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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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11
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2 Violons (duo)
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8
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7
2 Violoncelles (duo)
7
Alto seul
6
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5
Harpe
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Harpe, Voix
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Violoncelle, Contrebasse (duo)
3
2 Altos (duo)
2
Violon (partie séparée)
2
Contrebasse, Piano (duo)
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Trio à cordes
2
Trio à Cordes: 2 violons, violoncelle
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Contre Basse
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Violon, Alto (duo)
1
Harpe, Flûte (duo)
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4 Violoncelles
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Trio à Cordes: 2 violons, alto
1
Violon, Contrebasse (duo)
1
Ensemble de Violoncelles
1
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre
40
Orchestre d'harmonie
36
Fanfare
20
Ensemble Jazz
15
Cloches
12
Orchestre à Cordes
12
Orchestre de chambre
7
Ensemble de cuivres
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Batterie
6
Jazz combo
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Xylophone
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AUTRES
Vous avez sélectionné:
Let Her Go
Chorale SSAA
Partitions à imprimer
8 partitions trouvées
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A Dance In TripleTime
Chorale SSAA
Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Ros…
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Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
12 €
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Chorale SSAA
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
A Dance In TripleTime
Chorale SSAA
Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240885 Composed by Anastasio Ros…
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Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$1.99
1.84 €
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Chorale SSAA
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Let the Rest of the World Go By, Women's Barbershop
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.929383 Composed by Words b…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.929383 Composed by Words by KEIRN BRENNAN Music by ERNEST R. BALL. Arranged by Dianne Goldrick. A Cappella,Folk. Octavo. 4 pages. Dianne Goldrick #3631589. Published by Dianne Goldrick (A0.929383). A wonderful old song that about escaping the stress of life. This song arranged for women's vocal quartet or chorus and is intended to be a cappella. It's formatted for women's barbershop and the bass cleff should be sung an octave higher than written.
$1.99
1.84 €
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Chorale SSAA
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Words by KEIRN BRENNAN Music by ERNEST R
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Dianne Goldrick
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Let the Rest of the World Go By, Women's Barbershop
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Dianne Goldrick
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SheetMusicPlus
Silver Dagger
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1290533 Composed by…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Contemporary,Folk,New Age. 4 pages. Awelia Music #881249. Published by Awelia Music (A0.1290533). From the arranger: I first came across this traditional English folk ballad on the podcast mini-series “Dolly Parton’s Americaâ€. Dolly’s version was fast-based and up-beat, but the melody struck me as distant yet clear, mournful yet timeless. When I could not find a version that let the voice further explore these qualities, I made my own. The first exists on my record (WALLFLOWER by Aerhart), the second as a live solo act accompanied by a Yamaha Reface CS Synth, and the third as a Silver Dagger choral arrangement, made with and for the Young New Yorker's Chorus Treble Ensemble. The original Silver Dagger tune is a haunting memory in its spirit as much as its history (its many possible origins trace back to the early 1800s). To this day, we wonder whether it’s love, fear or both that sway our overprotected heroine’s decision to “sleep alone all of my life.†Despite her careful consideration, the melody never grants the finality of her decision. This arrangement holds this dissonance within a meditative space - a small moment of stillness in which to let all the big thoughts and emotions come and go. We begin with the memory of the melody, gather momentum and clarity in its pulsing visceral storytelling, then release it, unresolved yet somehow changed.
$2.00
1.85 €
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Chorale SSAA
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Amelia Wellers
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Amelia Wellers
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Silver Dagger
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Awelia Music
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SheetMusicPlus
The Tide Is High
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.762507 By Blondie. By Howa…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.762507 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 6 pages. Rowena Harper #6341467. Published by Rowena Harper (A0.762507). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com
$3.00
2.77 €
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Chorale SSAA
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Blondie
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Rowena Harper
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The Tide Is High
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Rowena Harper
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SheetMusicPlus
The Tide Is High
Chorale SSAA
Voice (SSAA) - Level 4 - Digital Download SKU: A0.762506 By Blondie. By Howard Barr…
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Voice (SSAA) - Level 4 - Digital Download SKU: A0.762506 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 6 pages. Rowena Harper #6341465. Published by Rowena Harper (A0.762506). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com
$15.95
14.74 €
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Chorale SSAA
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Blondie
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Rowena Harper
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The Tide Is High
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Rowena Harper
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SheetMusicPlus
Bodyvoice
Chorale SSAA
SSAA chorus and piano, accompaniment ad lib. - Digital Download SKU: BJ.1260 Compos…
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SSAA chorus and piano, accompaniment ad lib. - Digital Download SKU: BJ.1260 Composed by Susanna Lindmark. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1260. Published by Bo Ejeby Forlag - Digital (BJ.1260). 8.27 x 11.7 inches.BODYVOICE is a song where you make your voice heard and get to unleash your body in movement. Create your own choreography with your choir or ensemble. The piano part is intended as a “skeleton that the pianist can flesh out with their own creativity. If you feel like adding bass, percussion, and so on – go for it! – Susanna Lindmark.
$3.60
3.33 €
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Chorale SSAA
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Susanna Lindmark
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Bodyvoice
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Wrecking Ball
Chorale SSAA
Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1462956 By Mil…
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Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1462956 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Jane Patterson. A Cappella,Contemporary,Pop. 10 pages. Jane Patterson #1041674. Published by Jane Patterson (A0.1462956). Your female a cappella group will go wild for this Miley Cyrus banger! With parts carefully written for SSAA voicing, this arrangement is suitable for teenage voices right through to professional adult ensembles. The Soprano 2s shine with the melody, while the Alto 1s and Soprano 1s get to let rip with their supporting parts. While the Alto 2 part goes down to a low D, it has been written with optional notes only reaching a low F, so the choice is there to suit the vocal range of your ensemble's singers. The Alto 2 part also includes some light vocal percussion which adds a rhythmic punch to this pop classic. This arrangement is sure to be a hit with your group!
$1.99
1.84 €
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Chorale SSAA
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Miley Cyrus
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Jane Patterson
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Wrecking Ball
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Jane Patterson
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SheetMusicPlus
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