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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Let Her Go - Flute
Non classifié
188
Piano & claviers
Piano seul
262
Piano, Voix et Guitare
141
Piano Facile
128
Piano, Voix
116
Piano grosses notes
25
Orgue
12
Instruments en Do
8
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
51
Guitare notes et tablatures
48
Guitare
24
Ukulele
16
Basse electrique
11
Paroles et Accords
7
Ensemble de Ukulélés
2
Banjo
1
Mandoline
1
Ensemble de guitares
1
Dulcimer
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
82
Chorale 3 parties
24
Chorale TTBB
16
Chorale 2 parties
16
Voix duo, Piano
13
Voix seule
12
Chorale Unison
9
Chorale SSAA
8
Voix Alto, Piano
2
Voix Soprano, Piano
2
Voix haute
2
Chorale
1
Voix Soprano
1
Voix Baryton, Piano
1
Voix basse
1
Voix duo
1
+ 11 instrumentations
Retracter
Vents
Saxophone
30
Clarinette
28
Saxophone Alto
16
Saxophone Tenor
14
Quatuor de Saxophones: 4 saxophones
12
Clarinette et Piano
11
Saxophone Alto et Piano
10
Saxophone (partie séparée)
9
2 Saxophones (duo)
8
Saxophone Tenor et Piano
8
Hautbois (partie séparée)
7
2 Clarinettes (duo)
6
Hautbois, Piano (duo)
6
Saxophone Soprano et Piano
5
Quatuor de Clarinettes: 4 clarinettes
4
Quintette de Saxophone: 5 saxophones
4
Saxophone, Clarinette (duo)
3
Flûte à Bec
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Baryton, Piano
2
Instruments en Mib
2
Clarinette, Violon (duo)
2
Flûte à bec Soprano
2
3 Clarinettes (trio)
1
Ensemble de Clarinettes
1
Clarinette Basse, Piano
1
2 Hautbois (duo)
1
2 Clarinettes, Piano
1
Clarinette, Guitare (duo)
1
Clarinette et Alto
1
Cor anglais, Piano
1
Ensemble de saxophones
1
Hautbois, Basson (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette (duo)
1
Saxophone Soprano
1
+ 31 instrumentations
Retracter
Cuivres
Trompette
25
Trombone
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Cor
11
Trombone et Piano
9
Trompette, Piano
7
Cor et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette (partie séparée)
4
Quatuor de Cuivres
3
2 Trompettes (duo)
3
2 Trombones (duo)
3
Euphonium, Piano (duo)
3
Tuba
3
Trompette, Saxophone (duo)
2
Trompette, Violoncelle et Piano
2
Instruments en Sib
2
2 Cors (duo)
1
Cor anglais, Piano
1
Euphonium
1
Trompette, Trombone (duo)
1
Bass Clef Instruments
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Cors
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon
26
Violoncelle
20
Violon et Piano
12
Violon, Violoncelle (duo)
11
Alto, Piano
9
Trio à Cordes: violon, alto, violoncelle
8
2 Violons (duo)
8
2 Violoncelles (duo)
7
Violoncelle, Piano
7
Alto seul
7
Harpe
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto (partie séparée)
4
Violoncelle, Contrebasse (duo)
3
Harpe, Voix
3
Trio à cordes
2
Trio à Cordes: 2 violons, violoncelle
2
4 Violoncelles
2
2 Altos (duo)
2
Violon (partie séparée)
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Violon, Alto (duo)
1
Ensemble de Violoncelles
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Contrebasse (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre
34
Orchestre d'harmonie
31
Fanfare
20
Ensemble Jazz
18
Orchestre à Cordes
12
Orchestre de chambre
12
Cloches
12
Batterie
7
Ensemble de cuivres
6
Xylophone
2
Jazz combo
2
Vibraphone et Marimba
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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LIVRES
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MANDOLINE
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Vous avez sélectionné:
Let Her Go - Flute
Chorale SSAA
Partitions à imprimer
8 partitions trouvées
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1
A Dance In TripleTime
#
Chorale SSAA
#
FACILE
#
Anastasio Rossi
#
Anastasio Rossi
#
A Dance In TripleTime
#
Anastasio Rossi
#
SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. A...
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Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
A Dance In TripleTime
#
Chorale SSAA
#
FACILE
#
Anastasio Rossi
#
Anastasio Rossi
#
A Dance In TripleTime
#
Anastasio Rossi
#
SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Q...
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Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$1.99
Let the Rest of the World Go By, Women's Barbershop
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Chorale SSAA
#
INTERMÉDIAIRE
#
Words by KEIRN BRENNAN Music b
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Dianne Goldrick
#
Let the Rest of the World Go B
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Dianne Goldrick
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.929383 Composed by Words by KEIRN BRENNAN Music by ERNEST R. BALL. Arranged by Dianne Goldrick. A Cappella,Folk....
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Choral Choir (SSAA) - Level 3 - SKU: A0.929383 Composed by Words by KEIRN BRENNAN Music by ERNEST R. BALL. Arranged by Dianne Goldrick. A Cappella,Folk. Octavo. 4 pages. Dianne Goldrick #3631589. Published by Dianne Goldrick (A0.929383). A wonderful old song that about escaping the stress of life. This song arranged for women's vocal quartet or chorus and is intended to be a cappella. It's formatted for women's barbershop and the bass cleff should be sung an octave higher than written.
$1.99
Silver Dagger
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Chorale SSAA
#
INTERMÉDIAIRE
#
Amelia Wellers
#
Amelia Wellers
#
Silver Dagger
#
Awelia Music
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Contemporary,Folk,Ne...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Contemporary,Folk,New Age. 4 pages. Awelia Music #881249. Published by Awelia Music (A0.1290533). From the arranger: I first came across this traditional English folk ballad on the podcast mini-series “Dolly Parton’s Americaâ€. Dolly’s version was fast-based and up-beat, but the melody struck me as distant yet clear, mournful yet timeless. When I could not find a version that let the voice further explore these qualities, I made my own. The first exists on my record (WALLFLOWER by Aerhart), the second as a live solo act accompanied by a Yamaha Reface CS Synth, and the third as a Silver Dagger choral arrangement, made with and for the Young New Yorker's Chorus Treble Ensemble. The original Silver Dagger tune is a haunting memory in its spirit as much as its history (its many possible origins trace back to the early 1800s). To this day, we wonder whether it’s love, fear or both that sway our overprotected heroine’s decision to “sleep alone all of my life.†Despite her careful consideration, the melody never grants the finality of her decision. This arrangement holds this dissonance within a meditative space - a small moment of stillness in which to let all the big thoughts and emotions come and go. We begin with the memory of the melody, gather momentum and clarity in its pulsing visceral storytelling, then release it, unresolved yet somehow changed.
$2.00
The Tide Is High
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Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Blondie
#
Rowena Harper
#
The Tide Is High
#
Rowena Harper
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.762507 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbers...
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Choral Choir (SSAA) - Level 4 - SKU: A0.762507 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 6 pages. Rowena Harper #6341467. Published by Rowena Harper (A0.762507). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com
$3.00
The Tide Is High
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Blondie
#
Rowena Harper
#
The Tide Is High
#
Rowena Harper
#
SheetMusicPlus
Voice (SSAA) - Level 4 - SKU: A0.762506 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop...
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Voice (SSAA) - Level 4 - SKU: A0.762506 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 6 pages. Rowena Harper #6341465. Published by Rowena Harper (A0.762506). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com
$15.95
Bodyvoice
#
Chorale SSAA
#
Susanna Lindmark
#
Bodyvoice
#
Bo Ejeby Forlag - Digital
#
SheetMusicPlus
SSAA chorus and piano, accompaniment ad lib. - SKU: BJ.1260 Composed by Susanna Lindmark. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1260. Published by...
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SSAA chorus and piano, accompaniment ad lib. - SKU: BJ.1260 Composed by Susanna Lindmark. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1260. Published by Bo Ejeby Forlag - Digital (BJ.1260). 8.27 x 11.7 inches.BODYVOICE is a song where you make your voice heard and get to unleash your body in movement. Create your own choreography with your choir or ensemble. The piano part is intended as a “skeleton that the pianist can flesh out with their own creativity. If you feel like adding bass, percussion, and so on – go for it! – Susanna Lindmark.
$3.60
Wrecking Ball
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Miley Cyrus
#
Jane Patterson
#
Wrecking Ball
#
Jane Patterson
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1462956 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Steph...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1462956 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Jane Patterson. A Cappella,Contemporary,Pop. 10 pages. Jane Patterson #1041674. Published by Jane Patterson (A0.1462956). Your female a cappella group will go wild for this Miley Cyrus banger! With parts carefully written for SSAA voicing, this arrangement is suitable for teenage voices right through to professional adult ensembles. The Soprano 2s shine with the melody, while the Alto 1s and Soprano 1s get to let rip with their supporting parts. While the Alto 2 part goes down to a low D, it has been written with optional notes only reaching a low F, so the choice is there to suit the vocal range of your ensemble's singers. The Alto 2 part also includes some light vocal percussion which adds a rhythmic punch to this pop classic. This arrangement is sure to be a hit with your group!
$1.99
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Let Her Go - Flute
