basson (duo)
9
Contrebasse (partie séparée)
6
Alto et Harpe
6
Violon, Guitare (duo)
6
Harpe, Violoncelle (duo)
6
Alto et Basson
5
Trio à Cordes: 2 violons, alto
5
Violoncelle, Contrebasse (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Ensemble de Violons
4
Harpe, Voix
4
Flûte, Contrebasse (duo)
4
Harpe, Violon, Violoncelle
3
Violoncelle (partie séparée)
3
Alto, Guitare (duo)
3
Trio à cordes: 3 altos
2
Violon, Trompette et Piano
2
Violoncelle , Guitare (duo)
2
Ensemble de Violoncelles
2
2 Violons, Piano
1
2 Harpes (duo)
1
Violon, Violoncelle, Clarinette
1
Ensemble d'Altos
1
4 Harpes
1
2 Violoncelles, Piano
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
280
Orchestre à Cordes
182
Ensemble Jazz
148
Orchestre
134
Cloches
81
Fanfare
66
Ensemble de cuivres
48
Orchestre de chambre
21
Ensemble de Percussions
14
Jazz combo
13
Xylophone
9
Marimba
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Batterie
6
Percussion (partie séparée)
5
2 Xylophones
4
Quintette de Cuivres: autres combinaisons
2
Xylophone, Piano
2
Piano et Orchestre
1
Timbales (partie séparée)
1
Ensemble d'École
1
Quintette à Vent
1
Vibraphone
1
Batterie (partie séparée)
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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Partitions Numériques
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Librairie Musicale
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Ice off
Chorale SSAA
Partitions à imprimer
119 partitions trouvées
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101
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
#
INTERMÉDIAIRE
#
Adrienne Inglis
#
La ciudad sumergida
#
Adrienne Inglis
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
Can't Take My Eyes Off Of You
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Frankie Valli
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Kay Bromert
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Can't Take My Eyes Off Of You
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Kay Bromert
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.726993 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Kay Bromert. A Cappella,Rock. Octavo. 5 pages....
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Choral Choir (SSAA) - Level 4 - SKU: A0.726993 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Kay Bromert. A Cappella,Rock. Octavo. 5 pages. Kay Bromert #4297895. Published by Kay Bromert (A0.726993). Swing tune as done by Frankie Valli, low voice rhythmic counter melody, melody moves to different voices, arranged in C Major with key change to Db major, SSAA, A Cappella, barbershop chorus style arrangement, 5 pages.
$1.99
Price Is Right - Opening Theme
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Chorale SSAA
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INTERMÉDIAIRE
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Edward Kalehoff
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Katy Stevens
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Price Is Right - Opening Theme
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Katy Stevens
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1201445 Composed by Edward Kalehoff. Arranged by Katy Stevens. A Cappella,Barbershop,Pop. Octavo. 1 pages. Katy ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1201445 Composed by Edward Kalehoff. Arranged by Katy Stevens. A Cappella,Barbershop,Pop. Octavo. 1 pages. Katy Stevens #800070. Published by Katy Stevens (A0.1201445). Treble barbershop for chorus (tenor melody).
$1.99
Lift Every Voice and Sing
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Chorale SSAA
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Musique Sacrée
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Craig Courtney
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Lift Every Voice and Sing
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SSAA choir, Solo, Piano; Optional Instrumental Parts - SKU: LX.10-5132L Arranged by Craig Courtney. With Optional Instrumental Parts. Sacred Anthem, All...
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SSAA choir, Solo, Piano; Optional Instrumental Parts - SKU: LX.10-5132L Arranged by Craig Courtney. With Optional Instrumental Parts. Sacred Anthem, All Saints' Day, General, Patriotic, Reformation. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5132L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5132L). ISBN 9780787760540.After opening with a deeply reflective solo, this offering from Craig Courtney turns into a boisterous gospel anthem. Independent parts are used in this arrangement, and some optional a cappella singing is also present. Add the optional instrumental ensemble by Mark Hayes for a true gospel feel.
$2.50
The Gods Love Nubia
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Elton John and Tim Rice
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Andrew M
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The Gods Love Nubia
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Andrew M. Wallace
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1376539 Composed by Elton John and Tim Rice. Arranged by Andrew M. Wallace. 21st Century,A Cappella,Broad...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1376539 Composed by Elton John and Tim Rice. Arranged by Andrew M. Wallace. 21st Century,A Cappella,Broadway,Contemporary,Contest,Festival,Musical/Show. 9 pages. Andrew M. Wallace #961068. Published by Andrew M. Wallace (A0.1376539). Embark on a musical journey with the rousing and stirring ballad The Gods Love Nubia from the renowned musical Aida by Elton John and Tim Rice, now available in this SSAA a cappella arrangement. This spectacular and challenging number is perfect for advanced treble or a cappella ensembles seeking a powerful showcase piece.Key Features: SSAA A Cappella Arrangement: Crafted for soprano and alto voices, offering a harmonically rich and dynamic presentation without instrumental accompaniment. Rousing and Stirring Ballad: Immerse yourself in the emotional depth and grandeur of The Gods Love Nubia, a song that resonates with themes of strength, hope, and resilience. Ideal for Advanced Treble Ensembles: Suitable for skilled treble choirs or a cappella groups looking to push their boundaries and deliver a standout performance.
$3.99
Between The Lines
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Chorale SSAA
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INTERMÉDIAIRE
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Sara Bareilles
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Andrew M
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Between The Lines
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Andrew M. Wallace
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1379054 By Sara Bareilles. By Sara Bareilles. Arranged by Andrew M. Wallace. 21st Century,A Cappella,Pop,...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1379054 By Sara Bareilles. By Sara Bareilles. Arranged by Andrew M. Wallace. 21st Century,A Cappella,Pop,Singer/Songwriter. 12 pages. Andrew M. Wallace #963766. Published by Andrew M. Wallace (A0.1379054). Delve into the soulful melodies of Between The Lines by Sara Bareilles with this SSAA a cappella arrangement, featuring a standout soloist or soloists. This captivating piece is tailored for treble voices, offering a harmonically rich and expressive rendition that is sure to leave a lasting impression.Key Features: SSAA A Cappella Arrangement: Crafted specifically for soprano and alto voices, providing a lush and dynamic presentation without instrumental accompaniment. Requiring low range alto. Soulful and Expressive: Immerse yourself in the emotional depth and heartfelt lyrics of Between The Lines, a song that captures the complexities of human relationships with sensitivity and grace. Featured Soloist: Highlight the talent of a standout soloist with opportunities for vocal expression and interpretation, adding depth and nuance to the performance.
$3.99
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. A...
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Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
Taylor, The Latte Boy
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Kristin Chenoweth
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Andrew M
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Taylor, The Latte Boy
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Andrew M. Wallace
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1376502 By Kristin Chenoweth. By Marcy Heisler and Zina Goldrich. Arranged by Andrew M. Wallace. 21st Cen...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1376502 By Kristin Chenoweth. By Marcy Heisler and Zina Goldrich. Arranged by Andrew M. Wallace. 21st Century,A Cappella,Broadway,Contemporary,Musical/Show. 9 pages. Andrew M. Wallace #961030. Published by Andrew M. Wallace (A0.1376502). Indulge in the playful and flirtatious charm of Taylor, the Latte Boy with this SSAA a cappella arrangement. Tailored for an advanced treble ensemble or a cappella group, this delightful piece captures the essence of a whimsical romantic encounter. With its upbeat tempo and clever lyrics, Taylor, the Latte Boy is the perfect addition to any repertoire seeking a fun and engaging performance.Key Features: SSAA A Cappella Arrangement: Designed for soprano and alto voices, offering a harmonically rich and vibrant presentation without instrumental accompaniment. Playful and Flirtatious: Immerse yourself in the lighthearted banter and flirtatious exchanges of Taylor, the Latte Boy, a song that sparkles with charm and wit. Ideal for Advanced Treble Ensembles: Suitable for skilled treble choirs or a cappella groups looking to showcase their musicality and vocal precision.
$3.99
Hark, I Hear the Harps Eternal - 5 Prints by Alice Parker - SSAA Choir + Piano
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Chorale SSAA
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Alice Parker
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Hark, I Hear the Harps Eternal
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Musicnotes
Performed by: Alice Parker: Hark, I Hear the Harps Eternal Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital she...
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Performed by: Alice Parker: Hark, I Hear the Harps Eternal Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: SSAA Choir + Piano, instruments: SSAA Choir;Piano; 8 pages -- Sacred~~Hymn~~Choral~~Spiritual~~Church
$2.25
Bellas Finals: Price Tag / Don't You (Forget About Me) / Give Me Everything - 10 Prints from Pitch Perfect - SSAA Choir + Piano
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Chorale SSAA
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Bellas Finals: Price Tag / Don
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Musicnotes
Performed by: The Barden Bellas: Bellas Finals: Price Tag / Don't You (Forget About Me) / Give Me Everything Digital Sheetmusic - instantly downloadable sh...
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Performed by: The Barden Bellas: Bellas Finals: Price Tag / Don't You (Forget About Me) / Give Me Everything Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: SSAA Choir + Piano, instruments: SSAA Choir;Piano Accompaniment; 18 pages -- Choral~~A cappella~~R & B~~Soundtrack~~Pop Rock~~Pop~~Movie/TV
$2.65
Bellas Finals: Price Tag / Don't You (Forget About Me) / Give Me Everything - 10 Prints from Pitch Perfect - SSAA Choir A Cappella
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Chorale SSAA
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Bellas Finals: Price Tag / Don
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Musicnotes
Performed by: The Barden Bellas: Bellas Finals: Price Tag / Don't You (Forget About Me) / Give Me Everything Digital Sheetmusic - instantly downloadable sh...
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Performed by: The Barden Bellas: Bellas Finals: Price Tag / Don't You (Forget About Me) / Give Me Everything Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: SSAA Choir A Cappella, instruments: SSAA Choir; 21 pages -- A cappella~~Pop Rock~~R & B~~Soundtrack~~Pop~~Choral~~Movie/TV
$2.65
Rise Like A Phoenix
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Chorale SSAA
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INTERMÉDIAIRE
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Ali Zuckowski, Charlie Mason,
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Erica Kelch-Slesnick
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Rise Like A Phoenix
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Erica Kelch-Slesnick
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1136857 Composed by Ali Zuckowski, Charlie Mason, Conchita Wurst, Joey Patulka, and Julian Maas. Arranged by Eri...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1136857 Composed by Ali Zuckowski, Charlie Mason, Conchita Wurst, Joey Patulka, and Julian Maas. Arranged by Erica Kelch-Slesnick. A Cappella,Barbershop,Contemporary,Multicultural,Pop,World. Octavo. 8 pages. Erica Kelch-Slesnick #736846. Published by Erica Kelch-Slesnick (A0.1136857). This arragement, originally written for and sung by the Blue Phoenix quartet, is designed for a group to have fun featuring its different voice parts taking the melody at times. The beautiful song, similar to its lyrics, was at first rejected by all of the major Austrian record labels before the composers presented it to the Austrian Eurovision team. Performed by Conchita Wurst, it ended up winning the Eurovision Song Contest in 2014, and became a #1 hit in Austria that same year. Like the phoenix bird, it was burned, then rose from the ashes into a viable force to be reckoned with. Since then, it has become a popular song to feature solo/karaoke singers. It now can do the same for your 4-part harmony group. Show off your wonderful voices with this dramatic piece! Learning tracks by Kim Newcomb are available from New Voice Studio (https://newvoice.studio/).
$2.99
(you Make Me Feel Like) A Natural Woman
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Celine Dion
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Lizzie Simms
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(you Make Me Feel Like) A Natu
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Lizzie Simms
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.999658 By Celine Dion. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Lizzie Simms. A Cappella. Oct...
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Choral Choir (SSAA) - Level 4 - SKU: A0.999658 By Celine Dion. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Lizzie Simms. A Cappella. Octavo. 18 pages. Lizzie Simms #5999493. Published by Lizzie Simms (A0.999658). A unique arrangement that shows off all the voices in your ensemble. Suitable for an all-female a cappella group or can be adapted to a choir situation doubling up parts and adding piano accompaniment to simplify.
$16.99
Do As You Will
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Alan Wagstaff
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Alan Wagstaff
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Do As You Will
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Alan Wagstaff
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45 pages. Alan Wagstaff #639233. Published by Alan Wagstaff (A0.1040536). 'Do As You Will' is a folksy, Celtic feel choral song arranged for SSAA -with harp, flute, fiddle, and accordion accompaniment. Its shifting tonality adds complexity. The lyric is female point of view: Do As You Will Once I had a soldier lad who swore he’d love me truly. Ah! But now those days are gone! When the battle raged he turned his heel and followed duly. I gave him the salute and soldiered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Then I loved a farmer’s son whose trinkets were his kisses. Ah! But now those days are gone! But on the road to market he had scores of narrow misses. I tossed him out for chaff and ploughed straight on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Next I had a blacksmith who was swarthy, dark, and handsome. Ah! But now those days are gone! He stole away my store of coin and ran off with the ransom. I hope he finds the fires! I’m forging on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Jack the Tinker courted me, and he was ever willing. Ah! But now those days are gone! Everywhere he plied his trade he fell to Jack and Jilling. I rattled his old pans and wandered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. There’s no faith in any man, not even my own brother. Ah! But would those days were gone! Girls, if you but would, or can, you’d best love one another and leave them all behind and carry on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will.
$20.00
A Beautiful Noise
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Chorale SSAA
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INTERMÉDIAIRE
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Alicia Keys & Brandi Carlile
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Jocelyn Scofield
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A Beautiful Noise
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Bilsco Music
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1355936 By Alicia Keys & Brandi Carlile. By Alicia Augello-Cook, Brandi Carlile, Brandy Clark, Hailey Whi...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1355936 By Alicia Keys & Brandi Carlile. By Alicia Augello-Cook, Brandi Carlile, Brandy Clark, Hailey Whitters, Hillary Lindsey, Linda Perry, Lori McKenna, and Ruby Amanfu. Arranged by Jocelyn Scofield. Pop,Singer/Songwriter. 15 pages. Bilsco Music #940641. Published by Bilsco Music (A0.1355936). Immerse yourself in the SSAA choral adaptation of A Beautiful Noise, a song with a univsersal message of personal responsibility and justice advocacy. Skillfully arranged by Jocelyn Scofield, this arrangement offers an expanded musical experience that resonates with its powerful themes. Maintaining the spirit of the original, this four-part arrangment introduces distinct elements, including a poignant a cappella third verse with a slowed tempo and an additional chorus precedes an extended ending that echoes the empowering lines, Now we have a choice, 'cause I have a voice.This arrangement would be a good fit for intermediate to advanced women's choirs.
$2.00
Candy Cane Lane
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Chorale SSAA
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AVANCÉ
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Sia
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Rowena Harper
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Candy Cane Lane
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Rowena Harper
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SheetMusicPlus
Voice (SSAA) - Level 5 - SKU: A0.762502 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 13 pa...
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Voice (SSAA) - Level 5 - SKU: A0.762502 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 13 pages. Rowena Harper #5711721. Published by Rowena Harper (A0.762502). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the basses. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the baritones noodle around them, concluding with a very jazzy, very christmassy baritone solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Range (Lowest-Highest): Bass E-E, Baritone C-D, Lead C-D, Tenor G#-F.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.
$15.95
September
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Earth Wind and Fire
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Alex Van den Broek
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Fire
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September
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Alexandra Van den Broek
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.779428 By Earth Wind and Fire. By Al McKay, Allee Willis, and Maurice White. Arranged by Alex Van den Broek. A C...
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Choral Choir (SSAA) - Level 4 - SKU: A0.779428 By Earth Wind and Fire. By Al McKay, Allee Willis, and Maurice White. Arranged by Alex Van den Broek. A Cappella,R & B. Octavo. 14 pages. Alexandra Van den Broek #6062521. Published by Alexandra Van den Broek (A0.779428). A fun and energetic SSAA + VP a cappella arrangement of September by Earth, Wind & Fire. There's plenty of opportunities to show off multiple soloists in your group with this one. Also includes a fun little half time break down in the middle that could also be a chance to show off your vocal percussionist should you wish.
$1.99
A Dance in Triple Time
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Chorale SSAA
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FACILE
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Anastaso Rossi
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Anastaso Rossi
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A Dance in Triple Time
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Anastasio Rossi
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1239660 Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. ...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1239660 Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. 3 pages. Anastasio Rossi #835039. Published by Anastasio Rossi (A0.1239660). Performance Notes: Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.I originally composed this piece as a little warm up ditty for the chorus, but as I worked the melody and the harmony, it  grew into just a little bit more than a warm up exercise.. Think of the story behind the music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so  handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they  float away on the wings of A Dance In Triple Time!  Anastasio Rossi May 2023Learning tracks are available at no cost from the Arranger: AAR@prodigy.net.
$2.00
Vampire
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Chorale SSAA
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Contemporain
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R
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Vampire
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R. LaBanca
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SheetMusicPlus
Choral Choir (SSAA) - SKU: A0.1007507 Composed by R. LaBanca. Contemporary. Octavo. 7 pages. R. LaBanca #3416041. Published by R. LaBanca (A0.1007507). ...
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Choral Choir (SSAA) - SKU: A0.1007507 Composed by R. LaBanca. Contemporary. Octavo. 7 pages. R. LaBanca #3416041. Published by R. LaBanca (A0.1007507). This piece is based on text that I wrote several years ago. As a lover of the horror genre I have always had a fascination with the romantic creature known in modern culture as the vampire. I imagined in my mind the interaction between a mortal and an immortal creature. How would the mortal describe a romantic encounter with this creature that exists in the shadows, untouched by time? I used descriptive text to communicate the visceral details of this experience and make the listener create in their mind how the experience would have felt if they had experienced it. The encounter is intense, and painful but once it ends the narrator feels empty and only has a mysterious melody to keep as a memory. I set the text for treble voices because I felt that the close harmonies I could accomplish with voices in the same register would lend itself well to the imagery. The piece is lush and smooth when the text demands it and sharp and angular when the text calls for that sound. Once the interaction is over, the voices break off into an aleatoric section in which each voice sings the phrase Songs only bones can hear fading away into nothingness just as the text suggests the vampire moves into the velvet void.
$3.99
Kings & Queens
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Chorale SSAA
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INTERMÉDIAIRE
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Ava Max
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Andrea Markowitz Gantte
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Kings & Queens
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Andrea Markowitz Gantte
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1302975 By Ava Max. By Amanda Koci, Brett McLaughlin, Desmond Child, Henry Walter, Hillary Bernstein, Jak...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1302975 By Ava Max. By Amanda Koci, Brett McLaughlin, Desmond Child, Henry Walter, Hillary Bernstein, Jakob Erixson, Madison Love, Mimoza Blinsson, and Nadir Khayat. Arranged by Andrea Markowitz Gantte. A Cappella,Contemporary,Pop. 8 pages. Andrea Markowitz Gantte #892576. Published by Andrea Markowitz Gantte (A0.1302975). Originally sung by Ava Max. Arranged by Andrea Markowitz Gantte. This SSAA arrangement of Kings and Queens is a great choice as an opening or closing piece for your treble contemporary acapella group or choral ensemble. The divisi in this piece is SSAA, with the exception of a few moments of splitting in order to create lush chords and a powerful sound. It offers a few unique opportunities for your ensemble including a mid-range, belting solo, a trio that could be performed with any number of people on each part, depending on the size of your group, and a vocal percussion part. If you're looking for a song with a powerful statement, this is the selection for you! Enjoy!Song Duration: 2:30Interested in this song but need it voiced differently? Simplified?LIke this style of arrangement and want a song written specifically and uniquely for your group?Contact me at andreamganttemusic@gmail.com.
$2.75
Something In The Water
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Chorale SSAA
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FACILE
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Brooke Fraser and Scott Ligert
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Rowena Harper
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Something In The Water
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Rowena Harper
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.762513 Composed by Brooke Fraser and Scott Ligertwood. Arranged by Rowena Harper. A Cappella,Barbershop,Christian,Pop. ...
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Voice (SSAA) - Level 2 - SKU: A0.762513 Composed by Brooke Fraser and Scott Ligertwood. Arranged by Rowena Harper. A Cappella,Barbershop,Christian,Pop. Barbershop Quartet. 7 pages. Rowena Harper #6606281. Published by Rowena Harper (A0.762513). A really fun ear-worm by popular Kiwi singer/songwriter Brooke Fraser. With the lowest note being F#, this arrangement is perfect for younger and more mature singers, alike. Some off-beat rhythms are included to match the original song, and interest added with optional whistling and body percussion for a really modern take on this New Zealand standard. Range (Lowest-Highest): Bass F#3-D4, Baritone A3-A4, Lead A3-B4, Tenor F#4-D5.Key = GThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written. Please request SSAA by email if you require this clef format.Contact: acappellatenor@gmail.com.
$15.95
(You Make Me Feel Like) A Natural Woman
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Chorale SSAA
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INTERMÉDIAIRE
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Pop musique
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Aretha Franklin
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David Maddux
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(You Make Me Feel Like) A Natu
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David Maddux
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1506045 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by David Maddux...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1506045 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by David Maddux. Pop. 10 pages. David Maddux #1081428. Published by David Maddux (A0.1506045). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS. Immerse your choir in the soulful harmonies of Carole King's iconic Natural Woman, artfully arranged for SSAA voices. This classic tune, known for its empowering lyrics and lush melody, is reimagined to showcase the rich, resonant qualities of a women's chorus. Perfect for ensembles looking to explore themes of self-discovery and authenticity, this arrangement offers both depth and a profound connection to the listener.
$5.25
The Unbirthday Song
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Chorale SSAA
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Al Hoffman, Jerry Livingston,
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Kimberly Heilbrun
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The Unbirthday Song
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Kimberly Heilbrun
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SheetMusicPlus
Choral Choir,Choral (SSAA) - SKU: A0.1299126 Composed by Al Hoffman, Jerry Livingston, and Mack David. Arranged by Kimberly Heilbrun. Barbershop. 2 page...
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Choral Choir,Choral (SSAA) - SKU: A0.1299126 Composed by Al Hoffman, Jerry Livingston, and Mack David. Arranged by Kimberly Heilbrun. Barbershop. 2 pages. Kimberly Heilbrun #888980. Published by Kimberly Heilbrun (A0.1299126). A fun song from the movie Alice in Wonderland. It is arranged in the Barbershop style for treble voices. This pricing is for choruses. Enough copies should be purchased for each member of the chorus.
$1.99
Message In A Bottle
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Chorale SSAA
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INTERMÉDIAIRE
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Rock
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The Police
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Glenda Lloyd
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Message In A Bottle
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Glenda Lloyd
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1260607 By The Police. By Sting. Arranged by Glenda Lloyd. 20th Century,Barbershop,Reggae. Octavo. 7 pages. Glen...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1260607 By The Police. By Sting. Arranged by Glenda Lloyd. 20th Century,Barbershop,Reggae. Octavo. 7 pages. Glenda Lloyd #853800. Published by Glenda Lloyd (A0.1260607). Four part a cappella harmony in the barbershop style.This is a slightly quirky and offbeat song by The Police. The arrangement isn't difficult but an ensemble attempting it would need a solid grip on syncopated singing.Visit www.lloydsong.com to see more of my work, or see me on Facebook at https://www.facebook.com/Glenda.LloydSong/.
$1.99
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Q...
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Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$1.99
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