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1
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Trompette
81
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trombone
48
Trombone et Piano
34
Trompette, Piano
31
Trombone (partie séparée)
22
Cor et Piano
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Tuba et Piano
19
Trompette (partie séparée)
16
Cor
13
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9
Quatuor de Cuivres
9
Euphonium, Piano (duo)
9
2 Trombones (duo)
8
Ensemble de Trompettes
7
Cor anglais, Piano
6
Bass Clef Instruments
6
2 Trompettes (duo)
6
Tuba
6
Cor (partie séparée)
5
Tuba (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Trompette, Trombone (duo)
2
2 Euphoniums et 2 Tubas
2
Instruments en Sib
2
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
3 Trombones (trio)
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Euphonium
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CORDES
Violon
164
Quatuor à cordes: 2 violons, alto, violoncelle
156
Violon et Piano
137
Violoncelle, Piano
73
Alto, Piano
55
Alto seul
43
Harpe
42
Violoncelle
36
2 Violons (duo)
35
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
23
Violoncelle (partie séparée)
22
Violon (partie séparée)
19
Trio à Cordes: 2 violons, violoncelle
18
2 Violoncelles (duo)
16
Violon, Alto (duo)
15
Ensemble d'Altos
11
Violon, Basse continue
11
Violon, Guitare (duo)
10
Alto (partie séparée)
10
Contrebasse, Piano (duo)
10
2 Altos (duo)
9
Violoncelle, Basse continue
9
Contre Basse
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contrebasse (partie séparée)
7
Alto, Violoncelle (duo)
6
Trio à cordes: 3 violins
5
2 Harpes (duo)
5
4 Violoncelles
5
2 Violons, Piano
4
Trio à Cordes: 2 violons, alto
4
Alto, Guitare (duo)
4
Ensemble de Violons
4
Violoncelle , Guitare (duo)
3
Trio à cordes
3
Violon, Basson (duo)
3
Trio à Cordes: 3 violoncelles
3
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons et Basse continue
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Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
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Violoncelle, Orchestre
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Flûte, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Alto et Basson
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Ensemble de Violoncelles
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2816
Orchestre à Cordes
110
Orchestre
60
Ensemble de cuivres
45
Orchestre de chambre
42
Batterie
26
Ensemble Jazz
25
Ensemble de Percussions
15
Cloches
8
Fanfare
4
Percussion (partie séparée)
4
Batterie (partie séparée)
3
Jazz combo
3
Percussion
1
Timbales (partie séparée)
1
Xylophone
1
Marimba
1
Quintette à Vent
1
Marimba, Piano (duo)
1
Voix et Orchestre
1
Orchestre, Violon
1
Xylophone, Piano
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Chorale SSAA
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La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.67 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Canon in D (Pachelbel's Canon)
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1081927 Composed by Johann…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1081927 Composed by Johann Pachelbel. Arranged by Greg Mallett. A Cappella,Classical. Octavo. 3 pages. Greg Mallett #686061. Published by Greg Mallett (A0.1081927). Made famous by string quartets around the worldArranged for 4-part SSAA a cappella (alternate voicings available). Notated in the barbershop style (T-L-Br-Bs). Minimum purchase quantity enforced by ArrangeMe is 10 copies. Please ensure you purchase enough copies for your ensemble. Contact for complete list of arrangements and commissions: gsmallett@rogers.com.
$1.99
1.83 €
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Chorale SSAA
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Johann Pachelbel
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Greg Mallett
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Canon in D
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Greg Mallett
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SheetMusicPlus
Americans
Chorale SSAA
Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1416963 By Jan…
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Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1416963 By Janelle Monae. By Charles D. Joseph Ii, Janelle Monae Robinson, Jon Webb, Kellis Earl Parker Jr., and Nathaniel Irvin III. Arranged by Alison Dozier. A Cappella. 11 pages. A.N.D. #998552. Published by A.N.D. (A0.1416963). This treble a cappella arrangement of the last song on Janelle Monae's Dirty Computer album embraces the duality of loving our country and critiquing it's injustices. The arrangement was created for an LGBTQ+ ensemble and seeks to challenge mysogyny and racism. Woven into the original song are themes from America the Beautiful set in a minor key to evoke the imperfection of a nation and it's citizens that continue to strive for equity. Nods to his purple majesty are included to honor his collaboration on the album.
$3.99
3.67 €
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Chorale SSAA
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Janelle Monae
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Alison Dozier
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Americans
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A.N.D.
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SheetMusicPlus
A Little Respect
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By And…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
$1.99
1.83 €
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Chorale SSAA
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Erasure
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Rebecca (Boo) de Bruin
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A Little Respect
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Rebecca de Bruin
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SheetMusicPlus
Black Hole Sun
Chorale SSAA
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.892539 By Soundgarden. By …
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.892539 By Soundgarden. By Chris Cornell. Arranged by Joyce Todd McBride. A Cappella. Octavo. 12 pages. Buckwheat Music #4784647. Published by Buckwheat Music (A0.892539). Treble-voice a cappella arrangement of Black Hole Sun by Chris Cornell. Opening with long tones on slowly changing vowels, the arrangement gives way to a homophonic texture for the verses, becmoing more contrapuntal in the choruses. There are some juicy cross-relations in the second half of the piece that are intentional and should be enjoyed! (m. 54 D naturals against E flat, m. 55 D natural against D flat, for example). Hymn-like.
$1.99
1.83 €
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Chorale SSAA
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Soundgarden
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Joyce Todd McBride
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Black Hole Sun
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Buckwheat Music
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SheetMusicPlus
Christmas Treasures for SSA, SSAA and SAB chorus
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.793991 Composed by Various…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.793991 Composed by Various. Arranged by Ivana Tuskan. A Cappella,Baroque,Celtic,Christmas,Classical,Irish,Renaissance. Octavo. 48 pages. Ivana Tuskan #6516919. Published by Ivana Tuskan (A0.793991). A collection of 7 choral authorial and traditional pieces (from renaissance to romantic period) arranged for SSA, SSAA and SAB chorus a cappella and with accompaniment, with soloists, too. Pieces are originally written for SATB ensemble or solo voices. Includes (with a partial electronic preview of each song): Michael Praetorius: Psallite Unigenito for SSAA Benedetto Marcello: I cieli immensi narrano for SSAA and organ Giovanni Battista Pergolesi: Gloria from Mass in D Major, P.46 for two Soprano solo, SAA choir and organ Johann Sebastian Bach: Zion hört die Wächter singen (Zion hears her watchmen's voices) from Cantata BWV 140, for SAB Oj Detešce moje drago, Croatian carol for SAA and piano The Wexford Carol, Irish Christmas Carol from County Wexford for SSA a cappella Gaudete! Christus est natus!, from Piae Cantiones for SSAA Scores are available separately on the my profile, too
$2.20
2.02 €
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Chorale SSAA
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Various
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Ivana Tuskan
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Christmas Treasures for SSA, SSAA and SAB chorus
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Ivana Tuskan
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SheetMusicPlus
Deep In The Heart Of Texas
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1346930 By Alvino R…
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Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1346930 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by D. Jason Bishop. 20th Century,Country,Pop,Standards. 8 pages. Tully Road Music #931717. Published by Tully Road Music (A0.1346930). The 1941 classic “Deep in the Heart of Texas†is an American popular song about the state of Texas with lyrics by June Hershey and music by Don Swander. It has been recorded in multiple versions, five of which were on the Billboard charts in 1942. Several university bands in Texas perform the song before football games including the University of Texas Longhorn Band and the Texas Christian University Horned Frog Marching Band, and country music singer and native Texan George Strait has the song played before he takes the stage at concerts. This simple version for SSAA voices and piano was arranged by D. Jason Bishop for the Texas Boys Choir.
$2.00
1.84 €
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Chorale SSAA
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Alvino Rey & His Orchestra
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D
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Deep In The Heart Of Texas
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Tully Road Music
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SheetMusicPlus
Fifty Percent
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1349236 By Ballroom…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de Bruin. Barbershop,Broadway,Musical/Show. 4 pages. Rebecca de Bruin #933981. Published by Rebecca de Bruin (A0.1349236). Music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman. Arranged in 2023 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Fifty Percent is a defiant ballad taken from the 1978 Tony-nominated stage musical by Jerome Kass, Billy Goldenberg and Alan and Marilyn Bergman. Having fallen for a married man, Bea sings of how she would rather have fifty percent of him, or any percent of him than all of anyone else at all. Vocal ranges are:Tenor (S1): Eb4 - F5 (Eb above middle C to F above high C)Lead (S2): Bb3 - D5 (Bb below middle C to D above high C). (Until the tag the highest note is C, and an alternative tag is included)Baritone (A1): C4 - C5 (Middle C to high C)Bass: Db3 - F4 (Db below middle C to F above middle C)NB It's entirely possible to sing this in E / F# rather than Eb / F (as my quartet does) provided you have a relatively high lead: but it makes it much harder to read!Learning tracks are available from NewVoice Studio.
$1.99
1.83 €
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Chorale SSAA
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Ballroom
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Rebecca (Boo) de Bruin
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Fifty Percent
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Rebecca de Bruin
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SheetMusicPlus
Love Song
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. …
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)
$12.99
11.94 €
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Chorale SSAA
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Sara Bareilles
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Rebecca de Bruin
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Love Song
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Rebecca de Bruin
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SheetMusicPlus
Gaudete
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856135 Composed by Trad. A…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856135 Composed by Trad. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 4 pages. Liz Garnett #3023039. Published by Liz Garnett (A0.856135). This medieval carol often presents the challenge in performance of where to breathe - each line of words runs up right to the end of the phrase and the next is upon you with barely a moment to inhale. So the arrangement sets out to solve this problem by breaking the ensemble into subgroups that alternate their phrases giving the singers time to breathe, and the audience a seamless musical experience.As it progresses, the process of overlapping becomes more and more complex until the texture disintegrates into all voices working independently. This makes the arrival of the final chorus in full four-part harmony all the more striking.Ranges:Tenor: B flat 3 - D flat 5Lead: B flat 3 - B flat 4Bari: B flat 3 - A flat 4Bass: F 3 - A flat 4(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.www.HelpingYouHarmonise.com
$3.50
3.22 €
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Chorale SSAA
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Trad
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Liz Garnett
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Gaudete
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Liz Garnett
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SheetMusicPlus
Blue
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1382423 By Joni Mit…
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1382423 By Joni Mitchell. By Joni Mitchell. Arranged by Joyce Todd McBride. 20th Century,A Cappella,Jazz,Pop,Singer/Songwriter. 6 pages. Buckwheat Music #966903. Published by Buckwheat Music (A0.1382423). Arrangement for SSAA a cappella voices of Joni Mitchell's Blue. I have used 3/4 time signature for much of the song, so it has a different rhythmic feel than the original. I've incorporated a lot of the melodic (instrumental) ideas from the orginal version into the vocal parts. There is an optional low D if you have a very low alto! Fabulous arrangement of one if the best songs ever written.
$1.99
1.83 €
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Chorale SSAA
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Joni Mitchell
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Joyce Todd McBride
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Blue
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Buckwheat Music
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SheetMusicPlus
Make Your Own Kind Of Music
Chorale SSAA
Choir, SSAA (TLbB) - Early Intermediate - Digital Download By Mama Cass Elliot / Paloma …
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Choir, SSAA (TLbB) - Early Intermediate - Digital Download By Mama Cass Elliot / Paloma Faith. Arranged by LABBS Music Category. Sheet Music Single. 6 pages. Published by LABBS - Ladies Association of British Barbershop Singers (
An uplifting song arranged by members of the LABBS Music Judging Category in 4 part close harmony for women's voicings, in the barbershop style (internal melody). Sticking fairly close to the original, the arrangement features solos of each voicepart on the melody, and rousing homophonic choruses. The standard tag builds to a satisfying climax, with an optional extended tag that sends it through the roof! The arrangement is suitable for most female barbershop choruses and quartets as a fun, fairly quick learn for performance repertoire. Each voicepart is well within the standard barbershop ranges of most arrangements (Basses: low E, one low D has an alternate note offered). Note: if you are unfamiliar with the scoring of female barbershop music, be aware the bass clef should be sung an octave higher than written, as designated by the 8 above the clef. This arrangement is not suitable for use in barbershop contests. This song and arrangement would also be a great choice for other genres of female choirs and a cappella quartets or ensembles, including high school / college / secondary school choirs wanting to try the barbershop style. It is a fun and modern song containing a strong and poignant message about not bending to peer pressure and being your own person and remaining true to yourself. Learning tracks available separately from www.hbteachtracks.co.uk www.labbs.org.uk https://www.facebook.com/SingLABBS/
$2.49
2.29 €
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Chorale SSAA
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Mama Cass Elliot / Paloma Faith
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LABBS Music Category
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Make Your Own Kind Of Music
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LABBS - Ladies Association of British Barbershop Singers
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SheetMusicPlus
I've Got The World On A String
Chorale SSAA
By Dick Hyman. By Harold Arlen and Ted Koehler. Arranged by Larry F. Wright (click on …
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By Dick Hyman. By Harold Arlen and Ted Koehler. Arranged by Larry F. Wright (click on song title to get important info regarding pricing!!!). A Cappella, Barbershop. Octavo. 3 pages. Larry Wright #712455. Published by Larry Wright
A WOMEN\'S 4-part, a cappella barbershop arrangement of this great uptempo\'d song sung by Frank Sinatra and many, many others! This is the Original Version WITHOUT the INTRO.
$15.00
13.78 €
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Chorale SSAA
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Dick Hyman
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Larry F
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I've Got The World On A String
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Larry Wright
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SheetMusicPlus
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