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Vous avez sélectionné:
Keep Keepin' On
Chorale SSAA
Partitions à imprimer
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A Little Respect
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By And…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
$1.99
1.81 €
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Chorale SSAA
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Erasure
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Rebecca (Boo) de Bruin
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A Little Respect
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Rebecca de Bruin
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SheetMusicPlus
That's When The Music Takes Me
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
$1.99
1.81 €
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Chorale SSAA
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Neil Sedaka
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Rebecca (Boo) de Bruin
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That's When The Music Takes Me
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Rebecca de Bruin
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SheetMusicPlus
A Heart Like Thine
Chorale SSAA
Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1416932 By Maj…
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Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1416932 By Majesty Ladies. By Judson W. Van DeVenter. Arranged by Rebecca J. Wood. A Cappella,Christian,Religious,Sacred,Traditional. 5 pages. Rebecca J. Wood #998455. Published by Rebecca J. Wood (A0.1416932). A beautiful, emotional arrangement that contains contrary motion, duet, verbal echo, keeping motion flowing. Also, see the Alto 2 Solo with upper-part accompaniment, lovely, emotional, pleading, worshipping climax at measure 29. And don't forget the fun-to-sing TAG at mm 34-36. Enjoy this wonderful arrangement and hear it on this site, or on YouTube.com, as performed by Majesty Ladies in the arrangement book, Aleluia, by Shelly Garlock Hamilton of Majesty Music Publishing, in Greenville, SC.
$1.99
1.81 €
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Chorale SSAA
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Majesty Ladies
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Rebecca J
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A Heart Like Thine
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Rebecca J. Wood
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SheetMusicPlus
Love Song
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. …
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)
$12.99
11.83 €
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Chorale SSAA
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Sara Bareilles
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Rebecca de Bruin
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Love Song
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Rebecca de Bruin
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SheetMusicPlus
Sing! by Pentatonix (SSAA)
Chorale SSAA
By Pentatonix. Arranged by Rebecca de Bruin. 6 pages. Published by Rebecca de Bruin
By Pentatonix. Arranged by Rebecca de Bruin. 6 pages. Published by Rebecca de Bruin
Original song by Pentatonix (Words and Music by Mitchell Grassi, Scott Hoying, Kevin Olusola, Martin Johnson and Sam Hollander).<br> <br> Arranged in four parts (SSAA) by Boo de Bruin. 6 pages for Sweet Adelines (ladies' barbershop) chorus.<br> <br> Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2). The piece does contain one 5 part bar (Bar 60) where the lowest part contains an optional C3. In a quartet, the bass could either sing this C3, or the C4. In a chorus without a bass section with reliable C3, the C4 on its own is also fine! <br> <br> Vocal ranges are:<br> Tenor (S1): C4 - F5 (middle C to F above high C)<br> Lead (S2): A3 - C5 (A below middle C to high C)<br> Baritone (A1): Bb3 - C5 (Bb below middle C to high C)<br> Bass (A2): (Optional C3 in one bar) Eb3 - F4 (Eb below middle C to F above middle C)Original song by Pentatonix (Words and Music by Mitchell Grassi, Scott Hoying, Kevin Olusola, Martin Johnson and Sam Hollander).<br> <br> Arranged in four parts (SSAA) by Boo de Bruin. 6 pages for Sweet Adelines (ladies' barbershop) chorus.<br> <br> Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2). The piece does contain one 5 part bar (Bar 60) where the lowest part contains an optional C3. In a quartet, the bass could either sing this C3, or the C4. In a chorus without a bass section with reliable C3, the C4 on its own is also fine! <br> <br> Vocal ranges are:<br> Tenor (S1): C4 - F5 (middle C to F above high C)<br> Lead (S2): A3 - C5 (A below middle C to high C)<br> Baritone (A1): Bb3 - C5 (Bb below middle C to high C)<br> Bass (A2): (Optional C3 in one bar) Eb3 - F4 (Eb below middle C to F above middle C)
$1.99
1.81 €
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Chorale SSAA
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Pentatonix
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Rebecca de Bruin
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Sing! by Pentatonix
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Rebecca de Bruin
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SheetMusicPlus
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