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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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Meditation from Tha s
Non classifié
150
Piano & claviers
Piano seul
87
Piano, Voix
10
Orgue
9
Piano Facile
5
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5
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
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1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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27
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13
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1
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3
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1
Chorale SSATTB
1
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1
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1
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23
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21
Clarinette et Piano
16
Saxophone Tenor et Piano
13
Saxophone Alto et Piano
13
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12
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9
Cor anglais, Piano
8
Saxophone Baryton, Piano
8
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6
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5
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4
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4
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
Clarinette, Violoncelle (duo)
1
Saxophone
1
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1
Hautbois, Violoncelle
1
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1
Clarinette, Guitare (duo)
1
2 Hautbois (duo)
1
Saxophone Alto
1
Clarinette et Alto
1
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1
Quintette de Flûte : 5 flûtes
1
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1
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1
Hautbois, violon (duo)
1
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13
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9
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Trompette
5
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3
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3
Trombone
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trompette (partie séparée)
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Cor
2
Ensemble de Trombones
2
Tuba et Piano
1
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1
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24
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17
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15
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9
Harpe
6
Violoncelle
5
Violon
5
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3
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2
Alto (partie séparée)
2
Violon, Guitare (duo)
2
Contre Basse
2
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
2 Violoncelles (duo)
1
Violon, Basson (duo)
1
2 Altos (duo)
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
2 Violons (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violon, Violoncelle (duo)
1
Ensemble d'Altos
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
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7
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5
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4
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3
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1
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Vous avez sélectionné:
Meditation from Tha s
Chorale SSAA
Partitions à imprimer
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3 Meditations - Agnus Dei; Beautus Vir; Jubilate Deo - SSAA
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Chorale SSAA
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Charles Griffin
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3 Meditations - Agnus Dei; Bea
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Coriolis Press
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SheetMusicPlus
Choral Choir (SSAA) - SKU: A0.1000889 Composed by Charles Griffin. 20th Century,A Cappella,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Coriolis Pre...
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Choral Choir (SSAA) - SKU: A0.1000889 Composed by Charles Griffin. 20th Century,A Cappella,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Coriolis Press #6272813. Published by Coriolis Press (A0.1000889). From the hypnotic Agnus Dei and transcendent Beatus Vir to the joyous Jubilate Deo, immerse yourself in the beauty of Charles Griffin's 3 Meditations, an original a cappella SSAA choral piece that will transport you to a state of deep contemplation. Premiered and recorded by the Piedmont Choirs under the direction of Bob Geary, it's perfect for high-school-age women's ensembles and adult groups alike. Featuring three short movements set in Latin, each can be performed individually or as a group, giving you the flexibility to customize your performance. Also recorded by the Peninsula Women's Chorus under the direction of Martin Benvenuto, you won't want to miss adding this future classic to your choral repertoire.Â
$3.00
I AM
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Chorale SSAA
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INTERMÉDIAIRE
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Jocelyn Scofield
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I AM
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Bilsco Music
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Mu...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Music #1052847. Published by Bilsco Music (A0.1475304). SCORES INCLUDED:Full Score & Parts Scores: Solo+Sopranos, Mezzos+Altos, CajonPERFORMANCE NOTES FROM THE COMPOSER:I AM is a singing meditation. It is both a piece that honors the individual and the whole. It is meant to affirm an individual's worth, as well as the whole collective. When a choir prepares for a performance, they rehearse a piece dozens if not hundreds of times. I wanted the experience of rehearsing I AM to be an ongoing declaration of the singer’s value. Therefore, every phrase in this piece is an affirmation. When a singer finds themselves singing the piece outside of rehearsal, they will be singing words that are positive and affirming. I cannot express how much joy that brings me as a composer.Musically, I AM is both complex, with its 7-part vocal split, contrasting rhythms, and varying accents, yet simple in its repetition, lyrics, and tonality. Each of the 7 parts sings a unique affirmation throughout the piece. They are simple statements like, I am enough and I am love, but can hold so much complexity depending on an individual's relationship with the statement. In the middle of the piece, there is an aleatoric section where each singer contributes their unique affirming statement. It creates a chaotic building of sound before coming together for the first and only time in the piece to sing I AM as a whole choir in block chords. It is one of my favorite moments in the piece because simple and complex are just a beat apart.I AM was commissioned by the Grand Rapids Women's Chorus and premiered on May 10, 2024. If you would like to hear more about the creation of the piece, you can hear the composer's original explantions on Youtube.
$4.99
Silver Dagger
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Chorale SSAA
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INTERMÉDIAIRE
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Amelia Wellers
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Amelia Wellers
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Silver Dagger
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Awelia Music
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Contemporary,Folk,Ne...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Contemporary,Folk,New Age. 4 pages. Awelia Music #881249. Published by Awelia Music (A0.1290533). From the arranger: I first came across this traditional English folk ballad on the podcast mini-series “Dolly Parton’s Americaâ€. Dolly’s version was fast-based and up-beat, but the melody struck me as distant yet clear, mournful yet timeless. When I could not find a version that let the voice further explore these qualities, I made my own. The first exists on my record (WALLFLOWER by Aerhart), the second as a live solo act accompanied by a Yamaha Reface CS Synth, and the third as a Silver Dagger choral arrangement, made with and for the Young New Yorker's Chorus Treble Ensemble. The original Silver Dagger tune is a haunting memory in its spirit as much as its history (its many possible origins trace back to the early 1800s). To this day, we wonder whether it’s love, fear or both that sway our overprotected heroine’s decision to “sleep alone all of my life.†Despite her careful consideration, the melody never grants the finality of her decision. This arrangement holds this dissonance within a meditative space - a small moment of stillness in which to let all the big thoughts and emotions come and go. We begin with the memory of the melody, gather momentum and clarity in its pulsing visceral storytelling, then release it, unresolved yet somehow changed.
$2.00
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Meditation from Tha s
