Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ina D
Non classifié
1 548
Piano & claviers
Piano seul
1 699
Piano, Voix
557
Piano Facile
240
Piano, Voix et Guitare
178
Orgue
123
Instruments en Do
87
Accompagnement Piano
40
1 Piano, 4 mains
37
Accordéon
27
2 Pianos, 4 mains
12
Piano Trio: piano, violon, violoncelle
10
Orgue, Trompette (duo)
9
Piano Quatuor: piano, violon, alto, violoncelle
6
Ensemble d'Accordéons
4
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
2
Piano grosses notes
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
2 Accordéons
1
+ 16 instrumentations
Retracter
Guitares
Guitare
216
Guitare notes et tablatures
145
Basse electrique
87
Ukulele
24
2 Guitares (duo)
22
4 Guitares (Quatuor)
21
Ligne De Mélodie, (Paroles) et Accords
18
3 Guitares (trio)
11
Piano, Guitare (duo)
9
Dulcimer
7
Guitare (partie séparée)
5
Mandoline
5
Ensemble de guitares
5
Paroles et Accords
4
Banjo
3
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
239
Voix seule
89
Chorale 3 parties
61
Chorale Unison
44
Chorale SSAA
43
Chorale TTBB
37
Chorale 2 parties
34
Voix haute
33
Voix Soprano, Piano
23
Voix duo, Piano
13
Voix Alto, Piano
12
Voix moyenne, Piano
12
Voix Tenor, Piano
11
Voix basse, Piano
10
Voix duo
7
Voix Baryton, Piano
6
Voix Tenor
5
Voix Mezzo-Soprano, Piano
4
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Chorale
1
Voix basse
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
204
Saxophone
158
Clarinette
143
Flûte traversière
129
Hautbois, Piano (duo)
128
Clarinette et Piano
119
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
98
Saxophone Alto et Piano
93
Saxophone Tenor et Piano
52
Quatuor de Saxophones: 4 saxophones
51
Quintette de Saxophone: 5 saxophones
50
Saxophone Alto
49
Hautbois, Clarinette, Basson (trio d'anches)
48
Flûte, Hautbois, Clarinette, Basson
45
Saxophone Soprano et Piano
44
Saxophone Tenor
43
Ensemble de saxophones
38
Flûte et Guitare
33
2 Saxophones (duo)
31
Quatuor de Clarinettes: 4 clarinettes
31
2 Flûtes traversières (duo)
31
Saxophone Baryton, Piano
26
Saxophone (partie séparée)
25
Quatuor de Flûtes : 4 flûtes
23
Ensemble de Clarinettes
22
3 Saxophones (trio)
21
Cor anglais, Piano
21
Clarinette, Guitare (duo)
18
2 Clarinettes (duo)
18
Hautbois
18
Hautbois (partie séparée)
17
Ensemble de Flûtes
16
Flûte, Clarinette (duo)
15
Trio de Flûtes: 3 flûtes
15
Clarinette Basse, Piano
14
2 Hautbois (duo)
13
Quintette de Clarinettes: 5 clarinettes
10
Saxophone, Clarinette (duo)
10
Saxophone Soprano
10
Quintette de Flûte : 5 flûtes
9
Clarinette (partie séparée)
9
Clarinette, Violon (duo)
9
3 Clarinettes (trio)
8
2 Flûte à bec (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Flûte à Bec
7
Ocarina
7
Clarinette, Trompette (duo)
6
Flûte, Violon
6
Saxophone Baryton
6
Flûte à bec Alto, Basse continue
5
Flûte à bec Soprano
5
Hautbois, Basson (duo)
5
Hautbois, Clarinette (duo)
4
Hautbois, Flûte
4
Clarinette et Alto
4
Flûte, Saxophone (duo)
4
Flute, harpe et violon
3
Quatuor de Flûtes à bec
3
3 Flûtes à bec (trio)
3
Flûte, Clarinette et Basson
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Violon, Piano
2
Flute (partie séparée)
2
Harmonica
2
Flûte à bec Alto, Piano
2
Flûte à bec Alto
2
Flûte irlandaise
2
Clarinette Basse
2
Cor anglais, Guitare (duo)
2
2 Clarinettes, Basson
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Tuba
1
Ensemble De Flûte à bec
1
Piccolo
1
Flûte, Hautbois, Basson
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon et Violoncelle
1
2 Clarinettes, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Trio à cordes
1
2 Flûtes traversières, Piano
1
Clarinette, Trombone (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte, Violoncelle
1
Ensemble de Hautbois
1
Flûte, Trombone (duo)
1
Saxophone et Orgue
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, trombone et piano
1
Flûte, Alto (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Soprano, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Flûte traversière, Basse continue
1
5 Flûtes à bec
1
Clarinette, Contrebasse (duo)
1
Piccolo, Piano
1
Flûte, Trompette (duo)
1
+ 98 instrumentations
Retracter
Cuivres
Trompette
136
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Trombone
94
Trompette, Piano
78
Cor et Piano
72
Quatuor de Cuivres : 2 trompettes, trombone, tuba
69
Trombone et Piano
67
Cor
43
Tuba et Piano
37
Tuba
24
Euphonium, Piano (duo)
23
Cor anglais, Piano
21
Trombone (partie séparée)
16
Trompette (partie séparée)
16
Quatuor de Cuivres
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Ensemble de Trombones
14
2 Trombones (duo)
11
2 Trompettes (duo)
10
Ensemble de Trompettes
9
Quatuor de cuivres: 4 trombones
9
Cor (partie séparée)
7
Quatuor de cuivres: 4 trompettes
6
Trompette, Trombone (duo)
6
Trompette, Saxophone (duo)
6
Tuba et Orgue
4
Trompette, Cor (duo)
4
4 Tubas
4
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
2 Cors (duo)
3
3 Trompettes (trio)
3
Euphonium, Tuba (duo)
2
Ensemble de Cors
2
Euphonium
2
Cor anglais, Guitare (duo)
2
2 Euphoniums et 2 Tubas
2
Tuba (partie séparée)
2
Instruments en Sib
1
3 Tubas (trio)
1
2 Tubas (duo)
1
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
3 Cors (trio)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violon et Piano
261
Violon
225
Violoncelle, Piano
126
Alto, Piano
122
Violoncelle
102
Harpe
72
Alto seul
61
Trio à Cordes: violon, alto, violoncelle
46
Violon, Violoncelle (duo)
39
Contre Basse
32
Contrebasse, Piano (duo)
31
2 Violons (duo)
31
2 Violoncelles (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Violon, Alto (duo)
23
Ensemble d'Altos
18
Violon, Guitare (duo)
13
Alto (partie séparée)
11
Trio à Cordes: 2 violons, violoncelle
10
2 Altos (duo)
10
2 Harpes (duo)
9
4 Violoncelles
9
Violon (partie séparée)
9
Trio à cordes
9
Alto, Violoncelle (duo)
8
Violoncelle , Guitare (duo)
8
Ensemble de Violons
6
Alto, Guitare (duo)
6
Contrebasse (partie séparée)
6
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
3
Violoncelle (partie séparée)
2
Quatuor à cordes : 4 altos
2
Violon, Orgue
2
Violon, Basson (duo)
2
2 Violoncelles, Piano
2
Piano Trio: Violon, Alto, Piano
2
Violon, Basse continue
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Quatuor à cordes: 4 violons
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe et Orgue
1
Violoncelle, Orgue
1
Flûte, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Harpe, Voix
1
Ensemble de Violoncelles
1
4 Harpes
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
5 808
Orchestre à Cordes
164
Orchestre
156
Ensemble Jazz
66
Batterie
62
Orchestre de chambre
62
Ensemble de cuivres
59
Cloches
17
Jazz combo
9
Quintette de Cuivres: autres combinaisons
6
Percussion (partie séparée)
5
Batterie (partie séparée)
2
Ensemble de Percussions
2
Fanfare
2
Orchestre, Violon
1
Ensemble d'École
1
Marimba
1
Timbales (partie séparée)
1
Percussion
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Piano et Orchestre
1
3 Percussions
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
43
Librairie Musicale
7
Matériel de Musique
7 708
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Ina D
Chorale SSAA
Partitions à imprimer
43 partitions trouvées
<
1
26
El día que me quieras
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Carlos Gardel & Alfredo Le Per
#
El día que me quieras
#
Vicente
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1140362 Composed by Carlos Gardel & Alfredo Le Pera. Arranged by Vicente Umpiérrez Sánchez. A Cappella,Cla...
(+)
Choral Choir (SSAA) - Level 4 - SKU: A0.1140362 Composed by Carlos Gardel & Alfredo Le Pera. Arranged by Vicente Umpiérrez Sánchez. A Cappella,Classical,Contemporary. Octavo. 11 pages. Vicente #740619. Published by Vicente (A0.1140362). Arreglo coral a cuatro voces femeninas.
$9.99
A Little Respect
#
Chorale SSAA
#
FACILE
#
Erasure
#
Rebecca (Boo) de Bruin
#
A Little Respect
#
Rebecca de Bruin
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,P...
(+)
Choral Choir (SSAA) - Level 2 - SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
$1.99
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Adrienne Inglis
#
La ciudad sumergida
#
Adrienne Inglis
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
(+)
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
The Call
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Regina Spektor
#
Julian Hay
#
The Call
#
Julian Hay
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1282948 By Regina Spektor. By Regina Spektor. Arranged by Julian Hay. A Cappella,Children,Contemporary,Film/TV,P...
(+)
Choral Choir (SSAA) - Level 4 - SKU: A0.1282948 By Regina Spektor. By Regina Spektor. Arranged by Julian Hay. A Cappella,Children,Contemporary,Film/TV,Pop. Octavo. 4 pages. Julian Hay #874221. Published by Julian Hay (A0.1282948). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy, for our Junior Squad Vocal Band. It is a sentimental and heart warming song, with lots of variety and opportunity for expression. The arrangement is also suitable for SSAT, and can be sung in a lower key if necessary. VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Mmm's / Dmm's, etc).PERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E.  hello@voicesco.nzW.  www.voicesco.nz.
$2.99
Build Me Up, Buttercup
#
Chorale SSAA
#
INTERMÉDIAIRE
#
The Foundations
#
Julia Holmber
#
Build Me Up, Buttercup
#
Julia Holmber
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1440294 By The Foundations. By Michael D'Abo and Tony MacAuley. Arranged by Julia Holmber. A Cappell...
(+)
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1440294 By The Foundations. By Michael D'Abo and Tony MacAuley. Arranged by Julia Holmber. A Cappella,Comedy,Pop,R & B,Soul. 5 pages. Julia Holmber #1020244. Published by Julia Holmber (A0.1440294). Transport your audience to the iconic sounds of the 1960s with this one-of-a-kind, world's first female a cappella arrangement of Build Me Up, Buttercup - exclusively tailored for women's voices.Whether you're seeking fresh repertoire for competitions, concerts, or just crackling vocal warmups, this digital vocal score is a must-have addition to your a cappella sheet music collection.From the upbeat opening riffs to the unbelievably tight harmonic weaving, every element embraces the quintessential 60s girl-group vibe. But this is no ordinary oldies cover - luxuriate in brand new lyrics seamlessly adapted for female singers.Combining vintage flair with a distinctly modern feminist twist, the arrangement spins the original's playful romantic banter into an empowering celebration of friendship and self-worth. You'll be utterly captivated by the interplay of soaring sopranos, rich altos, and every part in between.Each measure brims with infectious energy and unbridled joie de vivre. The call-and-response sections will have your choir bubbling with banter, while the retro-draped chord progressions set toes tapping. Prepare for nostalgic bliss!Don't miss your chance to buy this premium-quality digital vocal arrangement crafted by a true master of a cappella artistry. Secure your copy now of the world's first '60s pop hit Build Me Up, Buttercup reimagined for the modern women's choir!
$3.50
I Will Survive
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Gloria Gaynor
#
Liz Garnett
#
I Will Survive
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856163 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Liz Garnett. Disco. Octavo. 10 pag...
(+)
Choral Choir (SSAA) - Level 4 - SKU: A0.856163 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Liz Garnett. Disco. Octavo. 10 pages. Liz Garnett #3866269. Published by Liz Garnett (A0.856163). A familiar song as you’ve never heard it before.Forget the disco beat, said my friend Judith, and give it a folk or a gospel feel. This apparently impossible arrangement brief turned into an epic and inexorable journey from fragility to strength. It needs both vocal and emotional stamina, but once you can sing it, you feel like you rule the world.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: E4 - F5Lead: D4 - D flat 5Bari: F3 - B flat 4Bass: E flat 3 - A flat 4www.HelpingYouHarmonise.com
$2.99
Sway (Quien Sera)
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Dean Martin
#
Liz Garnett
#
Sway
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856158 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Liz Garnett. Jazz. O...
(+)
Choral Choir (SSAA) - Level 4 - SKU: A0.856158 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Liz Garnett. Jazz. Octavo. 5 pages. Liz Garnett #3664791. Published by Liz Garnett (A0.856158). I had been listening to the Shaft version of this song since 1999, thinking 'ooh that dance tune would arrange a treat' when I eventually realised (somewhere around 2005) that it was a Dean Martin classic from the 1950s, and its arrange-ability suddenly became much less surprising. This version starts with a mysterious opening, then the rhythm gradually insinuates itself into your blood. It is moderately demanding vocally, but then the song itself demands a certain degree of panache and sexual bravado from its performers.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges: Tenor: E#4 - F#5Lead: Fx3 - D#5Bari: A flat 3 - C#4Bass: F3 - A4www.HelpingYouHarmonise.com
$2.99
Look For The Light
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Benj Pasek, Justin Paul, and S
#
Gabriel Lawson
#
Look For The Light
#
Gabriel Lawson
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1287265 Composed by Benj Pasek, Justin Paul, and Sara Bareilles. Arranged by Gabriel Lawson. 21st Century...
(+)
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1287265 Composed by Benj Pasek, Justin Paul, and Sara Bareilles. Arranged by Gabriel Lawson. 21st Century,Contemporary,Film/TV. 9 pages. Gabriel Lawson #878281. Published by Gabriel Lawson (A0.1287265). “Look for the Light†is from season three of Only Murders in the Building. For four-part Treble Chorus (SSAA) with piano accompaniment, this arrangement starts in g minor with the melody in the Alto 1. Soprano 1, Soprano 2 and Alto 2 act as the accompaniment. The song builds gradually, alternating between unison, homophony, and polyphony. Modulating to D-flat Major at the highest point, it closes with the melody in unison splitting of into two final, hauntingly beautiful chords. Enchanting, comforting and heartwarming, “Look for the Light†is absolutely gorgeous and perfect all year round.Original key.Difficulty 7/10.Soprano 1 Bb3-Bb5.Soprano 2 Bb3-F5.Alto 1 A3-F5.Alto 2 Eb3-Db5.
$1.99
Blue
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Joni Mitchell
#
Joyce Todd McBride
#
Blue
#
Buckwheat Music
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1382423 By Joni Mitchell. By Joni Mitchell. Arranged by Joyce Todd McBride. 20th Century,A Cappella,Jazz,...
(+)
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1382423 By Joni Mitchell. By Joni Mitchell. Arranged by Joyce Todd McBride. 20th Century,A Cappella,Jazz,Pop,Singer/Songwriter. 6 pages. Buckwheat Music #966903. Published by Buckwheat Music (A0.1382423). Arrangement for SSAA a cappella voices of Joni Mitchell's Blue. I have used 3/4 time signature for much of the song, so it has a different rhythmic feel than the original. I've incorporated a lot of the melodic (instrumental) ideas from the orginal version into the vocal parts. There is an optional low D if you have a very low alto! Fabulous arrangement of one if the best songs ever written.
$1.99
Valentine
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Jim Brickman with Martina McBr
#
Kay Bromert
#
Valentine
#
Kay Bromert
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.727009 By Jim Brickman with Martina McBride. By Jack Kugell and Jim Brickman. Arranged by Kay Bromert. A Cappell...
(+)
Choral Choir (SSAA) - Level 3 - SKU: A0.727009 By Jim Brickman with Martina McBride. By Jack Kugell and Jim Brickman. Arranged by Kay Bromert. A Cappella,Contemporary. Octavo. 4 pages. Kay Bromert #4298545. Published by Kay Bromert (A0.727009). Ballad, low voice melody for part of song, arranged in D Major with key change to Eb major, SSAA, A Cappella, barbershop style arrangement, 4 pages.
$1.99
Fifty Percent
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Ballroom
#
Rebecca (Boo) de Bruin
#
Fifty Percent
#
Rebecca de Bruin
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de...
(+)
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de Bruin. Barbershop,Broadway,Musical/Show. 4 pages. Rebecca de Bruin #933981. Published by Rebecca de Bruin (A0.1349236). Music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman. Arranged in 2023 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Fifty Percent is a defiant ballad taken from the 1978 Tony-nominated stage musical by Jerome Kass, Billy Goldenberg and Alan and Marilyn Bergman. Having fallen for a married man, Bea sings of how she would rather have fifty percent of him, or any percent of him than all of anyone else at all. Vocal ranges are:Tenor (S1): Eb4 - F5 (Eb above middle C to F above high C)Lead (S2): Bb3 - D5 (Bb below middle C to D above high C). (Until the tag the highest note is C, and an alternative tag is included)Baritone (A1): C4 - C5 (Middle C to high C)Bass: Db3 - F4 (Db below middle C to F above middle C)NB It's entirely possible to sing this in E / F# rather than Eb / F (as my quartet does) provided you have a relatively high lead: but it makes it much harder to read!Learning tracks are available from NewVoice Studio.
$1.99
Shine
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Contemporain
#
Take That
#
Liz Garnett
#
Shine
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856168 By Take That. By Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Stephen Robson. Arranged by Liz...
(+)
Choral Choir (SSAA) - Level 3 - SKU: A0.856168 By Take That. By Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Stephen Robson. Arranged by Liz Garnett. Contemporary. Octavo. 13 pages. Liz Garnett #3876235. Published by Liz Garnett (A0.856168). Shine was Take That's 10th number one single, appearing in 2007, and it won Single of the Year at the 2008 Brit awards. It features an infectious beat right from the get-go and builds into an extravagant, gospel-inspired finale. This arrangement splits into five parts to capture the richness of the call-and-response texture.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: F4 - F5Lead 1: A3 - D flat 5Lead 2: A3 - D flat 5Bari: B flat 3 - B flat 4Bass: D3 - F4www.HelpingYouHarmonise.com
$2.99
Let It Go
#
Chorale SSAA
#
FACILE
#
Film Walt Disney
#
Idina Menzel
#
Rodrigo Faleiros
#
Let It Go
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1205654 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Rodrigo Faleiros. Broadway,Cham...
(+)
Choral Choir (SSAA) - Level 2 - SKU: A0.1205654 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Rodrigo Faleiros. Broadway,Chamber,Film/TV,Musical/Show,Pop. Octavo. 15 pages. Rodrigo Faleiros #803830. Published by Rodrigo Faleiros (A0.1205654). A new choir arrangement of the popular Disney song Let It Go from the movie Frozen has been created specifically for beginner to intermediate singers. The arrangement includes parts for 2 sopranos, 2 altos and a piano accompaniment, making it suitable for a wide range of female voices. The piece features a rich blend of harmonies and a dynamic interplay between the different sections of the choir, creating a powerful and uplifting musical experience. With a mix of soaring melodies and rhythmic motifs, this Disney-inspired arrangement is sure to captivate audiences and inspire singers of all levels. This Let It Go choir sheet music is transposed to the key of D major.
$1.99
Let It Go
#
Chorale SSAA
#
FACILE
#
Film Walt Disney
#
Idina Menzel
#
Rodrigo Faleiros
#
Let It Go
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1205653 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Rodrigo Faleiros. Broadway,Cham...
(+)
Choral Choir (SSAA) - Level 2 - SKU: A0.1205653 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Rodrigo Faleiros. Broadway,Chamber,Film/TV,Musical/Show,Pop. Octavo. 15 pages. Rodrigo Faleiros #803829. Published by Rodrigo Faleiros (A0.1205653). A new choir arrangement of the popular Disney song Let It Go from the movie Frozen has been created specifically for beginner to intermediate singers. The arrangement includes parts for 2 sopranos, 2 altos and a piano accompaniment, making it suitable for a wide range of female voices. The piece features a rich blend of harmonies and a dynamic interplay between the different sections of the choir, creating a powerful and uplifting musical experience. With a mix of soaring melodies and rhythmic motifs, this Disney-inspired arrangement is sure to captivate audiences and inspire singers of all levels. This Let It Go choir sheet music is transposed to the key of D major and contains chord symbols over the piano accompaniment.
$1.99
Let It Go
#
Chorale SSAA
#
FACILE
#
Film Walt Disney
#
Idina Menzel
#
Rodrigo Faleiros
#
Let It Go
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1205651 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Rodrigo Faleiros. Broadway,Cham...
(+)
Choral Choir (SSAA) - Level 2 - SKU: A0.1205651 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Rodrigo Faleiros. Broadway,Chamber,Film/TV,Musical/Show,Pop. Octavo. 15 pages. Rodrigo Faleiros #803827. Published by Rodrigo Faleiros (A0.1205651). A new choir arrangement of the popular Disney song Let It Go from the movie Frozen has been created specifically for beginner to intermediate singers. The arrangement includes parts for 2 sopranos and 2 altos, making it suitable for a wide range of female voices. The piece features a rich blend of harmonies and a dynamic interplay between the different sections of the choir, creating a powerful and uplifting musical experience. With a mix of soaring melodies and rhythmic motifs, this Disney-inspired arrangement is sure to captivate audiences and inspire singers of all levels. This Let It Go choir sheet music is transposed to the key of D major and contains chord symbols.
$1.99
Let It Go
#
Chorale SSAA
#
FACILE
#
Film Walt Disney
#
Idina Menzel
#
Rodrigo Faleiros
#
Let It Go
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1205652 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Rodrigo Faleiros. Broadway,Cham...
(+)
Choral Choir (SSAA) - Level 2 - SKU: A0.1205652 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Rodrigo Faleiros. Broadway,Chamber,Film/TV,Musical/Show,Pop. Octavo. 15 pages. Rodrigo Faleiros #803828. Published by Rodrigo Faleiros (A0.1205652). A new choir arrangement of the popular Disney song Let It Go from the movie Frozen has been created specifically for beginner to intermediate singers. The arrangement includes parts for 2 sopranos and 2 altos, making it suitable for a wide range of female voices. The piece features a rich blend of harmonies and a dynamic interplay between the different sections of the choir, creating a powerful and uplifting musical experience. With a mix of soaring melodies and rhythmic motifs, this Disney-inspired arrangement is sure to captivate audiences and inspire singers of all levels. This Let It Go choir sheet music is transposed to the key of D major.
$1.99
Money, Money, Money
#
Chorale SSAA
#
AVANCÉ
#
ABBA
#
Rowena Harper
#
Money, Money, Money
#
Rowena Harper
#
SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.762509 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,...
(+)
Choral Choir (SSAA) - Level 5 - SKU: A0.762509 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Octavo. 7 pages. Rowena Harper #6341475. Published by Rowena Harper (A0.762509). A full bodied ABBA spectacular with a few twists and turns that make this a fun chart to sing thanks to some interesting chord additions and treatments. The verse starts squarely in low baritone land to kick the song off. Some interesting embellishments are used to mimic the instrumental sections of the song, the key change is there, as is the final flourish - all hallmarks of the song, which add interest but also complexity for the singer. Not for the faint hearted, but the potential to be dramatic, as well as the potential for corn-row performance elements should a chorus wish to mimic Mamma Mia the stage show with chorus members peeking out from behind and popping out for that's too bad! Have a lot of fun with this one!Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-D, Baritone B-B, Lead C-D, Tenor G-F#.Key = GThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.
$3.00
Candy Cane Lane
#
Chorale SSAA
#
AVANCÉ
#
Sia
#
Rowena Harper
#
Candy Cane Lane
#
Rowena Harper
#
SheetMusicPlus
Voice (SSAA) - Level 5 - SKU: A0.762502 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 13 pa...
(+)
Voice (SSAA) - Level 5 - SKU: A0.762502 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 13 pages. Rowena Harper #5711721. Published by Rowena Harper (A0.762502). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the basses. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the baritones noodle around them, concluding with a very jazzy, very christmassy baritone solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Range (Lowest-Highest): Bass E-E, Baritone C-D, Lead C-D, Tenor G#-F.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.
$15.95
Money, Money, Money
#
Chorale SSAA
#
AVANCÉ
#
ABBA
#
Rowena Harper
#
Money, Money, Money
#
Rowena Harper
#
SheetMusicPlus
Voice (SSAA) - Level 5 - SKU: A0.762508 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,Musical...
(+)
Voice (SSAA) - Level 5 - SKU: A0.762508 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Barbershop Quartet. 7 pages. Rowena Harper #6341479. Published by Rowena Harper (A0.762508). An ABBA spectacular with a few twists and turns that make this a fun chart to sing thanks to some interesting chord additions and treatments. The verse starts squarely in low baritone land to kick the song off. Some interesting embellishments are used to mimic the instrumental sections of the song, the key change is there, as is the final flourish - all hallmarks of the song, which add interest but also complexity for the singer. Not for the faint hearted, but the potential to be dramatic - have a lot of fun with this one!Range (Lowest-Highest): Bass E-D, Baritone B-B, Lead C-D, Tenor G-F#.Key = GThis one sale is for a set of parts (four copies included). Individual copies are available for choirs - minimum purchase of 10.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.
$15.95
Love Song
#
Chorale SSAA
#
FACILE
#
Pop musique
#
Sara Bareilles
#
Rebecca de Bruin
#
Love Song
#
Rebecca de Bruin
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Brui...
(+)
Choral Choir (SSAA) - Level 2 - SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)
$12.99
AMITIE
#
Chorale SSAA
#
Contemporain
#
Olivier Costa
#
#
AMITIE
#
OLIVIER COSTA
#
SheetMusicPlus
Choral Choir (SSAA) - SKU: A0.993444 Composed by Olivier Costa. Contemporary. Octavo. 18 pages. OLIVIER COSTA #6671651. Published by OLIVIER COSTA (A0.9...
(+)
Choral Choir (SSAA) - SKU: A0.993444 Composed by Olivier Costa. Contemporary. Octavo. 18 pages. OLIVIER COSTA #6671651. Published by OLIVIER COSTA (A0.993444). « AMITIÉ » is a composition of about six minutes long for a women's choir (SSAA). It can also be performed by a male choir (TTBB), in this case the singers must read in octabassa treble clef. This piece sets to music a selection of poems based on friendship, taken from the collection Le Bestiaire ou Cortège d´Orphée by Guillaume Apollinaire. We will hear The cat, The peacock, The owl and The ox. The bond of friendship is symbolized here by an element of percussion: the friction of a metal chain, played by the members of the choir from the beginning to the end of the piece. This implies that the choir must use a stand or sing in pairs, one holding the sheet music and the other playing the string. This work explores different vocal techniques: singing, sliding, timbre play, murmuring, rhythmic speaking, declaiming and shouting. These different modes of vocal play are combined with different compositional techniques such as polyrhythm, homorhythmia, rhythmic irregularity, counterpoint, opposition and layering of sound planes. FRIENDSHIP is the second part of a cycle devoted to the work of Apollinaire.
$5.00
Beautiful
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Christina Aguilera & Beverly M
#
Heather Lane
#
Beautiful
#
Heather Lane
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.815425 By Christina Aguilera & Beverly Mcclellan. By Linda Perry. Arranged by Heather Lane. A Cappella,Contempor...
(+)
Choral Choir (SSAA) - Level 4 - SKU: A0.815425 By Christina Aguilera & Beverly Mcclellan. By Linda Perry. Arranged by Heather Lane. A Cappella,Contemporary,Dance,Pop. Octavo. 8 pages. Heather Lane #4830807. Published by Heather Lane (A0.815425). A 5 part a capella arrangement suitable for the voice ranges of a Ladies Barbershop Chorus. The bass part is split into High and Low Bass, and I'd suggest a combination of higher bass and lower baritone voices for the high bass part. Teach tracks are available from Hannah Braham
$2.99
Coventry Carol
#
Chorale SSAA
#
FACILE
#
Traditional
#
Liz Garnett
#
Coventry Carol
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.856134 Composed by Traditional. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 2 pages. Liz Garnett #302...
(+)
Choral Choir (SSAA) - Level 2 - SKU: A0.856134 Composed by Traditional. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 2 pages. Liz Garnett #3023031. Published by Liz Garnett (A0.856134). This traditional carol tells of one of the darker parts of the Christmas story, the slaughter of the innocents, from the perspective of the mothers whose children are torn from their arms. The arrangement takes the haunting, plaintive melody, and turns the 'lully-lullay' of a lullaby into the tolling of a bell. The order to slay the children wrenches the music into a new key, and the final verse is bare, halting, desolate.Ranges:Tenor: G4-F5Lead: D#4-D5Bari: A flat 3 - A4Bass: F3 - F#4(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.www.HelpingYouHarmonise.com
$2.99
Gaudete
#
Chorale SSAA
#
FACILE
#
Trad
#
Liz Garnett
#
Gaudete
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.856135 Composed by Trad. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 4 pages. Liz Garnett #3023039. P...
(+)
Choral Choir (SSAA) - Level 2 - SKU: A0.856135 Composed by Trad. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 4 pages. Liz Garnett #3023039. Published by Liz Garnett (A0.856135). This medieval carol often presents the challenge in performance of where to breathe - each line of words runs up right to the end of the phrase and the next is upon you with barely a moment to inhale. So the arrangement sets out to solve this problem by breaking the ensemble into subgroups that alternate their phrases giving the singers time to breathe, and the audience a seamless musical experience.As it progresses, the process of overlapping becomes more and more complex until the texture disintegrates into all voices working independently. This makes the arrival of the final chorus in full four-part harmony all the more striking.Ranges:Tenor: B flat 3 - D flat 5Lead: B flat 3 - B flat 4Bari: B flat 3 - A flat 4Bass: F 3 - A flat 4(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.www.HelpingYouHarmonise.com
$3.50
Constant Craving
#
Chorale SSAA
#
INTERMÉDIAIRE
#
k
#
Julie Gaulke
#
Constant Craving
#
Julie Gaulke
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1492456 By k.d. lang. By Ben Mink and k.d. lang. Arranged by Julie Gaulke. 20th Century,A Cappella,C...
(+)
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1492456 By k.d. lang. By Ben Mink and k.d. lang. Arranged by Julie Gaulke. 20th Century,A Cappella,Contemporary,Pop,Rock. 6 pages. Julie Gaulke #1069132. Published by Julie Gaulke (A0.1492456). This is Julie Gaulke's original arrangement of Constant Craving (by K.d. Lang) for SSAA a cappella, with optional divisis. See full performance video here: Julie's Youtube Channel LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: Julie Gaulke TracksPlease visit Julie's website Pianomom's Sheet Music for more great arrangements! Pianomom's Sheet Music
$2.99
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Ina D
